Take Your Baby To The Carnival On A
Saturday Night-Adventureland (2009)-A Film Review
DVD Review
By Sam Lowell
Adventureland, starring Kristie
Stewart, Jesse Eisenberg, 2009
Not every film by this reviewer has to
have a serious social message (although it helps) or be so gripping that he had
to see the thing over and over again as it becomes one of filmdom’s classic
pieces like Sunset Boulevard.
Sometimes, and the film under review Adventureland
exactly fits this category, he just needs film to ward of the willies. Usually
a comedy of some sort will fill the bill and in this case it is a romantic
comedy that has calmed his nerves.
No question it never hurts that the
locale of this comedy was located in Adventureland, in an amusement park, run
down though it might be, since he has been enthralled by the “magic” of the
neon lights and its swarm of grifters, drifters, goofs and midnight sifters at
amusement parks and carnivals since early childhood. Still does consider
himself an above average hand at Skee and its coupon-laden kewpie doll prizes.
Actually, and he has written about the fact elsewhere, had run away with the
carnival for a couple of days in his youth before being reined in by fearful
and angry parents. So he has a pedigree of sorts in what the lure of the bright
lights, tumultuous array of sounds, and smells from hot dogs to cotton candy
brings to the even the normally sedate.
Of course the amusement park motif is
just so much backdrop for the real boy-meets-girl angle behind this and more
than half the films ever created. Here’s the play. James, played by Jesse
Eisenberg, is an aspiring graduate student, Columbia School of Journalism no
less, with downwardly mobile parents who cannot afford to spring for a
promised grand tour of Europe and hence
the summer job at Adventureland, the fate of many liberal arts graduates of
late. As he gets the hang of the job after about two minutes, basically as long
as it takes a co-worker to fill him of the grift, the scams that make the
suckers pay for cheapjack stuff and like it, he becomes friendly with plenty of
the co-workers. The usual cross-section of guys and gals who work the
carny/theme park scene down at the edges of society.
One of those co-workers, Emily, played
by fetching Kristie Stewart last seen in this space working her magic on the
guys who played Neal Cassady and Jack Kerouac in the film adaptation of the
latter’s On The Road, catches his eye
and we are off to the races. Naturally it would be a very short film if the
obvious attraction they had for each other had them immediately go off into the
blissful sunset. Problem number one was that James was by choice, by
discriminating choice, if you can believe this in this day in age, a virgin and
was not sure whether he wanted to commit to Emily and wind up “doing the do”
with her, a sexually experienced woman. Problem number two alienated from her
parents Emily was in a hush-hush sexual relationship with the park’s married
handyman. Don’t worry because in the end after some serious talking and smoking
some serious weed they do wind up going hand and hand into the sunset, wind up “doing
the do.”
By the way it never hurts either in a
film on youthful confusion about life to have a soundtrack that features the
late Lou Reed’s Pale Blue Eyes and
other songs done with the Velvet Underground.
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