In
Honor Of Women's History Month- Lucy On The Edge Of The World
From
The Pen Of Frank Jackman
People, ordinary night owls, strung out on bennie or cousin
coke and coming the hours until day break and sun, hung-over sotted refugees
from the now closed bars and cabarets filled with cheap liquors and quaffed
beers, average sainted vagabond Saint Francis of Assisi dream wanderers of the Harvard Square night, the
shiftless watch out for dark alleys when they stalk the benighted earth, the
toothless homeless, coming into the all-night Hayes-Bickford seeking, like him,
relief from their collective woes with a
cup of weak-kneed coffee from the giant spouted tureen all aglow from the cloudburst
above trailing off to the chipped paint ceiling which only those looking to some
misbegotten heaven paid attention, and steamed, steamed carrots, potatoes,
broccoli, celery, steamed everything, did not bother Lucy (the first name Lucy
was all anybody ever found out about her name as far as he knew) sitting alone
at her “reserved” table in the back of the cafeteria toward the well-abused rest
rooms. Lucy Lilac (nicknamed by some ancient want-to-be fellow bard perhaps but
like her surname the genesis undisclosed to him by the other regular tenants of
the night when he asked around and so he called her by that moniker as well)
spent her youthful (she was perhaps twenty-two, maybe twenty-three, had just
finished college, he had heard, so that age seemed about right) middle of the
nights just then hunched over a yellow legal notepad filling up its pages with
her writings and occasionally she would speak some tidbit she had written out
loud, not harmful offensive so you prayed for shut ears, a well-placed handkerchief
in mouth, a metaphorical gun, loud like some of the drunks at a few of the tables,
or some homeless wailing banshee cry, but just sing-song out loud.
Some of it was beautiful, and some of it was, well,
doggerel, about par for the course with
poets and other writers, But all of it, whatever he heard of it, was centered
on her plight in the world as a woman torn, as a woman on the edge, the edge
between two societies, between as one professor that he had asked about it
later stated it, two cultural gradients if that term has any meaning, and maybe
she had been, had been between those two cultural gradients, but let him try to reconstruct what it was all
about, all about for Lucy Lilac night owl.
See he became so fascinated by where she was going with her
muse in 1962 summer nights, about how she was going to resolve that battle
between “cultural gradients” and about the gist of what she had to say to a
callow world in those days that he turned up many a two in morning weekend
morning to try to figure her dream out. He had more than a passing interest in
this battle since he was also spooked by those same demons that she spoke
of.
[Oh, by the way, Lucy Lilac, was drop-dead beautiful, with
long black iron-pressed straight hair as was the style then after the folk
singer Joan Baez, her sister Mimi and Judy Collins set the pace and the Square
and college air was filled singed smells, alabaster white skin whether from her
daylight hours of sleep or by genetic
design was not clear, big red lips, which he did not remember whether was the
style then or not, the bluest eyes of blue, always wearing dangling earrings
and usually wearing some long dress so it was never really possible to
determine her figure or her legs important pieces of knowledge to him, and not
just to him, in those sex-obsessed days,
but he would have said slender and probably nice legs too. Since neither her
beauty, nor the idea of sex, at least pick-up sex, enter into this sketch that
is all that needs to be pointed out. Except this, her beauty, along with that
no-nonsense demeanor, was so apparent that it held him, and others too, off
from anything other than an occasional distant forlorn smile. ]
What Lucy Lilac would speak of, like a lot of the young in
those days, was her alienation from parents, society, just everything to keep
it simple, but not just that. On that she had kindred spirits in
abundance. She was also alienated from
her race, her white race, her nine to five, go by the rules, we are in charge,
trample on the rest of the world, especially the known black world, like lot of
the young, him included, were in those
days as well. Part of it was that you could
not turn open a newspaper or turn on a radio or television without having the
ugly stuff going down South in America (and sometimes stuff in the North too
confronting you headlong). But part of it was an affinity with black culture
(the gradient, okay), mainly through music and a certain style, a certain
swagger in the face of a world filled with hostility. Cool, to use just one
word.
Now this race thing, this white race thing of Lucy’s had
nothing to do, he did not think, at least when she spoke never came through, with
some kind of guilt by association with the rednecks and crackers down in places
like Alabama and Mississippi goddams. It was more that given the deal going down
in the world, the injustices, the not having had any say in what was going on,
or being asked either made her feel like she was some Negro in some shack some
place. Some mad priestess fellaheena scratching the good earth to make her
mark. And as she expanded her ideas (and began to get a little be-bop flow as
she spoke, a flow that he secretly kept time to), each night he got a better sense
of what she was trying to say. (He later learned that she was, as he had been,
very influenced by Norman Mailer’s essay in The Partisan Review The White Negro, a screed on what he
called the white hipster, those who had parted company with their own culture
and moved to the sexier, sassy cultural gradient.) And while they both were
comfortably ensconced in the cozy Cambridge Hayes (well maybe not cozy but safe
anyway) and had some very white skin to not have Mister James Crow worry about he
began to see what she meant.
And Lucy Lilac really hit home when she spoke of how she
had, to his surprise since she gave every indication of being some cast-off
Mayfair swell’s progeny, minus that important race thing, been brought up under
some tough circumstances down in New Jersey. She spoke about being from poor,
very poor white folks somewhere around Toms River, her father out of work a lot
worrying about the next paycheck and keeping him and his under some roof, her mother
harried by taking care of five kids on two kids money, about being ostracized
by the other better off kids, about seeking solace in listening to Bessie
Smith, Billie, and a ton of other blues names that he recognized. And he too
recognized fellahin kindred since his own North Adamsville existence seemed so
similar ….
Yes, those nights he knit a secret and unknown bond with
Lucy Lilac, Lucy who a few months later vanished from the Hayes-Bickford night,
Lucy from the edge of the world, and wherever she wound he knew just what she
meant by the white Negro hipster-dom she was seeking, and that maybe he was too…
And hence this Women’s History Month contribution.
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