Our Mother, The Mountain- The Traditional Mountain Music Of Jean Ritchie
CD REVIEW
Mountain Hearth And Home, Jean Ritchie, Rhino Handmade, 2004
The last time that the name of traditional mountain folk singer Jean Ritchie was mentioned in this space was as part of the lineup in Rosalie Sorrel’s last concert at Harvard University that spawned a CD, The Last Go-Round. At that concert she, as usual, she performed, accompanied by her sweet dulcimer, the mountain music particularly the music that she learned in the mountains of Eastern Kentucky and that she has been associated with going back at least to the early 1960’s. Here, in the CD under review, Mountain Hearth and Home, we get a wide range of those traditional mountain songs from those parts that provide something for every palate.
The songs, simple songs of the mountains that befit a simple folk with simple lyrics, chords and instrumentation representing what was at hand, many of which have their genesis back in the hills of Scotland and Ireland, never fail to evoke a primordial response in this listener. The songs speak of the longings created by those isolated spaces; and, occasionally of those almost eternal thoughts of love, love thwarted, love gone wrong or love disappearing without a trace. Or songs of the hard life of the mountains whether it is the hard scrabble to make a life from the rocky farmland that will not give forth without great struggle or of the mines, the coal mines that in an earlier time (and that are making a comeback now out west) represented a key energy source for a growing industrial society. Many a tale here centers on the trails and tribulations of the weary, worked-out mines and miners. Add in some country lullabies, some religiously-oriented songs representing the fundamental Protestant ethic that drove these people and some Saturday dancing and drinking songs and you have a pretty good feel for the range of experience out there in the hills, hollows and ravines of Eastern Kentucky.
Several time over the past year or so I have mentioned, as part of my remembrances of my youth and of my political and familial background, that my father was a coal miner and the son of a coal miner in the hills of Hazard, Kentucky (a town mentioned in a couple of the songs here) in the heart of Appalachia. I have also mentioned that he was a child of the Great Depression and of World War II. He often joked that in a choice between digging the coal and taking his chances in war he much preferred the latter. Thus, it was no accident that when war came he volunteered for the Marines and, as fate would have it, despite a hard, hard life after the war, he never looked back to the mines or the hills. Still this music flowed in his veins, and, I guess, flows in mine.
My Boy Willie
Traditional
Notes: This song has the exact same tunes as the song "The Butcher Boy" and is of a similar theme.
It was early, early in the spring
my boy Willie went to serve the king
And all that vexed him and grieved his mind
was the leaving of his dear girl behind.
Oh father dear build me a boat
that on the ocean I might float
And hail the ships as they pass by
for to inquire of my sailor boy.
She had not sailed long in the deep
when a fine ship's crew she chanced to meet
And of the captain she inquired to
"Does my boy Willie sail on board with you?"
"What sort of a lad is your Willie fair?
What sort of clothes does your Willie wear?"
"He wears a coat of royal blue,
and you'll surely know him for his heart is true".
"If that's your Willie he is not here.
Your Willie's drowned as you did fear.
'Twas at yonder green island as we passed by,
it was there we lost a fine sailor boy".
Go dig my grave long wide and deep,
put a marble stone at my head and feet.
And in the middle, a turtle dove.
So the whole world knows that I died of love.
"The L & N Don't Stop Here Anymore"
When I was a curly headed baby
My daddy sat me down on his knee
He said, "son, go to school and get your letters,
Don't you be a dusty coal miner, boy, like me."
[Chorus:]
I was born and raised at the mouth of hazard hollow
The coal cars rolled and rumbled past my door
But now they stand in a rusty row all empty
Because the l & n don't stop here anymore
I used to think my daddy was a black man
With script enough to buy the company store
But now he goes to town with empty pockets
And his face is white as a February snow
[Chorus]
I never thought I'd learn to love the coal dust
I never thought I'd pray to hear that whistle roar
Oh, god, I wish the grass would turn to money
And those green backs would fill my pockets once more
[Chorus]
Last night I dreamed I went down to the office
To get my pay like a had done before
But them ol' kudzu vines were coverin' the door
And there were leaves and grass growin' right up through the floor
[Chorus]
Come All Ye Fair And Tender Ladies
Come all ye fair and tender ladies
Take warning how you court your men
They're like a star on a summer morning
They first appear and then they're gone
They'll tell to you some loving story
And they'll make you think that they love you well
And away they'll go and court some other
And leave you there in grief to dwell
I wish I was on some tall mountain
Where the ivy rocks were black as ink
I'd write a letter to my false true lover
Whose cheeks are like the morning pink
I wish I was a little sparrow
And I had wings to fly so high
I'd fly to the arms of my false true lover
And when he'd ask, I would deny
Oh love is handsome, love is charming
And love is pretty while it's new
But love grows cold as love grows older
And fades away like morning dew
"BLACK IS THE COLOUR"
Black is the colour of my true love's hair
Her lips are like some roses fair
She's the sweetest face and the gentlest hands
I love the ground wheron she stands
I love my love and well she knows
I love the ground whereon she goes
But some times I whish the day will come
That she and I will be as one
Black is the colour of my true love's hair
Her lips are like some roses fair
She's the sweetest face and the gentlest hands
I love the ground wheron she stands
I walk to the Clyde for to mourn and weep
But satisfied I never can sleep
I'll write her a letter, just a few short lines
And suffer death ten thousand times
Black is the colour of my true love's hair
Her lips are like some roses fair
She's the sweetest face and the gentlest hands
I love the ground wheron she stands
Blue Diamond Mines
I remember the ways in the bygone days
when we was all in our prime
When us and John L. we give the old man hell
down in the Blue Diamond Mine
Well the whistle would blow 'for the rooster crow
full two hours before daylight
When a man done his best and earned his good rest
at seven dollars a night
In the mines in the mines
in the Blue Diamond Mines
I worked my life away
In the mines in the mines
In the Blue Diamond Mines
I fall on my knees and pray.
You old black gold you've taken my lung
your dust has darkened my home
And now I am old and you've turned your back
where else can an old miner go
Well it's Algomer Block and Big Leather Woods
now its Blue Diamond too
The bits are all closed get another job
what else can an old miner do?
Now the union is dead and they shake their heads
well mining has had it's day
But they're stripping off my mountain top
and they pay me eight dollars a day
Now you might get a little poke of welfare meal
get a little poke of welfare flour
But I tell you right now your won't qualify
'till you work for a quarter an hour.
CD REVIEW
Mountain Hearth And Home, Jean Ritchie, Rhino Handmade, 2004
The last time that the name of traditional mountain folk singer Jean Ritchie was mentioned in this space was as part of the lineup in Rosalie Sorrel’s last concert at Harvard University that spawned a CD, The Last Go-Round. At that concert she, as usual, she performed, accompanied by her sweet dulcimer, the mountain music particularly the music that she learned in the mountains of Eastern Kentucky and that she has been associated with going back at least to the early 1960’s. Here, in the CD under review, Mountain Hearth and Home, we get a wide range of those traditional mountain songs from those parts that provide something for every palate.
The songs, simple songs of the mountains that befit a simple folk with simple lyrics, chords and instrumentation representing what was at hand, many of which have their genesis back in the hills of Scotland and Ireland, never fail to evoke a primordial response in this listener. The songs speak of the longings created by those isolated spaces; and, occasionally of those almost eternal thoughts of love, love thwarted, love gone wrong or love disappearing without a trace. Or songs of the hard life of the mountains whether it is the hard scrabble to make a life from the rocky farmland that will not give forth without great struggle or of the mines, the coal mines that in an earlier time (and that are making a comeback now out west) represented a key energy source for a growing industrial society. Many a tale here centers on the trails and tribulations of the weary, worked-out mines and miners. Add in some country lullabies, some religiously-oriented songs representing the fundamental Protestant ethic that drove these people and some Saturday dancing and drinking songs and you have a pretty good feel for the range of experience out there in the hills, hollows and ravines of Eastern Kentucky.
Several time over the past year or so I have mentioned, as part of my remembrances of my youth and of my political and familial background, that my father was a coal miner and the son of a coal miner in the hills of Hazard, Kentucky (a town mentioned in a couple of the songs here) in the heart of Appalachia. I have also mentioned that he was a child of the Great Depression and of World War II. He often joked that in a choice between digging the coal and taking his chances in war he much preferred the latter. Thus, it was no accident that when war came he volunteered for the Marines and, as fate would have it, despite a hard, hard life after the war, he never looked back to the mines or the hills. Still this music flowed in his veins, and, I guess, flows in mine.
My Boy Willie
Traditional
Notes: This song has the exact same tunes as the song "The Butcher Boy" and is of a similar theme.
It was early, early in the spring
my boy Willie went to serve the king
And all that vexed him and grieved his mind
was the leaving of his dear girl behind.
Oh father dear build me a boat
that on the ocean I might float
And hail the ships as they pass by
for to inquire of my sailor boy.
She had not sailed long in the deep
when a fine ship's crew she chanced to meet
And of the captain she inquired to
"Does my boy Willie sail on board with you?"
"What sort of a lad is your Willie fair?
What sort of clothes does your Willie wear?"
"He wears a coat of royal blue,
and you'll surely know him for his heart is true".
"If that's your Willie he is not here.
Your Willie's drowned as you did fear.
'Twas at yonder green island as we passed by,
it was there we lost a fine sailor boy".
Go dig my grave long wide and deep,
put a marble stone at my head and feet.
And in the middle, a turtle dove.
So the whole world knows that I died of love.
"The L & N Don't Stop Here Anymore"
When I was a curly headed baby
My daddy sat me down on his knee
He said, "son, go to school and get your letters,
Don't you be a dusty coal miner, boy, like me."
[Chorus:]
I was born and raised at the mouth of hazard hollow
The coal cars rolled and rumbled past my door
But now they stand in a rusty row all empty
Because the l & n don't stop here anymore
I used to think my daddy was a black man
With script enough to buy the company store
But now he goes to town with empty pockets
And his face is white as a February snow
[Chorus]
I never thought I'd learn to love the coal dust
I never thought I'd pray to hear that whistle roar
Oh, god, I wish the grass would turn to money
And those green backs would fill my pockets once more
[Chorus]
Last night I dreamed I went down to the office
To get my pay like a had done before
But them ol' kudzu vines were coverin' the door
And there were leaves and grass growin' right up through the floor
[Chorus]
Come All Ye Fair And Tender Ladies
Come all ye fair and tender ladies
Take warning how you court your men
They're like a star on a summer morning
They first appear and then they're gone
They'll tell to you some loving story
And they'll make you think that they love you well
And away they'll go and court some other
And leave you there in grief to dwell
I wish I was on some tall mountain
Where the ivy rocks were black as ink
I'd write a letter to my false true lover
Whose cheeks are like the morning pink
I wish I was a little sparrow
And I had wings to fly so high
I'd fly to the arms of my false true lover
And when he'd ask, I would deny
Oh love is handsome, love is charming
And love is pretty while it's new
But love grows cold as love grows older
And fades away like morning dew
"BLACK IS THE COLOUR"
Black is the colour of my true love's hair
Her lips are like some roses fair
She's the sweetest face and the gentlest hands
I love the ground wheron she stands
I love my love and well she knows
I love the ground whereon she goes
But some times I whish the day will come
That she and I will be as one
Black is the colour of my true love's hair
Her lips are like some roses fair
She's the sweetest face and the gentlest hands
I love the ground wheron she stands
I walk to the Clyde for to mourn and weep
But satisfied I never can sleep
I'll write her a letter, just a few short lines
And suffer death ten thousand times
Black is the colour of my true love's hair
Her lips are like some roses fair
She's the sweetest face and the gentlest hands
I love the ground wheron she stands
Blue Diamond Mines
I remember the ways in the bygone days
when we was all in our prime
When us and John L. we give the old man hell
down in the Blue Diamond Mine
Well the whistle would blow 'for the rooster crow
full two hours before daylight
When a man done his best and earned his good rest
at seven dollars a night
In the mines in the mines
in the Blue Diamond Mines
I worked my life away
In the mines in the mines
In the Blue Diamond Mines
I fall on my knees and pray.
You old black gold you've taken my lung
your dust has darkened my home
And now I am old and you've turned your back
where else can an old miner go
Well it's Algomer Block and Big Leather Woods
now its Blue Diamond too
The bits are all closed get another job
what else can an old miner do?
Now the union is dead and they shake their heads
well mining has had it's day
But they're stripping off my mountain top
and they pay me eight dollars a day
Now you might get a little poke of welfare meal
get a little poke of welfare flour
But I tell you right now your won't qualify
'till you work for a quarter an hour.
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