When The Blues Is Dues- After Slavery Times- “Jim Crow Blues”

… his hitchhiked ride, a good guy, a guy in pick-up truck, an almost new 1961 model, who picked him up after dark just south of Richmond, left him off right off Highway 61, just outside of town, early that next blazing hot afternoon after that good guy had tooled that pick-up about fourteen hours straight with only a couple of pits stops. As he ambled toward the center of town figuring to get a little lunch at the bus stop before heading out on the bus to head west some before he picked up the hitchhike trail again he noticed, he clearly noticed that he was in the colored section of town, or what seemed like it. All kinds of shacks, run-down and worst, junk cars, or worst, the latest, maybe about a 1949 Hudson from what he could see, litters of little black children playing in front of decayed yards filled with debris, and a feel of poverty, not ground-down, groveling poverty but just the poverty of the poor, the poor who have been poor for a few generations and don’t know any other existence. As he passed the rows of shacks some residents gave him short looks, not hostile but more like “whitey, what are you doing here in this section of town, you must be a stranger.” Others just went about their poking around business.

These stares (or indifferences) kept up until he hit the edge of the colored section, or what seemed to be the edge, when he thirsty, thirsty as hell, by this point stopped in a store, one of those old time country-type stores, a store out of some William Faulkner Mississippi novel, he thought, filled with colored folks, and one white man behind the counter. He approached the counter, asked for a Pepsi, cold, ice cold, and large. The white man behind the counter (who turned out to be the owner, and who he would hear of a couple of years later in some televised news report as the leader of that town’s White Citizens Council) said this -“boy, where do you think you are, Boston?”, this here is a nigra store and no whites are served here. By rights I should have you thrown out of town but since you are a stranger I will just tell that if you want a Pepsi, or anydamn drink, you will have to go to my store over in town a couple of miles from here up this same road, right next to the bus station which I hope you plan to be using.” He left without a word, but still thirsty as hell.

After walking what seemed like an eternity, now with white stares coming from all kinds of shacks, run-down and worst, junk cars, or worst, the latest, maybe about a 1949 Hudson from what he could see, litters of little white children playing in front of decayed yards filled with debris, and a feel of poverty, not ground-down, groveling poverty but just the poverty of the poor, the poor who have been poor for a few generations and don’t know any other existence, he reached the downtown bus station, and Mister’s grocery store next door. He went into the store, now filled with white folks, and with a white man behind the counter, approached the counter and asked for a Pepsi, cold, ice cold, and large. In reply the white man said the following-“We don’t take with white folks trading at the colored store so if you want a Pepsi, or any damn drink, you’ll have to get it at the bus station-on your way out of town.” He left, again without a word.

He entered the small bus station, stepped up to the clerk’s counter, bought a ticket to New Orleans, and then asked for a drink of water. The clerk pointed behind him and he went and got that precious drink of water, a drink at the “whites only”drinking fountain not the “colored only” one that his new found instinct told him that he should not use…

…and thus james crow in the flesh. And Mississippi goddam too.

***Junior League Jim Crow- “The Help”- A Film Review

Click on the headline to link to a Wikipedia entry for the film, The Help.

DVD Review

The Help, starring Emma Stone, based on the novel of the same name, 2011

Every once in a while I get thrown off by a film. No, not the usual disappointment of a hyped movie that goes flat. Or films that come out of nowhere to attract my attention against all reason like the Swedish Girl With The Dragon Tattoo series. Here my dilemma is of a different sort. And, perhaps, I have only myself to blame. See, I saw the film under review, The Help, under “false pretenses.” As a short-cut for not having to read the book, a book about the trials and tribulations of black maids and their junior league jim crow employers having their stories publicized, once someone told me that the film pretty well followed the lines of the book. Of course not reading the book before-hand meant that while I was vaguely familiar with the theme I was not prepared for what was to come.

And this is where taking a short-cut, while not always fatal, played me false this time. Not that there was anything particularly wrong with the film as a piece of feel good, moral uplift, pseudo-post racial society fluff. At that level it did what one reading the novel would have expected (according to my source who had read the book and seen the film). See the time frame of the film, in the cauldron of the black civil rights movement down South in Mississippi burning in 1963 or so is all wrong for the light-hearted treatment. So it is very hard, very, very hard for a man of the “generation of ‘68” to take in a “fluff” film about those very maids, gardeners, janitors, steelworker, laundresses, and seamstresses who, along with the SNCC students, formed the core of the civil rights struggle back then. So maybe, just maybe in another fifty or one hundred years when we are meaningfully closer to that post-racial society that some benighted politicians and academic keep heralding this film might seem appropriate look at a primitive time well past. Until then just enjoy this one as after dinner entertainment.