Showing posts with label The Rolling Stones. Show all posts
Showing posts with label The Rolling Stones. Show all posts

Friday, February 22, 2013

 
On The Fiftieth(Ouch!) Anniversary Of The First Beatles Album-Yah, Yah, -Stones Or Beatles?
Peter Paul Markin, Class Of 1964, comment:

The Stones or Beatles?

This entry was originally posted on oue class website in March 2008.


I have been posing some questions to my class, the Class of 1964, on this and the North Quincy Alumni site. The following question is one such example. However, it occurred to me that other classes might be able to answer it as well. After all we all bled Raider red, right? I will occasionally pose other questions of general interest.

******

I propose to use this Message Board space to pose certain questions to my fellow classmates to which I am interested in getting answers. Thus, I will be periodically throwing a question out and would appreciate an answer. No, I do not want to ask personal family questions. After forty years this space is hardly the place to air our 'dirty' little secrets. I do not want to talk religion. That is everyone's private affair. Nor I do not want to talk politics, although those who might remember me know that I am a "political junkie" from way back. In fact I mean to get my self into some twelve-step rehab program as soon as this current presidential campaign is over, if it ever is. What I want to do is ask questions like that posed below. Join me.

"Manchurian Candidate" McCain vs. The Huckster? Boring. Ms. Hillary vs. Obama "The Charma"? Ho, hum. Three dollar gas at the pump. Oh, well. (Remember this was originally written in March. AJ)? What has my blood boiling is a question that I am desperate, after forty years, to know about my classmates from 1964. In your callow youth, back in the mist of time, did you prefer The Rolling Stones or the Beatles? The question was posed in the canned Q&A section on my profile page (on the Classmates site) but I feel the issue warrants a full airing out.

I make no bones about my preference for The Rolling Stones and will motivate that below but here let me just set the parameters of the discussion. I am talking about the stuff they and the Beatles did when we were in high school. I do not mean the later material like the Beatles' "Sergeant Pepper" or The Stones' "Gimme Shelter". And no, I do not want to hear about how you really swooned over Bobby Darin or Bobby Dee. Answer the question asked, please.

I am not sure exactly when I first hear a Stones song although it was probably "Satisfaction". However, what really hooked me on them was when they covered the old Willie Dixon blues classic "Little Red Rooster". If you will recall that song was banned, at first, from the radio stations of Boston. Later, I think, and someone can maybe help me out on this, WMEX broke the ban and played it. And no, the song was not about the doings of our barnyard friends. But beyond the sexual theme was the fact that it was banned that made me, and perhaps you, want to hear it at any cost. That says as much about my personality then, and now, as any long-winded statement I could make.

That event began my long love affair with the blues. And that is probably why, although the blues, particularly the Chicago blues, also influenced the Beatles, it is The Stones that I favor. Their cover still holds up, by the way. Not as good, as I found out later, as the legendary Howlin' Wolf's version but good. I have also thought about the Stones influence recently as I have thought about the long ago past of my youth.

Compare some works like John Lennon's plaintive "Working Class Hero" and The Stones' agitated "Street Fighting Man" (yes, I know these are later works but they serve to make my point here) and I believe that something in the way The Stones from early on presented that angry, defiant sound appealed to my sense of working class alienation. But enough. I will close with this. I have put my money where my mouth is with my preference. When the Stones toured Boston at Fenway Park in the summer of 2005 I spend many (too many) dollars to get down near the stage and watch old Mick and friends rock. Beat that.

Street Fighting Man Lyrics
Artist(Band):The Rolling Stones
(M. Jagger/K. Richards)


Ev'rywhere I hear the sound of marching, charging feet, boy
'Cause summer's here and the time is right for fighting in the street, boy
But what can a poor boy do
Except to sing for a rock 'n' roll band
'Cause in sleepy London town
There's just no place for a street fighting man
No

Hey! Think the time is right for a palace revolution
'Cause where I live the game to play is compromise solution
Well, then what can a poor boy do
Except to sing for a rock 'n' roll band
'Cause in sleepy London town
There's just no place for a street fighting man
No

Hey! Said my name is called disturbance
I'll shout and scream, I'll kill the king, I'll rail at all his servants
Well, what can a poor boy do
Except to sing for a rock 'n' roll band
'Cause in sleepy London town
There's just no place for a street fighting man
No

"Working Class Hero" lyrics- John Lennon

As soon as your born they make you feel small,
By giving you no time instead of it all,
Till the pain is so big you feel nothing at all,
A working class hero is something to be,
A working class hero is something to be.
They hurt you at home and they hit you at school,
They hate you if you're clever and they despise a fool,
Till you're so fucking crazy you can't follow their rules,
A working class hero is something to be,
A working class hero is something to be.
When they've tortured and scared you for twenty odd years,
Then they expect you to pick a career,
When you can't really function you're so full of fear,
A working class hero is something to be,
A working class hero is something to be.
Keep you doped with religion and sex and TV,
And you think you're so clever and classless and free,
But you're still fucking peasents as far as I can see,
A working class hero is something to be,
A working class hero is something to be.
There's room at the top they are telling you still,
But first you must learn how to smile as you kill,
If you want to be like the folks on the hill,
A working class hero is something to be.
A working class hero is something to be.
If you want to be a hero well just follow me,
If you want to be a hero well just follow me.


The Red Rooster
Howling Wolf


I have a little red rooster, too lazy to crow for day
I have a little red rooster, too lazy to crow for day
Keep everything in the barnyard, upset in every way

Oh the dogs begin to bark,
and the hound begin to howl
Oh the dogs begin to bark, hound begin to howl
Ooh watch out strange kind people,
Cause little red rooster is on the prowl

If you see my little red rooster, please drag him home
If you see my little red rooster, please drag him home
There ain't no peace in the barnyard,
Since the little red rooster been gone

Willie Dixon
 
 
 
 
 

Tuesday, January 8, 2013

When The Blues Was Dues- Martin Scorsese’s Rolling Stone Tribute –“Shine A Light”




DVD Review

Shine A Light. starring The Rolling Stones, directed by Martin Scorsese, Paramount, 2008

… he, manic film director he, hell, famous film director, Martin Scorsese, all Hollywood –awarded, all blank check name your next project, all well known for capturing the mean rumble-stumble-tumble streets of Little Italy corner boy life in front of Mama’s Pizza Parlor, for New Jack City taxi cab saviors, or devils, for be-bop blues Muddy-Howlin’ Wolf- Ike (Tina-less)Turner-Willie Dixon- The Blinds(Blake-Jefferson-Johnson-McTell-Lewis) tributes (kindred to Stone-blessed early day Chess Record Mecca trips) and for a scad of other worthy projects lay heaven-bent in his hotel suite, sweating, sweating like he had just landed his first directing job and his whole career depended on getting the essence of his generation’s music, second wave (first wave Elvis, Chuck, Roy, Jerry Lee and progeny) stone-crazy rock and roll. So he fretted the night before the big theater performance (always a tough venue for camera perspective shots anyway) away thinking about what god crazy impulse made him think he could capture such energy, such performance level, such potential for everything to go off the wheels and wind up like so many rock docks looking like some stoned (weed stoned not depths cousin cocaine stoned) suburban kid’s homemade video. Like some kid in the audience. Jesus.

And they, they the reigning emperors of the known rock universe fought him every inch of the way, cut the lights, brighten the darks, keep those goddam cameras out of our faces, off of our stage, and away from our big- wig event audience. Hey, maybe you should film it from the last row of the balcony and deal with chasing away those kids that snuck in the theater through the back door. Wise guys, he thought, we knew how to deal with these limey river rats back in that Little Italy corner boy night, and no questions asks. And to top it off they didn’t even give him the play list (or rather he, Mick he, okay, it’s his play list and depends on his moods), the potential play list, hell, maybe they were going to do a night of Muddy Waters or Beatles covers for all he knew. He needed, desperately needed, to know whether they were going to burn the stage down opening up with Jumpin’ Jack Flash, Gimme Shelter, or Tumblin’ Dice and then pick up the wreckage or slow and easy rider their way in with As Tears Go By, Far Away Eyes, or Back Street Girl and then burn the place down. Jesus, he thought to himself, this one will age me about ten years.

He, his satanic majesty, he, Mick, Mick Jagger, laugh, Queen (no, not the rock group) benighted, oops, be-knighted on that same pre-show night sat on his hotel suite sofa fretting, fretting about whether he had done enough voice exercises, like his coach, that damn bastard coach had insisted to keep him from sounding like Bob Dylan’s brother, fretting whether that new lame shirt would hold up, fretting whether his slightly arthritic fingers could guitar hold the notes on Shine A Light night, and fretting whether his new diet of soy milk and rice puffs were enough to keep his fighting weight slim body in one piece. Yah and then he fretted, fretted simple stuff like what do you call an ex-president of the United States and the bag of glad-handers he was bringing with him. Fretted whether doing a Muddy tribute with Buddy Guy on Champagne and Reefer would just be taken as an autobiographical note. And fretted too whether Keith might use something, anything, as an excuse to go all crazy-up before the show. Start Me Up alright. Ronny and Charley too, for that matter.

And then he thought maybe he should ask around and get a little something for the head, a little something to put that edge on when he was coming out all black and black satanic on Sympathy For The Devil. And then he thought back, back to the youthful jails, the endless court appearances, the close escapes, the missing days (damn weeks when he was in high dudgeon stoned, sister morphine stoned, or love girl stoned ) and thought better of it. Christ he was probably just going to squeeze out the two hours straight as it was. And on top of that the pressure from Marty (and his maze of a crowd) to do this, do that, put this camera here, put that light there (burning up his bum or some other part of him in the sweaty night) AND he wanted to know the play list. Christ he himself didn’t know it, that was part of keeping the act fresh, of keeping the boys, Keith, Ronny, Charley, those boys, on their toes (to speak nothing of those wacko trumpet players, sexy sax players and that damn bass player)

Showtime. All doubts gone, or put aside for the siege, eyes front he, Mick he, forget Marty he until the film premier, Rasputin-like, Rasputin on speed maybe, drawing the audience in with his first juke moves, feet moving faster than the speed of light, hips playing ring-a-rosy, bounce shirt showing a little skin around the waist (eye-candy for the girls, girls six to sixty, and AARP papa moans about how can he keep so fit and jealous ),every hand moving like some stoned hitchhiker out on the great blue-pink American search night, gesturing about twelve different ways. Ready, set, go. Jumpin’ Jack Flash for the opening, They, Mick, have decided to burn the place down, take no prisoners, and see who is still standing at the end. Mick is on fire, Keith, like some William S Burroughs’ Naked Lunch junkie, like some poor mother’s (mothers’) worst nightmare daughter coming home with (what will the neighbors say), doing some ten thousand year old blues riff, mixed with every sound he has heard since about 1956 solid (solid smoking that cigarette , bans Keith-exempted, okay). Yah, for about the nine hundredth time he and Mick are in synch, check Ronnie, and check steady drum beat Charley, cool as a cucumber Charley. And just for that one moment (okay two hours) for those who went through it the first time back in the day, and for those who were spoon-fed it on their mother’s lap, the audience, knew what it was like when men (hell, women too) played rock and roll for keeps.

…and hence this film

Saturday, February 4, 2012

***Not Ready For Prime Time AARP Songs- The Beatles' "When I'm Sixty-Four"

Click on the headline to link to a YouTube film clip of the Beatles performing When I'm Sixty-Four from the animated movie Yellow Submarine.

Peter Paul Markin, North Adamsville Class Of 1964 and thus already past sixty-four, comment:

Many of my fellows from the Generation of '68 (a. k. a. baby-boomers) will be, if you can believe this, turning sixty-four this year. So be it.

When I'm Sixty-Four - The Beatles

When I get olded, loosing my hair,
Many years from now
Will you still be sending me the Valentine,
Birthday greetings, bottle of wine

If I stay out till quarter to three
Would you lock the door
Will you still need me, will you still feed me
When I'm sixty-four.

You'll be older too,
And if you say the word I could stay with you.

I could be handy mending a fuse
When your lights have gone
You can knit a sweater by the fireside
Sunday morning go for a ride

Doing the garden, digging the weeds,
Who could ask for more
Will you still need me, will you still feed me
When I'm sixty-four.

Every summer we can rent a cottage in the Isle of Wight,
if it's not too dear
We shall scrimp and save
Grandchildren on your knee
Vera, Chuck & Dave

Send me a postcard, drop me a line
Stating point of view
Indicate precisely what you mean to say
Yours sincerely, wasting away

Give me your answer, fill in a form,
Mine for evermore,
Will you still need me, will you still feed me
When I'm sixty-four.
*******
Ancient dreams, dreamed.

Ya, sometimes, and maybe more than sometimes, a frail, a frill, a twist, a dame, oh hell, let’s cut out the goofy stuff and just call her a woman and be done with it, will tie a guy’s insides up in knots so bad he doesn’t know what is what. Tie up a guy so bad he will go to the chair kind of smiling, okay maybe just half-smiling. Frank (read: future Peter Paul and a million, more or less, other guys) had it bad as a man could have from the minute Ms. Cora walked through the door in her white summer blouse, shorts, and the then de rigueur bandana holding back her hair, also white. She may have been just another blonde, very blonde, frail serving them off the arm in some seaside hash joint but from second one she was nothing but, well nothing but, a femme fatale. I swear, I swear on seven sealed bibles that I yelled, yelled through the womb or some toddler’s crib maybe, at the screen for him to get the hell out of there at that moment. But do you think he would listen, no not our boy. He had to play with fire, and play with it to the end.

Nose flattened cold against the frozen, snow falling front window “the projects” wait on better times, get a leg up, don’t get left behind in the dawning American streets paved with gold dream but for now just hang your hat dwelling, small, too small for three growing boys with hearty appetites and desires to match even then, warm, free-flow oil spigot warm, no hint of madness, or crazes only of sadness, brother kinship sadness, sadness and not understanding of time marching, relentlessly marching as he, that older brother, went off to foreign places, foreign elementary school reading, ‘riting, ‘rithmetic places and, he, the nose flattened against the window brother, is left to ponder his own place in those kind of places, those foreign-sounding places, when his time comes. If he has a time, has the time for the time of his time, in this red scare (but what knows he of red scare only brother scares), cold war, cold nose, dust particles floating aimlessly in the clogging still air night.

A cloudless day, a cloudless blasted eternal, infernal Korean War day, talk of peace, merciless truce peace and uncles coming home in the air, hot, hot end of June day laying, face up on freshly mown grass near fellowship carved-out fields, fields for slides and swings, diamonded baseball, no, friendlier softball fields the houses are too close, of gimps, glues, cooper-plated portraits of wildly-maned horses, of sweet shaded elms, starting, now that he too, that nose-flattened brother, has been to foreign places, strange boxed rooms filled with the wax and wane of learning, simple learning, in the time of his time, to find his own place in the sun but wondering, constantly wondering, what means this, what means that, and why all the changes, slow changes, fast changes, blip changes, but changes.

Nighttime fears, red-flagged Stalin-named fears, red bomb aimed right at my head unnamed shelter blast fears, named, vaguely named, Julius and Ethel Rosenberg hated stalinite jews killed fears, jews killed our catholic lord fears, and what did they do wrong to get the chair anyway fears against the cubed glass glistening flagless flag-pole rattling dark asphalt school yard night. Alone, and, and, alone with fears, and avoidance, clean, clear stand alone avoidance of old times sailors, tars, sailors’ homes AND deaths in barely readable fine- marked granite-grey lonely seaside graveyards looking out on ocean homelands and lost booty. Dead, and the idea of dead, the mystery of dead, and of sea sailor dead on mains, later stream thoughts of bitch proctoresses, some unnamed faraway crush teacher who crossed my path and such, in lonely what did he do wrong anyway prison cells, smoking, reading, writing of dinosaurs die and other laments. Dead.

Endless walks, endless one way sea street water rat-infested fear seawall walks, rocks, shells, ocean water-logged debris strewn every which way, fetid marsh smells, swaying grasses in light breezes to the right, mephitic swamps oozing mud splat stinks to the left making hard the way, the path, the symbolic life path okay, to uptown drug stores, some forgotten chain-name drug store, passing perfumes, lacquers, counter drugs, ailments cured, hurts fixed and all under a dollar, trinkets ten cents baubles, gee-gads, strictly gee-gads, grabbing, two-handed grabbing, heist-stolen valentines, a metaphor in the making, ribbon and bow ruby-red valentine night bushel, signed, hot blood-signed, weary-feet signed, if only she, about five candidates she, later called two blondes, two brunettes, and a red-head, sticks all, no womanly shape to tear a boy-man up, would give a look his way, his look, his newly acquired state of the minute Elvis-imitation look, on endless sea streets, the white-flecked splash inside his head would be quiet. Man emerging out of the ooze, and hope.


Walks, endless waiting bus stop, old late, forever late, story of a young boy’s life late, diesel-fueled, choking fumed non-stop bus stop walks, no golden age car for jet moves in American Dream wide-fin , high tech automatic drive nights, walks, walks up crooked cheap, low-rent, fifty-year no fix rutted pavement streets, deeply gouged, one-lane snow-drift hassles, you get the picture, pass trees are green, coded, secretly coded even fifty street rutted years later, endless trees are green super-secret-coded except for face blush waiting, waiting against boyish infinite time, infinite first blush of innocent manhood, boyhood times, gone now. For what? For one look, one look, and not a quick no-nonsense, no dice look, no time for ragamuffin boys either that would elude him, elude him forever. Such is life in lowly spots, lowly, lowly spots. And no dance, no coded trees are green dance, either, no high school confidential (hell elementary school either, man), handy man, breathless, Jerry Lee freak-out, at least no potato sack stick dance with coded name trees are green brunette. That will come, that will come. But when?

City square, no trespass, no standing, standing, low-slung granite buildings everywhere, granite steps leading to granite doors leading to granite gee-gad counters, hated, no name hated, low-head hated, waiting slyly, standing back on heels, going in furtively, coming out ditto, presto coming out with a gold nugget jewel, no carat, no russkie Sputnik panel glitter for his efforts such is the way of young lumped-up crime, no value, no look, just grab, grab hard, grab fast, grab get yours before the getting is over, or before the dark, dark night comes, the dark pitched-night when the world no longer is young, and dreamed dream make no more sense that this bodily theft.

A bridge too far, an unarched, unsteeled, unspanned, unnerved bridge too far. One speed bicycle boy, dungarees rolled up against dog bites and geared meshes, churning through endless heated, sweated, no handkerchief streets, names, all the parts of ships, names, all the seven seas, names, all the fishes of the seas, names, all the fauna of the sea, names. Twelve-year old hard churned miles to go before sleep, searching for the wombic home, for the old friends, the old drifter, grifter, midnight shifter petty larceny friends, that’s all it was, petty and maybe larceny, hard against the named ships, hard against the named seas, hard against the named fishes, hard against the named fauna, hard against the unnamed angst, hard against those changes that kind of hit one sideways all at once like some mack the knife smack devilish thing

Lindo, lindos, beautiful, beautifuls, not some spanish exotic though, maybe later, just some junior league dream fuss though, some future cheerleader football dame though, some sweated night pasty crust and I, too slip-shot, too, well, just too lonely, too lonesome, too long-toothed before my time to do more than endless walks along endless atlantic streets to summon up the courage to glance, glance right at windows, non-exotic atlantic cheerleader windows. Such is the new decade a-borning, a-borning but not for me, no jack swagger, or bobby goof as they run the table on old tricky dick or some tired imitation of him. Me, I’ll take exotics, or lindos, if they every cross my path, my lonely only path

Sweated dust bowl nights, not the sweated exotic atlantic cheerleader glance nights but something else, something not endless walked about, something done, or with the promise of done, for something inside, for some sense of worth in the this moldy white tee shirt, mildewy white shorts, who knows what diseased sneakers, Chuck Taylor sneakers pushing the red-faced Irish winds, harder, harder around the oval, watch tick in hand, looking, looking I guess for immortality, immortality even then. Later, in bobby darin times or percy faith times, who knows, sitting, sitting high against the lion-guarded pyramid statute front door dream, common dreams, common tokyo dreams, all gone asunder, all gone asunder, on this curious fact, no wind, Irish or otherwise. Stopped short. Who would have figured that one?

Main street walked, main street public telephone booth cheap talk walked searching for some Diana greek goddess wholesale on the atlantic streets. Diana, blonde Diana, cashmere-sweatered, white tennis –shoed Diana, million later Dianas although not with tennis shoes, really gym shoes fit for old ladies to do their rant, their lonely rant against the wind. Seeking, or rather courage-seeking, nickel and dime courage as it turns out; nickel and dime courage when home provided no sanctuary for snuggle-eared delights. Maybe a date, a small-time after school soda split sit at the counter Doc’s drugstore date, or slice of pizza and a coke date at Balducci’s with a few nickels juke boxed in playing our song, our future song, a Hard Rain’s A-Gonna Fall song, and dreams of I Want To Wanted sifting the hot afternoon air, maybe just a swirl at midnight drift, maybe a view of local lore car parked submarine races and mysteries unfurled, ah, to dream, no more than to dream, walking down friendly aisles, arm and arm along with myriad other arm and arm walkers on senior errands. No way, no way and then red-face, alas, red-faced no known even forty years later. Wow.

Multi-colored jacket worn, red and black, black and red, some combination reflecting old time glories, or promises of glory, cigarette, Winston small-filtered, natch, no romantic Bogie tobacco-lipped unfiltered, hanging from off the lip at some jagged angle, a cup of coffee, if coffee was the drink, in hand, a glad hand either way, look right, look left, a gentle nod, a hard stare, a gentle snarl if such a thing is possible beyond the page. Move out the act onto Boston fresh-mown streets. Finally, that one minute, no not fifteen, not fifteen at all, and not necessary of the fame game, local fame, always local fame but fame, and then the abyss on non-fame, non- recognition and no more snarls, gentle or otherwise. A tough life lesson learned, very tough. And not yet twenty.


Drunk, whisky drunk, whisky rotgut whisky drunk, in some bayside, altantic bayside, not childhood atlantic bayside though, no way, no shawlie way, bar. Name, nameless, no legion. Some staggered midnight vista street, legs weak from lack of work, brain weak, push on, push on, find some fellaheen relieve for that unsatisfied bulge, that gnawing at the brain or really at the root of the thing. A topsy-turvy time, murder, death, the death of death, the death of fame, murder, killing murder, and then resolve, wrong resolve and henceforth the only out, war, war to the finish, although who could have known that then. Who could have know that tet, lyndon, bobby, hubert, tricky dick war-circus all hell broke loose thing then, or wanted to.

Shaved-head, close anyway, too close to distinguish that head and ten-thousand, no on hundred-thousand other heads, all shave-headed. I fall down to the earth, spitting mud-flecked red clay, spitting, dust, spitting, spitting out the stars over Alabama that portent no good, no earthy good. Except this-if this is not murder, if this is not to slay, then what is? And the die is cast, not truthfully cast, not pure warrior in the night cast but cast. Wild dreams, senseless wild dreams follow, follow in succession. The days of rage, rage against the light, and then the glimmer of the light.

The great Mandela cries, cries to the high heavens, for revenge against the son’s hurt, now that the son has found his way, a strange way but a way. And a certain swagger comes to his feet in the high heaven black Madonna of a night. No cigarette hanging off the lip now, not Winston filter-tipped seductions, no need, and no rest except the rest of waiting, waiting on the days to pass until the next coming, and the next coming after that. Ah, sweet Mandela, turn for me, turn for me and mine just a little. Free at last but with a very, very sneaking feeling that this is a road less traveled for reason, and not for ancient robert frost to guide you… Just look at blooded Kent State, or better, blooded Jackson State. Christ.

Bloodless bloodied streets, may day tear down the government days, tears, tear-gas exploding, people running this way and that coming out of a half-induced daze, a crazed half-induced daze that mere good- will, mere righteousness would right the wrongs of this wicked old world. But stop. Out of the bloodless fury, out of the miscalculated night a strange bird, no peace dove and no flame-flecked phoenix but a bird, maybe the owl of Minerva comes a better sense that this new world a-bornin’ will take some doing, some serious doing. More serious that some wispy-bearded, pony-tailed beat, beat down, beat around, beat up young stalwart acting in god’s place can even dream of.

Chill chili nights south of the border, endless Kennebunkports, Bar Harbors, Calais’, Monktons, Peggy’s Coves, Charlottetowns, Montreals, Ann Arbors, Neolas, Denvers by moonlight, Boulders echos, Dinosaurs dies, salted lakes, Winnemuccas’ flats, golden-gated bridges, malibus, Joshua Trees, pueblos, embarcaderos, and flies. Enough to last a life-time, thank you. Enough of Bunsen burners, Coleman stoves, wrapped blankets, second-hand sweated army sleeping bags, and minute pegged pup tents too. And enough too of granolas, oatmeals, desiccated stews, oregano weed, mushroomed delights, peyote seeds, and the shamanic ghosts dancing off against apache (no, not helicopters, real injuns) ancient cavern wall. And enough of short-wave radio beam tricky dick slaughters south of the border in deep fall nights. Enough, okay.

He said struggle. He said push back. He said stay with your people. He said it would not be easy. He said you have lost the strand that bound you to your people. He said you must find that strand. He said that strand will lead you away from you acting in god’s place ways. He said look for a sign. He said the sign would be this-when your enemies part ways and let you through then you will enter the golden age. He said it would not be easy. He said it again and again. He said struggle. He said it in 1848, he said it in 1917, he said it in 1973. Whee, an old guy, huh.

Greyhound bus station men’s wash room stinking to high heaven of seven hundred pees, six hundred laved washings, five hundred wayward unnamed, unnamable smells, mainly rank. Out the door, walk the streets, walk the streets until, until noon, until five, until lights out. Plan, plan, plan, plain paper bag in hand holding, well, holding life, plan for the next minute, no, the next ten seconds until the deadly impulses subside. Then look, look hard, for safe harbors, lonely desolate un-peopled bridges, some gerald ford-bored antic newspaper-strewn bench against the clotted hobo night snores. Desolation row, no way home.

A smoky sunless bar, urban style right in the middle of high Harvard civilization, belting out some misty time Hank Williams tune, maybe Cold, Cold Heart from father home times. Order another deadened drink, slightly benny-addled, then in walks a vision. A million time in walks a vision, but in white this time. Signifying? Signifying adventure, dream one-night stands, lost walks in loaded woods, endless stretch beaches, moonless nights, serious caresses, and maybe, just maybe some cosmic connection to wear away the days, the long days ahead. Ya that seems right, right against the oil-beggared time, right.

Lashed against the high end double seawall, bearded, slightly graying against the forlorn time, a vision in white not enough to keep the wolves of time away, the wolves of feckless petty larceny times reappear, reappear with a vengeance against the super-rational night sky and big globs of ancient hurts fester against some unknown enemy, unnamed, or hiding out in a canyon under an assumed name. Then night, the promise of night, a night run up some seawall laden streets, some Grenada night or maybe Lebanon sky boom night, and thoughts of finite, sweet flinty finite haunt his dreams, haunt his sleep. Wrong number, brother. Ya, wrong number, as usual.

White truce flags neatly placed in right pocket. Folded aging arms showing the first signs of wear-down, unfolded. One more time, one more war-weary dastardly fight against Persian gulf oil-driven time, against a bigger opponent, and then the joys of retreat and taking out those white flags again and normalcy. The first round begins. He holds his own, a little wobbly. Second round he runs into a series of upper-cuts that drive him to the floor. Out. Awake later, seven minutes, hours, eons later he takes out the white flags now red with his own blood. He clutches them in his weary hands. The other he said struggle, struggle. Ya, easy for you to say.

Desperately clutching his new white flags, his 9/11 white flags, exchanged years ago for bloodied red ones, white flags proudly worn for a while now, he wipes his brow of the sweat accumulated from the fear he has been living with for the past few months. Now ancient arms folded, hard-folded against the rainless night, raining, he carefully turns right, left, careful of every move as the crowd comes forward. Not a crowd, no, a horde, a beastly horde, and this is no time to stick out with white flags (or red, for that matter). He jumps out of the way, the horde passes brushing him lightly, not aware, not apparently aware of the white flags. Good. What did that other guy say, oh yes, struggle.

One more battle, one more, please one more, one fight against the greed tea party night. He chains himself, well not really chains, but more like ties himself to the black wrought-iron fence in front of the big white house with his white handkerchief. Another guy does the same, except he uses some plastic hand-cuff-like stuff. A couple of women just stand there, hard against that ebony fence, can you believe it, just stand there. More, milling around, disorderly in a way, someone starts om-ing, om-ing out of Allen Ginsberg Howl nights, or at least Jack Kerouac Big Sur splashes. The scene is complete, or almost complete. Now, for once he knows, knows for sure, that it wasn’t Ms. Cora whom he needed to worry about, and that his child dream was a different thing altogether. But who, just a child, could have known that then.

Friday, January 20, 2012

***Not Ready For Prime Time AARP Songs- The Beatles' "When I'm Sixty-Four"

Click on the headline to link to a YouTube film clip of the Beatles performing When I'm Sixty-Four from the animated movie Yellow Submarine.

Peter Paul Markin, North Adamsville Class Of 1964 and thus already past sixty-four, comment:

Many of my fellows from the Generation of '68 (a. k. a. baby-boomers) will be, if you can believe this, turning sixty-four this year. So be it.

When I'm Sixty-Four - The Beatles

When I get olded, loosing my hair,
Many years from now
Will you still be sending me the Valentine,
Birthday greetings, bottle of wine

If I stay out till quarter to three
Would you lock the door
Will you still need me, will you still feed me
When I'm sixty-four.

You'll be older too,
And if you say the word I could stay with you.

I could be handy mending a fuse
When your lights have gone
You can knit a sweater by the fireside
Sunday morning go for a ride

Doing the garden, digging the weeds,
Who could ask for more
Will you still need me, will you still feed me
When I'm sixty-four.

Every summer we can rent a cottage in the Isle of Wight,
if it's not too dear
We shall scrimp and save
Grandchildren on your knee
Vera, Chuck & Dave

Send me a postcard, drop me a line
Stating point of view
Indicate precisely what you mean to say
Yours sincerely, wasting away

Give me your answer, fill in a form,
Mine for evermore,
Will you still need me, will you still feed me
When I'm sixty-four.
*******
Ancient dreams, dreamed.

Ya, sometimes, and maybe more than sometimes, a frail, a frill, a twist, a dame, oh hell, let’s cut out the goofy stuff and just call her a woman and be done with it, will tie a guy’s insides up in knots so bad he doesn’t know what is what. Tie up a guy so bad he will go to the chair kind of smiling, okay maybe just half-smiling. Frank (read: future Peter Paul and a million, more or less, other guys) had it bad as a man could have from the minute Ms. Cora walked through the door in her white summer blouse, shorts, and the then de rigueur bandana holding back her hair, also white. She may have been just another blonde, very blonde frail serving them off the arm in some seaside hash joint but from second one she was nothing but, well nothing but, a femme fatale. I swear, I swear on seven sealed bibles that I yelled at the screen for him to get the hell out of there at that moment. But do you think he would listen, no not our boy. He had to play with fire, and play with it to the end.

Nose flattened cold against the frozen, snow falling front window apartment project hang your hat dwelling, small, warm, no hint of madness, or crazes only of sadness, brother kinship sadness, sadness and not understanding of time marching as he, that older brother, goes off to foreign places, foreign elementary school reading, ‘riting, ‘rithmetic places and, he, the nose flattened against the window brother, is left to ponder his own place in those kind of places, those foreign-sounding places, when his time comes. If he has a time, has the time for the time of his time, in this red scare (but what knows he of red scare only brother scares), cold war, cold nose, dust particles in the clogging air night.

A cloudless day, a cloudless Korean War day, talk of peace, merciless truce peace and uncles coming home in the air, hot, hot end of June day laying, face up on freshly mown grass near fellowship carved-out fields, fields for slides and swings, diamonded baseball, no, friendlier softball fields the houses are too close, of gimps, glues, cooper-plated portraits, of sweet shaded elms, starting, now that he too, that nose-flattened brother, has been to foreign places in the time of his time, to find his own place in the sun but wondering, constantly wondering, what means this, what means that, and why all the changes, slow changes, fast changes, blip changes, but changes.

Nighttime fears, red-flagged Stalin-named fears, red bomb unnamed shelter blast fears, named, vaguely named, Julius and Ethel Rosenberg hated stalinite jews killed fears, jews killed our catholic lord fears and what did they do anyway fears against the cubed glass glistening flagless flag-pole rattling dark asphalt school yard night, alone, and, and, alone fears avoidance, clean, clear stand alone avoidance of old times sailors, tars, sailors’ homes AND deaths in barely readable fine- marked granite-grey lonely seaside graveyards looking out on ocean homelands and lost booty. Dead.


Endless walks, endless sea street seawall walks, rocks, shells, ocean water-logged debris strewn every which way, fetid marsh smells to the right, mephitic swamps oozing mud splat to the left making hard the way, the path, okay, to uptown drug stores, Rexall’s drug store, grabbing heist-stolen valentine, ribbon and bow valentine night bushel, signed, hot blood-signed, weary-feet signed, if only she, about five candidates she, later called two blondes, two brunettes, and a red-head, sticks all, no womanly shape to tear a boy-man up, would give a look his way, his look, his newly acquired state of the minute Elvis-imitation look, on endless sea streets, the white-flecked splash inside his head would be quiet.


Walks, endless waiting bus stop non-stop walks, up crooked cheap, low-rent, fifty-year rutted pavement streets, deeply gouged, one-lane snow-drift hassles, pass trees are green, coded, endless trees are green secret-coded waiting, waiting against boyish infinite time, infinite first blush of innocent manhood, boyhood times, gone now, for one look, one look, that would elude him, elude him forever such is life in lowly spots, lowly, lowly spots. And no dance either, no high school confidential (hell elementary school, man), handy man, breathless, Jerry Lee freak-out, at least no potato sack stick dance with coded name brunette. That will come, that will come.

City square no trespass standing, low-slung granite buildings everywhere, granite steps leading to granite doors leading to granite gee-gad counters, hated, no name hated, low-head hated, waiting slyly, standing back on heels, going in furtively, coming out ditto, presto coming out with a gold nugget jewel, no carat, no russkie Sputnik panel glitter for his efforts such is the way of young lumped crime, no value, no look, just grab, grab hard, grab fast, grab get yours before the getting is over, or before the dark, dark night comes, the dark pitched-night when the world no longer is young, and dreamed dream make no more sense that this bodily theft.

A bridge too far, an unarched, unsteeled, unspanned, unnerved bridge too far. One speed bicycle boy, dungarees rolled up against dog bites and geared meshes, churning through endless heated, sweated, no handkerchief streets, names, all the parts of ships, names, all the seven seas, names, all the fishes of the seas, names, all the fauna of the sea, names. Twelve-year old hard churned miles to go before sleep, searching for the wombic home, for the old friends, the old drifter, grifter, midnight shifter petty larceny friends, that’s all it was, petty and maybe larceny, hard against the named ships, hard against the named seas, hard against the named fishes, hard against the named fauna, hard against the unnamed angst, hard against those changes that kind of hit one sideways all at once like some mack the knife smack devilish thing

Lindo, lindos, beautiful, beautifuls, not some spanish exotic though, maybe later, just some junior league dream fuss though, some future cheerleader football dame though, some sweated night pasty crust and I, too slip-shot, too, well, just too lonely, too lonesome, too long-toothed before my time to do more than endless walks along endless atlantic streets to summon up the courage to glance, glance right at windows, non-exotic atlantic cheerleader windows. Such is the new decade a-borning, a-borning but not for me, no jack swagger, or bobby goof as they run the table on old tricky dick or some tired imitation of him. Me, I’ll take exotics, or lindos, if they every cross my path, my lonely only path

Sweated dust bowl nights, not the sweated exotic atlantic cheerleader glance nights but something else, something not endless walked about, something done, or with the promise of done, for something inside, for some sense of worth in the this moldy white tee shirt, mildewy white shorts, who knows what diseased sneakers, Chuck Taylor sneakers pushing the red-faced Irish winds, harder, harder around the oval, watch tick in hand, looking, looking I guess for immortality, immortality even then. Later, in bobby darin times or percy faith times, who knows, sitting, sitting high against the lion-guarded pyramid statute front door dream, common dreams, common tokyo dreams, all gone asunder, all gone asunder, on this curious fact, no wind, Irish or otherwise. Who would have figured that one?

Main street walked, main street public telephone booth cheap talk walked searching for some Diana greek goddess wholesale on the atlantic streets. Diana, blonde Diana, cashmere-sweatered, white tennis –shoed Diana, million later Dianas although not with tennis shoes, really gym shoes fit for old ladies to do their rant, their lonely rant against the wind. Seeking, or rather courage-seeking, nickel and dime courage as it turns out; nickel and dime courage when home provided no sanctuary for snuggle-eared delights. Maybe a date, maybe just a swirl at midnight drift, maybe a view of local lore submarine races, ah, to dream, no more than to dream, walking down friendly aisles, arm and arm along with myriad other arm and arm walkers on senior errands. No way, no way and then red-face, alas, red-faced no known even forty years later. Wow.

Multi-colored jacket worn, red and black, black and red, some combination reflecting old time glories, or promises of glory, cigarette, Winston small-filtered, natch, hanging from off the lip at some jagged angle, a cup of coffee, if coffee was the drink, in hand, a glad hand either way, look right, look left, a gentle nod, a hard stare, a gentle snarl if such a thing is possible beyond the page. Move out the act onto Boston fresh streets. Finally, that one minute, no not fifteen, not fifteen at all, and not necessary of the fame game, local fame, always local fame but fame, and then the abyss on non-fame, non- recognition and no more snarls, gentle or otherwise. A tough life lesson learned, very tough. And not yet twenty.


Drunk, whisky drunk, whisky rotgut whisky drunk, in some bayside, altantic bayside, not childhood atlantic bayside though, no way, no shawlie way, bar. Name, nameless, no legion. Some staggered midnight vista street, legs weak from lack of work, brain weak, push on, push on, find some fellaheen relieve for that unsatisfied bulge, that gnawing at the brain or really at the root of the thing. A topsy-turvy time, murder, death, the death of death, the death of fame, murder, killing murder, and then resolve, wrong resolve and henceforth the only out, war, war to the finish although who could have known that then. Who could have know that tet, lyndon, bobby, Hubert, tricky dick war-circus thing then.

Shaved-head, close anyway, too close to distinguish that head and ten-thousand, no on hundred-thousand other heads, all shave-headed. I fall down to the earth, spitting mud-flecked red clay, spitting, dust, spitting, spitting out the stars over Alabama that portent no good, no earthy good. Except this-if this is not murder, if this is not to slay, then what is? And the die is cast, not truthfully cast, not pure warrior in the night cast but cast. Wild dreams, senseless wild dreams follow, follow in succession. The days of rage, rage against the light, and then the glimmer of the light.

The great Mandela cries, cries to the high heavens, for revenge against the son’s hurt, now that the son has found his way, a strange way but a way. And a certain swagger comes to his feet in the high heaven black Madonna of a night. No cigarette hanging off the lip now, not Winston filter-tipped seductions, no need, and no rest except the rest of waiting, waiting on the days to pass until the next coming, and the next coming after that. Ah, sweet Mandela, turn for me, turn for me and mine just a little. Free at last but with a very, very sneaking feeling that this is a road less traveled for reason, and not ancient robert frost to guide you… Just look at blooded Kent State, or better, blooded Jackson State. Christ.

Bloodless bloodied streets, may day tear down the government days, tears, tear-gas exploding, people running this way and that coming out of a half-induced daze, a crazed half-induced daze that mere good- will, mere righteousness would right the wrongs of this wicked old world. But stop. Out of the bloodless fury, out of the miscalculated night a strange bird, no peace dove and no flame-flecked phoenix but a bird, maybe the owl of Minerva comes a better sense that this new world a-bornin’ will take some doing, some serious doing. More serious that some wispy-bearded, pony-tailed beat, beat down, beat around, beat up young stalwart acting in god’s place can even dream of.

Chill chili nights south of the border, endless Kennebunkports, Bar Harbors, Calais’, Monktons, Peggy’s Coves, Charlottetowns, Montreals, Ann Arbors, Neolas, Denvers by moonlight, Boulders echos, Dinosaurs dies, salted lakes, Winnemuccas flats, golden-gated bridges, malibus, Joshua Trees, pueblos, embarcaderos, and flies. Enough to last a life-time, thank you. Enough of Bunsen burners, Coleman stoves, wrapped blankets, second-hand sweated army sleeping bags, and minute pegged pup tents too. And enough too of granolas, oatmeals, desiccated stews, oregano weed, mushroomed delights, peyote seeds, and the shamanic ghosts dancing off against apache (no, not helicopters, real injuns) ancient cavern wall. And enough of short-wave radio beam tricky dick slaughters south of the border in deep fall nights. Enough, okay.

He said struggle. He said push back. He said stay with your people. He said it would not be easy. He said you have lost the strand that bound you to your people. He said you must find that strand. He said that strand will lead you away from you acting in god’s place ways. He said look for a sign. He said the sign would be this-when your enemies part ways and let you through then you will enter the golden age. He said it would not be easy. He said it again and again. He said struggle. He said it in 1848, he said it in 1917, he said it in 1973. Whee, an old guy, huh.

Greyhound bus station men’s wash room stinking to high heaven of seven hundred pees, six hundred laved washings, five hundred wayward unnamed, unnamable smells, mainly rank. Out the door, walk the streets, walk the streets until, until noon, until five, until lights out. Plan, plan, plan, plain paper bag in hand holding, well, holding life, plan for the next minute, no, the next ten seconds until the deadly impulses subside. Then look, look hard, for safe harbors, lonely desolate un-peopled bridges, some gerald ford-bored newspaper-strewn bench against the clotted hobo night snores. Desolation row, no way home.

A smoky sunless bar, urban style right in the middle of high Harvard civilization, belting out some misty time Hank Williams tune, maybe Cold, Cold Heart from father home times. Order another deadened drink, slightly benny-addled, then in walks a vision. A million time in walks a vision, but in white this time. Signifying? Signifying adventure, dream one-night stands, lost walks in loaded woods, endless stretch beaches, moonless nights, serious caresses, and maybe, just maybe some cosmic connection to wear away the days, the long days ahead. Ya that seems right, right against the oil-beggared time, right.

Lashed against the high end double seawall, bearded, slightly graying against the forlorn time, a vision in white not enough to keep the wolves of time away, the wolves of feckless petty larceny times reappear, reappear with a vengeance against the super-rational night sky and big globs of ancient hurts fester against some unknown enemy, unnamed, or hiding out in a canyon under an assumed name. Then night, the promise of night, a night run up some seawall laden streets, some Grenada night or maybe Lebanon sky boom night, and thoughts of finite, sweet flinty finite haunt his dreams, haunt his sleep. Wrong number, brother. Ya, wrong number, as usual.

White truce flags neatly placed in right pocket. Folded aging arms showing the first signs of wear-down, unfolded. One more time, one more war-weary dastardly fight against Persian gulf oil-driven time, against a bigger opponent, and then the joys of retreat and taking out those white flags again and normalcy. The first round begins. He holds his own, a little wobbly. Second round he runs into a series of upper-cuts that drive him to the floor. Out. Awake later, seven minutes, hours, eons later he takes out the white flags now red with his own blood. He clutches them in his weary hands. The other he said struggle, struggle. Ya, easy for you to say.

Desperately clutching his new white flags, his 9/11 white flags, exchanged years ago for bloodied red ones, white flags proudly worn for a while now, he wipes his brow of the sweat accumulated from the fear he has been living with for the past few months. Now ancient arms folded, hard-folded against the rainless night, raining, he carefully turns right, left, careful of every move as the crowd comes forward. Not a crowd, no, a horde, a beastly horde, and this is no time to stick out with white flags (or red, for that matter). He jumps out of the way, the horde passes brushing him lightly, not aware, not apparently aware of the white flags. Good. What did that other guy say, oh yes, struggle.

One more battle, one more, please one more, one fight against the greed tea party night. He chains himself, well not really chains, but more like ties himself to the black wrought-iron fence in front of the big white house with his white handkerchief. Another guy does the same, except he uses some plastic hand-cuff-like stuff. A couple of women just stand there, hard against that ebony fence, can you believe it, just stand there. More, milling around, disorderly in a way, someone starts om-ing, om-ing out of Allen Ginsberg Howl nights, or at least Jack Kerouac Big Sur splashes. The scene is complete, or almost complete. Now, for once he knows, knows for sure, that it wasn’t Ms. Cora whom he needed to worry about, and that his child dream was a different thing altogether. But who, just a child, could have known that then.

Saturday, December 31, 2011

***Not Ready For Prime Time AARP Songs- The Beatles' "When I'm Sixty-Four"

Click on the headline to link to a YouTube film clip of the Beatles performing When I'm Sixty-Four from the animated movie Yellow Submarine.


Peter Paul Markin, North Adamsville Class Of 1964 and thus already past sixty-four, comment:

Many of my fellows from the Generation of '68 (a. k. a. baby-boomers) will be, if you can believe this, turning sixty-four this year. So be it.

When I'm Sixty-Four - The Beatles

When I get olded, loosing my hair,
Many years from now
Will you still be sending me the Valentine,
Birthday greetings, bottle of wine

If I stay out till quarter to three
Would you lock the door
Will you still need me, will you still feed me
When I'm sixty-four.

You'll be older too,
And if you say the word I could stay with you.

I could be handy mending a fuse
When your lights have gone
You can knit a sweater by the fireside
Sunday morning go for a ride

Doing the garden, digging the weeds,
Who could ask for more
Will you still need me, will you still feed me
When I'm sixty-four.

Every summer we can rent a cottage in the Isle of Wight,
if it's not too dear
We shall scrimp and save
Grandchildren on your knee
Vera, Chuck & Dave

Send me a postcard, drop me a line
Stating point of view
Indicate precisely what you mean to say
Yours sincerely, wasting away

Give me your answer, fill in a form,
Mine for evermore,
Will you still need me, will you still feed me
When I'm sixty-four.

*******
Ancient dreams, dreamed:

To be born under a portentous sign. Ya, sometimes, and maybe more than sometimes, a frail, a frill, a twist, a dame, oh hell, let’s cut out the goofy stuff and just call her a woman and be done with it, will tie a guy’s insides up in knots so bad he doesn’t know what is what. Tie up a guy so bad he will go to the chair kind of smiling, okay, maybe just half-smiling. He had it bad as a man could have from the minute Ms. Cora walked through the door in her white summer blouse, shorts, and then de rigueur bandana, white as well, holding back her hair. She may have been just another blonde, another very blonde frail serving them off the arm in some seaside hash joint but from second one she was nothing but, well nothing but, a femme fatale. Trouble, big trouble. I swear, I swear on seven sealed bibles that I yelled at the movie screen for him to get the hell out of there at that moment. But do you think he would listen, no not our boy. He had to play with fire, and play with it to the end.

Nose flattened cold against the frozen, snow falling front window apartment dwell, small, warm, no hint of madness, or crazes only of sadness, brother sadness, sadness and not understanding of time marching as he, that brother, goes off to foreign places and one is left to ponder his own place in those places.

A cloudless day, hot, hot end of June day laying, face up on freshly mown grass near fellowship carved-out fields, starting to find his own place in the sun but wondering, constantly wondering, what means this, what means, that and why all the changes, slow changes, fast changes, blip changes but changes.

Endless walks, endless sea street walks, rocks strewn every which way, making way for the uptown drug store valentine night bushel, if only she, about five candidates she just then, would give a look his way his endless sea streets, the white-flecked splash would be quiet.

Nighttime fears, red Stalin-named fears, red bomb shelter blast fears against the dark school yard night and avoidance, clean, clear avoidance of old times sailors, tars, AND deaths in lonely seaside graveyards.

Walks, bus stop non stop walks, up crooked cheap, low rent, fifty-year rutted pavement streets pass trees are green, endless trees are green waiting, waiting against infinite time for one look, one look that would elude him, elude him forever. Such is life in lowly spots, lowly, lowly spots.

City square standing, waiting, standing going in, coming out, coming out with a gold nugget jewel, no carat for his efforts such is the way of young crime, no value, no look just grab, grab hard, grab fast, grab get yours before the getting is over, or before the dark night comes, the dark pitched-night when the world no longer is young, and dreamed dreams make no more sense.

A bridge too far. Bicycle boy churning through endless heated streets, names all the parts of ships, names, all the seven seas, names, all the fishes of the seas, names, all the fauna of the sea. Twelve-year old miles to go before sleep, searching for the wombic home, for the old friends, the old grifter, midnight shifters friends hard against the named seas, against those slo-fast changes that kind of hit one sideways all at once.

Lindo, lindos, beautiful, beautifuls, not some spanish exotic though, I don’t think, just some junior league dream fuss, some sweated night pastry crust and I too slip-shot, too, well, just too lonely, too lonesome, too long-toothed before my time to do more than endless walks along endless atlantic streets to summon up the courage to glance, glance right at windows, non-exotic atlantic windows.

Sweated dust bowl nights, not the sweated exotic atlantic nights but something else for something inside for some sense of worth in the this moldy shirt, mildewed shorts, who knows what diseased sneakers, pushing the red-faced Irish winds, harder, harder around the oval ,watch tick in hand, looking, looking I guess for immortality, immortality even then.

Main street walked, main street telephone booth walked, searching for some Diana greek goddess wholesale on the atlantic streets. Or rather courage, nickel and dime courage as it turns out, nickel and dime courage when home provided no sanctuary for snuggle-eared delights, No way, no way, Jack, not my name, and then red-face, red-face even forty years later. Wow.

Multi-colored jacket worn, cigarette hanging from off the lip at some jagged angle, a cup of coffee if coffee was the drink, in hand, a glad hand either way, look right, look left, a gentle nod, a hard stare, a gentle snarl if such a thing is possible beyond the page. Finally, that one minute, no not fifteen, not fifteen at all, and not necessary of fame, local fame, always local fame but fame, and then the abyss on non-fame, non- recognition and no more snarls, gentle or otherwise. A tough life lesson, very tough.


Drunk, whisky drunk in some bayside bar. Name, nameless, no legion. Some staggered midnight vista street, legs weak from lack of work, brain weak, push on, push on, find some fellaheen relieve for that unsatisfied bulge, that gnawing at the brain or really at the root of the thing. A topsy-turvy time, murder, death, the death of death, the death of fame, murder, killing murder, and then resolve, wrong resolve and henceforth the only out, war, war to the finish although who could have known that then.

Shaved-head, close anyway, too close to distinguish that head and ten-thousand, no, one hundred-thousand other heads, all shave-headed. I fall down to the earth, spitting mud-flecked red clay, spitting, dust, spitting, spitting out the stars over Alabama that portent no good, and no earthly good. Except this-if this is not murder, if this is not to slay, then what is? And the die is cast, not truthfully cast, not pure warrior in the night cast but cast. Wild dreams, senseless wild dreams follow, follow in succession.

The great Mandela cries, cries to the high heavens, for revenge against the son’s hurt, now that the son has found his way, a strange way but a way. And a certain swagger comes to his feet in the high heaven black madonna of night. No cigarette hanging off the lip now, no need, and no rest except the rest of waiting, waiting on the days to pass until the next coming, and the next coming after that. Ah, sweet Mandela, turn for me, turn for me and mine just a little.

Bloodless bloodied streets, tears, tear-gas exploding, people running this way and that coming out of a half-induced daze, a crazed half-induced daze that mere good- will, mere righteousness would right the wrongs of this wicked old world. But stop. Out of the bloodless fury, out of the miscalculated night a strange bird, no peace dove and no flame-flecked phoenix but a bird, maybe the owl of Minerva comes a better sense that this new world a-bornin’ will take some doing, some serious doing. More serious that some wispy-bearded, pony-tailed beat, beat down, beat around, beat up young stalwart acting in god’s place can even dream of.

Chill chili nights south of the border, endless Kennebunkports, Bar Harbors, Calais’, Monkton, Peggy’s Coves, Charlottetowns, Montreals, Ann Arbors, Neolas, Denvers by moonlight, Boulders echos, Dinosaurs dies, salted lakes, Winnemuccas flats, golden-gated bridges, malibus, Joshua Trees, pueblos, embarkederos, and flies. Enough to last a life-time, thank you. Enough of Bunsen burners, Coleman stoves, wrapped blankets, second-hand sweated army sleeping bags, and minute pegged pup tents too. And enough too of granolas, oatmeals, desiccated stews, oregano weed, mushroomed delights, peyote seeds, and the shamanic ghosts dancing off against apache (no, not helicopters, real injuns) ancient cavern wall. Enough, okay.

He said struggle. He said push back. He said stay with your people. He said it would not be easy. He said you have lost the strand that bound you to your people. He said you must find that strand. He said that strand will lead you away from you acting in god’s place ways. He said look for a sign. He said the sign would be this-when your enemies part ways and let you through then you will enter the golden age. He said it would not be easy. He said it again and again. He said struggle.

Greyhound bus station men’s wash room stinking to high heaven of seven hundred pees, six hundred laved washings, five hundred wayward unnamed, unnamable smells, mainly rank. Out the door, walk the streets, walk the streets until, until noon, until five, until lights out. Plan, plan, plan, plain paper bag in hand holding, well, holding life, plan for the next minute, no, the next ten seconds until the deadly impulses subside. Then look, look hard, for safe harbors, lonely desolate un-peopled bridges, some newspaper-strewn bench against the clotted hobo night snores. Desolation row, no way home.

A smoky sunless bar, urban style right in the middle of high Harvard civilization, belting out some misty time Hank Williams tune, maybe Cold, Cold Heart from father home times. Order another deadened drink, slightly benny-addled, then in walks a vision. A million time in walks a vision, but in white this time. Signifying? Signifying adventure, dream one-night, lost walks in loaded woods, endless stretch beaches, moonless nights, serious caresses, and maybe, just maybe some cosmic connection to wear away the days, the long days ahead. Ya that seems right, right.

White flags neatly placed in right pocket. Folded aging arms showing the first signs of wear-down, unfolded. One more time, one more dastardly fight against time, against a bigger opponent, and then the joys of retreat and taking out those white flags again and normalcy. The first round begins. He holds his own, a little wobbly. Second round he runs into a series of upper-cuts that drive him to the floor. Out. Awake later, seven minutes, hours, eons later he takes out the white flags now red with his own blood. He clutches them in his weary hands. The other he said struggle, struggle. Ya, easy for you to say.

Desperately clutching his new white flags, exchanged years ago for bloodied red ones, white flags proudly worn for a while now, he wipes his brow of the sweat accumulated from the fear he has been living with for the past few months. Now ancient arms folded, hard-folded against the rainless night, raining, he carefully turns right, left, careful of every move as the crowd comes forward. Not a crowd, no, a horde, a beastly horde, and this is no time to stick out with white flags (or red, for that matter). He jumps out of the way, the horde passes brushing him lightly, not aware, not apparently aware of the white flags. Good. What did that other guy say, oh yes, struggle.

One more battle, one more, please one more. He chains himself, well not really chains, but more like ties himself to the black wrought-iron fence in front of the big white house with his white handkerchief . Another guy does the same, except he uses some plastic stuff. A couple of women just stand there, hard against that ebony fence, can you believe it, just stand there. More, milling around, disorderly in a way, someone starts om-ing, om-ing out of Allen Ginsberg Howl nights, or at least Jack Kerouac Big Sur splashes. The scene is complete, or almost complete. Now, for once he knows, knows for sure, that it wasn’t Ms. Cora whom he needed to worry about, and that his child dream was a different thing altogether. But who, just a child, could have known then.

Tuesday, May 31, 2011

***In The Heat Of the Be-Bop 1960s Rock Night- Ya, We Were All Exiles On Main Street- “The Rolling Stones: Stones In Exile"- A DVD Review



 I am sure that Mick and the boys will gladly take a back seat to Howlin' Wolf on this one.

DVD Review

Rolling Stones: Stones In Exile, The Rolling Stones, directed by Stephen Kijak, 2010


In the old days, the old high school days when such things mattered, my best friend at North Adamsville High School (we actually went back to old North Adamsville Middle School days together), Frankie, Francis Xavier Riley to give his full moniker, spent endless hours arguing over the merits of The Beatles vs. The Rolling Stones as the primo rock band of the times. The times being the early 1960s, the time of the edge, just the wee edge of the beginning of the uprisings associated with our generation, the generation of ’68.

I will get into the specifics of that Frankie controversy a little later but for the purposes of this review of a film documentary about the making of the Stones’ 1972 album, Exile on Main Street, the real controversy is over whether this album was their best ever or not. At that point Frankie and I had lost contact so that I will just give as my opinion that for pure blues-ness, pure Stones’ foundational blue-ness, for country rooted-ness, and for musicianship it is hard to argue that any other Stones' album was better. And that opinion, now with the benefit of the documentary footage and current interviews with many of the personalities from Mick Jagger and Keith Richards to the sidemen, hangers-on, gofers, and their manager during this period, Marshall Chess (son of the legendary blues label founder, Leonard Chess), about how it was produced, and what it all meant, still holds up.

I noted in the headline that in the 1960s we, at least those of us who were politically alienated from mainstream Western social norms or at wits end for some other more personal reasons, were all exiles on Main Street. Main Street being a convenient term of art for all that was square, not cool, up-tight, piggish, and a thousand other words we used to separate our youth culture out from the ticky-tack little white house with the picket fence dream that passed for social reality then (and, unfortunately, now, well kind of now). For the Stones this notion of exile, self-imposed exile, not glad-tiding self-imposed exile to hear the lads tell it, had another element. They had to flee England in order to escape from some terrible tax burdens that had accumulated and for which they did not have control over solving (or money to pay). So off to the south of France they go, to live and to produce the new album and in order to get some dough.

Of course, with such well-known edge city crazies as Mick and Keith this was not going to be a Sunday in the park. Along the way they picked up musicians, groupies, hangers-on, bag men, bad guys, dope dealers and everyone with a little cache who could get to France and be around the scene. And that scene included, surprise, surprise, dope of every kind- from pills to smack (heroin, then, as now, not a “cool” drug staple), booze by the buckets full, women, sex, and everything else under the sun. Let’s leave it that the scene was the epitome of the slogan “drug, sex and rock and roll” and along with the expression “live fast, die young and make a good corpse” will get you the flavor of what went on just about right. Oh ya, in case you forgot, it also included an incredible amount of work by Mick and Keith writing material, all members playing riffs until arms got sore, throats died and fingers began to bleed. Not a recipe that your mothers would suggest for making successful careers, of any kind. But just the right recipe to unleash the rock energy built up in one of the great rock bands that every exited, then and AARP and old age home-worthy now.

Take an hour out and look at some serious rock history. Then go up in the attic and dust off the album, or check it out in your CD collection, or download it to your iPOD, or Google it on YouTube but listen to it. Especially the blues-ish stuff like Tumblin' Dice (that will get even grandpa out of his rocking chair); Sweet Virginia; Sweet Black Angel; and the rootsy (Robert Johnson rootsy) Stop Breaking Down.

Now back to serious Frankie business. The Frankie business of figuring out the real places of The Stones and The Beatles in the rock pantheon, for eternity. Back on those hot, steamy, endless summer nights standing (or sitting on the curb) beneath those North Adamsville street lights when that question mattered, mattered as a "universal one" question. I am not sure exactly when I first hear a Stones song, although it was probably Satisfaction, and it was probably up in Frankie’s cluttered bedroom, a place that served as a refuge from my own storm-tossed house what with my mother’s tirades against, well, against anything that I might do, or might think of doing. You know that song, or have heard about it.

However, what really hooked me on The Stones was when they covered the old Willie Dixon blues classic, Little Red Rooster. If you will recall that song was banned, at first, from the radio stations of Boston. Later, I think, and someone can maybe help me out on this, WMEX broke the ban and played it. And no, the song was not about the doings of our barnyard friends. But beyond the implicit sexual theme was the fact that it was banned that made me, and perhaps you, if you are from the generation of ’68, want to hear it at any cost. That says as much about my personality then, and now, as any long-winded statement I could make. And that is what also set Frankie and me apart on this question.

See, Frankie was from no where on the blues. And I mean no where. Although Frankie reigned supreme as the king hell king of our corner boy high school scene (headquartered at the local pizza parlor, Salducci’s, owned by a mad-hatter of a zen pizza-maker, Tonio, who loved Frankie practically like a son for some reason never explained, at least that I could figure out) and was cool in many things, he was pretty square in his music tastes. He never got over Elvis, really, and followed his ever depressing descend into Blue Hawaii-dom (or worst) avidly, and Frankie really believed that Roy Orbison was a demon (there is a story behind that belief which involved the machinations of his girlfriend, Joanne, which need not detain us here). Carl Perkins was another idol, and I need not speak of the fact that he almost cried when they started picking on Jerry Lee Lewis just because he married his cousin, or something. Thus far though we were not that far apart.

But get this. He, king of the be-bop night, no question, a guy whom I talked about universal things to and got a thoughtful talking back to on, took it in strife when guys like Fabian, Booby (oops) Bobby Vee, Conway Twitty (be serious), Bobby Darin, the Everly Brothers, and Rick Nelson, jesus, Rick Nelson led the musical counter-revolution in the late 1950s and early 1960s. Music that made me, on certain days, abandon the transistor radio that was central to my home life peace. (Ya, that Ma thing mentioned previously). So when The Beatles turned up he was kind of nonplussed by them, and I swear he actually said this one night and I will quote his words exactly just in case there are any legal ramifications over it- “They did a nice cover of Twist and Shout”-jesus christ. Even I saw them as a breathe of fresh air then.

Now you get the idea of the musical gap that developed between us. That hearing of Little Red Rooster, moreover, began my long love affair with the blues, although somewhere deep in my psyche, my projects boy psyche, I had that beat in my head way before I could name it. I swear I grabbed every Muddy Waters, Joe Turner, Ike Turner, John Lee Hooker album that I could get my hands on. And then branched out to such esoteric stuff as the work of blues pioneers like Son House, Robert Johnson, and Bukka White (he did Panama Limited and Aberdeen Mississippi Woman on the sweat-dripping National Steel guitar and flipped me out, and still flips me out. Google those on YouTube) and other early country blues boys. Some of this also got mixed in at the time with my budding interest in the folk music scene, the folk protest music scene. And that is probably why, although the blues, particularly the Chicago blues, also influenced The Beatles, it is The Stones that I favor. Their cover on Rooster still holds up, by the way. Not as good, as I found out later, as the legendary Howlin' Wolf's version but good.

I have also thought about the Stones influence more recently as I have thought about the long ago past of my youth. Compare some works like John Lennon's earnest, plaintive Working Class Hero and The Stones' agitated Street Fighting Man (yes, I know these are later works, later than the be-bop corner boy schoolboy night, but they serve to make my point here) and I believe that something in the way The Stones from early on presented that angry, defiant sound appealed to my sense of working class alienation. Let’s leave it as they “spoke” to me and The Beatles didn’t. Frankie, always caught up with some twist (although mainly the Joanne mentioned above) moved to less defiant sounds. But he was the king hell king corner boy, and bailed me out of tough situations, tough girl situations and some other semi-legal things, more times than not so he draws a pass on his vanilla tastes here. Thanks, Frankie.

Note: If we were really thinking about comparisons between rock groups the better one is actually not The Beatles vs. The Stones but Stones vs. The Doors. On any given night in the late 1960s when Jim Morrison dug deeply into his psyche and bared his shamanistic soul (and dug, dug deeply, into his medicine bag as well) The Doors were the best rock band in the world. No question. But when you start to list the all-time classic Stones hits from Gimme Shelter to Tumblin’ Dice (like I say the one that will still get even grandpa up and about) and how they stand the test of time The Stones win hands down.


Street Fighting Man Lyrics
Artist(Band):The Rolling Stones
(M. Jagger/K. Richards)


Ev'rywhere I hear the sound of marching, charging feet, boy
'Cause summer's here and the time is right for fighting in the street, boy
But what can a poor boy do
Except to sing for a rock 'n' roll band
'Cause in sleepy London town
There's just no place for a street fighting man
No

Hey! Think the time is right for a palace revolution
'Cause where I live the game to play is compromise solution
Well, then what can a poor boy do
Except to sing for a rock 'n' roll band
'Cause in sleepy London town
There's just no place for a street fighting man
No

Hey! Said my name is called disturbance
I'll shout and scream, I'll kill the king, I'll rail at all his servants
Well, what can a poor boy do
Except to sing for a rock 'n' roll band
'Cause in sleepy London town
There's just no place for a street fighting man
No


"Working Class Hero" lyrics- John Lennon

As soon as your born they make you feel small,
By giving you no time instead of it all,
Till the pain is so big you feel nothing at all,
A working class hero is something to be,
A working class hero is something to be.
They hurt you at home and they hit you at school,
They hate you if you're clever and they despise a fool,
Till you're so fucking crazy you can't follow their rules,
A working class hero is something to be,
A working class hero is something to be.
When they've tortured and scared you for twenty odd years,
Then they expect you to pick a career,
When you can't really function you're so full of fear,
A working class hero is something to be,
A working class hero is something to be.
Keep you doped with religion and sex and TV,
And you think you're so clever and classless and free,
But you're still fucking peasents as far as I can see,
A working class hero is something to be,
A working class hero is something to be.
There's room at the top they are telling you still,
But first you must learn how to smile as you kill,
If you want to be like the folks on the hill,
A working class hero is something to be.
A working class hero is something to be.
If you want to be a hero well just follow me,
If you want to be a hero well just follow me.


The Red Rooster
Howling Wolf


I have a little red rooster, too lazy to crow for day
I have a little red rooster, too lazy to crow for day
Keep everything in the barnyard, upset in every way

Oh the dogs begin to bark,
and the hound begin to howl
Oh the dogs begin to bark, hound begin to howl
Ooh watch out strange kind people,
Cause little red rooster is on the prowl

If you see my little red rooster, please drag him home
If you see my little red rooster, please drag him home
There ain't no peace in the barnyard,
Since the little red rooster been gone

Willie Dixon

Thursday, December 30, 2010

***Out In The Be-Bop Night- Scenes From The Search For The Blue-Pink Great American West Night- Westward Ho!

Al Johnson comment:

The scene below stands (or falls) as a moment in support of that eternal search mentioned in the headline .

Scene Six: Westward Ho! In The Search For The Blue-Pink Great American West Night


As I stepped down onto the yellow-sunned, farm-fresh soil from the farm-fresh cab of the farm-fresh truck that had deposited Angelica and I out into the waving-fielded, farm-fresh Neola, Iowa September day I quickly flashed back to stepping down from Colonel Eddie’s truck cab in Winchester, Kentucky that had started this whole segment of the trip westward. Christ that seemed like an eternity ago although it had been only a few summer heated, summer sweat-soaked heated weeks. Life on the road had it own tempos but this one, for reasons that I will discuss later, had run out of tempo and we were living on pure fumes just then.

While I am thinking about Winchester, Kentucky I might as well tell you what had happened since then to get us here to yellowed-sunned, waving-fielded, farm-fresh country and that will go a long way to explaining our need, our desperate need, for a jump start. Needless to say if you read the last scene, the scene where fair Angelica and me are kicking our heels up at a barn dance (and kicking those same heels after as well) in greater Prestonsburg, Kentucky and me about four sheets to the wind, no five or six sheets to the wind from the local , well-aged (about six minutes) “white lightning” then you know that we, thanks to Angelica, got promised a ride from Prestonsburg to Winchester which is just outside of Lexington, Kentucky.

Our chauffer, our Angelica-smitten chauffer, for the occasion turned out to be one ancient hard-driving (as we quickly found out), hard-drinking (as I knew from his condition as we met up with him), ghost of a truck-driving Colonel Eddie. (The colonel part is made-up, made up by him, all these Kentucky guys from the lowliest pig farmer on up call themselves that, or did back then. I think for about two bucks you could get yourself an “official” certificate designating you as such. If old Eddie had been a “real” colonel then that would go a long way to explaining the South’s righteous lost back in Civil War days). And despite this awful build-up of the guy, and a little off-hand character assassination above, he actually got us there, to Winchester that is, in one piece. Colonel Eddie was one the last of the good old boys, for sure.

What that one piece, by the way, looked like after traveling more back roads in the Commonwealth of Kentucky that seemed humanly possible in order to us get there is another story. See that is where the “white lighting” (rotgut, according to a somewhat miffed Angelica) had something like seven lives. Every time I thought I was feeling better, just a tiny it better like maybe I would actually survive the day, we would hit a double-reverse triple somersault hairpin turn followed by a triple-reverse double somersault hairpin turn that made me wish that, if there was any mercy in this flea-bitten old world, we would just go over the top down into some heavenly embankment and be done with it. But, as I said, we got there, and although we were pinching pennies a little, my condition was terminal and we needed, as a matter of simple primitive medical wisdom, to stay at one of those cheapjack motels that dot the back roads of this world to rest up for future battles, for future tilts at the westward windmills.

No, I am not going to descript this cheapjack motel, this back road, and what did or did not happen there, for the simple reason that I don’t really remember much about what it looked like it, or what happened there. Except this, this is etched in my brain and I can feel the cool- handed, cool-toweled sensation even as I am writing. Angelica, miffed or not, had taken a towel, wrapped some ice from the ubiquitous, usually whiskey fixings-friendly motel ice machine in it, and placed it on my forehead and held her hand on the compress for a while until I fell asleep. Of such kindnesses long-lasting civilizations should be created.

But enough of medical reports and folk wisdom medicines, sweet gestured or not. We were on the road west now, the blue-pink road west and for the first time since Angelica and I had met really on our own. Winchester, Kentucky heading to Lexington on our way west. Next morning, next already hot, steamy, sulky July Monday morning, having had a decent night’s recovery, and a thimbleful of food in my stomach to be on the safe side, we are off. Tonight we will sleep in no “bourgeois” roadside motel, ice cubes included free of charge or not, but out in the great outdoors, out in the promised great American night, and save our dwindling cash for stormier times. Thumb out, Angelica thumb out here, and we are indeed off. A half hour later after being picked up by a wayward sedan, driven by a nondescript but kindly driver, we are on the road to Lexington. And arrive we do without fanfare, or flourish.

This is really what is important about Lexington though. See, like I told you and I know I told Angelica before, that suitcase that she had packed up for Steubenville in her Muncie break-out days was fine to live out of for Steubenville motel cabin existences but no good on the hitchhike road, of whatever color. I didn’t tell you this before because Angelica had been such a trouper, especially with that ice-encrusted towel, but she had complained like hell about the damn dangling suitcase every time we had to push on in a hurry. Truth be told I had carried the thing more than she had, invalided as I was. So when we hit Lexington we hit the first Army-Navy store we could find to get her one of those fungible mountaineer backpacks.

Army-Navy store? Ya, Army-Navy store. Don’t snicker about so, well, about so yesterday, okay? Out on the hitchhike road you needed sturdy stuff, whatever it was you needed, because stuff got pretty banged around and your “faux” hitchhike road designer goods would last about seven miles (or about as long as the owner of such goods would be on the road before hailing a cab to the nearest airport). And as much as we hated the notion of deadly military weapons and anything military in those days we, we of youth nation, were strangely drawn to that fashion look, and the indestructible nature of their “camping” equipment. Besides the stuff was cheap, remember it was bought as World War II surplus mainly, hell, maybe World War I, but cheap.

Naturally, as events kept unfolding Angelica was showing more and more her origins as a Midwestern flower, and although a total stranger to such a place was thrilled (and mystified) by this place, including the odd , musty smell that goes with such stores. I will quote her, “Wow, does all this stuff really work?” So you can see by that simple statement that, every once in a while, she will throw out her Indiana naïve to confuse me. In any case, soon enough she will know whether it works or not. Of course she took forever to decide on which of two types of olive green backpacks “fit” her. Christ, women (oops, sorry). After that we made other purchases in order to set up “housekeeping”. Like. Well, like a small very portable army pup tent, complete with staves, to shelter us from storms and summer bugs. And a couple of canteens, small useful three-prong knives, a shovel, and mess kits.

I, as I write this, still smile over the fact that Angelica talked for days about how whoever invented such a useful thing as a mess kit was a genius, a pure genius. So you see again what I meant about that Muncie thing. Best of all to her sheer unmitigated delight we purchased a warm, cozy, snuggly army surplus sleeping bag (hey, the best kind okay, you can’t have soldiers freezing their buns off in Alaska, Korea, Northern China or wherever). And also delighted, blushingly delighted, when I, off-handedly, whispered in her ear about how many people could fit inside the thing, in a pinch. And, finally, a green (naturally) army blanket, for emergencies, real emergencies, not those in a pinch kind.

After completing those purchases we stepped just outside the store door to a nearby bench, placed there probably for just such purposes, and ceremoniously transferred her stuff from the suitcase to the backpack. Here is the kicker though, which may tell about human nature or maybe not. I just kind of threw everything into my knapsack and hoped for the best. Hope, for example, that a pair of socks, matched, showed up when needed. Angelica, as I noticed back in the Steubenville pack-up, neat of suitcase also took pains (and would do so throughout the trip) to keep her stuff organized just like in the suitcase. I wonder if we had decided that plastic bags were absolutely the best for travel gear whether she would have done the same. Probably. In any case, Angelica’s yesterday Angelica miffs had turned around and she was beaming, at me, at her new existence, at the whole wide world for all I know. I liked it, I told her so, and we are off to a campground just outside of town that the Army-Navy store owner told me about to “camp out” in the great dark American night. Hell, even I was excited. Still I noticed, just a glimmer of a notice, that she turned back wistfully for just a second to take one last look at the suitcase that we left on that bench for someone else in need.

Every once in awhile, just as things are going right and this old world seems full of bright-eyed possibilities, things get twisted around. Let me tell you about it and see what you think. As we were walking, Angelica proudly practically hip-hop walking with her new backpack bouncing up and down with each step, decided she needed to discuss something, one of our little “adjustments” talks. Apparently the miffed Angelica of yesterday was not so much miffed at my condition as that when we went to sign in at that cheapjack motel I wrote down my real name and her real name indicating that we weren’t married, or at least not related. Some primordial sense of modesty, no, I know, just Muncie conventionality, made her feel ashamed.

Christ Angelica, there is not one cheapjack (or five star, for that matter) motel, hotel, inn,
Youth hostel, ashram, whatever in the whole world that in the year 1969 cares who you sign in as. I could have put down Queen Elizabeth and Richard Nixon (although that combination might have raised my eyebrow) and they would have been nonplussed, as long as the coin of the realm, cash, was in hand. I didn’t put quotation marks around the above sentences but I think I could have because that, in my mind’s eye, is probably exactly what I said to her. Her plea, and here I will quote, “I feel ashamed and like a tramp (exact word) and couldn’t we just say we were married when we signed into places?” Apparently the time I was going to spend with this woman was going to be filled with throwing in towels because that is just what I did, I agree to this proposition. Why? Well, in those days I, frankly, didn’t have an opinion, at least a strong opinion, about married or not married and to keep peace I conceded the point. Now would be a different story. But, hell, let’s get to the camp and the great American night.

There are camp sites and there are camp sites. Today you can belly up to some sites with your seven ton, overloaded monster “trailer” home and put in plug or two and act just like you never left Cicero, Albany, or whatever your port of origin. Or you can go back up into the hills, some forlorn shaggy hills, mainly some Western hills these days, carrying in with you whatever you are going to bring on your back, and be not that far removed from those old pioneers who feared every dangerous animal, dangerous man, dangerous natural condition step of the western way, and carried on nevertheless. The real westward ho crowd. That day though Angelica and I found ourselves at a plain old-timey campsite which we could see from the road in was dotted with various tents, some small trailers sitting in the beds of pick-up trucks, some free-form trailers pulled by trucks and a couple of psychedelically multi-colored converted school buses. The last had been popping up on the road ever since people started hearing about Ken Kesey and his Merry Pranksters and their mad eastward escapades a few years earlier. Not a monster trailer in the house, a good sign. I can see a little river as well. Best of all there a small supermarket right across the street. Yes, this portends to be a great American night, and maybe nights.

After I passed the test at the camp office we went to our site, a cozy little site for a tent not too far from the river. What test? Come on now, pay attention, you know the test. Did I or did I not sign us in as Mr. and Mrs. (no Ms. then). Well, I am still sitting here writing this thing so of course I did. Angelica was beaming, beaming like an old married lady (at nineteen, jesus) but, maybe, just maybe because her “hubby” played it straight with her. (I never did get all the details, and she never put them all out there for me, but back in staid old homey Muncie some guys definitely did her wrong, tramp-treating wrong). Of course unlike the “bourgeois” upper class dwellers here in their little campers we were primitives (a word I have actually seen used to designate some campsites) and had to set up camp from scratch. Hell, we had more fun trying to set that damn Army-Navy tent and setting up for dinner on our little fireplace. There are not many times in life when just a couple of goofy, simple things provided so much entertainment. We napped then feasted.

As it got dark though I heard some music, the Stones, I think coming from one of the multi-colored painted, converted buses down the dirt lane. Nothing loud, but also something that said “youth nation” among the families of three and four that seemed to dominate the camp. We moseyed (like it?) on down and as we got closer I knew we had found kindred spirits, at least I thought we had. Angelica said, “What’s that strange smell?” Of course it was nothing but grass (marijuana, herb, ganja, whatever your term), and from the smell high-grade stuff. I thereafter proceeded to tell Angelica the “skinny”. She seemed a little non-plussed by the news but, however, confessed that she had never smoked or done any other drugs. And from the tone of that response seemingly did not want to.

Those were good and simple days to be young, especially on a road situation like this. Perfect strangers, unknown to one another, except by a telltale beard, or longhair, or long dresses or some slightly off-key sign, immediately embraced and as a welcome “gift” passed you a joint (or whatever drug of choice was available that day) and you passed whatever you had. We had some store-bought wine. I knew, knew from hard Arizona and Connecticut experiences, as well as the lore of the road, that carrying drugs was not “cool.” Many a road comrade spent many a night in some godforsaken cooler for making that mistake when the grim-reaper, usually small town, cops needed to boost their arrest records. Thus, for me it was nice to have a chance to get “high.” (inhaling even) although Angelica passed and was happy getting a little silly on the wine. We spent a nice night hanging out, listening to the Stones and the Doors, and a couple of other things that I don’t remember. I do remember, as we went back to our own site to turn in, that Angelica said she finally “got” what her parents, her neighbors, her minister, her schoolteachers, and some of her former boyfriends were afraid of. The feared great boxed-in break-out. She started to go on about it, but I gave her a knowing “preaching to the choir” smile and she stopped.

We wound up staying for few days, got to know most of the twelve or fifteen people connected with the buses (two at two adjoining sites, actually) and found out that they were on “vacation” from a little farm house that they all lived in communally, including some primitive farming and weaving to keep body and soul together, just outside of Springfield, Illinois. They were leaving Saturday morning and we were welcome to join them and stay at the farm for a while. We talked it over and it seemed right, especially for Angelica, as we could by-pass sweet home Indiana that she wanted avoid at all costs, so we left with them. That Saturday morning Angelica with great tenderness, and by herself, struck our camp (“our home” she called it by the end) as we prepared for the next leg of our journey. Ah, pioneer woman.

You know some towns you can say that you have been in but that is misleading. You might have passed through them, you might have been caught having to sleep on some forsaken bench in some lonely bus stop there, or stretched a watery cup of joe in some lonelier diner against some cold , rainy night wait, or, in flusher times, just hopped on a plane out of the place. So, yes you can tick that town off on your map as you move along in the world but you don’t know the town, no way. That is my recollection of Springfield. Oh sure I knew it was Lincoln’s home area, I knew it was the capital of the state of Illinois, I knew that people in that area were not Mayor Daly’s (the first one) people and that there was plenty of farmland there. But Springfield on this trip (or ever) was just that dot on the map because once we passed through it and we got to the farm a few days and joints after leaving Lexington that was it. We spent some quiet, well maybe no so quiet when the music went decibel high, but youth quiet time on the farm, did a little work for our keep, Angelica got a little more sun that she thought was good for her, and we relaxed before pushing on. Westward ho, ever westward ho in the blue-pink great American West night.