Thursday, December 14, 2017

One Last Time On The 50th Anniversary Of The Beatle's "Sgt. Pepper" Album (2017)-The Class of 1964-Stones or Beatles?       







By Phil Larkin

[As of December 1, 2017 under the new regime of Greg Green, formerly of the on-line American Film Gazette website, brought in to shake things up a bit after a vote of no confidence in the previous site administrator Peter Markin was taken among all the writers at the request of some of the younger writers abetted by one key older writer, Sam Lowell, the habit of assigning writers solely to specific topics like film, books, political commentary, and culture is over. Also over is the designation of writers in this space, young or old, by job title like senior or associate. After a short-lived experiment by Green designating everybody as “writer” seemingly in emulation of the French Revolution’s “citizen” or the Bolshevik Revolution’s “comrade” all posts will be “signed” with given names only. The Editorial Board]
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Today I choose not to go on and on about the recent internal disputes on this site which has led to the canny and “exile” of the former site administrator, Allan Jackman who used the moniker Peter Paul Markin when posting, etc., because I have bigger fish to fry as they used to say in the old days in my Irish Catholic growing up Acre section of North Adamsville south of Boston. (Allan in a retro piece written well before all the controversies has given his take on this dispute in a posting dated December 15, 2014.) Those “fish” meaning in this 50th anniversary year of the Beatle’s world record bestselling album Sgt. Pepper’s Lonely Hearts Club Band  the world-historic dispute of that Acre growing up time about whether the Beatles or the Stones (Rolling Stones) were the band that fit our moods.  “Spoke” to us although we would have torn each other’s hearts out, or did a huge amount of “fag” baiting (yeah, we were way behind the curve then on sexual identity issues even though one of our hang-around guys, the biggest “fag-baiter” ultimately to our collective shock “came out” a couple of years after the Stonewall Riots of 1969 in New York City and for a while “shunned” him until we wised up a bit mainly through our own chances in politics and ways of looking at the world) if anybody had dared to use such an expression in the year of our Lord 1960 something.      

I have gone round and round on this one and by overwhelming general consensus, excepting our leader Frankie Riley, who tough and smart as he was, couldn’t get us to buy into his view that the “boys for Liverpool,” meaning po’ boy working class guys like us were superior to the Stones. And here is the funny part some fifty plus years later those of us who are still around from that time and still speaking to each other, including that gay brother (a couple of guys are not for very long ago reasons but in the baby-boomer male psyche “forgive and forget” was, is, a tough dollar) having recently gathered together to listen to a ton of Beatles and Stones material still believe that our youthful opinions hold true. That truth despite most of us, having survived the “from hunger” neighborhood, wound up having decent and honorable careers. Even Frankie belatedly to be sure feels that the “angry young men” Stones still represent best our own anger at our situations in a world we did not make than the more wistful Beatles. Personal preferences, time, and whatever youthful angst and alienation obviously mixing up the pot when comparison time comes around but there you have my take on that still simmering controversy.

So the Stones “win” that battle but today I want give a “shout out” especially to those on the Beatles side about a program on NPR’s Terry Gross- hosted Fresh Air. One day she had, in an encore edition originally aired on June 1st, the son of George Martin, the guy who produced Sgt. Pepper who for the 50th anniversary remixed his father’s original album work. For an hour he spoke about many interesting things that occurred during the original production and the things that he had done to give the thing a 50th anniversary retooling.

Here’s the link but listen to Stones stuff before final judgment-okay:   


https://www.npr.org/2017/06/01/531040084/50-years-later-producer-remixes-sgt-pepper-to-bring-it-into-the-modern-world

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