The Church Of The Brethren Of All Non-Believers-The Film
Adaptation Of Flannery O’Connor’s Wise Blood
DVD Review
By Sam Lowell
Wise Blood, starring Brad Dourif, Dan Shor, Harry Dean
Stanton, directed by John Huston, based on Flannery O’Connor’s novel of the
same name, 1979
Sure, religion, any religion but we will concentrate on
evangelical here since that will come into play, will tie a man in knots, a
woman too. Ask Hazel Motes, played by Brad Dourif, in the film adaptation of
Flannery O’Connor’s Wise Blood, he’ll
tell you true, he’ll give you the Word, the Word without the guff, without the
big theology behind it. The fight against the word that got branded inside his
head as a little child like a lot of us and it would not let him go, no
question, would not let him go as a boy, or man. Got it branded in his head by
a fiery old fundamentalist evangelical tent preacher of a grandfather and the
experience never let him rest. Yeah, as the story line unfolds it just never let
him rest and maybe that was one of the point Ms. O’Connor was trying to make in
her book about the Hazels of the world. Maybe that struggle for redemption and
salvation just was too embedded by that damn old tent fire and brimstone
preacher. Some of us let it go, let it go a bit once we left home, got away
from the hothouse effect religion played in our youths but some like Hazel went
over the edge, went to war with a vengeance the religion of his youth.
Here is how it played out in the film (which followed the
themes of the book fairly closely as well as the story line which had been
cobbled together from four shorter stories by Ms. O’Connor published in magazines
when the book was first published in 1952). Who knows what will cause a person
to test the ends of his or her faith, or how one winds up scratching and
clawing trying to figure out how it got broken, got pushed into the depths of hell
fire and damnation. Our boy Hazel, Hazel
Motes, out of some Podunk Southern town, do we really need to know its official
name they were, are, legion, North and South, some small town, with small town
eyes and small town mores, and if small enough one small town Christian faith,
fundamental, Old Testament fundamental if the place had been “burned” over by one
of the periodic “great awakenings” that have swept the country since its founding
came back from war ready, willing and able to war on his old-time religion. Came
back from war with a war-wounded heart and a government check for his troubles
(given for some undisclosed wound suffered in real war).
(The war in the film was unmentioned but in the 1979 film it
would follow that the war was Vietnam, a war to try men’s souls in and out of uniform,
a war that created a whole generation of guys who had trouble coming back to
the “real” world, some who wound up as “brothers under the bridge” out along
the railroad track “jungles” and arroyos of Southern California and guys like Hazel
to battle other inner demons. The war in the O’Connor book was World War II, a
war that tried men’s souls in a different way and which would undermine the resolve
of many small town boys who got a glance at the big wide world only through troop
transports).
This Hazel was an odd-duck from the get-go in his struggle against
his inner demons. Kind of manic in everything he attempted to do right down to
the determined stride of his walk, always on the edge when he did not get the
respect he thought he deserved for his wisdom about what was what in the world.
Always on the edge of some psychotic event. Had had it up to his head with
religion and talk of redemption and salvation. Questioned the hell out of end sin
and sorrows. Wanted to bring his hard-fought for message to an indifferent
world. A world filled with the need to repent for some unknown original sin
like the average person had caused the world’s sorrows. Wanted the world to
know that it did not need Jesus-saving. Wanted most of all for people to stop
fearing to take one step forward for fear that they would fall down in sin. A
beautiful religion in a lot of ways, a way forward for a candid world.
The problem for Hazel, weak vessel Hazel, was two-fold
though. Old Hazel wasn’t so sure that his struggle against religion, against
temptation was over, was himself always half-looking looking for somebody to
lead him if necessary. Someone, if you think in Freudian terms, to replace the
father figure, the grandfather, who put the mark of Cain on him. The other problem
is that in the small town world he was trying to preach the “Word” in was
filled with fakers, charlatans, misfits, grifters, grafters, drifters, deadbeats
and midnight sifters who wanted to get their messages out (read: run their own cons).
So Hazel has to not only fight off an indifferent world, but a motley of con
men on the hustle, itinerant religious fast-talkers with their own scripted
visions of the new day coming, a teenage nymphomaniac trying to bring him to sexy
sinless sin, miscreant youth, losers, fakers, bizarre cops, even more bizarre
carny artists and in the end a lonely hearts landlady.
No wonder his went over the edge at the end. Went and literally
blinded himself with quick lime, self-flagellated himself with barbed wire,
walked with stones in his shoes to atone for the sins of the world by my
reading. Such a man could not live in this mortal world and in the end he did not.
Did not leave us with a viable church of all non-believers. Watch this one-and
read Ms. O’Connor’s book too if you want to think about questions of redemption,
salvation and just surviving in the modern world without some overbearing creed
to stifle you.
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