***“You
Know How To Whistle, Don’t You?”-Lauren Bacall And Humphrey Bogart’s To Have And Have Not
DVD
Review
From
The Pen Of Frank Jackman
To
Have And Have Not, starring Lauren Bacall, Humphrey Bogart, Walter Brennan,
Hoagy Carmichael, directed by Howard Hawks, screenplay by William Faulkner,
based on the novel by Ernest Hemingway, 1944-Take Two
The
recent passing away of the actress Lauren Bacall (Summer, 2014) prompted me to
think about watching (again) her very first movie with her paramour met on the
film then, Humphrey Bogart, the now classic To
Have and Have Not. And so I did and reminded myself how that film has
always been at the top of my list for the greatest films that I have seen. And
why not. Look at the pedigree. Based on a novel by Ernest Hemingway, although
in the end quite loosely for I do not believe a fox like Marie, the role Ms.
Bacall plays in the film, would have stayed in the same room as the novel’s
Captain Morgan for a minute. Moreover rather than being a guy who in the end tried
to work on the same street as the angels the book’s Captain had no such lofty
notions. Like the Hemingway short story The
Killers that was also made into a film with Burt Lancaster and Ava Gardner the
screenwriters, directors, and producers played loose and free with the story
line. Based on a screenplay at least in part written by William Faulkner who
had a feel for such dialogue (and who I believe did not like Hemingway and
maybe it was mutual and might go a long way toward explaining how Hemingway’s grizzly sea saga out of cheap street turned
into a hot romance-driven vehicle.
How
about some musical interludes played by the great popular Midwestern-born composer
(Stardust, How Little We Know), Hoagy
Carmichael, as the worldly and world wary piano player, Cricket, at the bar of
the hotel where Marie and Captain Morgan (Bogie’s role and Steve before long,
before she gets her hooks into him, gets them in deep, after about two minutes
and a couple of off-hand come hither looks his way) play out their dance. Not
only does Hoagy provide the musical interludes in the club but along the way apparently
Marie in her vaguely acknowledged checkered background which included some
tough times also could sing for her supper and snags Steve with that look, that
slight smile that had him thinking bedroom thoughts (or maybe it was me thinking
that is what Steve should have been thinking) singing How Little We Know. Hell, had every guy in the room thinking those bedroom
thoughts, even the guys lined up at the bar trying to drown their sorrows. Add
in a very good performance by Walter Brennan as Eddie, a drunk who at one time
could have navigated with the best of them but rum got the better of him like
many a sea-faring man, who thinks he is watching out for the good captain.
Directed as well by the well-regarded Howard Hawks who had even then a long
list of film credits next to his name and who seems to have just let Lauren and
Bogie go through their paces once the passion thermometer heats up the screen.
But
all of that credit acknowledgement is so much eye-wash for what makes this film
great is the chemistry between Marie and Steve. Chemistry I have mentioned
elsewhere in another review of a Bacall-Bogart collaboration, The Big Sleep, producing some of the
sexiest scenes that two people can make with their clothes on. (Nudity would
detract enormously from this mating ritual. Beside, unlike in pre-code 1930s
Hollywood, no such thing would occur before the screen. Christ they were by
then afraid to show assumed nudity scenes behind a shower curtain and usually gave
married couples twin beds. Jesus.)
Even
the plotline pales before the dance these two put on. Frankly some of the story
seems a bit of a rehash of the earlier Bogart vehicle (with Ingrid Bergman), Casablanca, where a recalcitrant world weary,
jaded Rick, owner of Rick’s American Café and recovering from a lost love
affair gets involved with the Free French (the good guy against the damn Vichy)
as well. (Although working through his resume he had fought in Spain as a premature
anti-fascist, always a plus in my book for good deeds.) Here day sports fishing
boat Captain Morgan walks into the same kind of local political mess except in French
Martinique (Vichy-controlled) rather than French Morocco (also Vichy-controlled).
But not before shedding his doubts about taking such risks, and of course when
Marie enters the scene by coyly asking him for a match for her cigarette you
know those fears will fall by the wayside. (By the way it seems that they,
everybody from the breakfast table to the smoke-filled night clubs are lighting
cigarettes every two seconds reminding me of how much smoking went on then in
the movies, and in life including mine.)
See
Steve is strictly hand to mouth on this day fishing trip business depending on
rich American tourists and sport’s fisherman to make his daily bread. (By the
way Captain Morgan to you guys who don’t know him like those bad guy Vichy officials
trying to round up once and for all those damn Gaullist Free French who interrogate
Steve and Marie after some gun-play at the club when Free French agents try to
hire Steve’s boat to help get a major resistance leader off Devil’s Island (see
I told you the plot- line was familiar, shades of getting Victor Lazlo out of
Casablanca in the film by the same name). Right when Marie and Steve meet after she
takes a room across from him in the in hotel after coming in by plane from
parts unknown with funds from unknown sources (but the modern reader can guess)
he has no dough having been stiffed by some goof fisherman (and a guy Marie
clipped a wallet from which started the official dance between them down in the
club). Once Marie tells her story though and how she hold up when the chips are
down (at the police station where they are questioned by those local
gestapo-types and she is slapped and later when she performs nurse duties
without flinching or losing her cool under pressure) gets to him in the end.
Naturally
once Steve moves off the dime he is totally committed to seeing that reckless
resistance fighter sent to get the leader off Devils’ Island who got nicked the
first time he tried gets to finish the job he was sent to that outpost to do.
Still World War II big events, the world going up in flames, everybody forced
one way or the other to take sides, and the troubles of a couple of lovers
aside like I say all that is window-dressing for the moves Marie and Steve put
on each other. From that first tossed matchbook when Marie need a match and Steve
obliges with a double-take and she flaunts that wicked smile which speaks of
adventures to come, come under satin sheets of the mind, to various “come
hither” scenes to the ‘you know how to whistles scene” to her flopping down on
his lap on their first kiss exchange to her seductively singing with Cricket to
that shimmy she puts on as they walk out the door of the bar off to see what
the future brings, Eddie trailing behind carrying her bags-together. Thanks
Bogie-Thanks Lauren-RIP
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