Poet’s Corner – The Gangster Poet Cometh – Gregory Corso’s “Destiny”

 

… a man came running down the stairs of some sad sack, no elevator, long gone, brownstone ready for the wrecker’s’ ball, wild-haired, throwing off devil brown hair that wouldn’t stay down, devil brown-eyed,  smirks, half-dressed, shirt open, pant fly open like maybe he had just finished up some hurried sex with his best friend’s wife and that best friend is now walking up Canal Street in New Jack City ready to be greeted by that ever loving wife once he walks up the six flights to their honeymoon-like cold water flat, cockroach friendly, the flat, or maybe, same wild-haired, different take, maybe open pant fly open having just come from some boyfriend, or stray pick-up  back alley after being drip-dried, he had that wild-eyed look for that hunger too, that boy hunger, hell for all human hungers if you looked closely, he frantic, muttering, yes, muttering a mile a minute words, machine gun gangster muttering those words, ashes in the mouth words like truth, beauty, age, wisdom, the veda, the Buddha truth, the karma sutra, the act of contrition, six hail marys and this, throw them all out and start fresh, start fresh with the new beat down, beat around, beat six ways to Sunday, beatitude truth.

Muttering death of god truth, beat down old man god truth, muttering against false prophets truth, muttering quietly just then some new truth, a truth worth pondering.   

…and hence Gregory Corso.        

Destiny

They deliver the edicts of God

without delay

And are exempt from apprehension

from detention

And with their God-given

Petasus, Caduceus, and Talaria

ferry like bolts of lightning

unhindered between the tribunals

of Space & Time


The Messenger-Spirit

in human flesh

is assigned a dependable,

self-reliant, versatile,

thoroughly poet existence

upon its sojourn in life


It does not knock

or ring the bell

or telephone

When the Messenger-Spirit

comes to your door

though locked

It'll enter like an electric midwife

and deliver the message


There is no tell

throughout the ages

that a Messenger-Spirit

ever stumbled into darkness

Gregory Corso

Poet’s Corner – The Gangster Poet Cometh – Gregory Corso’s “The Whole Mess…Almost”

… a man came running down the stairs of some sad sack, no elevator, long gone, brownstone ready for the wrecker’s ball, wild-haired, throwing off devil brown hair that wouldn’t stay down, devil brown-eyed,  smirks, half-dressed, shirt open, pant fly open like maybe he had just finished up some hurried sex with his best friend’s wife and that best friend is now walking up Canal Street in New Jack City ready to be greeted by that ever loving wife once he walks up the six flights to their honeymoon-like cold water flat, cockroach friendly, the flat, or maybe, wild-haired maybe open pant fly open having just come from some boyfriend back alley after being drip-dried, he had that wild-eyed look for that hunger too, that boy hunger, hell for all human hungers if you looked closely, he frantic, muttering, yes, muttering a mile a minute words, machine gun gangster muttering those words, words like truth, beauty, age, wisdom, the veda, the Buddha truth, the karma sutra, the act of contrition, six hail marys and this, throw them all out and start fresh, start fresh with the new beat down, beat around, beat six ways to Sunday, beatitude truth. …and hence Gregory Corso.        

The Whole Mess... Almost

I ran up six flights of stairs
to my small furnished room
opened the window
and began throwing out
those things most important in life

First to go, Truth, squealing like a fink:
'Don't! I'll tell awful things about you!'
'Oh yeah! Well, I've nothing to hide… OUT!'
Then went God, glowering & whimpering in amazement:
'It's not my fault! I'm not the cause of it all!' 'OUT!'
Then Love, cooing bribes: 'You'll never know impotency!
All the girls on Vogue covers, all yours!'
I pushed her fat ass out and screamed:
'You always end up a bummer!'
I picked up Faith Hope Charity
all three clinging together:
'Without us you'll surely die!'
'With you I'm going nuts! Goodbye!'

The Beauty… ah, Beauty--
As I led her to the window
I told her: 'You I loved the best in life
…but you're a killer; Beauty kills!'
Not really meaning to drop her
I immediately ran downstairs
getting there just in time to catch her
'You saved me!' she cried
I put her down and told her: 'Move on.'

Went back up those six flights
went to the money
there was no money to throw out.
The only thing left in the room was Death
hiding beneath the kitchen sink:
'I'm not real!' It cried
'I'm just a rumor spread by life…'
Laughing I threw it out, kitchen sink and all
and suddenly realized Humor
was all that was left--
All I could do with Humor was to say:
'Out the window with the window!'

***Writer’s Corner- “The King Of The Beats”-Jack Kerouac- On The Road To “On The Road”-“Maggie Cassidy”

Click on title to link to a site that gives a thumbnail sketch of the biography of the be-bop writer Jack Kerouac

Markin comment:

Every year, in October, in Jack Kerouac's hometown of Lowell, Massachusetts a Jack Kerouac Festival is presented to keep his be-bop working class fellaheen memory alive. The link is http://www.lowellcelebrateskerouac.org/lck-2010
********
Book Review

Maggie Cassidy, Jack Kerouac, Penguin Books, New York, 1993

As I have explained in another entry in this space in reviewing the DVD,The Life And Times Of Allen Ginsberg, recently I have been in a “beat” generation literary frame of mind. I mentioned there, as well, and I think it helps to set the mood for commenting on one of Jack Kerouac’s lesser works under review here, Maggie Cassidy, where the action takes place in his hometown, that this fade back to be-bop-ness all started last summer when I happened to be in Lowell, Massachusetts on some personal business. Although I have more than a few old-time connections with that now worn out mill town I had not been there for some time. While walking in the downtown area I found myself crossing a small park adjacent to the site of a well-known mill museum and restored textile factory space. Needless to say, at least for any reader with a sense of literary history, at that park I found some very interesting granitic memorial stones inscribed with excerpts from a number of Jack Kerouac's better known works dedicated to Lowell’s ‘bad boy’, the “king of the 1950s beat writers”.

And, just as naturally, when one thinks of Kerouac then, On The Road, his classic modern physical and literary "search" for the meaning of America for his generation, the generation which came of age in the post-World War II period, readily comes to mind. No so well known is the fact that that famous youthful Kerouac novel was merely part of a much grander project, an essentially autobiographical exposition in many volumes, starting from his birth in 1922, to chart and vividly describe his relationship to the events, great and small, of his times.

Maggie Cassidy focuses on the trials and tribulations of growing up absurd in the 1930s, the inevitable schoolboy quests and missteps of sorting out what love is, teen love, Jack's desire to excel at sports which has driven young men for ages, and, off-handedly, the “meaning of the universe” of his high school days in Lowell and a little about his prep school days down in New York City in the late 1930s in the series that bears the general title The Legend Of Duluoz. So that is why we today, in the year of the forty-second anniversary of Kerouac’s death, are under the sign, no the spell, of Maggie Cassidy.

I have mentioned in a note to a review of On The Road after a recent re-reading of that master work that Kerouac's worldview, not unexpectedly for a novelist of the immediate post- World War II generation, was dominated by what today would be regarded as deeply, if not consciously, sexist impulses. Moreover, the whole “beat” experience of which he was “king” was, with a few exceptions, a man’s trip, hetero and/or homosexual. All of the books that I have read of his have that flavor. They may be, some of them, great literature but they are certainly men’s books.

Also, not unexpectedly, for a shy, sly, French-Canadian (with a little Native-American thrown in) working-class athletic youth from Lowell, Kerouac’s escapades center in this book on his high school male-bonding experiences with his “corner” boys. And being, from all reports and a quick glance at his youthful photographs, a handsome-looking man his exploits with young women. And here enters the sultry Maggie Cassidy, to the lace curtain born, the Irish colleen dream of every heterosexual young man. Although the dramatic tension of this book is not exactly gripping, after all despite some very grand, descriptive narration about Lowell, about the neighborhood, about the beauties of the Merrimack River, and above all, about young women, the episodes here clearly fall under the category of high school hi-jinks which have already had a long and honored literary exposition. Still, this is a nice little trip down memory lane and I can visualize some of the same streets around the "Acre and Pawtucketville, and some of those frosty mill-driven buildings that he refers in this book from those long ago connections that I mentioned above.

Note to Jack Kerouac wherever you are: Damn, you should have ‘talked’ to me about Maggie before you got involved with that vixen. I grew up in a part of a town in Massachusetts that while not “Little Dublin” was close enough to bear that title here in America. I knew a million Maggies (and Moe Coles too) and I could have warned you that chandelier, lace curtain, or shanty these nice Irish Catholic girls will break your heart, or something else, every time. Now that I think about it though I never listened to any well-intentioned advise on the subject either. Farewell grand working-class fellaheen.