The World Gone Amok- Robert Downey, Jr. And Friends- “The Avengers: The Age Of Ultron” (2015)- A Film Review

DVD Review

By Kenny Jacobs

The Avengers: The Age Of Ultron, starring Robert Downey, Jr. Chris Evans, Mark Ruffalo, Scarlett Johannsson, Marvel Studios, 2015 

[WT…. no I know what you thought was coming next but no we, Greg Green, the impresario of this site and his band of eminent Editorial Board members selected for their independence and acumen, have come to an understanding about my future exploits which may match some of the super-heroes in the film under review The Avengers: The Age Of Ultron. We have unanimously agreed that I will share review duties with the legendary writer and Bogie aficionado Phil Larkin on the upcoming The Maltese Falcon review. The idea, partially mine, but mostly that of the ever creative Mr. Green, was to get the collective takes of a younger writer and an older writer on that world-historic classic film. Otherwise I would have been forced to flee this previously barren planet site and gone to venues which would have appreciated my talents with a big by-line and who knows what else.    

The fuss up, or to use the now retired but still hanging around the water cooler Sam Lowell’s expression “tempest in a teapot,” centered on my demotion to having to grind out yet another one of these admittedly by all concerned dim-witted super-hero mutant reviews which are beneath my skill level, maybe beneath any writer on this site’s skill level. That notion makes me think that perhaps the old regime under the now mostly forgotten and exiled Allan Jackson might have had something on the question of what to review, and more importantly, what not to review. I understand that Jackson would have thrown a fit if anybody had even suggested doing such kiddie comic reviews except maybe as background for the decline in civility, decline in youthful reading in the age of the Internet, social media, and texting habits, and the fake wisdom of the greed-heads (Phil Larkin’s word) who figured out that while the kids won’t read a twenty minute comic book they will sit forever for this cinematic action adventure stuff. Or as long as the popcorn and soda hold out.

Like I said Greg saved the day and I will wrap this beast of s review up in a couple of minutes which maybe is about a minute or so more than it is worth and get ready to do battle with the beloved old master writer Phil Larkin on that new project. Everybody knows Phil’s credentials to do justice to his part in the bargain since he is widely known as a Bogie aficionado of long standing who just posted a lesser Bogie film, Across The Pacific, as a little warm-up. Of course other than as an acknowledged up and coming writer here under the guidance of Greg and the Board my credentials are almost as stellar. I had the privilege, although I did not know it at the time, of being taken when young to many film festival retrospectives by my parents so these old-time black and white classics are kind of in my DNA so to speak. That should speak for itself. Kenny Jacobs]

********

One thing that Phil Larkin has right, as many previous disagreements as we have had, is that these super-hero action adventure stories from comic land are mind numbing, are strictly for sleep aids (except for the poor buggers like me who have to earn our keep by reviewing this kickass a minute stuff). Nevertheless the only really good thing about this film as far as I can see is that Tony Stark, aka Ironman, played by the lovely Robert Downey, Jr. finally f—ked up. Let things get out of hand in Avenger Land wherever those guys and gals hang out. Tony went off the deep end because he wanted to test the edges of science in an attempt to bring some little modicum of peace to this wicked old world via his various experiments. Generally not a bad idea although a one man band approach seems kind of goofy even when a cohort of super-heroes and hangers-on to feast on. This time he was trying to create a robotic thing who could chill everybody out. Hey, that is what humankind has been doing since Adam and Eve maybe earlier, trying to get back to the garden. Where Tony f—ked up and it took a whole two hours plus (and an audience refill tub of butter-drenched popcorn and a river of cupped soda with ice) to straighten out was to let this Doctor Banner, aka the Hulk, played by savvy Mark Buffalo, no, Ruffalo, a mutant of extraordinary ugliness and brute strength within a mile of any lab. Jesus, can you believe letting a guy next to the next best thing in world peace and human-hood. Letting a guy who couldn’t control his own simple lab experiments without turning into a raving beast who rightly should be buried about fifty feet underground in concrete for the good of that humankind I have been talking about muck around with A.I or hell simple high school chemistry experiments.        

Guess what. Poor good-hearted Jarvis (if it has a heart)who has done yeoman service by Tony takes a beating by this run amok Ultron who is, get this logic, committed to saving the whole planet by killing all humanity. Some tree-hugger’s crazed fantasy. The Nuremburg trials would be too good for whoever let such savagery loose in the land. Of course in trying to control this monster A.I. which they had unleashed a goodly portion of the planet took some destruction as the Hulk, yes, unleashed Doctor Banner, went on a rampage until Tony as Ironman beat his brains in. They are still counting the dead and wounded as well as insurance-covered property damage on that little tryst. That rampage and other destructive incidents had led them to hiding out for a while before the vigilantes came after them. Fortunately the Avengers were able to declare a truce with a sullen world. But who knows what is next except Hulk will explode if he isn’t put to sleep, doesn’t take the big step-off he deserves since it is obvious he can’t control his rages at all even when some little old lady bumped into him on the subway. In any case enough of the cornball swill and let’s get to real adventure with dizzy dames and blackened birds and private eyes to figure that whole small-sized human mess out. I’m coming Phil.       

Will The Real James Bond Stand Up-Pierce Brosnan’s “Goldeneye” (1995) –A Film Review

DVD Review

By former Associate Film Critic Alden Riley  

[I personally do not like the new regime’s,  under Greg Green’s steady guidance, policy of getting rid of  titles which were the hallmark of  the now safely departed and exiled Allan Jackson who used to run the show here. It took many years for me to get it and I resent being thrown on the dung heap and placed with everybody else with just their names on the by-line line. For now I will use my old title in the past tense until we go back to titles or Greg make a big deal out of my moniker and tries to shut it down. Then I will go back to being an Everyman like Sandy Salmon and Si Lannon have mentioned elsewhere. Alden Riley]    

Goldeneye, starring Pierce Brosnan, based on the character created by Ian Fleming although not on any of his novel series plot-lines, 1995

Sometimes writers, especially a coterie of writers of film reviews, will sometimes come up with the screwiest things to argue about in those dark getting to dawn hours when the booze has been flowing generously and the dregs of writing under deadline have passed by without comment. Especially when there are other disputes hanging in the shadows making things tense before the storm like the big blow we just went through at this site which basically came down to a battle royal against the old guard caught in their daydreams of 1960s growing up in turbulent times grandeur by the “Young Turks” whose frame of reference is later times and later connections, Reagan “trickle down” times, post-Soviet monster Clinton times, Bush-Obama boom and bust times, hip-hop, techno, social media explosion times.

That shadow battle got exploded a few months ago when I, ignorant of the hagiology of the 1960s musical scene which all the older guys carry with them like a lodestone, mentioned to then Senior Film Critic Sandy Salmon that I did not know who Janis Joplin was. Sandy, to be fair, was willing to forgive me my transgression but Pete Markin, the “boss” got wind of it and “forced” me to do a review of a Joplin bio-pic over Sandy’s head. That was one is a series of grievances we younger non-1960s devotees had built up inside.     

The way these “troubles” hit before getting resolved was the big blow-out Sandy and I did have over reviewing the myriad James Bond, you know, 007, films. Sandy has started reviewing the first four Sean Connery films, I don’t think in order which he usually doesn’t give a fuck about, Doctor No, From Russia With Love, Goldfinger and Thunderball and had asked me to continue the series, at least the Sean Connery part which is all he cared about covering since for him Connery was Bond, was James Bond end of discussion.

When I mentioned that I thought Sean Connery was probably a good Bond for the 1960s although I hadn’t seen any of his films except Goldfinger where I thought he was a little over the top Sandy flipped.  I figured I was going to be assigned the litany without any recourse or appeal especially if fellow Sean Connery devotee Peter Markin got wind of my ignorance and would have probably added that I had to review Ian Fleming’s books as well. I finally was able to get Sandy to see reason, to see that a younger man whose frame of Bond reference was not Connery but the man who played 007 in the film under review Goldeneye the beautiful rather than handsome Pierce Brosnan should have an opportunity to compare the two or at least to show that different actors working in different times would have a different sensibility. Once he saw reason he mentioned that he would finish up the Sean Connery films and I could do “pretty boy” Brosnan (Sandy’s term) and we would fight out the battle when the reviews were done. Fair enough.

Now everybody knows that there will be plenty of high tech gadgetry, plenty of physically over-the-top action and plenty of sexy women either chasing or being chased by any actor who plays Bond. That goes with the territory even though this first Pierce Brosnan Bond vehicle was not created out of Fleming’s stockpile. Brosnan brings not only a “pretty boy” as against Connery’s dashingly handsome demeanor but is much more physically agile and adept than Connery ever was. And plays the role with more cheek.

Of course each film has a storyline roughly similar, some criminal operation here the nefarious Janus syndicate which wants to create a meltdown of the London stock exchange and the British economy in general. Reason: the head of the organization who is MI6 turned rogue had Cossack parents in Russia who collaborated with the Nazis against Stalin and the British after the war sent them back to Uncle Joe after falsely promising asylum. WTF. What did the parents, what did the rogue MI6 expect with Uncle Joe an ally then before Winston Churchill pulled the “iron curtain” down.

In any case to create the meltdown Janus steals a super Euro helicopter which he will use to help when he with inside help is able to use a Russian space probe to deflect some action and destroy London for good measure. Come hell or high water he will not get away with such a dastardly deed not if Bond and his fetching Russian super-technician have anything to say about it. And they do- God Save The Queen or something like that. Pierce does it in style. 

Just Before The Sea Change, The Big 1960s Mix And Match-Up - With The Dixie Cups Going To The Chapel Of Love In Mind

By Lance Lawrence  

[As of December 1, 2017 under the new regime of Greg Green, formerly of the on-line American Film Gazette website, brought in to shake things up a bit after a vote of no confidence in the previous site administrator Allan Jackson (aka Peter Paul Markin in the blogosphere) was taken among all the writers at the request of some of the younger writers abetted by one key older writer, Sam Lowell, the habit of assigning writers solely to specific topics like film, books, political commentary, and culture is over. Also over is the designation of writers in this space, young or old, by job title like senior or associate. After a short-lived experiment by Green designating everybody as “writer” seemingly in emulation of the French Revolution’s “citizen” or the Bolshevik Revolution’s “comrade” all posts will be “signed” with given names only. The Editorial Board]

[Although I am a much younger writer I today stand in agreement with Bart Webber and Si Lannon, older writers who I admire and whom I have learned a lot from about how to keep it short and sweet but in any case short on these on-line sites. Originally I had agreed with both men as far as Phil Larkin’s, what did Si call them, yes, rantings about heads rolling, about purges and would have what seems like something out of Stalin’s Russia from what I have read about that regime were  dubious at best. Now I am not sure as I have heard other younger writers rather gleefully speaking around the shop water cooler about moving certain unnamed writers out to pasture-“finally” in the words of one of them.

In any case the gripe the former two writers had about the appropriateness of this disclaimer above or whatever it purports to be by the "victorious" new regime headed by Greg Green and his so- called Editorial Board is what I support. As Bart first mentioned, I think, if nothing else this disclaimer has once again pointed told one and all, interested or not, that he, they have been “demoted.”  That I too, as Si pointed out, chafed as an Associate Book Critic and didn’t like it am now just another Everyman and don’t like it. This is the second time I have had the disclaimer above my article so I plead again once should be enough, more than enough.

In the interest of transparency I was among the leaders, among the most vociferous leaders, of what has now started to come down in the shop as urban legend “Young Turks” who fought tooth and nail both while Alan Jackson (aka Peter Paul Markin as blog moniker for reasons never made clear, at least to me) was in charge and essentially stopped young writers from developing their talents and later when we decided that Allan had to go, had to “retire.” (I am sure Phil Larkin will take those innocent quotation marks as definite proof that Allan was purged although maybe I should reevaluate everything he has said in a new light.) But I agree with Bart and Si’s sentiment that those on the “losing” end in the fierce no-holds barred internal struggle had taken their "beating" and have moved on as far as I can tell. That fact should signal the end of these embarrassing and rather provocative disclaimers. Done. Lance Lawrence]

 *********

There were some things about Edward Rowley’s youthful activities that he would rather not forget, things that defined his life, gave him that fifteen minutes of fame, if only to himself and his, that everybody kept talking about that everyone deserved before they departed this life. That is what got him thinking one sunny afternoon in September about five years ago as he waited for the seasons to turn almost before his eyes about the times around 1964, around the time that he graduated from North Adamsville High School, around the time that he realized that the big breeze jail-break that he had kind of been waiting for was about to bust out over the land, over America. It was not like he was some kind of soothsayer, could read tea leaves or tarot cards like some latter day Madame La Rue who actually did read his future once down at the Gloversville Fair, read that he was made for big events anything like that back then. No way although that tarot reading when he was twelve left an impression for a while.

Edward’s take on the musical twists and turns back then is where he had something the kids at North Adamsville High would comment on, would ask him about to see which way the winds were blowing, would put their nickels, dimes and quarters in the jukeboxes to hear. See his senses were very much directed by his tastes in music, by his immersion into all things rock and roll in the early 1960s where he sensed what he called silly “bubble gum” music that had passed for rock (and which the girls liked, or liked the look of the guys singing the tunes) was going to be buried under an avalanche of sounds going back to Elvis and forward to something else, something with more guitars all amped to bring in the new dispensation. More importantly since the issue of jailbreaks and sea changes were in the air he was the very first kid to grasp what would later be called the folk minute of the early 1960s (which when the tunes, not Dylan and Baez at first but guys like the Kingston Trio started playing on the jukebox at Jimmy Jack’s Diner after school some other girls, not the “bubble gum” girls went crazy over). So that musical sense combined with his ever present sense that things could be better in this wicked old world drilled into him by his kindly old grandmother who was an old devotee of the Catholic Worker movement kind of drove his aspirations. But at first it really was the music that had been the cutting edge of what followed later, followed until about 1964 when that new breeze arrived in the land.

That fascination with music had occupied Edward’s mind since he had been about ten and had received a transistor radio for his birthday and out of curiosity decided to turn the dial to AM radio channels other that WJDA which his parents, may they rest in peace, certainly rest in peace from his incessant clamoring for rock and roll records and later folk albums, concert tickets, radio listening time on the big family radio in the living room, had on constantly and which drove him crazy. Drove him crazy because that music, well, frankly that music, the music of the Doris Days, the Peggy Lees, The Rosemary Clooneys, the various corny sister acts like the Andrews Sisters, the Frank Sinatras, the Vaughn Monroes, the Dick Haynes and an endless series of male quartets did not “jump,” gave him no “kicks,’ left him flat. As a compromise, no, in order to end the family civil war, they had purchased a transistor radio at Radio Shack and left him to his own devises.

One night, one late night in 1955, 1956 when Edward was fiddling with the dial he heard this sound out of Cleveland, Ohio, a little fuzzy but audible playing this be-bop sound, not jazz although it had horns, not rhythm and blues although sort of, but a new beat driven by some wild guitar by a guy named Warren Smith who was singing about his Ruby, his Rock ‘n’ Roll Ruby who only was available apparently to dance the night away. And she didn’t seem to care whether she danced by herself on the tabletops or with her guy. Yeah, so if you need a name for what ailed young Edward Rowley, something he could not quite articulate then call her woman, call her Ruby and you will not be far off. And so with that as a pedigree Edward became one of the town’s most knowledgeable devotees of the new sound. Problem was that new sound, as happens frequently in music, got a little stale as time went on, as the original artists who captured his imagination faded from view one way or another and new guys, guys with nice Bobby this and Bobby that names, Patsy this and Brenda that names sang songs under the umbrella name rock and roll that his mother could love. Songs that could have easily fit into that WJDA box that his parents had been stuck in since about World War II.

So Edward was anxious for a new sound to go along with his feeling tired of the same old, same old stuff that had been hanging around in the American night since the damn nuclear hot flashes red scare Cold War started way before he had a clue about what that was all about. It had started with the music and then he got caught later in high school up with a guy in school, Daryl Wallace, a hipster, or that is what he called himself, a guy who liked “kicks” although being in high school in North Adamsville far from New York City, far from San Francisco, damn, far from Boston what those “kicks” were or what he or Eddie would do about getting those “kicks” never was made clear. But they played it out in a hokey way and for a while they were the town, really high school, “beatniks.”  So Eddie had had his short faux “beat” phase complete with flannel shirts, black chino pants, sunglasses, and a black beret (a beret that he kept hidden at home in his bedroom closet once he found out after his parents had seen and heard Jack Kerouac reading from the last page of On The Road on the Steve Allen Show that they severely disapproved on the man, the movement and anything that smacked of the “beat” and a beret always associated with French bohemians and foreignness would have had them seeing “red”). And for a while Daryl and Eddie played that out until Daryl moved away (at least that was the story that went around but there was a persistent rumor for a time that Mr. Wallace had dragooned Daryl into some military school in California in any case that disappearance from the town was the last he ever heard from his “beat” brother). Then came 1964 and  Eddie was fervently waiting for something to happen, for something to come out of the emptiness that he was feeling just as things started moving again with the emergence of the Beatles and the Stones as a harbinger of what was coming.

That is where Eddie had been psychologically when his mother first began to harass him about his hair. Although the hair thing like the beret was just the symbol of clash that Eddie knew was coming and knew also that now that he was older that he was going to be able to handle differently that when he was a kid.  Here is what one episode of the battle sounded like:                   

“Isn’t that hair of yours a little long Mr. Edward Rowley, Junior,” clucked Mrs. Edward Rowley, Senior, “You had better get it cut before your father gets back from his conference trip, if you know what is good for you.” 

That mothers’-song was being endlessly repeated in North Adamsville households (and not just those households either but in places like North Adamsville, Hullsville, Shaker Heights, Dearborn, Cambridge any place where guys were waiting for the new dispensation and wearing hair a little longer than boys’ regular was the flash point) ever since the British invasion had brought longer hair into style (and a little less so, beards, that was later when guys got old enough to grow one without looking wispy, had taken a look at what their Victorian great-grandfathers grew and though it was “cool.” Cool along with new mishmash clothing and new age monikers to be called by.).

Of course when one was thinking about the British invasion in the year 1964 one was not thinking about the American Revolution or the War of 1812 but the Beatles. And while their music has taken 1964 teen world by a storm, a welcome storm after the long mainly musical counter-revolution since Elvis, Bo, Jerry Lee and Chuck ruled the rock night and had disappeared without a trace, the 1964 parent world was getting up in arms.

And not just about hair styles either. But about midnight trips on the clanking subway to Harvard Square coffeehouses to hear, to hear if you can believe this, folk music, mountain music, harp music or whatever performed by long-haired (male or female), long-bearded (male), blue jean–wearing (both), sandal-wearing (both), well, for lack of a better name “beatniks” (parents, as usual, being well behind the curve on teen cultural movements since by 1964 “beat”  except on silly television shows and “wise” social commentary who could have been “Ike” brothers and sisters, was yesterday’s news).

Mrs. Rowley would constantly harp about “why couldn’t Eddie be like he was when he listened to Bobby Vinton and his Mr. Lonely or that lovely-voiced Roy Orbison and his It’s Over and other nice songs on the local teen radio station, WMEX (he hated that name Eddie by the way, Eddie was also what everybody called his father so you can figure out why he hated the moniker just then). Now it was the Beatles, the Rolling Stones and a cranky-voiced guy named Bob Dylan that has his attention. And that damn Judy Jackson with her short skirt and her, well her… looks” (Mrs. Rowley like every mother in the post-Pill world refusing to use the “s” word, a throw-back to their girlish days when their mothers did not use such a word.)     

Since Mrs. Rowley, Alice to the neighbors, was getting worked up anyway, she let out what was really bothering her about her Eddie’s behavior, "What about all the talk about doing right by the down-trodden Negros down in Alabama and Mississippi. And you and that damn Peter Dawson, who used to be so nice when all you boys hung around together at Jimmy Jacks’ Diner [Edward: corner boys, Ma, that is what we were] and I at least knew you were no causing trouble, talking about organizing a book drive to get books for the little Negro children down there. If your father ever heard that there would be hell to pay, hell to pay and maybe a strap coming out of the closet big as you are. Worst though, worst that worrying about Negros down South is that treasonous talk about leaving this country, leaving North Adamsville, defenseless against the communists with your talk of nuclear disarmament. Why couldn’t you have just left well enough alone and stuck with your idea of forming a band that would play nice songs that make kids feel good like Gale Garnet’s We’ll Sing In The Sunshine or that pretty Negro girl Dionne Warwick and Her Walk On By instead of getting everybody upset."

And since Mrs. Rowley, Alice, to the neighbors had mentioned the name Judy Jackson, Edward’s flame and according to Monday morning before school girls’ “lav” talk, Judy’s talk they had “done the deed” and you can figure out what the deed was let’s hear what was going on in the Jackson household since one of the reasons that Edward was wearing his hair longer was because Judy thought it was “sexy” and so that talk of doing the deed may well have been true if there were any sceptics. Hear this:      

“Young lady, that dress is too short for you to wear in public, take it off, burn it for all I care, and put on another one or you are not going out of this house,” 

barked Mrs. James Jackson, echoing a sentiment that many worried North Adamsville mothers were feeling (and not just those mothers either but in places like Gloversville, Hullsville, Shaker Heights, Dearborn, Cambridge any place where gals were waiting for the new dispensation and wearing their skirts a little longer than mid-calf was the flash point) about their daughters dressing too provocatively and practically telling the boys, well practically telling them you know what as she suppressed the “s” word that was forming in her head. 

She too working up a high horse head of steam continued, "And that Eddie [“Edward, Ma,” Judy keep repeating every time Mrs. Jackson, Dorothy to the neighbors, said Eddie], and his new found friends like Peter Dawson taking you to those strange coffeehouses in Harvard Square with all the unwashed, untamed, unemployed “beatniks” instead of the high school dances on Saturday night. And that endless talk about the n-----s down South, about get books for the ignorant to read and other trash talk about how they are equal to us, and your father better not hear you talk like that, not at the dinner table since has to work around them and their smells and ignorance over in that factory in Dorchester.  And don’t start with that Commie trash about peace and getting rid of weapons. They should draft the whole bunch of them and put them over in front of that Berlin Wall. Then they wouldn’t be so negative about America."

Scene: Edward, Judy and Peter Dawson were sitting in the Club Nana in Harvard Square sipping coffee, maybe pecking at the one brownie between, and listening to a local wanna-be folk singing strumming his stuff (who turned out to be none other than Eric Von Schmidt). Beside them cartons of books that they are sorting to be taken along with them when head South this summer after graduation exercises at North Adamsville High School are completed in June. (By the way Peter’s parents were only slightly less irate about their son’s activities and used the word “Negro” when they were referring to black people, black people they wished their son definitely not to get involved with were only slightly less behind the times than Mrs. Rowley and Mrs. Jackson and so requires no separate screed by Mrs. Dawson. See Peter did not mention word one about what he was, or was not, doing and thus spared himself the anguish that Edward and Judy put themselves through trying to “relate” to their parents, their mothers really since fathers were some vague threatened presence in the background in those households.)

They, trying to hold back their excitement have already been to some training sessions at the NAACP office over on Massachusetts Avenue in the Roxbury section of Boston and have purchased their tickets for the Greyhound bus as far as New York’s Port Authority where they will meet others who will be heading south on a chartered bus. But get this Pete turned to Edward and said, “Have you heard that song, Popsicles and Icicles by the Mermaids, it has got great melodic sense.” Yes, we are still just before the sea change after which even Peter will chuckle about “bubble gum” music. Good luck though, young travelers, good luck.

When The Fight To Turn The World Upside Down Was In Full Flower- With The Doors The Unknown Soldier In Mind 

By Lance Lawrence  

[As of December 1, 2017 under the new regime of Greg Green, formerly of the on-line American Film Gazette website, brought in to shake things up a bit after a vote of no confidence in the previous site administrator Allan Jackson (aka Peter Paul Markin in the blogosphere) was taken among all the writers at the request of some of the younger writers abetted by one key older writer, Sam Lowell, the habit of assigning writers solely to specific topics like film, books, political commentary, and culture is over. Also over is the designation of writers in this space, young or old, by job title like senior or associate. After a short-lived experiment by Green designating everybody as “writer” seemingly in emulation of the French Revolution’s “citizen” or the Bolshevik Revolution’s “comrade” all posts will be “signed” with given names only. The Editorial Board]

[Although I am a much younger writer I today stand in agreement with Bart Webber and Si Lannon, older writers who I admire and whom I have learned a lot from about how to keep it short and sweet but in any case short on these on-line sites. Originally I had agreed with both men as far as Phil Larkin’s, what did Si call them, yes, rantings about heads rolling, about purges and would have what seems like something out of Stalin’s Russia from what I have read about that regime were  dubious at best. Now I am not sure as I have heard other younger writers rather gleefully speaking around the shop water cooler about moving certain unnamed writers out to pasture-“finally” in the words of one of them.

In any case the gripe the former two writers had about the appropriateness of this disclaimer above or whatever it purports to be by the "victorious" new regime headed by Greg Green and his so- called Editorial Board is what I support. As Bart first mentioned, I think, if nothing else this disclaimer has once again pointed told one and all, interested or not, that he, they have been “demoted.”  That I too, as Si pointed out, chafed as an Associate Book Critic and didn’t like it am now just another Everyman and don’t like it. This is the second time I have had the disclaimer above my article so I plead again once should be enough, more than enough.

In the interest of transparency I was among the leaders, among the most vociferous leaders, of what has now started to come down in the shop as urban legend “Young Turks” who fought tooth and nail both while Alan Jackson (aka Peter Paul Markin as blog moniker for reasons never made clear, at least to me) was in charge and essentially stopping young writers from developing their talents and when we decided that Allan had to go, had to “retire.” (I am sure Phil Larkin will take those innocent quotation marks as definite proof that Allan was purged although maybe I should reevaluate everything he has said in a new light.) But I agree with Bart and Si’s sentiment that those on the “losing” end in the fierce no-holds barred internal struggle had taken their "beating" and have moved on as far as I can tell. That fact should signal the end of these embarrassing and rather provocative disclaimers. Done. Lance Lawrence]

“The Unknown Soldier”    

Wait until the war is over
And we're both a little older
The unknown soldier

Breakfast where the news is read
Television children fed
Unborn living, living, dead
Bullet strikes the helmet's head
And it's all over
For the unknown soldier
It's all over
For the unknown soldier
Hut, hut, hut ho hee up
Hut, hut, hut ho hee up
Hut, hut, hut ho hee up
Comp'nee, halt
Present, arms
Make a grave for the unknown soldier
Nestled in your hollow shoulder
The unknown soldier
Breakfast where the news is read
Television children fed
Bullet strikes the helmet's head
And, it's all over
The war is over
It's all over
War is over

Well, all over, baby
All over, baby
Oh, over, yeah
All over, baby

Ooh, ha, ha, all over
All over, baby
Oh, woah, yeah, all over
All over, heh

Songwriters
Robbie Krieger;John Densmore;Jim Morrison;Ray Manzarek

From The Pen of Frank Jackman

There was no seamless thread that wrapped the 1960s up tightly. A thousand things, or it seemed like a thousand things, came together in pretty rapid succession to draw down in flames, for a while anyway although none of us though it would on be for only a while just as we thought that we would live forever, or at least fast, the dread red scare Cold War freezes of our childhood. But you could traces things a little, make your own “live free” categories of the events that chipped away the ice of those dark nights.

Start in with the mid-1950s if you like with the heat of the black struggle for some semblance of civil liberties down south (and some sense for equality up north), the first break-out of music with the crowning of rock and roll as the wave of the future (black rhythm and blues, scat, rockabilly mixed all stirred up), the “discovery” of teen alienation and angst exemplified by movie star James Dean, who lived fast, and died fast a metaphor that would work its way through youth culture over the next generation. An odd-ball mix right there. Then start to throw in the struggles against the old authority, the old certitudes that had calmed our parents’ lives in places like Frisco town where they practically ran the red-baiters in the HUAC out of town, but of course the biggest event that opened the doors for liberals, radicals, hell even thoughtful conservatives was the sweet breeze coming down the road from Boston with the election of Jack Kennedy.    

That event opened up a new psyche, that it was okay to question authority, whatever the limitations and shortness of the Camelot times with the struggles against some hoary things like segregation, the dead penalty, nuclear proliferation, the unevenness of life which would get propelled later in the decade with fight for women’s liberation, gay liberation, and the fight against the draft, the damn war in Vietnam that drove a nail into the heart of the generation. There were more things, cultural things and experimentations with new lifestyles that all got a fair workout during this period as well.     

Plenty of us in retrospective would weigh the various combinations of events differently in figuring out how the uprising started just as plenty of us have our specific dates for when the tide began to ebb, when the mean-spirited and authoritarian began their successful counter-offensive that we still live with for not taking the omens more seriously.

And then we have the photograph that graces this short screed. This photograph is almost impossible to imagine without some combination of that hell broth mix stirred up in the 1960s. Three self-assured women comfortable with the loose and individualistic fashion statements of the day from floppy hats to bare legs, bare legs that would have shocked a mother. Uncomfortable about the damn Vietnam war that was eating up boyfriends, brothers, just friends at a heavy rate and they unlike their mothers who came through World War II waiting patiently and patriotically for their military heroes to come home, come home in one piece, have a very different sense of the heroic. A sense of the heroic going back to ancient times when one group of women demanded that their men come home on their shields if they had to rather than speak of defeat and others providing a distant echo for these three women pictured here who refused their soldier boys any favors if they went off to war. More, much more of the latter, please.                     

Elegy Upon Hearing Of The Death Of Superman-“With Batman vs. Superman: Dawn Of Justice” (2016) In Mind  

By Seth Garth

[Perhaps only a person, a man in this case, like Seth Garth who can trace his forebears gaggle of poets, bandits, stone-cold junkies, whores, whoremongers, whoremongers’ wives, midwives, witches, odd-ball aficionados, troubadours, minstrel singers, blackguards going back to medieval times in ancient France, going back on his mother’s side it is said and which explains a lot of things to the bandit/troubadour/poet exiled in his own land François Villon. Back to France when it was all cut up into pieces with little castles and moats and the world too. Only a guy like that could write a prosaic elegy without tears for a legendary figure like Superman, a super-hero whose time had passed. Site manager Greg Green]

                                                                               t

Signpost: December 7, 1941 for those who squeaked by the Great Depression hunger and cold that provoked and pervaded the land and who still charged forward slogging through the muddy beaches and forests of World War II, or waited breathlessly at home. Signpost: November 22, 1963 where every schoolboy and schoolgirl knew exactly where he or she was when the news came through the PA systems of a million schools portending I have a dream Martin death and seek a newer world Robert one too to end Camelot children dreams and Summer of Love drugs, sex and rock and roll. Signpost: 9/11 no year needed yet when everybody learned that in this wicked old world that there were people, there were unchecked forces who sought end time, sought the garden without regard. Signpost: March 26, 2016 the day when a candid world first heard that super-hero for the ages, an other-worldly guy, an alien of a different sort, Superman, had finally cashed his check.         

Who knows how it happened, how it could possibly happen when all the world figured he was invincible, was always to be with us. The world became far shorter than by a head when he laid down that beautiful head of his. (Now laid out in white cross National Cemetery to be wreathed at Christmas time, flagged on Memorial Day and Armistice Day after boom-boom salutes). 

Man of steel, man of steel, man of steel, man of maximum steel.

Not born of woman, a stranger in our midst, churning cornfields into flapjacks, odd duckling in a hero-less world in desperate need of heroes. Nameless except silly earthling name horn-rimmed glasses wimpy goof Clark Kent, a dweeb, nerd, and every other foul name tyrant editor Perry White could lay on him when he came up with some of the lamest stories in newspaper history to cover his tracks, running ruses around who he was and who had deposited him pod-like in Middle America corn-fed fields of dreams.       

Mild-mannered, mild mannered, maximum mild-mannered

Caped crusader in a world filling up with vermin, with the dregs, with oceans full of flotsam and jetsam robbers and robber-barons. Filling up too with a crowd of would-bes, would be super-heroes like they could come off the assembly line ready for action. Ready to fight the creeps, the crooks, the fixer men, the gay guys who worshipped him in silent vigil rooms. Junkie-fixer men crying hero, hero worship me unto the end days, unto the return to the garden. Every sullen batman, ironman, wonder woman, black widow, hulk, thor, and a million other hucksters and hustlers, con artists claiming king or queen-ship. Looking for the man chance.      

Able to leap tall buildings, able to leap tall buildings, able to leap maximum tall buildings.

Made young boys weep for their inadequacies, cowering in corners waiting to be saved, to be born again. Made grown women wet with his bulging muscles and his devilish ways. Little did they know that timeless he was winding down, had lost a step or two, told that he was losing some of his brain power by respected John Hopkins doctors and Walter Reed medics like many aliens do when they hit the American shore and try to turn to vanilla.    

Faster than a speeding bullet, faster than a speeding bullet, faster than a speeding maximum bullet. 

I, I who hear the great world moan death attendant, I who speak for the unwashed masses, I who sing the great Whitman America we are your sons song, got caught off guard, didn’t know that he had had more than a few run-ins with the law, was selling high grade ammo to nefarious parties, was getting a few more people angry every time he took to the cape for a caper. Worried and angry since the collateral damage, a new term unfamiliar to him that he told Lois Lane one pillowy night, he didn’t give a damn about as long as he got one bad guy less to the notched world wasn’t over-shadowing the ratio. Was getting so people were calling for his arrest and exile back to Pluto or wherever they thought he was from (so hungry for a savior in a Daily Planet survey inspired by that brute Perry White only one in ten could name his planet of origin-sad)

Kryptonite, kryptonite, maximum kryptonite. 

Had missed in my plainsong that Superman had turned junkie and was selling himself to the highest bidder, toying with a holy goof named Lux Luthor who had more than one screw loose, who had a stable of poor boy super-heroes to unload on an unsuspecting world. Had a guy named batman wound up so tight that he was ready to take the caped crusader on one on one for cheap money and a shot at Lois Lane if Wonder Woman was already spoken for. Beat the bejesus out of Superman on the quiet one night and Clark Kent was AWOL for days around the Daily Planet nobody thinking it odd.

More powerful than a locomotive, more powerful than a locomotive, more powerful than a maximum locomotive.

The way the story went around, went after the coppers fucked around with the truth and the media bought the damn thing hook, line and sinker, was he was an orphan bastard of some Krypton mutant seeking revenge, seeking his death, since his mother shipped him off to joyride Earth. Ceremonial bitch father had a kryptonite-edged blade and rammed the thing straight through the kid, gone in a minute, done, cooked shamrock green from what they told on the 6 o’clock news.      

It’s a bird, it’s a plane, its Superman, it’s a bird, it’s a plane, it’s Superman, it’s a bird, it’s a plane, it’s maximum Superman.  

Yeah, it was a sad world day the day that guy laid down his head, the day we heard Superman had finally cashed his check. 

On The 70^th Anniversary- Magical Realism One-On-One- With Humphrey Bogart And Lauren Bacall’s “Dark Passage” (1947)

By Seth Garth

[At this point I am not involved in the so-called controversy between the younger and older writers of which I am one since I have moved on, have been actually trying to put stories together not let my bile jump up at me. Yes, I voted to retain my old friend Allan Jackson, but what of it-S.G]

It is a funny thing about breaks, about how things twist and turn in this crazy old world. Hey I should know, I, Pat Lynch, who has been in the private detection business for the past thirty-five years ever since I got out of the Army back at the end of World War II. (By the way private detection, detective is the way I like to hear it said not shamus, gumshoe, key-hole peeper like they say on television or in those silly crime detection novels as much as I liked reading guys like Dashiell Hammett and Raymond Chandler back before I got into the real profession and found they were mostly blowing smoke.) Take the Humphrey Bogart case, or what turned out to be the name of the case, a name I was told he did not use among his various names, his aliases, his akas as we say in the business, since he hated it from childhood when the kids thought he was humpty-dumpty and later when dope, marijuana was exotic and illegal hipsters would say “don’t bogart that joint.”

This Bogart case I worked off and on for the better part of twenty years in the days when the coppers, the public coppers, were offering five thou, big money then for the whereabouts dead or alive of the guy. Big money especially to a guy starting out a few years after the war in order to bring this guy to justice, or back to justice since he had escaped San Quentin, the Q and while on the lam he killed his best friend, some frail, some ex-girlfriend and some two-bit small time crook, con man really. They laid the whole mess on it in any case so it was the same thing.  Never did find him and I went to South America and Europe to try to collar him so he could be dead or alive some place. All I know is the case had plenty of twists and turns and Bogart got his share of bumps and breaks along the way so what I just said is true about breaks. And a little idea that maybe Bogart didn’t commit all those murders and was framed. Like I said breaks.            

Maybe you don’t remember the Bogart case? Back in the late 1940s it was all the rage in the papers for about six months in the days when they would run with a news story like that forever not like today when even murder cases get a day or two and then go with the breeze. This Bogart was supposed to have killed his wife in a rage with an iron from the fireplace. He did admit to having a quarrel with that wife before he left but he never hit her that day (neighbor testimony told a story that he was on other occasions abusive, had hit her at least one and she had had a black-eye to show for it). At trial which like I say was “page one” for weeks in Frisco though he was done in by that ex-girlfriend he later allegedly killed during his escape. She claimed she saw him hit that wife from the window outside the Bogart residence and the defense could never shake her story. So that and Bogarts’ being the only fingerprints on the iron doomed him. On defense Bogart claimed that this frail, this ex-girlfriend, Agnes, had never been his girlfriend, that she was jealous of the wife and despite their marital troubles he never had plans to leave that wife. The jury didn’t buy the story-life, life without parole.                

Which who knows should have been the end of the story and the only place Bogart should next have been seen anyway outside the Q was at his potter’s field funeral. But this Bogart was not only lucky in some ways which you have to be to escape any serious secured prison but he had planned it for years staying mostly to himself working out plans in his head (he had been an engineer before he fell down, before he took the big fall). Easy as pie from what I gathered as long as you don’t care about placing yourself in a garage barrel when they come to get rid of the trash on the outside. And Bogart didn’t. The next parts are a little murky since it was mostly pieced together from a lot of information that seemed contradictory-seemed to tempt the fates too much.     

He got out okay and along the road he jiggles the barrel enough to have it flip off the road down an embankment the clueless driver not noticing anything fall off the truck. In any case the coppers, once the warden declared an escape, were on the trail fast-caught up with that truck driver who knowing nothing noticed one barrel missing. So the cops started heading back up the road they had just come from.  Here is where luck plays a small role, part one, Bogart after discarding his shirt grabbed a ride from a passing car, from that two-bit small time con man. That funny little con man asked too many questions though and he bonked him one leaving him off to the side of the road. While he was doing that a stray car, a station wagon since she had to carry her art supplies around, pulled up and told him to get in, told him by name. This Lauren, Lauren Bacall, known in the Bay Area as something of an artist but also with dough left by a step-father who killed her mother and got the big sent-off, step-off really at Q for it had been following his case for years, had been at the trial (shades of her father’s case where she thought he too was innocent) and hearing the police reports over the radio decided to help Bogart along. Yeah, I know.

That’s the story anyway, once I heard the story from Bob, the dame’s boyfriend at the time who got wise once things didn’t add up about why she was giving him the deep freeze, the heave-ho really and she told him flat out she had another man after he found men’s clothing in her bedroom. But this was well after the whereabouts of Bogart, and Lauren, reached a dead end and I was looking for anything to get back on track.            

The way it figures from there is that she brought him to her place over on Russian Hill to keep him under wraps for a while. But a guy who every copper in California was looking for needed to hide out somewhere else. Needed that hideaway since he was going to get some plastic surgery done to change his looks enough to blow town, head to South America where they don’t ask questions, especially from gringos with a little dough to stop the questions. That is where his good friend, a stand-up guy, George was supposed to help keep him undercover after the surgery. No play. After the surgery Bogart went back to George’s place but he had been murdered by a party or parties unknown, and so back to Lauren’s place and some better plan because six, two and even he was going to take the fall for that George one too which if you at the frozen dead-ass cold files today you will see the Frisco coppers did.

So the surgery took after a week under the bandages. It was during this period that boyfriend Bob started getting the cold shoulder and later that is where his speculation started. Problem at this point is that nobody including Lauren would have known it was Bogart (Lauren would know once the bandages came off before all she had seen was a guy like a million other guys turned in another guy like a million other guys.) I had heard a rumor that a cabdriver was bragging to his buddies at the Irish Grille over off Fisherman’s Wharf that he would have the last laugh since he was probably the only guy alive who knew what Bogart looked after he tied him onto a disbarred plastic surgeon. Young and raw as I was at the time I still had some waterfront, skid row dive contacts who would have known who that surgeon was, or if there was more than one, it would be small work to locate him.

Bingo Doc Jamison who had been on the back alley work for several years after he botched a big-time starlet’s face so that not even her parents would recognize her. Doc was very upfront that he had done the job and what of it. The beauty for him is that after putting on the bandages he was as clueless as anybody about Bogart’s appearance, so he said. I could never shake anything out of him even after offering money. All we knew was he was five foot-ten, brown hair, brown eyes.           

Once Bogart was up and around, going out, with or without Lauren, was when he started going by the name of Parry, Victor Parry, which is ironic since that was the name of another guy in the Q who had murdered his wife. They got that bit of information from the real Victor Parry, a couple of months later after the trail was dead-ass cold, when he bargained for a reduction of sentence. So we had a name although a name which petered out after a place called Benson, Arizona. Benson is important to the story because that has been a jump-off point for people on the run since the old Wild West days. Once in Mexico, as I subsequently found out, the trail got even colder, colder than a witch’s tit as we used to say as kids, maybe they still do.           

So you know Bogart got away, you know Lauren blew town shortly after so it figured they had a meet-up place who knows where. End of five thou dreams. That is when I started working on the case from a different angle purely for professional reasons. Started to work an angle that he might have been framed, been the fall guy. When you think about it why would a guy who was on the lam bump off his best friend, a guy he had drinks with, a guy who just wanted according to Jimmy Lee at the Kit Kat Club to blow high white notes out to the China seas. That brings you up to who else had a motive to bump off Bogart’s wife. After talking to Bob, that ex-boyfriend of Lauren’s given the colds by her brought up that Agnes, that so-called ex of Bogart’s. According to Bob she was venomous like a snake enough to take advantage of what she saw looking into the Bogart apartment. Hated that wife with a passion the way she told it later after she put the big frame around Bogart. Problem, big problem which you might not remember from when I started. Agnes fell out a window under mysterious circumstances and shortly after a tenant saw a guy who’s over-all characteristics fit Bogart to a tee. So the coppers tagged him for it and let it sleep. What the hell he was going to hang for the other raps anyway so let him have every unsolved crime that needed cold storage.              

So you see where I was blocked even trying to work that other angle. Nothing, nothing except that added murder rap of that small time hood who may have had some information because when you put two and two together he might have been a guy who knew both ends of the Bogart face. He had after all picked Bogart upon that escape route before being tossed. Being, by all accounts, a guy who was always looking for the silver lining, he told one of his confederates that he was going to make a big score, a very big score , although cagey enough not be give details. So what if he figured the Bogart-Bacall connection. We’ll never know because he fell down on the rocks under the Golden Gate Bridge. See what I mean by breaks-both ways.   

When The Deal Went Down December 7, 1941- Humphrey Bogart’s “Across The Pacific” (1942)-A Film Review

DVD Review

By Phil Larkin

Across The Pacific, starring Humphrey Bogart, Mary Astor, Sydney Greenstreet, 1942

Free, free at last, good god in Heaven free at last-for the moment anyway. All readers, young and old, recent or longtime, interested or disinterested, movie aficionados or not, but at least breathing will note, or should be expected to note, that one Phillip Larkin did not start out his usually beautifully-etched film review with an expletive (which one for the young, recent, disinterested, not aficionado brethren although I assume still breathing is a book sealed with seven seals). Why? Finally, good God in heaven finally, the divinely-inspired site impresario Greg Green and he hard-working thoughtful minions on the recently established Editorial Board have by unanimous assent permitted me to go through my paces on a real movie review, an Bogie- aficionado drenched review of one of his lesser classics-Across the Pacific.  

For those who have been out of the country, have been hospitalized, have been up the Amazon with no means of transportation or communication here is a quick primer on why what should have been a routine past through quickie review by me is worthy of every hosanna in the book. Through inexperience, newness to this site, or bad advice from that hither-to-fore deadbeat Ed Board our esteemed guru Greg Green had the bizarre idea that I should do kiddie film reviews, you know things like Captain America, The Avengers, Batman. All that silliness that passes for film experiences among the younger set for the simple fact that the eight to maybe twenty-one audience they are geared to do not have the energy or ability to sit for twenty minutes and read a freaking comic book. Instead are popcorn-addled and soft drink-doped for a couple of hours to listen to grunts and two word sentences, physically violent action every thirty seconds warranted or not, and some silly mid-credit come-ons to the next so-called adventure film. The reasoning at the time and I am not sure reasoning is the right word is that unlike the old regime under the now fully deposed, some unkind older writer-types saying purged, and exiled former site manager, my old growing up friend Allan Jackson who let us do whatever interested us as long as we did it well, the whole writing staff should “broaden their horizons by random assignment. Sorry, bullshit, sorry. 

Moreover that whole policy, and I used that word advisedly, was to let the self-designated “Young Turks” who rebelled against the old Jackson regime and led the ugly purging process get to write some decent stuff and not a rehash of what the older writers threw away as drafts. Under Allan mostly stuff about that growing up in the 1960s during that paradise time to be living, Allan and the older writers time which they could have given a damn about. Couldn’t know things about like the Summer of Love, 1967 for the simple fact that were in swaddling clothes or not yet born. In my case I drew that kiddie stuff because Greg fell weak-kneed for the line this young kid, Jesus, twenty-five years old, Kenny Jacobs gave him about how his movie-addled film noir parents dragged his young ass to a bunch of film festival retrospectives when he was about eight. As against my spending real-time, real-time growing up teenager, young adult, adult, old adult time starting on those lonely Saturday afternoon matinees Strand Theater double-features to get out of my turbulent household haunting the retros every chance I got. Won my spurs on doing Bogie, Robert Mitchum, Glenn Ford Gloria Grahame, Lauren Bacall, Mary Astor, Jane Greer, background reviews under the old regime which loved to mix it up with the older material. (Allan Jackson frowned on most of the modern stuff saying that other more informed sources could provide those kind of reviews quite nicely in places like the American Film Gazette where he had started out and that our job was to do films, books, music, culture, etc. which reflected the broader history of the American experience which this site is committed too.)          

Without tooting my own horn too much I would be remiss if I didn’t mention how I got back on top. Maybe provide an object lesson in how to work through the increasing bureaucracy of even barebones on-line operations which supposedly don’t have the hassles of brick and mortar hard copy publications to slow things down and make everybody a speck. At first I resented being “demoted” via the Greg Green so-called democratic new regime from being a longtime Associate Film Critic to just another generic writer. I let that pass figuring eventually the bureaucratic mentality would catch up to the new crowd and they would be handing out titles like candy. What ate at me and I am not afraid to say so now that the situation has been permanently resolved was being pushed aside on my specialty (they wouldn’t dare sent me back to the comics they don’t need the seven kinds of hell I would bring down which would make beautiful super-hero Thor’s hammerings seem like some street junkie’s).

I already gave you what the kid tried to pull with his lame parent story. What I did in response was my classic belly-aching in print, okay in cyberspace, moaning and groaning leaving about three lines for the review (for films probably bam-bam kick worth about two) against that punk kid, Kenny Jacobs, you have seen his weird reviews I am sure. Did it enough to switch gears on the wily young bastard. Got my old route back and here I am ready to dig deep into this low-rent 1940s Bogie pic that will never make his top ten films list but who cares because given the actors lined up in this one I can hit a homerun with The Maltese Falcon and make everybody forget this clunker.            

**********

Everybody, at least everybody over the past few generations has certain touchstone events which affect, even if indirectly, their lives.   

Will know exactly where they were when they heard the news. For mine John Fitzgerald Kennedy’s assassination on November 22, 1963 (informed over the high school PA system by a distraught headmaster). For younger generations 9/11 and you need not say more, need to throw a year date in. For my parents, the ones who came of age in the 1930s Great Depression and slogged through World War II on two oceans, December 7, 1941, the day of FDR’s famous infamy, the day the Japanese bombed Pearl Harbor is that touchstone and sets the framework for this film. (And Greg Green, no many how many reviews he oversaw over at American Film Gazette before coming here, must have had blinders on when young Kenny Jacobs begged him to do this review. What possible frame of reference, other than he had seen the film when he was a kid with those film freak parents, could he bring to any such review.)          

That sets the plot-line frame. The other component is the cohort of actors here led by Humphrey Bogart, Mary Astor, and Sydney Greenstreet who the previous year under the original director here, John Huston, who signed on to the Army before the finish, starred in one of the great movies of all time, The Maltese Falcon. Although this veiled propaganda film does not come close the three artists work through the problems presented by such a film fairly well although as I mentioned this will not go down as one of Bogie’s best.  

As my old friend and former boss as Senior Film Critic now retired, Sam Lowell, would say at this point (and encourage us to do so as well) here’s the “skinny.” Captain Leland, Bogie’s role, has been cashiered out of the Coast Guard for some petty crime. All that a ruse so that he can work an operation as a secret agent against those who were working their asses off for the soon-to-be formal enemies, the Japanese, as the war clouds thicken in late 1941. Number one agent is a sociology professor, Doctor Lorenz, out of the Philippines (whose citizens will be treated very badly when Japanese invasion time comes), played by the nefarious slippery Sydney Greenstreet who admires the Japanese way of doing things. The joker in the deck is the good-looking footloose woman, Alberta, played by Mary Astor, not a femme fatale this time but eye candy to Leland’s eyes. The Captain is not sure where she fits in but he takes an under the sheets run at her anyway. Their meeting place, a Japanese freighter which is heading, well, across the Pacific via the short route Panama Canal in the days when that meant a considerably shorter trip than around the Cape, maybe now too since it had been upgraded for the super-tankers.       

Things go along as they do with Leland making it clear to Lorenz he is a hired gun, a mercenary, a soldier of fortune ready to throw lead for the highest bidder. Willing too to tell what he knows about gun emplacements when the time comes. Al the while playing footsie with Alberta and while trying to figure out what the good Doctor is up to. Things start getting dicey when the Japanese ship is not permitted to enter the canal locks and things get hairy with Lorenz and Alberta departing for whereabouts unknown. The day, December 6, 1941 telegraphed through a newspaper popped on screen, so you know something bad is going to happen when all trails lead Leland to a plantation. To a place where it turns out Alberta’s drunken father lives and where the damn Japanese were painfully constructing a torpedo plane piece by piece to blow the strategic canal locks to kingdom come (my father a Pacific War battle-tested Marine never until he died called them anything but Nips, with a snarl, never.)   

Of course you know that is never going to happen as Bogie pulls the plug in the plan blasting every Japanese in sight (not going to happen as it didn’t in history but the reason here one heroic Bogart saving the day). Just like in The Maltese Falcon the evil Greenstreet bites the dust on his dreams. Here though innocent Alberta is not subject to being sent-over, sent to face the big step-off. Hey, I did pretty well with this period piece loser. Yeah I’m back in the saddle.