Jerry Lee Lewis' 'The Wild Side of Life'

In Search Of Lost Time… Then-With 1960s School Days In Mind

 

Several years ago, maybe in 2007 or 2008 Sam Lowell, the locally well-known lawyer from the town of Carver about thirty miles south of Boston, wrote some small pieces about the old days in the town, the old days being for him the 1950s and 1960s. At that time the town was mainly a rural outpost, a place where instead of the usual rural occupation of farming the cranberry bogs and boogers held sway and dominated a fair part of town life, ran the town politics and determined the ethos, determined the ethos to the extent that was possible in post-World War II America where the older cultural norms were rapidly being replaced by a speedier and less homespun way of doing business. In the teenage life line-up, the only one that was important in Sam’s world then, since he was not a booger and had no bogger roots he gravitated to those whose families like his  that were connected with the shipbuilding industry about twenty miles up the road. So you would have seen Sam and his corner boys on any given Friday or Saturday if not dated up holding up the wall in front of Jimmy Jack’s Diner over on Main Street daring, with the exception of Jack Callahan the great school football running back and fourth generation bogger who hung with them because he thought they were “cool,” any boggers to do anything but go in and order food or play the jukebox. (Seemingly every boy in town from junior high on, if not before, had his corner boys for protection against a dangerous world, or something like that if you asked them. Professional sociologists and cracker barrel tthe angst-driven night).

Sam had seen that all change over his long association with the town, including a few terms as a town selectman, although the boggers were still there, still moaning about their collective water tax bills, and still a force on the board but the drift over the decades was for the town to become a bedroom community for the sprawling high tech industry running the corridor about ten miles away. Wrote about the old neighborhood now still intact (the new developments were created on abandoned bog lands to the benefit mainly of Myles Larson, the largest bogger around), largely still composed of the small tumbledown small single family homes with a patch of green like that he grew up and came of age in on “the wrong side of the tracks (along with three brothers all close in age in a five room shack, Sam had never, except in front of his parents, ever called it anything but that).

Wrote too about the old (painful, the painful being that the school drew the more prosperous new arrivals staring to come into town leaving the boggers over at John Alden Junior High and subjecting him to lots of taunts about his brother hand-me-down clothes, stuff like that) days when he attended the then newly built Myles Standish Junior High School (such places are now almost universally called middle schools) where he and his fellow class- mates were the first to go through starting in seventh grade. In that piece he mentioned that he was not adverse, hell, he depended on “cribbing” words, phrases and sentences from many sources. One such “crib” was appropriating the title of a six-volume saga by the French writer Marcel Proust for one of those sketches, the title used here In Search of Lost Time as well. He noted that an alternative translation of that work was Remembrances of Things Past which he felt did not do justice to what he, Sam, was trying to get a across. Sam had no problem, no known problem anyway, with remembering things from the past but he thought the idea of a search, of an active scouring of what had gone on in his callow youth (his term) was more appropriate to what he was thinking and feeling.       

Prior to writing those pieces Sam had contacted through the marvels of modern technology, through the Internet, Google and Facebook a number of the surviving members of that Myles Standish Class of 1962 to get their take on what they remembered, what search that might be interested in undertaking to “understand what the hell happened back then and why” (his expression, okay). He got a number of responses   from people speaking of where they lived now, what they had done with their lives and so forth who also once Sam brought the matter up wanted to think back to those days. One of those classmates, Melinda Loring, after they had sent some e-mail traffic to each other, sent him via that same method (oh beautiful technology on some things) a copy of a booklet that had been put out by Myles Standish in 1987 commemorating the  25^th anniversary of the opening of the school. Sam thoughtfully (his term) looked through the booklet and when he came upon the page shown above where an art class and a music class were pictured he discovered that one of the students in the art class photograph was of him.        

That set off a train of memories about how in those days, days by the way when the community freely offered every student a chance to take art in school and outside as well unlike today when he had been informed that due to school budget cuts art is no longer offered to each student but is tied to some cumbersome Saturday morning classes at the out-of-the-way community center, when Mrs. Robert’s encouraged him to become an artist, thought he had talent (later at Carver High Mr. Henry thought the same thing and was prepared to recommend him to his alma mater, the Massachusetts School of Art in the Back Bay of Boston).

Art for Sam had always been a way for him to express what he could not put in words, could not easily put in words anyway and he was always crazy to go to the Museum of Fine Arts in Boston to see some artwork by real professionals, especially the abstract expressionists that he was visually drawn to (and would leave after viewing feeling like he at best would be an inspired amateur). The big reason that he did not pursue that art career had a lot to do with coming up “from hunger,” coming up the hard way and when he broached the subject to his parents, mainly his mother, she vigorously emphasized the hard life of the average artist and told him that a manly profession (her term) was better for a boy who had come up from the dust of society. He wondered about that after seeing the photograph, wondered about the fact that after a lifetime of working the manly profession of the law all he could conclude was that there were a million good lawyers but far fewer good artists and maybe he could have at least had his fifteen minutes of fame in that field. He resolved to search for some old artwork stored he did not know where to see if that path would have made sense.     

Sam had had to laugh after looking at the other photograph, the one of the music room, where he spotted his old friend Ralph Morse who went on in the 1960s to some small fame in the Greater Boston area as a member of the rock group The Rockin’ Ramrods. That look too set off a train of memories about how in those days, days by the way when the community freely offered every student a chance to take music in school and outside as well like with art classes unlike today when he had been informed that due to school budget cuts music is no longer offered to each student but is also tied to some cumbersome Saturday morning classes at the out-of-the-way community center. However unlike with his art teachers Mr. Dasher the music teacher often went out of his way to tell Sam to keep his voice down since it was gravelly, and off-key to boot.

At the time Sam did not think much about it, did not feel bad about having no musical sense. Later though once he heard folk music, the blues and some other roots music he felt bad that Mister Dasher had put a damper on his musical sensibilities. Not that he would have gone on to some career like Ralph, at least Ralph had his fifteen minutes of fame, but he would have avoided that life-long habit of singing low, singing in the shower, singing up in the isolated third floor where no one would hear him. The search for memory goes on….  

Easter 1916-Out In The 1960s Be-Bop Corner Boy Night-Dimmed Elegy For Peter Paul Markin-Take Two

 

From The Pen Of Bart Webber   

My old friend and corner boy the late Peter Paul Markin got as caught up in what he called the jailbreak of the 1960s counter-cultural movement as any man I knew from that time.  You know, and if you don’t know you can look up the information on Wikipedia or take a chance that somebody has put something about the times so I will just give a little shorthand, the “hippie”-tie-dye-far out, man-drugs, sex, rock and roll-live fast and stay out of the fast lane-angry, gentle people-seek a newer world-turn the world upside down-we want the world and we want it now-Nirvana crash-out thing. While everybody did not go through all the connected hyphens enough did enough of most of the ideas described to form a significant mass movement, for a while. That “for a while is” is important because Peter Paul stuck it out through thick and thin a lot longer than most, stuck with the “new age” ideas for a while after the ebb tide having caught him sort of flat-footed could no longer hold back those “wanting” hungers that flashed through his life (and the rest of us his corner boys too). That tension between the new world that he invested his “angel-heart” in when he threw the dice of his life against the back alley boards and the satan-demon” he suppressed temporarily just could not stay inside that fragile man for too long and in the end he went under.

I was there through some of it, the early part mostly when Peter Paul  was driven more by the “better angel of his nature.” When he sensed that the fresh breeze coming through the 1960s land might wash him clean, might give him some breathing room, during the school part from late elementary school on through our first couple of years out of high school when a lot of the stuff was getting into high gear. Then I drifted away with a little junior college time, an early marriage, a quick first child, some responsibilities starting up a small restaurant but, frankly, because I was never as invested in the successful outcome of what was going on then as Markin. Got tired of the constant on the road hitchhiking, sleeping on some off-beat bus, somebody’s kindly floor, or curled up in a sleeping bag against the wide oceans, and tired of the drugs, sex, and rock and roll run through although for about two years I was with Markin almost every step of the way. Some people, and thinking about those days over the years since I am one of them, were not built to be a merry prankster, to “be on the bus” as some guy used to say and Markin picked it up and would say it every time somebody jumped off the bus.

I might have drifted away, got caught up with the family ways but until a few years before the end we would stay in contact, or I would get messages from him through other old time corner boys like Frankie Riley, Sam Lowell, and Jack Dawson. Just so you know what I am talking about in case you were not washed, washed clean I hope, by that tide Peter Paul got caught up in the anti-establishment/anti-Vietnam War/don’t trust anybody over thirty/live free and communally on greens and love/hippie/drugs, the more the better/louder the better acid rock/strobe light dreams/seeking a newer world/turn the world upside down and see what shakes out scene and if you didn’t know I have laid out the briefest of outlines here. Some of those trends around our town, North Adamsville down by the shore about thirty miles south of Boston, Markin, or he and Frankie once Frankie stopped harassing him and began to be swept up by the tide too started or heard about from the grapevine and started.  But you have to know this, and I didn’t really get the full weight of what this meant until recently when I felt compelled to write a little something about the bastard and had to think about all the things I knew about him directly and what I picked up from other sources that he was a man of profound contradictions.

Hell, like many things that sprang up from nowhere then and had to be dealt with like the war, like your relationship with your parents, your view of success and an interesting life, and the way events totally outside their control twisted many people, from that time he was nothing but a walking contradiction. Would go from talking kick ass about the heathen commies and taking them down a peg in Vietnam one minute when we were hanging around idly against the brick wall in front of Jack Slack’s bowling alley in high school, no, for longer than that until he had to face Charley on his own turf when he got dragged into the Army and practically became a red-front street fighter with the NLF flag in his hands running through the streets of Cambridge, Washington, San Francisco the next. Really after he got out of the service but it seemed strange to see him switch up like that. Maybe that experience, the whole panorama of Vietnam, the war that broke apart our generation, hell, broke the country apart is the prime example I can give about Markin’s contradictions or better those tussles that crammed his brain for almost as long as I had known him, although I will give you more. See Markin  would yell and scream about the commie menace, like the rest of us caught up in the red scare Cold War are we going to last until next Wednesday or is the world going to go up in a puff.

He had been furious when that war got started up in earnest in the early 1960s while we were still in school and practically wanted to join the Green Berets sight unseen although given his physique and lack of co-ordination he would have washed out about the first day, and would tell one and all that we needed stop the bad guys in their tracks. At the same time he was very influenced by his grandmother who was loosely associated with the Catholic Workers movement, you know the social justice and peace people, Catholic version, who are still around, Catholic version, and actually would some nights rant about the Russkies and their nefarious doings around the world and in the next topic talk switch up about how we needed to make a more peaceful world and do something about it. If that doesn’t give you an idea of what he was about, maybe is too vague, I remember in 1960, the fall, when we were just starting high school, he would go door to door for hard anti-communist Jack Kennedy (one of our own Irish to boot) every weekend who was spouting in debates and where ever he could on the stump about the “missile gap” meaning the United States needed more bombs, more nuclear bombs,. Except one weekend, one Saturday, to placate his grandmother, his Irish Catholic grandmother although she was a little less enamored of the “chandelier” Irish Kennedys doing any “bog shanty” Irish proud, he went to a  Catholic Worker-sponsored nuclear disarmament (along with the Quakers and a bunch of little old ladies in tennis shoes as we used to call the grandmotherly do-gooders who you would see in Adamsville Center passing out leaflets once in a while for some worthy cause, and maybe some Universalists and Unitarians before they joined forces together but don’t hold me to that last group, except they did join together for some reason).We all gave him hell about that not seeing, me as hard as anybody else since I was as anti-red as the next guy, being clueless, about how the events of the world were twisting him back and forth. The rest of us, except maybe Sam Lowell a little, were either not consciously conflicted about the big events in the world. We  were so tied up in corner boy midnight creep small larcenies, turf wars with other corner boy cohorts (except for Red Radley and his biker boys who hung around Harry’s Variety Store, nobody, nobody still living, messed with those guys and their whip-chains and we never went within ten blocks of them even if we needed a soda desperately on a hot day, no way, Jesus, no way), getting girls to “do the do” or having many male fantasies about that idea, especially the ideas, read lies, come Monday morning before school cafeteria talkfest about who did or did not do what over the weekend, yes read mainly lies, getting winos or older brothers to get booze for us, no lie, although with the winos you had to make sure they got their bottle of Ripple or Thunderbird and watch them in and out of the liquor store to make sure that did not break on you, that that the fate of the world or the vagaries and rages of our small town existence passed us by, then anyway.              

But see maybe it is best to give some other examples so that nobody gets the idea that I have overdrawn that Markin contradictions business. No question from early on, junior high anyway from what I remember since I only knew him in sixth grade in elementary school having moved up from Carver when my father changed jobs, Markin had an idea about seeing himself as a up and coming politician, what he would later where he had shifted to that street fighter stance after the Army call a bourgeois politician at one point in order to satisfy some fierce childhood wanting habit as he called what ailed him and a fiery renegade street fighter facing down the cops at another (after the Army and after he got what he called “hip” he got arrested more than a few times for acts of civil disobedience including in the big bad mass arrests down in Washington on May Day in 1971). A desert-seeking latter day hermit slated for the slab or sainthood actually having gone out into the caves near Joshua Tree in California for a while one month and king hell orgy satyr the next (he was not happy, despite his  failed marriages complete with divorces, unless he had a few girlfriends at the same time to lie to). Consumed tanks-full of Irish working class kick ass (kick ass the commies I guess but mainly kick ass for me to get into an occasional fistfight when somebody crossed me) low-shelf Johnny Walker whiskies on sleepy Cape Cod beach strewn nights and a warrior avenging angel “walking with the king” peyote button visions on electric Joshua Tree days. Was as truthful as God one minute and the devil’s own hell and fire liar the next. Got as sentimental over women as an Romantic poet one day and despite needing those women friends then proceeded to cold-heartedly betray about four women in two hours the next. Peter Paul by his whole being, just by his very existence, was twisted up with each new social convulsion, twisted by who he was, who he wanted to be but most of all by his over-sized  puffball dreams of his own future, and the world’s. No wonder Sam Lowell who knew him as well as any guy except maybe Allan Johnson ( who knew him from about third grade when they had lived in the same four unit housing project complex with together him and used to write on various blogs and websites a few years ago using Markin’s name as his moniker as a sign of respect for his long lost memory), used to said he was a man not of his times but of some earlier time when the world was small enough that the weight and fire of one man’s rages could set the world right.

Take that corner boy designation that I started out with, a designation let’s be very clear, which was separate from friendships, a distinction which every corner boy knew, every corner boy who hung out on our corner. At the end senior year in high school and for a couple of years after that before the group started going its own ways that corner was in front of Jack Slack’s bowling alleys. Before that starting out at Doc’s Drugstore in late elementary school, maybe fifth grade according to Frankie Riley, Gino’s Sub Shop in junior high (when Frankie, a character worth writing about in his own right back in those days if not later, became the acknowledged and undisputed leader of our corner boy cohort) and before the place changed ownership in high school and the new owners did not want corner boys hanging around their place, Salducci’s Pizza Parlor, up in North Adamsville Square. Serious business. Serious corner boys hanging out most of the time, especially early on, because we were flat out busted, no dough, no way to get dough, except our little midnight creep petty larcenies, some not so petty like the time we hit it big on a big jewelry box in one house we crept into,  and maybe hitting Ma’s pocketbook for change when times were tough and most of us just couldn’t stand being cooped up all the time with no space to breathe brothers and sisters (me four sisters) coming out of the rafters. So weekend nights mainly and almost any night during the summer you could find at least a few of us holding up whatever age-appropriate wall we were holding up. And many nights Peter Paul was the guy who glued us together, the guy talking a mile a minute (or if he wasn’t talking writing something two miles a minute) about everything under the sun that he had read that day, or sometime.

Of course Peter Paul was also the glue guy when our larcenous hearts were on fire, he had a few contradictions even then to work out. I don’t want to get into those larcenies but I will give one example from our early days, kids’ stuff days, when we figured the “clip,” you know, the five-finger discount up the Square where in those days all the stores were not in the malls like now in most places, especially the jewelry stores and department stores. Here was the beauty of Markin, he worked out the “clips,” who to hit, how and where, although Frankie was the “on-site” organizer I guess you would call him. Funny the way Markin got started he said one night a few years later when we were at wits’ end about dough to get a car and be mobile for once, was he was trying to impress some girls and didn’t have dollar one and so he and some kid who left the neighborhood before I got there went to Kay’s Jewelry store and grabbed an onyx ring with a diamond set in the middle, cheap stuff but all the rage then for boy-girl “going steady” and the girl loved it. I don’t know what happened after that with those “clips,” before I got into town, how many and for what purpose, but that probably gave Markin just the flame he needed whenever he was in a tight corner. The basics of the clip were simple, have one guy clip and another lookout (which I did mostly since I was kind of nervous and would get sweaty palms) and then clear out slowly like nothing happened. Markin was beautiful in his planning (although as Frankie said no way could Markin run the operation or we all would have been in reform school or prison) but the really beautiful part was how we made money off the stuff. Obviously we couldn’t go to a pawn shop or something like that so Markin would sell the stuff to high school kids who had dough at a nice discount. Really beautiful, and here is where we might have been unconscious socialists, we pooled all our monies together for whatever entertainment we were going to use the money for.  

     

Here’s the difference between corner boys and friends though, okay. Friends could be anything from some “nod” thing where you were cool with another guy (sometime I am going to write something up about the meaning of the “nod,” in the hierarchy of the gestures of the time because you would never nod a fellow corner boy, no way, and no way, no way in hell, would you nod a girl, Jesus, they wouldn’t know what it meant but I will leave it as this “cool” between guys for now), maybe played sports together, worked together, but corner boys were expected to be more than that, were expected to be willing to go to the mat for the other guy, and did, and although we did not have anything as corny as some ceremonial blood oath like some corners had that we had heard about and had dismissed out of hand we were tight.

Peter Paul Markin was a key guy in the great firmament of the different configurations that we morphed into (I had only caught the sixth grade at Doc’s to start my corner time but Peter Paul, Allan and, I think, Sam all started to hang out at Doc’s in the fifth grade when they “discovered” rock and roll and Doc’s big ass play everything, five, can you believe it five selections for a quarter jukebox on their way home from the elementary school that was just down the block). He was as stand-up a corner boy as the next guy, probably more so than me, since he whole blessed life depended on that link to the world then. He took more than a few punches and kicks defending his brethren, including me one time when Frannie Desoto was after my ass, when he could have looked the other way. He really never was much of a fighter then, too runty and awkward but game. Thing was Peter Paul could never be the leader, he was far too bookish for that with his eight billion facts ready to drown out any argument with the light of pounding reason when other skills were more necessary like how to get money fast for whatever enterprise was at hand from date money to car money. Skills which required somebody like the larcenous Frankie Riley and his midnight creep operations which were done with style, however everybody especially Frankie appreciated him, called him the “Scribe,” mostly a high honor in our corner.                   

This is where those eight billion, maybe before the end nine billion, facts did come in handy. See Peter Paul had out of some almost mystic sense, or maybe just through his overweening desire to see the thing happen, called the breeze that was palpably running through the country beginning with the election of our own practically neighbors but Irish in any case even if chandelier Irish “new thinking” President Kennedy in 1960 and that fresh breeze got translated by many of us in lots of ways from social activism to outrageous self-indulgence, not all of them in the end worthy of remembering, not all of them thought back on with fondness. But remember we were fighting what Peter Paul later on termed a rear-guard action in a cold civil war that I feel goes on to this day and if Peter Paul were around he would be sure to remind us not only of his call on the breeze but of who we were up against and why, and name names for the forgetful, so good or bad that breeze is part of the chronicle of our time.

Peter Paul, who we always called Markin early on and never that WASP-ish three name thing like his forbears had come over on the Mayflower or something rather than he to the low-end housing projects born, or once Frankie Riley our leader anointed him in high school we began calling him, sometimes by me just to get under his skin, “the Scribe” since he was basically Frankie’s flak, always writing stuff about Frankie like it was scripture and Frankie did nothing to dissuade anybody about its worthiness as such. You could always depend on the Scribe with his infernal facts to make anything Frankie did seem like the Second Coming, and maybe with his frenzied pen Markin actually believed that.

Markin, Frankie, Allan, Sam, me  and a bunch of other guys basically came of age together, the fresh breeze trying to figure out the world and our place, if any, in it in the early 1960s when we po’ boys used to hang around the corner in high school, the corner right next to Jack Slack’s bowling alley on Thornton Street where sometimes we would cadge a few free games if Jack’s son, our fellow classmate in the North Adamsville Class of 1962, was working and if not then just hanging out, Frankie talking a mile a minute, Markin taking notes at two miles a minute, maybe gathering in some girls if we had money to head to Jimmy Jack’s Dinner up on Atlantic Avenue near-by where Jimmy Jenkins who would later join with us held forth with his corner boys and on most nights would welcome us there if there was no beef brewing between our respective corners. Jimmy Jack’s after Doc retired and closed his drugstore was the place to be if you wanted the best jukebox in town (although only three selections for a quarter but Markin, big idea Markin, figured out a way in tenth grade to take some slugs the size of a quarter that he got from an older brother who worked in a metal stamping shop and play for free, how about that, as long as we didn’t get too greedy and Jimmy Jack would pull the plug on the jukebox).

Most nights though no dough, no girls, we would endlessly banter back and forth about whatever was on our minds, maybe girls, girls who did or did not “do the do” and you can figure that out, whether some Frankie midnight creep thing would work out or whether we would wind up in the clink, maybe somebody’s take on sports or politics the latter mostly when some big event shook even our corner complacency. A lot of times it would be Markin spouting something, maybe, to give you an example, how religion was a joke, especially our Roman Catholic religion that didn’t make sense to us a lot of the time and we lots of times skipped Mass as we got older. Except of course going to Mass was just fine with Markin when he got the “hots” for Minnie Callahan and he would sit a few rows behind her at eight o’clock Mass and watch her ass the whole time, and she knew he was watching her that way as she told him later when he asked her for a date. Nobody jumped on him for that contradiction after all it was about a girl and that was fair enough. But get this, and the more I write about the guy the more I see the terrible contradictions that he was always bouncing around in his head and I keep coming back to that one day, that one fall day, that October day, the October before the 1960 elections, he had heard that the Catholic Worker movement, Dorothy Day’s social justice operation out of New York City, was going to be part of a nuclear disarmament demonstration on the Boston Common with some Quakers and other little old ladies in tennis sneaker and he was going to march with them. Jesus did he take a razzing from the rest of us, Catholic do-gooders, Quakers and quirky old grandmothers for Chrissakes. Classic Markin though.

Pretty early on Markin caught this fresh breeze idea, caught and wouldn’t let it go, influenced a little by some “beat” stuff he read, you know big Jack Kerouac and his on the road travels along with some other New York guys in what sounded like great stuff when he told us about its beginnings in the late 1940s but which was just winding down as a cool movement in our time and was then being commercialized to hell, was a goof on television and subject to silly jokes about guys with long beards, berets, and bongos and girls dressed head to toe in black, maybe underneath too something for erotic fantasy in those days. He would tell us too on those nights when no corner boys were around like sometimes happened in the summer with dopey family vacations and he had had it with his mother’s endless harping on him or his three brothers doing stuff to disturb his reading or something he would fly out the back door and walk to the bus stop which took him to the subway which took him to Harvard Square when he would hang out in the Hayes-Bickford and just observe stuff. Stuff like goofy guys singing songs, folk songs as it turned out when he got brave enough to ask, that he had never heard of or guys reading poets or stories to a few people in front of them, mostly girls. Stuff that the first time he told us about it sounded weird, Frankie made jokes for days about Markin winding up like some lonesome hobo, being some Harvard goof’s mascot, being some kind of a court jester to the winos, drunks, hipsters and con artists ready to make him jump. Markin got mad, said it was not like that, refused to write stuff about Frankie for a while but kept pushing the point that maybe this was what we were spending all those lonely ass nights yakking about, that we might get swept up in it too. A fresh breeze he said that was going put all our talking points dreams about schools, jobs, marriage, kids, everything in the shade. We laughed at him, although as the decade moved on the laughter subsided.

This fresh breeze thing was not just goof talk although there was plenty of that toward the end of the night if we had been drinking some Southern Comfort purchased by Allan’s older brother or maybe like we did more than a few times by getting one of the town winos to go to the liquor for us and who could care less about our ages as long as he got his bottle of Thunderbird, Ripple or some such rat poison wine. Markin was an intense reader of the news, of what was going on in the world and maybe the rest of us should have been a little more world-wise then too but I think what we got caught up in then was the notion that we were born into a world that was already fixed, that somebody else had the strings too and that down among the fellahin like one of our history teachers called us peasants, including himself, that deal was done. (By the way that was the first time I heard the word fellahin and was surprised later when Markin almost forced me to read Jack Kerouac’s On The Road, he a fellow working-class guy from up in Lowell, used the word too). We, maybe Allan and Sam most of all, were what Markin called alienated although he did not use that word then but rather called us hung up on the James Dean sullen nobody cares thing. Hell, Allan, a big lumbering guy, used to do his James Dean tee shirt, rolled up sleeve cigarette pack, blue jeans, engineer boots completer buckles and a whip-chain hanging out of his back pocket sulk all the time, and had used that whip-chain for more than ceremony as Frankie could tell you when we got into a few scrapes with Leo Russo and his corners up in the Square. So maybe we were but like Markin said, and who could be as sullen as the rest of us especially when he had his battle royals with his mother, a lot of young people around the country were feeling the same way and were trying to break out of the Cold War we-are-going-to-die tomorrow thing what with nuclear bomb threats being thrown around every other day by one side or the other. Stuff like that Markin was hip to, stuff like the fight for civil rights in the South where young white people were joining in the fight although Frankie Riley would say some very derogatory things about black people, and about how they better not show up in North Adamsville looking for anything and some guys, me too for a while, felt the same then, felt we didn’t want n----rs around our way. That was the hard reality fed to us by parents and everything else in our cramped little lives. Of course the big thing for Markin was the music, the rock and roll we came of age to but also this new folk stuff that he would hear in Harvard Square. Most of it I hated, still do, but that music was another move away from the old stuff that Markin kept saying had to change. Yeah, later we each in our own way grabbed some of what that madman speaking about forty miles an hour would run by us but when he presented it at first he might as well have been on the moon.       

Markin really was the bell-weather, the first guy to head west to check out what was happening in the summer after high school. He had been accepted into Boston University on a wing and a pray since as bright as he was he was slightly indifferent to grades preferring to wrap himself around the eight million facts knowledge of what interested him, mainly literature, history, and math and neglected the rest. Neglected it too because at least for public consumption we corner boys were not supposed to be too “book smart” but needed to be “street smart,” a very big different especially when the deal was coming down.  (Strangely, although I personally was never much of a student and only went to junior college for a couple of years to learn business administration in order to help me understand that aspect of the printing business, guys like Markin, Frankie and Sam, Jack Dawson, went to four year colleges in a time when that was unusual around our way and they all were the first in their families to do so, hell, Frankie and Sam went on to be lawyers, Frankie mine until this day.). That first trip out in the summer of 1964 Markin did not hitchhike whatever he may have told the girls around Adamsville, Boston, and Harvard Square trying to cash in in the “romance of the road” residue from the Jack Kerouac-induced fervor which fired all our imaginations after Markin force-fed us to read his big “beat” book On The Road. Markin and some of the rest of us did the hitchhike road later to save money and just to do it but the first time out he took the Greyhound bus which he said was horrible going out over several days of being squeezed in by some fat ass snorer, some mother who let her child on her lap wail to the high heavens, and some wino who along with his dank urine smell was drifting west. He said though despite his feeling like some unwashed hobo as he got off the bus it had been worth it once he got to ‘Frisco and saw right in front of him the wild west show stuff at places like Golden Gate Park that put the “hip” action in dingy staid Harvard Square in the shades. Had his first taste of dope, several kinds, had a few quick, easy and non-committal affairs (that was his term, okay, like he was a guy out of a Fitzgerald novel), and that non-committal was on the girls’ parts unlike in old North Adamsville where every girl in those days, especially the “do the do” girls expected marriage and kids and white pickets fences and everything that Markin said we would leave behind, and gladly. 

He also went west the first couple of years when he was in college, a few times with me along until I tired of it and by then we were all pretty much going our separate ways and I was starting up my first small print shop in the Gloversville Mall. So I missed a bunch of what Markin was about before he announced to the world one night at Jimmy Jack’s where we were grabbing something to eat and trying to find some non-Beatles tunes on the jukebox that he was tired of college, that he wanted to pursue the fresh breeze that was starting to build a head of steam while he could and he would probably catch up with college later, later when we had won, when the “newer world” as he called it after some English poet, was the implication. Unfortunately poor old Markin had made his what might have previously been reasonable decision just as all hell was breaking loose in Vietnam and every non-college guy was being grabbed to fill the ranks of the army and he got drafted which clipped his wings for a couple of years (I was exempt as the sole support of my mother and younger sisters after my father died in 1965).

 

 

But that Army death trap was a little later because I know he got caught up in the summer of love in 1967, before they clipped his wings with that freaking draft notice. That was the summer that he met Josh, Josh Breslin from up in Podunk, Maine (Josh’s expression, but really Olde Saco by the ocean up near Portland ) who has his own million stories that he could tell about that summer, about being on some Captain Crunch-led merry prankster ex-school bus riding up and down the coast, getting high about thirteen different ways, playing high decibel music coming out a jerry-rigged stereo on the front top of the bus, picking up freaks (later called hippies, male and female), got “married” to one Butterfly Swirl and had a Captain-sanctioned acid-blessed “honeymoon,” and stayed on the bus for a long while after Markin headed back east to face the music. Yeah, Markin while out there got caught up in the acid-etched music from the Dead, the Airplane and a million other minute niche rock bands (I just realized I had better tell you that acid being not “throw in your face” acid but LSD, colors, man, colors, okay, just in case you were worrying), the drugs from ganja to peyote although he always claimed not LSD but with some of the stuff he did toward the end I don’t know, the sex in about seventeen different variations once he got the hang of the Kama Sutra and a couple of adventurous West Coast women to indulge him (although in the end I heard that he betrayed them as well, if that is not too strong a word for the loose but mainly sincere attachments of the time, left them high and dry with the rent due and their drug stash gone once he was ready to move onto some new woman, a woman he had met in La Jolla), the madcap adventure of hitchhiking west which the times we went out together could be a subject for more than a few pages of interest, the bummer of riding freight when he tired of the hitchhike road (and had sworn off cross-country buses as had I after one jaunt to Atlanta), which he often said when we would run into each other periodically later was not for the faint-hearted , not for those who didn’t breathe train smoke and dreams the way he put it to me one time when he was in high dudgeon.

Markin not only got caught up in all the commotion of the counter-culture that kids today scratch their heads about the minute some old geezer like Josh Breslin, Jack Dawson, Sam Lowell, Jimmy Jenkins, or, hell, me starts going on about “wasn’t that a time” but brought me, Frankie Riley, Jack, Allan, Jimmy Jenkins, Josh, Sam, Phil Ballard and a few other guys from around our way (except Josh who was from Olde Saco up in Maine although in the end he was as much a corner boy refugee as the rest of us from North Adamsville) into the action as well. All of us (again except Josh whom he had met out on Russian Hill in Frisco in the summer of love, 1967 version) at one time or another travelled west with the Scribe, and lived to tell about it, although it was a close thing, a very close thing a couple of times, drug times and wrong place at the wrong time times.

But as the 1960s decade closed, maybe a little into the early 1970s the luster faded, the ebb came crashing in, and most of the old corner boys like Frankie and Sam who took the lead back to the “normal” went back to the old grind (both of them to the law, lawyers if you can believe that, Frankie mine of course). Markin could have or Josh can tell more about what happened when the fresh breeze gave out about somewhere between 1971 and 1974, when the Generation of ’68 as both of them liked to call it for all the things that happened that year, although Markin was on the sidelines or rather he was trying to keep his ass from being blown away by  Charley (name for the enemy in Vietnam, usually in some guerilla unit) when he, Charley, decided to come up over the hill some dark moonless sweaty night (Charley, that’s what he called them too, the enemy, at first he said out of spite and disrespect but after Tet in 1968 he said it with respect, lots more respect). According to stuff Markin wrote later for some journal that was interested in such things (and I think Josh said he had “cribbed” some stuff from Markin’s article to fill out an article he was doing for Esquire and for once some big money) a lot had to do with political confusion, a lot believing that we were dealing with reasonable opponents when they didn’t give a damn about us, their sons and daughters, when they let us to hang out to dry when they decided to pull the hammer down. But he insisted we were also done in by our studious refusal almost on principal to listen to the old-timers the guys and gals who fought the social and labor battles in the 1930s and 1940s and could have helped figure out which way to go, how to defend ourselves when a fast freeze cold civil war was brewing in the land.

Some stuff, frankly had to do with the overweening self-indulgence that set in once we took a few hits to the head from the powers that be, drugs to the point of stupor, a half-baked “theory” that music is the revolution that even I balked at although Markin said he went through a stage where he thought that might do the trick, know thyself in one of a hundred forms, new age stuff, before you go out to slay the dragon while he or she in the meantime is arming to the hilt, and a whole segment just withdrew literally to the hills, abandoned any thought of confrontation, heavy, man, heavy. Josh told me a few years ago to go to the back roads of Maine, Vermont, Oregon, places like that to see what happened to the remnant of that crowd, he said it wasn’t pretty, not pretty at all. But Markin said after the hubris and defiance of any coherent political strategy settled if you wanted to really understand what went wrong you could point to the fact that we never despite appearances, despite half a million strong Woodstock nation or million-massed marches in Washington, get to enough people to get seriously into the idea of turning the world upside down. Could not despite the baloney main media stories, turn all those who did not indulge in the counter-cultural life, did not have a clue where Vietnam was, did not jail-break out in any real sense when there was plenty of  cover and mobility into active allies. People like Josh’s friends up in Maine who went into the dying textile plants just like their fathers and mothers, or like ours in North Adamsville who also went on the traditional school-job-marriage-three kids-two dogs and that coveted white picket fence (which I wound up doing after the road tired me out). We were pariahs in some spots in town, seen as commies or some exotic wild life, and that attitude got repeated many places when the steam ran out, or people had their drug minute (or longer) and that was that, that was enough.

That last idea hit home with me. I had been, despite a few flings at the west with Markin or one of the guys and some weekend hippie warrior action around Harvard Square or on the then tent city new age Boston Common, grinding away at that printing shop I had built up from scratch after high school which was starting to take off especially when I made one smart move and hired a professional silk-screener out of the Massachusetts School of Art and grabbed a big chunk of the silk-screening trade which was starting to mushroom as everybody needed, just needed, to have some multi-colored silk-screen poster hanging from their walls or have their tee-shirts, guys and gals, done up the same way. Or a guy like Allan who took the trips west too but who was just on the cusp of the new wave and had gone into the almost dying shipbuilding trade, as a draftsman if I recall, since although he was not much of a student he had been the ace of our drafting classes even in junior high and took it up in high school as well. Even Josh, a late hold-out with Markin, went to writing for a lot of what he called advanced publications (meaning low circulation, meaning no dough, meaning doing it for the glory to hear him tell it now, now that he is out of the grind).

And Markin, the last guy standing, well, Markin, as we all expected, once his Army time was up, once after that he had crisscrossed the country in one caravan or another, indulged in more dope than you could shake a stick at, got into more in-your-face-street confrontations with the cops, soldiers, rednecks, never went back to college but also took up the pen, for a while. Wrote according to Josh some pretty good stuff that big circulation publications were interested in publishing. Wrote lots of stuff in the early 1970s once he settled down in Oakland (Josh lived out there with him then and I know Sam and maybe Frankie visited him there) about his corner boys, his old working class neighborhood, about being a screwed-up teen filled with angst and alienation in the old days. Good stuff from what I read even if I was a little miffed when he constantly referred to me as a guy with two left feet, two left hands and too left out with the girls which wasn’t exactly true, well a little.

One big series that Markin did, did as homage to his fellow Vietnam veterans, although he never talked much about his own experiences, said he did what he did and that was that just like our fathers would say when we tried to asked about World War II with them, Vietnam veterans who had trouble getting back to the “real world” and wound up under bridges and along railroad tracks mainly in Southern California where he interviewed them and let them tell their stories their way called Going to the Jungle (a double-reference to the jungle in ‘Nam and the railroad “jungle” of hobo legend where they then resided) was short-listed for some important award but I forget which one.                    

And then he stopped. Fell off the earth. No, not really, but the way I got the story mostly from Josh and Sam, with a little stuff from Frankie thrown after the dust settled is what the thing amounted to. Markin had always been a little volatile in his appetites, what he called in high school (and we started calling too) his “wanting habits” coming out of the wretched of the earth North Adamsville deep down working poor neighborhoods  (me and Sam too). At some point in about 1976 or 1977 but probably the earlier date he started doing girl, snow, you know, cocaine that was no big thing in the 1960s (I had never tried it and has only heard about it from guys who went to Mexico for weed and would pick up a couple of ounces to level out with when the pot got weary as it started to do when the demand was greater than the supply and street hipsters and junkies were cutting what they had with oregano or herbs like that, or maybe I heard one time all oregano and good-luck to your high, sucker). Cocaine then was pretty expensive so if you got your “wanting habits” on with that stuff, if you liked running it constantly up your nose using some freshly minted dollar bill like some guys did  until you always sounded like you had a stuffed up nose then you had better have either started robbing banks, a dicey thing, a very dicey thing the one time me and a couple of guys tried to rob as little a thing as a variety store or start dealing the stuff to keep the demons away. He choose the latter.           

Once Markin moved up the drug dealer food chain that is where things got weird, got so weird that when I heard the story I thought he must have taken too much acid back in the day no matter what he claimed. He was “muling” a lot for the boys down south, for what was then a far smaller and less professional drug cartel, meaning he was bringing the product over the border which was a lot easier then as long as you were not a Mexican or a “hippie,” or looked like either. From what Sam said things went okay for a while but see, and this I know from my own story, those kid “wanting habits” play funny tricks on you, make you go “awry” as Markin used to say. In the summer of 1977 (we are not sure which month) Markin went south (Mexico) to pick a big (for him) two kilogram batch of coke to bring back to the states. And that was the end of Markin, the end that we can believe part. They found his body in a back alley down in Sonora face down with two slugs in his head. Needless to say the Federales did next to nothing to find out who murdered him.

Frankie, then just a budding lawyer, once the news got back to Boston, sent a private detective down there but all he was able to find out from a shaky source was that Markin had either stolen the two kilogram shipment and was going to go independent (not a good idea even then when the cartels were nothing like the strong-arm kill outfits they are today, Jesus) or the negotiations went bad, went off the track, and somebody got offended by the gringo marauder. Life is cheap in that league. To this day that is all we know, and old Markin is buried down there in some potter’s field unmarked grave still mourned and missed.        

I mentioned above that in the early 1970s Markin before we lost contact, or rather I lost contact since Josh knew his whereabouts outside of San Francisco in Daly City until about 1974, did a series of articles about the old days and his old corner boys in North Adamsville.  A few years ago we, Frankie, Josh, Sam (Allan had passed away before this) and I agreed that a few of them were worth publishing if only for ourselves and the small circle of people whom Markin wrote for and about. So that is exactly what we did having a commemorative small book of articles and any old time photographs we could gather and had it printed up in the print shop my oldest son is now running for me. Since not all of us had everything that Markin wrote, what the hell they were newspaper or magazine articles to be used to wrap up the fish in or something after we were done reading them, we decided to print what was available. I was able to find a copy of a bunch of sketches up in the attic of my parents’ home which I was cleaning up when they were putting their house up for sale since they were in the process of downsizing. Josh, apparently not using his copies for wrapping fish purposes, had plenty of the later magazine pieces. Unfortunately we could not find any copies of the long defunct East Bay Other and so could not include anything from that Going To Jungle series.   

Below is the introduction that Sam Lowell wrote for that book which we agreed should be put in here trying to put what Markin was about in content from the guy who knew him about as well as anybody from the old neighborhood:  

The late Peter Paul Markin, also known as “the Scribe, ” so anointed by Frankie Riley the unchallenged self-designated king hell king of the schoolboy night among the corner boys who hung around the pizza parlors, pool halls, and bowling alleys of the town, in telling somebody else’s story in his own voice about life in the old days in the working class neighborhoods of North Adamsville where he grew up, or when others, threating murder and mayhem,  wanted him to tell their stories usually gave each and every one of that crew enough rope to hang themselves without additional comment. He would take down, just like he would do later with the Going To The Jungle series that won a couple of awards and was short-listed for the Globe award, what they wanted the world to hear, spilled their guts out as he one time uncharitably termed their actions (not the veterans, not his fellows who had their troubles down in L.A. and needed to righteously get it out and he was the conduit, their voice, but the zanies from our old town), and then lightly, very lightly if the guy was bigger, stronger than him, or in the case of girls if they were foxy, mainly clean up the language for a candid world to read. Well I have said enough except I like Bart still miss and mourn the bastard. Here is what he had to say:  

[Tell me, damn it, try to tell me this is not an elegy worthy of a fallen corner boy, yeah, go on and tell me. BW]

 

The Children of Easter 1916- A Moment In History… For M.M, Class of 1964

 

From The Pen Of [The Late] Peter Paul Markin, North Adamsville Class Of 1964:

 

“A Terrible Beauty Is Born”, a recurring line from the great Anglo-Irish poet William Butler Yeats, Easter, 1916.

 

At the corner of Hancock Street and East Main Street, forming a wedge in front of our old beige-bricked high school, ancient North Adamsville High School now of blessed memory although that hard fact was not always the case after passing through its portals but that for another day, stands against all weathers a poled plaque, sometimes, perhaps, garlanded with a flower of flag. From that vantage point, upon a recent walk-by, I have noticed that it gives the old school building a majestic “mighty fortress is our home” look. The plaque atop the pole, as you have probably already figured since such plaques are not uncommon in our casualty-filled, war-weary world, commemorates a fallen soldier, here of World War I, and is officially known as the Frank O’Brien Square. The corners and squares of most cities and towns in most countries of the world have such memorials to their war dead, needless to say far too many.

That plaque furthermore now, as it did not back in the 1960s, competes, unsuccessfully, with a huge Raider red billboard telling one and all of the latest doings; a football game here, a soccer game there, or upcoming events; a Ms. Something pageant, a cheer-leading contest, a locally produced play; or honoring somebody who gathered some grand academic achievement, won some accolade for a well-performed act and so forth. In due course that billboard too will be relegated to the “vaults" of the history of our town as well. This sketch, however, is not about that possible scenario or about the follies of war, or even about why it is that young men (and women) wind up doing the dangerous work of war that is decided by old men (and old women), although that would be a worthy subject. No, the focus here is the name of the soldier, or rather the last name, O’Brien, and the Irish-ness of it.

A quick run through of the names of the students listed in, our yearbook, the Magnet for the Class of 1964, will illustrate my point. If Irish surnames are not in the majority, then they are predominant, and that does not even take into consideration the half or quarter Irish heritage that is hidden behind other names. My own family history is representative of that social mixing with a set of Irish and English-derived grandparents. And that is exactly the point.

If North Adamsville in the old days was not exactly “Little Dublin”, the heritage of the Irish diaspora certainly was nevertheless apparent for all to see, and to hear. More than one brogue-dripped man or woman, reflecting newness to the country and to the town, could be heard by an attentive listener at Harry’s Variety Store on Sagamore Street seeking that vagrant bottle of milk (or making that bet with Harry’s book on the sure-fire winner in the sixth at Aqueduct but we will keep that hush since, who knows, the statute of limitations may still not have run out yet on that “crime,” although the horse certainly did, run out that is). (Of course when we were young it was possible to go to Harry’s without fear of rancor or harm but when we came of corner boy age, came to understand that you needed to belong to some group for protection if nothing else, then Harry’s, the bastion of whip-chain wielding Red Radley and his older bikers and hangers-on, girl hangers-on, became a place that no Jack Slack’s bowling alleys corner boys like me and mine, would go within ten blocks of even on a desperately hot and sultry day for a soda, no way, no way at all.)      

 

Or at Doc Andrews’ Drugstore, yeah, good old Doc over on the corner of Young Street and Newberry seeking, holy grail-seeking that vagrant bottle of whiskey, strictly for medicinal purposes of course. And one did not have to be the slightest bit attentive but only within a couple of blocks of the locally famous, or infamous as the case may be, Dublin Grille to know through the mixes of brogue and rough-hewn strange language English that the newcomers had “assimilated.” And, to be fair, those same mixes could be heard coming piously out of Sunday morning Mass at Sacred Heart or at any hour on those gas-guzzling, smoked-fumed Eastern Mass buses that got one hither and fro in the old town. That North Adamsville was merely a way-station away from the self-contained Irish ghettos of Dorchester and South Boston to the Irish Rivieras, like Marshfield and heathen Cohasset and Duxbury, of the area was, or rather is, also apparent as anyone who has been in the old town of late will note.

And that too is the point. Today Asian-Americans, particularly the Chinese and Vietnamese, and other minorities have followed that well-trodden path to North Adamsville from way-station Boston. And they have made, and will make, their mark on the ethos of this hard-working working-class part of town. So while the faint aroma of corn beef and cabbage (and colorful, red-drenched pasta dishes, from the other main ethnic group of old North Adamsville, the Italians) has been replaced by the pungent smells of moo shi and poi and the bucolic brogue by some sweet sing-song Mandarin dialect the life of the town moves on.

Yet, I can still feel, when I haphazardly walk certain streets, the Irish-ness of the diaspora “old sod” deep in my bones. To be sure, as a broken amber liquor bottle spotted on the ground reminded me, there were many, too many, father whiskey-sodden nights (complete with the obligatory beer chaser) that many a man spent his pay on to keep his “demons” from the door. And to be sure, as well, the grandmother passed-down ubiquitous, much dented, one-size-fits all pot on the old iron stove for the potato-laden boiled dinner (that’s the corn beef and cabbage mentioned above for the unknowing heathens) that stretched an already tight food budget just a little longer when the ever present hard times cast their shadow at that same door.

And, of course, there was the great secret cultural relic; the relentless, never-ending struggle to keep the family “dirty linen” from the public eye, from those “shawlie” eyes ready to pounce at the mere hint of some secret scandal. But also this: the passed down heroic tales of our forebears, the sons and daughters of Roisin, in their heart-rending eight hundred year struggle against the crushing of the “harp beneath the crown” (and even heathens know whose crown that was); of the whispered homages to the ghosts of our Fenian dead; of great General Post Office uprisings, large and small; and, of the continuing struggle in the North. Yes, as that soldier’s plaque symbolizes, an Irish presence will never completely leave the old town, nor will the willingness to sacrifice.

Oh, by the way, that Frank O'Brien for whom the square in front of the old school was named, would have been my grand uncle, the brother of my Grandmother Markin (nee O'Brien) from over on Young Street across from the Welcome Young Field.

 

Easter, 1916-William Butler Yeats

 

Easter, 1916

I HAVE met them at close of day
Coming with vivid faces
From counter or desk among grey
Eighteenth-century houses.
I have passed with a nod of the head
Or polite meaningless words,
Or have lingered awhile and said
Polite meaningless words,
And thought before I had done
Of a mocking tale or a gibe
To please a companion
Around the fire at the club,
Being certain that they and I
But lived where motley is worn:
All changed, changed utterly:
A terrible beauty is born.

That woman's days were spent
In ignorant good-will,
Her nights in argument
Until her voice grew shrill.
What voice more sweet than hers
When, young and beautiful,
She rode to harriers?
This man had kept a school
And rode our winged horse;
This other his helper and friend
Was coming into his force;
He might have won fame in the end,
So sensitive his nature seemed,
So daring and sweet his thought.
This other man I had dreamed
A drunken, vainglorious lout.
He had done most bitter wrong
To some who are near my heart,
Yet I number him in the song;
He, too, has resigned his part
In the casual comedy;
He, too, has been changed in his turn,
Transformed utterly:
A terrible beauty is born.

Hearts with one purpose alone
Through summer and winter seem
Enchanted to a stone
To trouble the living stream.
The horse that comes from the road.
The rider, the birds that range
From cloud to tumbling cloud,
Minute by minute they change;
A shadow of cloud on the stream
Changes minute by minute;
A horse-hoof slides on the brim,
And a horse plashes within it;
The long-legged moor-hens dive,
And hens to moor-cocks call;
Minute by minute they live:
The stone's in the midst of all.

Too long a sacrifice
Can make a stone of the heart.
O when may it suffice?
That is Heaven's part, our part
To murmur name upon name,
As a mother names her child
When sleep at last has come
On limbs that had run wild.
What is it but nightfall?
No, no, not night but death;
Was it needless death after all?
For England may keep faith
For all that is done and said.
We know their dream; enough
To know they dreamed and are dead;
And what if excess of love
Bewildered them till they died?
I write it out in a verse -
MacDonagh and MacBride
And Connolly and Pearse
Now and in time to be,
Wherever green is worn,
Are changed, changed utterly:
A terrible beauty is born.

 

Out Of The Hills And Hollows- With The Bluegrass Band The Lally Brothers In Mind  

 

 

 

 

From The Pen Of Frank Jackman 

 

You know sometimes what goes around comes around as the old-time expression had it. Take for example Sam Lowell’s youthful interest in folk music back in the early 1960s when it crashed out of exotic haunts like Harvard Square, Ann Arbor, Old Town Chi Town and North Beach/Berkeley out in Frisco and ran into a lot of kids, a lot of kids like Sam, who were looking for something different, something that they were not sure of but that smelled, tasted, felt, looked like difference from a kind of one-size-fits-all vanilla existence. Oh sure, every generation in their youth since the days when you could draw a distinction between youth and adulthood and have it count has tried to march to its own symbolic beat but this was different, this involved a big mix of things all jumbled together, political, social, economic, cultural, the whole bag of societal distinctions which would not be settled until the end of the decade, maybe the first part of the next. But what Sam was interested then down there in Carver about thirty miles south of Boston was the music, his interest in the other trends did not come until later, much later long after the whole thing had ebbed. 

The way Sam told it one night at his bi-weekly book club where the topic selected for that meeting had been the musical influences, if any, that defined one’s tastes and he had volunteered to speak since he had just read a book, The Mountain View, about the central place of mountain music, for lack of a better term, in the American songbook was that he had been looking for roots as a kid. Musical roots which were a very big concern for a part of his generation, a generation that was looking for roots, for rootedness not just in music but in literature, art, and even in the family tree. Their parents’ generation no matter how long it had been since the first family immigration wave was in the red scare Cold War post-World War II period very consciously ignoring every trace of roots in order to be fully vanilla Americanized. So his generation had to pick up the pieces not only of that very shaky family tree but everything else that had been downplayed during that period.

Since Sam had tired of the lazy hazy rock and roll that was being produced and which the local rock radio stations were force- feeding him and others like him looking to break out through their beloved transistor radios he started looking elsewhere on the tiny dial for something different. That transistor radio for those not in the know was “heaven sent” for a whole generation of kids in the 1950s who could care less, who hated the music that was being piped into the family living room big ass floor model radio which their parents grew up since it was small, portable and could be held to the ear and the world could go by without bothering you while you were in thrall to the music. That was the start. But like a lot of young people, as he would find out later when he would meet kindred in Harvard Square, the Village, Ann Arbor, Berkeley he had been looking for that something different at just that moment when something called folk music, roots music, actually was being played on select stations for short periods of time each week.

Sam’s lucky station had been a small station, an AM station, from Providence in Rhode Island which he would find out later had put the program on Monday nights from eight to eleven at the request of Brown and URI students who had picked up the folk music bug on trips to the Village (Monday a dead music night in advertising circles then, maybe now too, thus fine for talk shows, community service programs and odd-ball stuff like roots music.) That is where he first heard the likes of Bob Dylan, Joan Baez, Tom Paxton, Dave Von Ronk, a guy named Tom Rush from Harvard whom he would hear in person many times over the years, and another guy, Eric Von Schmidt whom he would meet later in one of the Harvard Square coffeehouses that were proliferating to feed the demand to hear folk music, well, cheaply alone or on a date (basically as he related to his listeners for a couple of bucks at most admission, the price of a cup of coffee to keep in front of you and thus your place, maybe a pastry if alone and just double that up for a date except share the pasty you had your date deal all set for the evening hearing performers perfecting their acts before hitting the A-list clubs).

He listened to it all, liked some of it, other stuff, the more protest stuff he could take or leave depending on the performer but what drew his attention, strangely then was when somebody on radio or on stage performed mountain music, you know, the music of the hills and hollows that came out of Appalachia mainly down among the dust and weeds. Things like Bury Me Under The Weeping Willow, Gold Watch and Chain, Fair and Tender Ladies, Pretty Saro, and lots of instrumentals by guys like Buell Kazee, Hobart Smith, The Charles River Boys, and some bluegrass bands as well that had now escaped his memory.

This is where it all got jumbled up for him Sam said since he was strictly a city boy, made private fun of the farm boys, the cranberry boggers, who then made up a significant part of his high school and had no interest in stuff like the Grand Ole Opry and that kind of thing, none. Still he always wondered about the source, about why he felt some kinship with the music of the Saturday night red barn, probably broken down, certainly in need of paint, and thus available for the dance complete with the full complement of guitars, fiddles, bass, mandolin and full complement of Jimmy Joe’s just made white lightening, playing plainsong for the folk down in the wind-swept hills and hollows.                                 

As Sam warmed up to his subject he told his audience two things that might help explain his interest when he started to delve into the reasons why fifty years later the sound of that finely-tuned fiddle still beckons him home. The first was that when he had begun his freshman year at Boston University he befriended a guy, Everett Lally, the first day of orientation since he seemed to be a little uncomfortable with what was going on. See Everett was from a small town outside of Wheeling, West Virginia and this Boston trip was only the second time, the first time being when he came up for an interview, he had been to a city larger than Wheeling. So they became friends, not close, not roommate type friends, but they had some shared classes and lived in the same dorm on Bay State Road.

One night they had been studying together for an Western History exam and Everett asked Sam whether he knew anything about bluegrass music, about mountain music (Sam’s term for it Everett was Bill Monroe-like committed to calling it bluegrass). Sam said sure, and ran off the litany of his experiences at Harvard Square, the Village, listening on the radio. Everett, still a little shy, asked if Sam had ever heard of the Lally Brothers and of course Sam said yes, that he had heard them on the radio playing the Orange Blossom Express, Rocky Mountain Shakedown as well as their classic instrumentation version of The Hills of Home.  Everett perked up and admitted that he was one of the Lally Brothers, the mandolin player. Sam was flabbergasted. After he got over his shock Everett told him that his brothers were coming up to play at the New England Bluegrass Festival to be held at Brandeis on the first weekend of October.

Everett invited Sam as his guest. He accepted and when the event occurred he was not disappointed as the Lally Brothers brought the house down. For the rest of that school year Sam and Everett on occasion hung out together in Harvard Square and other haunts where folk music was played since Everett was interested in hearing other kinds of songs in the genre. After freshman year Everett did not return to BU, said his brothers needed him on the road while people were paying to hear their stuff and that he could finish school later when things died down and they lost touch, but Sam always considered that experience especially having access to Everett’s huge mountain music record collection as the lynchpin to his interest.             

But there is something deeper at play in the Sam mountain music story as he also told the gathering that night. It was in his genes, his DNA he said. This was something that he had only found out a few years before. On his father’s side, his grandfather, Homer, whom he had never met since after his wife, Sam’s grandmother, Sara died he had left his family, all grown in any case, without leaving a forwarding address, had actually been born and lived his childhood down in Prestonsburg, Kentucky, down near the fabled Hazard of song and labor legend before moving to the North after World War I. Here is the funny part though when his father and mother Laura were young after World War II and at wits end about where his grandfather might be they travelled down to Prestonsburg in search of him. While they stayed there for a few months looking Sam had been conceived although they left after getting no results on their search, money was getting low, and there were no father jobs around so he had been born in the South Shore Hospital in Massachusetts. So yes, that mountain music just did not happen one fine night but was etched in his body, the whirlwind sounds on Saturday night down amount the hills and hollows with that sad fiddle playing one last waltz to end the evening.