From the Pen Of Peter Paul Markin- From The “Out In The Be-Bop 1960s Night” Series - In Teen Dance Club Night

Click on the headline to link to a YouTube film clip of The Drifters performing the classic Save The Last Dance For Me.


I, seemingly, have endlessly gone back to my early musical roots in reviewing various compilations of a classic rock series that goes under the general title The Rock ‘n’ Roll Era. And while time and ear have eroded the sparkle of some of the lesser tunes it still seems obvious that those years, say 1955-58, really did form the musical jail break-out for my generation, the generation of ’68, who had just started to tune in to music.

And we, we small-time punk (in the old-fashioned sense of that word), we hardly “wet behind the ears” elementary school kids, and that is all we were for those who are now claiming otherwise, listened our ears off. Those were strange times indeed in that be-bop 1950s night when stuff happened, kid’s stuff, but still stuff like a friend of mine, not my grammar school best friend “wild man” Billie who I will talk about some other time, who claimed, with a straight face to the girls, that he was Elvis’ long lost son. Did the girls do the math on that one? Or, maybe, they like us more brazen boys were hoping, hoping and praying, that it was true despite the numbers, so they too could be washed by that flamed-out night.

Well, this I know, boy and girl alike tuned in on our transistor radios (small battery- operated radios mainly held to the ear but that we could also put in our pockets, and hide from snooping parental ears, at will) to listen to music that from about day one, at least in my household was not considered “refined” enough for young, young pious “you’ll never get to heaven listening to that devil music” and you had better say about eight zillion Hail Marys to get right Catholic, ears. Yah right, Ma, like Patti Page or Bob (not Bing, not the Bing of Brother, Can You Spare A Dime? anyway) Crosby and The Bobcats were supposed to satisfy our jail-break cravings.

And we had our own little world, or as some hip sociologist trying to explain that Zeitgeist today might say, our own sub-group cultural expression. Our “cool” things, nothing hot, nothing sticky to the touch then. I have talked elsewhere about the pre 7/11 mom and pop corner variety store hangout with the tee-shirted, engineered-booted, cigarette (unfiltered) hanging from the lips, Coke, big sized glass Coke bottle at the side, pinball wizard guys thing. And about the pizza parlor juke box coin devouring, hold the onions on the pizza I might get lucky tonight, dreamy girl might come in the door thing. And, of course, the soda fountain, and…ditto, dreamy girl coming through the door thing, natch. Needless to say you know more about middle school and high school dance stuff, including hot tip “ inside” stuff about manly preparations for those civil wars out in the working class neighborhood night, than you could ever possibly want to know, and, hell, you were there anyway (or at ones like them).

But the crème de la crème to beat all was the teen night club. The over fourteen and under eighteen teen night club. Easy concept, and something that could only have been thought up by someone in cahoots with our parents (or maybe it was them alone, although could they have been that smart). Open a “ballroom” (in reality some old VFW, Knight of Columbus, Elks, etc. hall that was either going to waste or was ready for the demolition ball), bring in live music on Friday and Saturday night with some rocking band (but not too rocking, not Elvis swiveling at the hips to the gates of hell rocking, no way), serve the kids drinks, tonic, …, oops, sodas (Coke Pepsi, Grape and Orange Nehi, Hires Root Beer, etc.), and have them out of there by midnight, unscathed. All supervised, and make no mistake these things were supervised, by something like the equivalent of the elite troops of the 101st Airborne Rangers.

And we bought it, and bought into it hard. And, if you had that set-up where you lived, you bought it too. Why? Come on now, have you been paying attention? Girls, tons of girls (or boys, as the case may be). See, even doubting Thomas-type parents gave their okay on this one because of that elite troops of the 101st Airborne factor. So, some down and the heels, tee-shirted, engineer- booted Jimmy or Johnny Speedo from the wrong side of the tracks, all boozed up and ready to “hot rod” with that ‘boss”’57 Chevy that he just painted to spec, is no going to blow into the joint and carry Mary Lou or Peggy Sue away, never to be seen again. No way. That stuff happened, sure, but that was on the side. This is not what drove that scene for the few years while we were still getting wise to the ways of the world The girls (and guys) were plentiful and friendly in that guarded, backed up by 101st Airborne way (damn it). And we had our …sodas (I won’t list the brands again, okay). But know this, and know this true, we blasted on the music. The music on some of those compilations previously mentioned. I will tell you some of the stick outs, strictly A-list stuff from those teen club nights so you get the flavor of those hormonally-maddened times:

Save The Last Dance For Me, The Drifters (oh, sweet baby, that I have had my eye on all night, please, please, James Brown, please, save that last one, that last dance for me); Only The Lonely, Roy Orbison (for some reason the girls loved covers of this one, and thus, we, meaning the boys “loved” it too); Alley Oop, The Hollywood Argyles (a good goofy song to break up the sexual tension that always filled the air, early and late, at these things as the mating ritual worked its mysterious ways); Handy Man, Jimmy Jones( a personal favorite, as I kept telling every girl, and maybe a few guys as well, that I was that very handy man that the gals had been waiting, waiting up on those lonely week day nights for. Egad!); Stay, Maurice Williams and The Zodiacs (nice harmonics and good feeling); New Orleans, Joe Jones (great dance number as the twist and other exotic dances started to break into the early 1960s consciousness); and, Let The Little Girl Dance, Billy Bland (yes, let her dance, hesitant, saying no at first, honey , please, please, no I will not invoke James Brown on this one, please).