One More Time Down 1950s Record Memory Lane

 

 

Sam Lowell, ex-corner boy from the time in the early 1960s when in the working-class neighborhoods of America, places like South Boston, Main Street in Nashua, New Hampshire, 125^th Street in high Harlem, New York City, any of a million spots on Six Mile Road in Detroit, the same on Division Street in Chi town, the lower end of North Beach beyond where the “beats” of a few years before did their beat thing, or in his case North Adamsville not far from urban Boston at Jack Slack’s bowling alleys (or at least that was the last port of call for the crowd which had started at Doc’s Drugstore complete with sofa fountain and candy case in elementary school, Miller’s Diner for the jukebox in junior high and Salducci’s Pizza Parlor in early high school before the new owners decided that unlike Tonio the previous owner who sold out to go back to Italy from when he came as a boy they did not want rough-necked boys standing one knee against the wall in front of their family friendly establishment) that you had best have had corner boy comrades (although not a word to be used then in the tail end of the height of the red scare Cold War night not if you want knuckle sandwiches from the unthinking patriotic guy but that does convey the sense of “having your back” critical to your place in those woe begotten streets) when you hung out on date-less, girl-less, dough-less Friday and Saturday nights to have your back if trouble brewed, ex-hippie “flower child” along with his long mourned and lamented friend the late Peter Paul Markin (who met a horrible end down in sunny Mexico after the fresh breeze of the 1960s turned in on itself and he got flat-footed by the backlash and could no longer hold back his “from hunger”  wanting habits and made the fatal, very fatal, mistake of trying to broker an independent drug deal and got two slugs to the back of his head for the attempt) heading out west on the hitchhike roads when the world turned upside down later in the decade, now a sedate grandfatherly lawyer filled with respectability and memories had to laugh about how much he of late had been thinking about the 1950s.

Thinking about the 1950s when he came of age, came of musical age, an age very mixed up with that corner boy comradery, that hanging at Doc’s and Miller’s Diner when he started noticing girls and their charms, noticing too that they hung around Miller’s in order to play that fantastic jukebox which had all the latest tunes and plenty of oldies too (oldies being let’s say we are talking about 1958 then maybe 1955 hits like Eddie, My Love, Rock Around The Clock, and Bo Diddley showing that teen time, youth time anyway is measured differently from old man lawyerly time) drawing away from the music on his parents’ family living room radio and their cranky old record player, music emphatically not on Miller’s jukebox or there would have been a civil war no question, after they had bought, to insure domestic peace and tranquility if he remembered correctly, his first transistor radio down at the now long gone Radio Shack store and he could sit up in his room and dream of whatever coming of age boys dreamed about, mainly how those last year bothersome girls became this year’s interesting objects of discussion (by the way in that small crowded room, shared with his two brothers, he found out he could discover the beauty of the “hold up to your ear”  transistor radio and drown out the world of brotherly scuffings). 

More than that though, more than just thinking about the old days like every old guy probably does, guys who you see sitting on park benches feeding the birds and half-muttering to themselves about how when FDR was around everybody stood tall, every country bent it knees in homage, or else, or old bag ladies rummaging through trash barrels looking for long lost lovers or their faded beauty Sam had, via the friendly confines of the Internet, Amazon if you need a name like today anybody, except maybe three people up in heathen Alaska or the Artic,  doesn’t know that is the site to get such material these days instead of traipsing over half the East Coast trying to cadge a few examples, been purchasing several record compilations of the “best of” that period from a commercial distributor (and also keeping up to date on various versions of the songs on YouTube) and through his friend and old corner boy Frankie Riley been spilling plenty of cyber-ink on Frankie’s blog, In The Be-Bop ‘50s Night, going back to the now classic age of rock and roll.

Sam had to laugh about that situation as well since he had been well known back on the corner, back holding up the wall in front of Salducci’s Pizza Parlor, on many of those date-less (date-less because he might have been all “hail fellow, well met” hard-assed corner boy full of bluster and bah he was sister-less and hence baffled by girls and their ways and very shy around the question of asking for dates although he was quite willing to tell each and every girl who would listen about ten thousand fact on any of sixteen subjects but that did not add up to a date by osmosis but rather incomprehension even by girls like Patty Lewis and Mary Shea who liked him and would have be glad if he asked them for a date but in the mores of the time girls just waited for guys to make a move, or moved on like Patty and Mary did), girl-less (already explained but here the question is having a serious girl and the just mentioned facts will hold here as well), dough-less (self-explanatory in working class North Adamsville, no money when the rent was due and Ma had not money for the damn rent collector much less discretionary money for dates with girls) Friday and Saturday nights for proclaiming to all who would listen (mainly Frankie, Markin, Jimmy Jenkins, Jack Callahan, Kenny Hogan and Johnny “Thunder” Thornton and an occasional girl who wondered what he was talking about) that “rock and roll will never die.”

Mainly, through the archival marvels of modern technology, Sam had been right, it had not died although it clearly no longer provided the same fuel for later generations more into hip-hop-ish and techno music. But funny when kids, his grandkids, for example, hear (and see) Elvis, all steamy, smoldering and swiveling in something like the film clip in Jailhouse Rock, Bo Diddley proclaiming that he in fact put the rock in rock and roll, Chuck Berry telling a candid world, a candid teenage world which after all was all that counted then, now too from what he had heard, that Mister Beethoven from the old fogy music museum had better take himself and his cronies and move over because a new be-bop daddy was taking the reins, making the kids jump on jump street, curl-in-hair Buddy Holly pining away for his Peggy Sue, Jerry Lee Lewis sitting, maybe standing for all Sam knew telling that same candid world that everybody had to do the high school hop bop, confidentially, Wanda Jackson proclaiming that it was party time and an endless host of one hit wonders and wanna-bes they went crazy. Yeah, just like the young Sam who could not believe his ears when he had come of age and, yeah, those same guys who formed his musical tastes back in the 1950s when he had come of age, musical age anyway. Jesus, Jesus too when he came of teenage age and all that meant of angst and alienation.

Sam had thought again recently about going back to those various commercially-produced compilations put out by demographically savvy media companies to cull out the better songs, some which he had on the tip of his tongue almost continuously since the 1950s (the Dubs Could This Be Magic the great last chance dance song that bailed him out of being shut out of more than one dance night although his partner’s feet borne the brunt of the battle, and the Teen Queens Eddie My Love, where Eddie took advantage of the girl and she is wondering when he is coming back, a great love ‘em and leave ‘em song and the answer is still he’s never coming back, are two examples that quickly came to his mind). Others like Johnny Ace’s Pledging My Love or The Crows Oh-Gee though needed some coaxing by the compilations to be remembered.

But Sam, old lawyerly Sam, had finally found a sure-fire method to aid in that memory coaxing. Just go back in memory’s mind and picture scenes from teenage days and figure the songs that went with such scenes (this is not confined to 1950s aficionados anybody can imagine their youth times and play). But even using that method Sam believed that he was cheating a little, harmlessly cheating but still cheating. When he (or anybody familiar with the times) looked at the artwork on most of the better 1950s CD compilations one could not help but notice the excellent artwork that highlights various institutions illustrated back then. The infamous drive-in movies where you gathered about six people (hopefully three couples but six anyway) and paid for two the other four either on the back seat floor or in the trunk. They always played music at intermission when that “youth nation” cohort gathered at the refreshment stand to grab inedible hot dogs, stale popcorn, or fizzled out sodas, although who cared, especially if that three couples thing was in play, and that scene had always been associated in Sam’s mind with Frankie Lyman and the Teenager’s Why Do Fools Fall In Love.

 

So that is how Sam played the game. Two (or more) can play so he said he would just set the scenes and others could fill in their own musical selections. Here goes: the first stirrings of interest in the opposite sex at Doc’s Drugstore with his soda fountain AND jukebox; the drive-in restaurant with you and yours in the car, yours or father borrowed for an end of the night bout with cardboard hamburgers, ultra-greasy french fries and diluted soda; the Spring Frolic Dance (or name your seasonal dance) your hands all sweaty, trying to disappear into the wall, waiting, waiting to perdition for that last dance so that you could ask that he or she that you had been eyeing all evening to dance that slow one  all dreamy; down at the beach on day one of out of school for the summer checking out the scene between the two boat clubs where all the guys and gals who counted hung out; the night before Thanksgiving football rally where he or she said they would be, how about you; on poverty nights sitting up in your bedroom listening to edgy WMEX on your transistor radio away from prying adult eyes; another poverty night you and your boys, girls, boys and girls sitting in the family room spinning platters; that first sixth grade “petting” party (no more explanation needed right); cruising Main Street with your boys or girls looking for, well, you figure it out listening to the radio in that “boss” Chevy, hopefully; and, sitting in the balcony “watching” the double feature at the Strand Theater on Saturday afternoon when younger and at night when older. Okay, Sam has given enough cues. Fill in the dots, oops, songs and add scenes too.