***On “The Long March” From North Adamsville High School

 
For Linda, Class of 1964-With Ernesto “Che” Guevara In Mind

Peter Paul Markin, North Adamsville Class Of 1964, comment:

No, this will not be one of those everlasting screeds about the meaning of existent, the plight of modern humankind, or our personal and public trials and tribulations since leaving the friendly confines of North Adamsville High lo those many years ago. My excuse previously was that the class committee officers badgered me into writing that stuff (and one in particular who is, to be honest, obsessive about our opinions and comments. And honestly, as well, I am afraid of retribution so I will not mention her name, or maybe that she is a she, under penalty of death, okay). I have already done that “heavy meaning” road before in this space and, moreover, this class website is a lite-user site and cannot stand that kind of weighty matter. I can hear the collective sighs of relief already. Thanks, fellow classmates.

Nor is this to be an exegesis on the heroic “long march” of the Chinese Red Army in the 1930s, although that is an interesting story. For that you can turn to the old-time journalist Edgar Snow’s eye-witness account, Red Star Over China. Nor will it be about Fidel and "Che's" struggles in the Cuban Sierras that animated some of us in our youth. Today’s entry is much more mundane, although come to think it, in its own way it may have historic significance. The “long march’ in question is the one that some members of the class of 1964 (and 1963) took from North Adamsville High School over to North Adamsville Junior High (now Middle School) in the 7th grade. Those were the days, the post- World War II “baby-boomer” days when the then current facilities at the high school were not enough for the overflow. Older readers from other high schools during that period may have their own stories to tell on this over-crowding subject.

Recently I have sent out a blizzard of e-mails to virtually anyone on the various North Adamsville Alumni class lists that I could, by any stretch of the imagination, call upon to help me out with a problem that I am having. So some of you already know the gist of this entry and can move on. For the rest, here is the “skinny”:

"... I will get right to the point, although I feel a little awkward writing to classmates that I did not know at school or have not seen for a long time. I, moreover, do not want to get tough with senior citizens, particularly those grandmothers and grandfathers out there, but I need your help. And I intend to get it by any means necessary. As you may, or may not, know over the past couple of years I have, episodically, placed entries about the old days at North on our classof 1964 -related Internet site. Some of the entries have come from a perusal of the 1964 Magnet, but, mainly from memory, my memory, and that is the problem. I need to hear other voices, other takes on our experience. Recently I have been reduced to dragging out elementary school daydreams and writing in the third person just to keep things moving. So there is our dilemma.

The question of the “inner demons” that have driven me to this work we will leave aside for now. What I need is ideas, and that is where you come in. In 2010, as you are painfully aware, those of us who went to North Adamsville Junior High (now Middle School) we marked our 50th anniversary since graduation from that august institution. Ouch! So what I am looking for is junior high memories, especially of the “long march” from the high school over to North Adamsville Junior High when we were in 7th grade that I remember hearing much about at the time. I was not at the school at that time, having moved back to North Adamsville in the spring of 1959, so I need to be filled in again. However any story will do. If this is too painful then tell me your hopes and dreams. Hell, I will listen to your frustrations. From back then. I already ‘know’ your nicks and bruises since graduation; we will leave that for another day. Better still write them up and place them on the comment boards on your own.

And what if you decide not to cooperate? Well, then we will go back to that “any means necessary” statement above. Do you really want it broadcast all over the Internet about what you did, or did not do, at Adamsville Beach, Squaw Rock, or wherever I decide to place you, and with whom, on that hot, sultry July night in the summer of 1963? No, I thought not. So come on, let us show future generations of cyberspace-fixated North Adamsville graduates that the Class of 1964 knew the stuff of dreams, and how to write about them. And seek immortality. Friendly regards, Peter Paul Markin.

Whole Lotta Shakin Goin On Lyrics

Sung by Jerry Lee Lewis, 1957
(from the 1957 Sun release)

Come along my baby, whole lotta shakin' goin' on
Yes, I said come along my baby, baby you can't go wrong
We ain't fakin', while lotta shakin' goin' on.

Well, I said come along my baby, we got chicken in the corn
Woo-huh, come along my baby, really got the bull by the horn
We ain't fakin', whole lotta shakin' goin' on.

Well, I said shake, baby, shake,
I said shake, baby, shake
I said shake it, baby, shake it
I said shake, baby, shake
Come on over, whole lotta shakin' goin' on.

Oh, let's go . . .(Piano break, guitar rift)

Well, I said come along my baby, we got chicken in the barn,
Whose barn, what barn, my barn
Come along my baby, really got the bull by the horn
We ain't fakin', whole lotta shakin' goin' on.

(Talking break) Easy now. Shake.
Ah, shake it baby
Yeah, you can shake it one time for me

Yeah-huh-huh-ha-ha, Come along my baby,
Whole lotta shakin' goin' on.

(Talking break) Now let's get down real low one time now
Shake, baby, shake
All you gotta do, honey, is kinda stand in one spot
Wiggle around just a little bit, that's what you got
Yeah, come on baby, whole lotta shakin' goin' on.

Now let's go one time
Shake it baby, shake, shake it baby, shake
Woo, shake baby, come on baby, shake it, baby, shake
Come on over, whole lot-ta sha-kin' go-in' on.
******

The Struggle Continues...

The Struggle Continues...

 

The Struggle Continues...

 

The Struggle Continues...

 

In The Time Of The Dutch Masters…

 

…she was sick, sick unto death of being pawed at by every beer swilling burgomaster with a free hand. She swore (not Christian swore not in pious Dutch land and not in hearing distance of her pious family land) that the next burgher who touched her ever so slightly was going to get his, well, get his. She had no idea that  serving old men (old to her fifteen-year old eyes) at table was going to be a test of strength. Sure she had let Hans grab her a few times in back of the hayloft back home but that was pretty Hans full of youthful ardor and, well, good-looking too and so she maybe let him take a few more liberties than the elders would have approved of.  But then too they were practically betrothed and their two families had planned that event well before Hans (and she) got their grabbing habits.

But these old coots were a different matter. Especially the group of four at the far end of the Guildhall set off by themselves like they were so high and mighty (which on earth they were) sneaking their little pinchings when Govert was busy preparing the next course or Matilde was clearing the last set of dishes and setting up the next set for these fatted cows. One was just as bad as the next. The banker on his fifth glass talking about how his wife was poorly and wouldn’t he be just right with some little wench who could appreciate his ardor. Looking, no, leering directly at her. The merchant-general all serious talk with the men until she came into the room and then he would try to twist her breast right in front of the others like she didn’t know (from a distance anyway) that he had his own daughter her age. Then the commander and his insatiable desire to eat oysters in order to enhance his manliness so he said. What a laugh. And that red-headed one always pointing his single finger and always swishing his sword “by mistake” so he said when she came by tapping her on her ass and making suggestive sounds when he was trying to apologize.

Just then Govert called her to bring in another fistful of mugs for the gentlemen (Govert had a nicely snide way of saying that) and as she prepared herself for battle she thought that maybe if she just thought about Hans and that illicit hayloft she just might get through that miserable night …      

 

***Songs To While Away The Class Struggle By-Neil Young's I Believe In You  

 

Peter Paul Markin comment December 2013:

A while back, maybe a few years ago, I started a series presented under the headline Songs To While Away The Class Struggle By where I posted some songs that I thought would get us through the “dog days” of the struggle for our socialist future. Posted at a time, 2009, when it was touch and go whether there would be some kind of uprising against the economic royalists (chastised under the popular sobriquet “the one-percent”) who had just dealt the world a blow to the head through their economic machinations. Subsequently, while there were momentary uprisings, the response from the American and world working classes has if anything entrenched those interests. So as the dog days continue I have resumed the series. I do not vouch for the political thrust of the songs selected; for the most part they are done by pacifists, social democrats, hell, even just plain old ordinary democrats. And, occasionally, a communist, although hard communist musicians have historically been scarce on the ground. Thus, here we have a regular "popular front" on the music scene. While this kind of formation would mean political death for any serious revolutionary upheaval and would not be acceptable for our political prospects, it will suffice for our purposes here. Markin.

**********

WE WANT THE WORLD AND WE WANT IT NOW!

From The Pen Of Joshua Lawrence Breslin

My old friend from the summer of love 1967 days, Peter Paul Markin, always used to make a point of answering, or rather arguing with anybody who tried to tell him back in the day that “music was the revolution.”  Meaning, of course that contrary to the proponents (including many mutual friends who acted out on that idea and got burned by the flame) that eight or ten Give Peace A Chance, Kumbaya, Woodstock songs would not do the trick, would not change this nasty, brutish, old short-life world into the garden, into some pre-lapsian Eden. Meaning that the gathering of youth nation unto itself out in places like Woodstock, Golden Gate Park, Monterrey, hell, the Boston Common, or even once word trickled down, Olde Saco Park, would not feed on itself and grow to such a critical mass that the enemies of good, kindness, and leave us alone would sulk off somewhere, defeated or at least defanged.

Many a night, many a dope-blistered night before some seawall ocean front Pacific Coast campfire I would listen to Markin blast forth against that stuff, against that silliness. As for me, I was too into the moment, too into finding weed, hemp, mary jane and some fetching women to share it with to get caught up in some nebulous ideological struggle. It was only later, after the music died, after rock and roll turned in on itself, turned into some exotic fad of the exiles on Main Street that I began to think through the implications of what Markin, and the guys on the other side, were arguing about.

Now it makes perfect sense that music or any mere cultural expression would be unable to carry enough weight to turn us back to the garden. Although I guess that I would err on the side of the angels and at least wish they could have carried the day against the monsters of the American imperium we confronted back in the day.                 

Thinking about what a big deal was made of such arguments recently (arguments carried deep into the night, deep in smoke dream nights, and sometimes as the blue–pink dawn came rising to smite our dreams) I thought back to my own musical appreciations. In my jaded youth I developed an ear for roots music, whether I was conscious of that fact or not. Perhaps it initially started as a reaction to my parents’ music, the music that got them through the Great Depression of the 1930s and later waiting for other shoe to drop (either in Normandy or at home waiting in Olde Saco), and that became a habit, a wafting through the radio of my childhood home habit. You know who I mean Frank (Sinatra for the heathens), Harry James, the Andrews Sisters, Peggy Lee, Doris Day and the like. Or, maybe, and this is something that I have come closer to believing was the catalyst, my father’s very real roots in the Saturday night mountain barn dance, fiddles blazing, music of his growing up poor down in Appalachia.   

The origin of my emergence into roots music first centered on the blues, country and city with the likes of Son House , Skip James, Mississippi John Hurt, Muddy Waters, Howlin’ Wolf and Elmore James, then early rock and roll, you know the rockabillies and R&B crowd, Elvis, Jerry Lee, Chuck, Roy, Big Joe and Ike, and later, with the folk revival of the early 1960’s, folk music, especially the protest to high heaven sort, Bob Dylan, Dave Von Ronk, Joan Baez, etc. As I said I have often wondered about the source of this interest.

I am, and have always been a city boy, and an Eastern city boy at that. Meaning rootless or not meaningfully or consciously rooted in any of the niches mentioned above. Nevertheless, over time I have come to appreciate many more forms of roots music than in my youth. Cajun, Tex-Mex, old time dust bowl ballads a la Woody Guthrie, cowboy stuff with the likes of Bob Wills and Milton Brown, Carter Family-etched mountain music (paying final conscious tribute to the mountain DNA in my bone) and so on.

And all those genres are easily classified as roots music but I recall one time driving Markin crazy, driving him to closet me with the “music is the revolution” heads when I mentioned in passing that The Doors, then in their high holy mantra shamanic phase epitomized roots music. That hurt, a momentary hurt then, but thinking about it more recently Markin was totally off base in his remarks.

The Doors are roots music? Well, yes, in the sense that one of the branches of rock and roll derived from early rhythm and blues and in the special case of Jim Morrison, leader of The Doors, the attempt to musically explore the shamanic elements in the Western American Native- American culture that drove the beat of many of his trance-like songs like The End. More than one rock critic, professional rock critic, has argued that on their good nights when the dope and booze were flowing, Morrison was in high trance, and they were fired up The Doors were the best rock and roll band ever created. Those critics will get no argument here, and it is not a far stretch to classify their efforts as in the great American roots tradition.  I argued then and will argue here almost fifty years later when that original statement of mine was more prophetic the Doors put together all the stuff rock critics in one hundred years will be dusting off when they want to examine what it was like when men (and women, think Bonnie Raitt, Wanda Jackson, et. al) played rock and roll for keeps.

So where does Jim Morrison fit in an icon of the 1960s if he was not some new age latter day cultural Lenin/Trotsky. Jim was part of the trinity – Morrison, Janis Joplin, and Jimi Hendrix who lived fast, lived way too fast, and died young. The slogan of the day (or hour) - Drugs, sex, and rock and roll. And we liked that idea however you wanted to mix it up. Then.

Their deaths were part of the price we felt we had to pay if we were going to be free. And be creative. Even the most political among us, including Markin in his higher moments, felt those cultural winds blowing across the continent and counted those who espoused this alternative vision as part of the chosen. The righteous headed to the “promise land.” Unfortunately those who believed that we could have a far-reaching positive cultural change via music or “dropping out” without a huge societal political change proved to be wrong long ago. But, these were still our people.

Know this as well if you are keeping score. Whatever excesses were committed by the generation of ’68, and there were many, were mainly made out of ignorance and foolishness. Our opponents, exemplified by one Richard Milhous Nixon, President of the United States and common criminal, spent every day of their lives as a matter of conscious, deliberate policy raining hell down on the peoples of the world, the minorities in this country, and anyone else who got in their way. Forty plus years of “cultural wars” in revenge by his protégés, hangers-on and their descendants has been a heavy price to pay for our youthful errors. And Markin would surely endorse this sentiment. Enough.