Showing posts with label be-bop Saturday night. Show all posts
Showing posts with label be-bop Saturday night. Show all posts

Thursday, April 26, 2012

***Out In The 1960s Be-Bop Night- Thanksgiving Football Rally, 1963

Click on the headline to link to a Wikipedia entry for American football on Thanksgiving. I knew when I Googled this search old Wikipedia would not let me down.

Peter Paul Markin, Class of 1964, comment:

Scene: Around and inside the old high school gym entrance on the Hamilton Street side the night before the big Thanksgiving Day football game against our cross town arch-rival, Adamsville High School, in 1963. (Yes, that above-mentioned street for the forgetful is the one that had the Merit gas station, now Hess, on the corner. The place where every self-respecting be-bop high school guy “filled up,” his “boss” car, or his father’s on Friday or Saturday night, cheaply, so that he had enough dough to “spurge” at the end of that “hot date” night for burgers, fries and tonic, you remember soda, at Adventure Car Hop down on the Southern Artery.)

This ancient 1963 time, for the younger reader, was a time before they built what is apparently an addition, including a newer gym and cafeteria, modeled on the office buildings across the street from the school behind the MBTA stop and a tribute to “high” concrete construction, and lowest bidder imagination. But this could have been a scene from any one of a number of years in those days. And I am willing to bet six-two-and-even with cold hard cash gathered from my local ATM against all takers that this story “speaks,” except for the names, to what is up today at Thanksgiving football rally time as well:

Sure the air was cold, you could see your breath making curls before your eyes no problem, and the night felt cold, cold as one would expect from a late November New England night. It was also starless, as the weather report had projected rain for the big game. Damn, not, damn, because I was worried about, or cared about a little rain. I’ve seen and done many things in a late November New England winter rain, and December and January rains too, for that matter. No, this damn, is for the possibility that the muddy Veterans Stadium field would slow up our vaunted offensive attack. And good as it is a little rain, and a little mud, could prove to be a great equalizer.

This after all was class struggle. No, not the kind that you might have heard old Karl Marx and his boys talk about, although now that I think of it there might be something to that here as well. I’ll have to check that out sometime but right then I was worried, worried to perdition, about the battle of the titans on the gridiron, rain-soaked granite grey day or not. See, this particular class struggle was Class A Adamsville against Class B North Adamsville and we needed every advantage against this bigger school. (Yes, I know for those younger readers that today’s Massachusetts high schools are gathered in a bewildering number of divisions and sub-divisions for some purpose that escapes me but when football was played for keeps and honor simpler alphabetic designations worked just find.)

Do I have to describe the physical aspects of the gym? Come on now this thing was (is) any high school gym, any public high school gym, anywhere. Foldaway bleachers, foldaway divider (to separate boys for girls in gym class back in the day, if you can believe that), waxed and polished floors made of sturdy wood, don’t ask me what kind (oak, I guess) with various sets of lines for its other uses as a basketball or volleyball court. But enough of paid by the word stuff to add color to this sketch. The important thing was that guys and gals, old and young, students and alumni and just plan townies were milling about waiting for the annual gathering of the Red Raider clan, those who have bled, bleed or want to bleed Raider red and even those oddballs that don't. This one stirs the blood of even the most detached denizen of the old town.

This night of nights, moreover, every unattached red-blooded boy student, in addition to his heavy dose of school patriotism and wishful wishing that he had been just a little stronger, faster or agile to have made the team, was looking around, and looking around frantically in some cases, to see if that certain she has come for the festivities. And every unattached red-blooded girl student was searching for that certain he (and maybe wishing that just that moment the one she was interested in has been just a little stronger, faster or agile so she could bask in his reflected glory). Don’t tell me, boy or girl, agile or not, you didn’t take a peek, or at least a stealthy glance.

Among this throng of peekers, half-peekers and wannabe peekers were a couple of fervent not fast enough, strong enough, agile enough quasi-jock male students, one of them is writing this entry, the other the great long distance track man, Josh Breslin, was busy getting in his glances. Both were (are) members of the Class of 1964 who with a vested interest in seeing their football-playing fellow classmates pummel the cross town rival, and also, in the interest of full disclosure, are deeply emerged in the hunt for those elusive shes. I do not see the certain she that I am looking for but, as was my style then, I have taken a couple of stealthy glances at some alternate prospects. (This led, on more than one occasion, including one “oh, damn” occasion, to have a very special she accuse me of perfidy, although she did not use that word, and dismissed me, words she did use, out of hand).

This was the final football game of our final football-watching season, as students anyway, as well so we had brought extra energy to the night’s performance. We were on the prowl and ready to do everything in our power to bring home victory…, well, almost everything except donning a football uniform to face the monstrous goliaths of the gridiron. We fancied ourselves built for more "refined" pursuits like those just mentioned stealthy glances, perfidious or not, and the like.

Finally, after much hubbub (and more coy and meaningful looks all around the place than one could reasonably shake a stick at) the rally began, at first somewhat subdued due to the then very recent trauma of the Kennedy assassination, the dastardly murder of one of our own, for the many green-tinged Irish partisans among the crowd, as well as the president. But everyone, seemingly, had tacitly agreed for this little window of time that the outside world and its horrors would not intrude. A few obligatory (and forgettable) speeches by somber and lackluster school administrators, headed by Principal Kelley, and their lackeys in student government and among the faculty stressing good sportsmanship and that old chestnut about it not mattering about victory but how you play the game drone away.

Of course, no self-respecting “true” Red Raider had (has) anything but thoughts of mayhem and casting the cross-town rivals to the gates of hell in his or her heart so this speechifying was so much wasted wind. This “bummer,” obligatory or not, was followed with a little of this and that, mainly side show antics. People, amateurishly, twirling red and black things in the air, and the like. Boosters or Tri-Hi-Yi types, somebody’s girlfriend or some important alum’s daughter for all I knew. Certainly not in a league with the majorettes, who I will not hear a word against, and who certainly know how to twirl the right way. See, I was saving one of my sly, coy and not perfidious glances for one of them right then.

What every red-blooded senior boy, moreover, and probably others as well, was looking forward to get things moving though was the cheer-leading, led by the senior girls like the vivacious Roxanne Murphy ( who, if you can believe this, dismissed me out of hand, although not for perfidiousness( ouch), the spunky Josie McCarthy, and the plucky Linda Kelly. And when they hit center court they did not fail us with their flips, dips, and rah-rahs. Strangely, the band and its bevy of majorettes when it is their turn, with one noted exception, did not inspire that same kind of devotion, although no one can deny that some of those girls can twirl.

But this entire spectacle was so much, too much, introduction. For what was wanted, what was demanded of the situation, up close and personal, was a view of the Goliaths that will run over the cross town arch-rival the next day. A chance to yell ourselves silly. The season had been excellent, marred only by a bitter lost to a bigger area team on their home field, and our team was highly regarded by lukewarm fans and sports nuts alike. Naturally, in the spirit, if not the letter of high school athletic ethos, the back-ups and non-seniors were introduced by Coach Leahy. Then came the drum roll of the senior starters, some of whom have been playing for an eternity it seems. Names like Tom Kiley, Walt Simmons, Lee Munson, Paul Duchamp, Joe Zona, Don McNally, Jim Fallon, Charlie McDonald, Stevie Chase, "Woj" (Jesus, don’t forget to include him. I don't need that kind of madness coming down on my face, even now.) and on and on.

Oh, yes and “Bullwinkle”, Bill Curran, a behemoth of a run-over fullback, even by today’s standards. Yes, let him loose on that arch-rival's defense. Whoa. But something was missing. A sullen collective pout filled the room. After the intros were over the restless crowd needed an oral reassurance from their warriors that the enemy was done for. And as he ambled up to the microphone and said just a couple of words we get just that reassurance from “Bullwinkle” himself. That is all we need. Boys and girls, this one is in the bag. And as we head for the exits to dream our second-hand dreams of glory the band plays the school fight song to the tune of On Wisconsin. Yes, those were the days when boys and girls, young and old, wise or ignorance bled raider red in the old town. Do they still do so today? And do they still make those furtive glances? I hope so.

Friday, October 21, 2011

***The Bard Of The North Adamsville High School Class Of 1964?, “Say What?”- For Linda, Class Of 1964



Click on the headline to link to a Wikipedia entry for Rebel Without A Cause, an appropriate link for today's post.

Peter Paul Markin, Class Of 1964, comment:


Recently someone from my high school class, Linda, whose last name shall be omitted not out of consideration for her sensibilities but rather to avoid the long litigation which I am sure would ensue if I mentioned her last name and others clamored on and on about why their names were not included, wrote an e-mail, a friendly e-mail I assume, asking me if I, with this never-ending (my word, she just said “a lot”) stream of stories about the old days at early 1960s North Adamsville High, was trying to be the bard (her word, not mine) of the Class of 1964. I rapidly replied with this short answer- “What, are you kidding?”(Although I wish I had said the faux- hip, “say what?,” used in the headline to this entry). Later though, after I thought about it for a while, I realized that I did (and do) mean to be ONE of the latter-day voices of our class. Why? I have, with all due modesty, the perfect resume for the job. Here it is:

I belonged to no in-school clubs. I couldn’t (can’t) sing so the glee club was out although I was tempted to join, low-voice, whisper-voice join, white shirt, string tie, black chinos and all because a certain Rosemary I had eyes for sang a very sweet alto, or whatever they call that sing-song voice that made me think of flowered-fields, picnic baskets and, well, it never worked out so I will just say I was smitten, lonely smitten. (Let me leave it at Rosemary, no last names, again since I am still wary of that litigation from certain Susans, Lindas, and Anns who might still feel hurt not to see their names in lights here. Even though if I had approached them in those days I would have received the deep-freeze, a big time deep-freeze, and been dismissed out of hand.)

The same was true for the school newspaper, the unlamented North Star, although in that case it was a Carol whom I would have joined in order to cub report next to (ditto, on leaving out the last name, okay) except in her case she had a big bruiser of a boyfriend who just happened to play right tackle for the championship Red Raiders school football team. And he (I will use no first or last name for that monster even now and not because I fear litigation, no because I fear for my life, and rightly so) made it very clear one time when I actually talked to her for more that about a minute that unless I had a interest in doormats I had better take my ragamuffin, low rent act elsewhere. Moreover, I doubt, very seriously doubt, that after about two days I could have kept a straight face while performing my duties as a cub reporter reporting on such hot spot topics as the latest cause bake sale, the latest words of wisdom from Miss (Ms.) Sonos, the newspaper’s faculty advisor, about whatever was on her dippy mind, or “shilling” to drum up an audience for the next big school play. Not “the world is my beat” Peter Paul Markin. No way.

I, moreover, belonged to no after-school organizations like the chess club, science club, bird-watchers or any of those other odd-ball activities that couldn’t rate enough to get the school-day imprimatur. See, after school was “Frankie’s time,” Frankie Riley held forth inside, in front of, and sometimes behind, Salducci’s Pizza Parlor “up the Downs” (remember that term?) and I was none other than one of Frankie’s corner boys. Not only that but I was his “shill,” his scribe, busy promoting every scheme, every idea, every half-idea, and every screwy notion that made its way into his ill-formed brain. So who would have had time for a “scoop” on the amount raised at some bake sale, what that nutty Sonos had to say on astrophysics or U.F.O’s, or the virtues of some ill-conceived, poorly-acted school play. I freely admit, freely admit now, after a lifetime of turmoil struggle over ten thousand ideas, fire thousand half-ideas, and a few thousand thought-provoking books that I had known about the Great Books Club held after school I might have been drawn to that. I spend much time later in life struggling with ideas that could just as easily have been thrashed out then. And, of course, the other problem was that if I had known about the club the only girl that I remember that might have been a member of the club and that I might have wanted to talk to was Sarah (remember we are not using last names in case you forgot), and she was, well, just a stick although I liked to talk to her in class. A lot.

Nor did I belong to church-affiliated clubs, christ no, I was on that long doubting Thomas road away from churchly concerns. Oh, except for one Minnie, ya, sweet Irish rose Minnie, whom I used to sit a few rows behind at 8:00 AM Mass at Sacred Heart and stare at her ass on Sunday. But I could have done that anywhere, and did according to her best friend, Jean, who sat behind me in class and has stated for the record in public as recently as a couple of years ago that I did it every time I could in the corridor and that Minnie knew about it, and kind of liked the idea although a lot of good that knowledge does me now. Moreover Phil Larkin (it’s okay to use his last name because I have already talked about “Foul-Mouth” Phil before, plenty, and he is in no position, no position this side of a four by six cell, to even spell the word litigation in my presence), ya, Phil Larkin moved in on her way before I got up the nerve to do more than watch her sway.

Ditto organizations like the YMCA, eagle scouts, or any of those service things. Corner boy life declared such things as strictly corn ball. Not that I had anything, per se, against joining organizations. What I was though, and this was the attraction of rough-edged, snarly corner boy-ness for me, was alienated from anything that smacked of straight up, of normal, of, well square. And everything mentioned above, except for the girl part (and in that girl part maybe not including a stick like Sarah although I really did like to talk to her in class. She had some great big ideas, and knew how to articulate them. I hope she still does. Yes, I know what you are thinking. Instead of watching Minnie sway 24/7 I could have been cheek to cheek with Sarah, discussing stuff and... Don’t you think I haven’t thought about that, christ?)

I also played no major sport that drove a lot of the social networking of the time (I am being polite using that term here: this is a family-friendly site after all. Isn’t it? If it isn’t then upon notice I will be more than happy to “spill the beans” about what was said, how it was said, and by whom about who did what every school day Monday morning before school in the boys’ lav, or the girls’ lave for that matter. And, again I will not worry in the least about litigation. Hey, the truth is a powerful defense.). The sports that did drive me throughout my high school career, track and cross-country, were then very marginal sports for “nerds,” low-rent fake athletes, and other assorted odd-balls, and I was, moreover, overwhelmingly underwhelming at them, to boot. I have recently moved to have my times in various track events declared classified information under a national security blanket just so certain prying eyes like ace-runner Bill Bailey and, naturally, that nemesis Frankie Riley do no gain access to that information for their own nefarious purposes.

I did not hang around with the class intellectuals, although I was as obsessed and driven by books, ideas and theories as anyone else at the time, maybe more so. I was, to be polite again, painfully shy around girls, as my furtive desire for Minnie mentioned above attests to, and therefore somewhat socially backward, although I was privately enthralled by more than one of them. Girls, that is. And to top it all off, to use a term that I think truly describes me then, I was something of a ragamuffin from the town's wrong side of the track, the notorious Blank Street section over by the bridge to Boston. Oh, did I mentioned that I was also so alienated from the old high school environment that I either threw, or threatened to throw, my yearbook in the nearest river right after graduation; in any case I no longer have it.

Perfect, right? No. Not a complete enough resume? Well how about this. My family, on my mother’s side, had been in the old town since about the time of the “famine ships” from Ireland in the 1840s. I have not gone in depth on the family genealogy but way back when someone in the family was a servant of some sort, to one of the branches of the presidential Adams family. Most of my relatives distance and far, went through the old high school. The streets of the old town were filled with the remnants of the clan. My friends, deny it or not and I sometimes did, the diaspora "old sod" shanty Irish aura of North Adamsville was in the blood.

How else then can one explain, after a forty year hiatus, this overweening desire of mine to write about the “Dust Bowl” that served as a training track during my running days. (The field situated just across the street from North Adamsville Middle School, of unblessed memory. Does anyone really want to go back in early teen life? No way.) Or write on the oddness of separate boys’ and girls’ bowling teams during our high school years, as if mixed social contact in that endeavor would lead to s-x, or whatever. Or my taking a “cheap” pot shot at that mysterious “Tri-Hi-Y” (a harmless social organization for women students that I have skewered for its virginal aspirations, its three purities; thoughts, acts, and deeds, or something like that). Or the million other things that pop into my head these days. Oh ya, I can write, a little. Not unimportant for a bard, right? The soul of a poet, if somewhat deaf to the sweetness of the language. Time and technology has given us an exceptional opportunity to tell our collective story and seek immortality and I want in on that. Old Walt Whitman can sing of America, I will sing of the old town, gladly.

Well, do I get a job? Hey, you can always “fire” me. Just “click” and move on.

Monday, October 17, 2011

***Out In The Be-Bop Be-Bop 1960s Night-When Diana Nelson “Touched” The North Adamsville Night Away- With Peggy Lee In Mind

Click on the headline to link to a YouTube film clip of Leslie Gore performing her classic teen dream theme That’s The Way Boys Are.

CD Review

The ‘60s: Jukebox Memories, various artists, Time-Life Music, 1992


Scene: Brought to mind by one of the songs in this compilation, Leslie Gore’s 1960s classic teen dream theme (girl division) song, That’s The Way Boys Are.

I, Diana Nelson, am going to be a big singing star just watch out, watch out and don’t blink because then you will miss it. Hey, it is written in the stars, my stars. Proof? I have just this spring won the 1962 edition of the annual Adamsville Female Vocalist Contest. Hands down! There was no way that any of those other girls could match (and one guy who dressed up as a girl, weird right, although he did a good job on Mary Wells’ Two Lovers and I was a little worried until they found out he was a guy and gave him the boot.) Even Emma Johns and her smoky version of old hat Peggy Lee’s Fever got left behind when I went deep, deep down almost to my soul on Brenda Lee’s I’m Sorry. See that is what the judges were looking for, not smoldering sexy stuff but act of contrition stuff. And the girls who filled up the audience seats and gave their thumbs up and down only wanted to hear stuff that they can listen too when they cry on their pillows after their Johnny doesn’t call, goes cheap on some corny date, or cheats on them, cheats on them with their best friend, usually. I’ve got it all figured out.

Sure, like I was telling my good friend, Peter Paul Markin, the other day during class I was glad to get the one thousand scholarship money that was one of the prizes offered. I can use it if I decide to go to college after we graduate next year. But the big thing for me is to get to sing, sing featured, along with the guys from the Rockin’ Ramrods to back me up, at the Falling Leaves Dance held late in September. That dance is always sponsored by the senior class and it will give me a thrill to go out to please that crowd of fellow seniors, especially Peter Paul, who shares my love of music (although he is not a very good singer, sorry if you see this P.P.) and likes to talk about politics and stuff like I do. The big, big thing though, and I haven’t even told Peter Paul about this is that a recording agent, Jerry Rice, yes, that Jerry Rice, from Ducca Records, the one that signed Connie what’s-her name, has promised to be there and if he likes what he hears, well, like I say it in my stars. Don’t blink, okay.

By the way don’t get thrown off by that good friend Peter Paul thing, especially if you know my own true love boy friend Bobby Swann. There’s nothing to it (sorry again, Peter). Bobby couldn’t be at the contest because he was studying for his finals at State University. He is finishing up his freshman year and so he had to study hard. Peter Paul and I met in ninth grade and we have been good friends ever since. Oh, I suppose I can tell you now, now that I have my handsome blue-eyed Bobby, that if he wasn't such a “stup” P.P could have had his chances with me but all he ever did was stare at my ass in class, and in the corridors. If you don’t believe me ask Emma Johns, she’s the one that noticed him doing it first, although I had an idea. Better yet, ask P.P. he’ll tell you, maybe. The thing was that I couldn’t wait forever for him to get up the nerve to ask me out and then Bobby came along and swooped me up in tenth grade and then I didn’t care for younger guys anymore, except as good friends.

I guess I should tell you since I am telling you everything else that I had a dream when I was very young, maybe seven or eight, that I was going to be a singing star. Maybe it was my mother always playing women singers on the family record like that Peggy Lee when she was young and sprightly with Benny Goodman, Teresa Brewer, and Billie Holiday that got me going because I would sing along all day with the radio on. Later ma had me take singing lessons and I have been going strong ever since. Peter Paul said he went crazy when he first heard me do Brenda’s I Want To Be Wanted and Patsy Cline’s Crazy, although she, Patsy, seemed a little to ah, shucks, countrified when I first heard her. She has gotten less so since she has started turning to more a more popular style. I sure wish I could hit her high notes but Miss French, my vocals teacher, says I will get there soon enough and then I will have to, get this word, “husband” my valuable resource. See, I am a cinch.

Did I tell you that I told, no ordered (and I can do that to him, and he jumps like a puppy dog, sorry again P.P.) to be at the Falling Leaves Dance solo, so we can talk between sets. It looks like Bobby won’t be coming. According to him no big time State University sophomore would be caught dead at a high school dance and also his cross-country team is having a big meet in New York City that weekend. You know, and I hope you won’t tell Bobby, if you know him, because I do love him so, every once in a while I wish P. P. would have done more than just look at my ass in ninth grade.

Thursday, October 13, 2011

***Out In The Be-Bop Be-Bop 1960s Night- Save The Last Dance For Me-With The Drifters’ Song Of The Same Name In Mind.

Click on the headline to link to a YouTube film clip of The Drifters performing their classic Save The Last Dance For Me

CD Review

AM Gold: The Early ‘60s, various artists, Time-Life Music, 1992


Scene: Brought to mind by one of the songs in this compilation, The Drifters classic end of the night high school dance number, Save The Last Dance For Me.

Recently, when I was reviewing a companion CD in this Time-Life Music series, AM Gold: 1962, I mentioned, in detailing some of the events surrounding the North Adamsville Class of 1962-sponsored version of the traditional late September Falling Leaves Dance that one of the perks that year was getting to hear the vocals of local singer and classmate, Diana Nelson, backed up by local rock band favorite, The Rockin’ Ramrods. I also mentioned that her selection had been the result of a singing competition held by the town fathers and that I would relate some of the details of that competition at a later date. That time has come. Additionally, I related that I had had a “crush” on Miss (Ms.) Nelson since I started staring, permanently staring, at her ass when she sat a few seats in front of me in ninth grade. At the time of the above-mentioned dance she was “going steady” with some college joe, and had not given me the time of day, flirting or encouraging-wise, since about tenth grade, although we always talked about stuff, music and political stuff, two of my passions, and hers too. Here’s the “skinny.”
******
No question that about 1960, maybe into 1961, girl vocalists were the cat’s meow. (Okay, young women, but we didn’t call them that then, no way. Also no way as well is what we called them, called them among we corner boys at Salducci’s Pizza Parlor, especially when we got “no action.” I don’t have to draw you a diagram on what that meant, right?). You can, if you were around then, reel off the names just as well as I can, Connie Francis, Carla Thomas, Patsy Cline, and the sparkplug Brenda Lee. I won’t even mention wanna-bes like Connie Stevens and Sandra Dee, Christ. See, serious classic rock by guys like Elvis, Bo Diddley, Chuck Berry and Jerry Lee Lewis was, well, passé, in that musical counter-revolution night. But music, like lots of other things abhors a vacuum and while guys were still singing, I guess, the girl singers (read young women, okay, and we will leave it at that) “spoke” to us more. Especially to record- buying girls who wanted to hear about teen romance, teen alienation, lost love, unstoppable hurts, betrayal (usually by the girl’s best friend and her boyfriend, although not always), lonely Friday nights, and other stuff that teenagers, boys and girls equally, have been mulling over, well, since they invented teenagers a long time ago.

So it was natural for the musically-talented girls around North Adamsville, and maybe around the country for all I know, to test themselves against the big name talents and see what they had. See if they could make teen heaven- a record contract with all that entailed. In North Adamsville that was actually made easier by the town fathers (and they were all men, mostly old men in those days so fathers is right), if you can believe that. Why? Because for a couple of years in the early 1960s, maybe longer, they had been sponsoring a singing contest, a female vocalist, singing contest. I heard later, and maybe it was true, that what drove them was that, unlike those mid-1950s evil male rockers mentioned above, the women vocalist models had a “calming effect” on the hard-bitten be-bop teen night. And calm was what the town fathers cared about most of all. That, and making sure that everything was in preparedness for any Soviet missile strike, complete with periodic air raid drills, christ again.

In 1962 this contest, as it was in previous years, was held in the spring in the town hall auditorium. And among the contestants, obviously, was that already "spoken for" Diana Nelson who was by even the casual music listener the odds-on favorite. She had prepped a few of us with her unique rendition of Brenda Lee’s I’m Sorry so I knew she was a shoo-in. And she was. What was interesting about the competition was not her victory as much as the assorted talents, so-called, that entered this thing. If I recall there were perhaps fifteen vocalists in all. The way the thing got resolved was a kind of sing-off. A process of elimination sing-off.

Half a dozen, naturally, were some variation of off-key and dismissible out of hand. These girls fought the worst when they got the hook. Especially one girl, Elena G., if anyone remembers her who did one of the worst versions of Connie Francis’ Who’s Sorry Now I had (and have) ever heard. The more talented girls took their lost with more grace, probably realizing as Diana got into high gear that they were doomed. But here is the funny part. One of the final four girls was not a girl at all. Jimmy C. from right down the end of my street dressed himself up as girl (and not badly either although none of us knew much about “drag queen” culture then) and sang a great version of Mary Wells’ Two Lovers. Like I said we knew from nothing about different sexual preferences and thought he just did it as a goof. (I heard a couple of years later that he had finally settled in Provincetown and that fact alone “hipped” me to what he was about, sexually.)

I probably told you before that one part of winning was a one thousand dollar scholarship. That was important, but Diana, when she talked to me about it a couple of days later just before class, said she really wanted to win so she could be featured at the Falling Leaves Dance. Now, like I said, I had a big crush on her, no question, so I was amazed that she also said that she wanted me to be sure to be at the dance that next late September. Well, if you have been paying attention at all then you know I was there. I went alone, because just then I didn’t have a girlfriend, a girlfriend strong enough for me to want to go to the dance with anyway. But I was having a pretty good time. I even danced with Chrissie McNamara, a genuine fox, who every guy had the “hots” for since she, just the night before, had busted up with Johnny Callahan, the football player. And Diana sang great, especially on Brenda Lee’s I Want To Be Wanted. She reached somewhere deep for that one.

Toward the end of the evening, while the Rockin’ Ramrods were doing some heavy rock covers, Chuck Berry’s Sweet Little Sixteen I think, and she was taking a break, Diana came over to me and said, I swear she said it exactly like this- “save the last dance for me.” I asked her to repeat herself. She said Bobby (her college joe) was not here that evening for some reason I do not remember and that she wanted to dance the last dance with someone she liked. Well, what’s a guy to do when someone like Diana gives her imperial command? I checked my dance card and said “sure.” Now this last dance thing has been going on every since they have had dances and ever since they have had teenagers at such events so no big deal, really. Oh, except this, as we were dancing that last dance to the Ramrod’s cover of The Dubs Could This Be Magic Diana, out of the blue, said this. “You know if you had done more than just stared at my ass in class (and in the corridors too, she added) in ninth grade maybe I wouldn’t have latched onto Bobby when he came around in tenth grade.” No, a thousand times no, no, no, no…

Monday, October 10, 2011

***The Big Time 1962 Teen Angst Night- Johnny Callahan’s Heartbreak Hotel

Click on the headline to link to a YouTube film clip of Brenda Lee performing Break It To Me Gently. Ya, we have all been down that one-way road to perdition.


CD Review

AM Gold: 1962, various artists, Time-Life Music, 1991


Scene: Brought to mind by one of the songs on this CD, Brenda Lee’s Break It Too Me Gently.

Friday night, a late September Friday, I think, because it was just getting cold at night around old North Adamsville. And there was a cold political menace (soon to get hot, very hot) in the air as well from those pesky Cubans and their patrons, the Soviets. In any case a high school Friday night because the night we are talking of was the night of the Falling Leaves Dance that had been an institution (and still is) at North Adamsville High since Hector was a pup. Or at least as far back as my mother’s time, Delores Markin, North Adamsville Class of 1943, the war years, oops, the World War II war years so that you don't get mixed up on which war. Every red-blooded teen angst-ridden boy or girl with the dollar required for entry was going to show up, singly or in couples.

Now I should explain that this dance was no Johnny Jones, the local kid with the most rock and roll records and an arcane knowledge of said records, acting as D.J. at the regular free cheap jack weekly Friday night, well, let’s call it sock hop. (You all had your Johnnies so I don't have to detail his exploits, okay). No, this was a get out you best party dress girls, no tee shirts need apply guys, almost “formal” dance. And two things right away distinguished it for the low-rent sock hop. Yes, of course, it was still held in the crusty old North Adamsville gym but the place, courtesy of the North Adamsville Class of 1962 Senior Dance Committee (whee!), the senior class always sponsored this one, had the place looking, well, like a hotel ballroom. No faded banners and bunting this night. Flowers, tablecloth on the tables, glasses to drink your soda from rather than from the bottle, and so on. Ya, this one was different.

The really big difference though, Johnny Jones’s high opinion of his musicological skills notwithstanding, was that this night there was live music provided by Diana Nelson and her pick-up band, crazed local favorites, the Rockin’ Ramrods. No scratchy records over Jones’ jerry-rigged sound system this night but the real thing. Diana on vocals, and the Ramrods for some serious rock and roll covers. Now the reason that Diana Nelson was featured that night may surprise you, or maybe not. In the year 1962 everybody, boys and girls almost equally, were crazy for girl vocalists singing their hearts out, and singing mushy stuff about heartbreak, loneliness, sorrow, and other stuff than only teenagers in the be-bop 1962 night knew (or cared) about. Patsy Cline, Connie Francis, Brenda Lee, Carla Thomas, and especially of late, Brenda Lee, singers like that with big voices and some serious sadnesses to speak of.

So the town fathers, in their infinite wisdom, decided that such wholesome, if sorrowful, music should have its local representative and sponsored, sponsored out of town funds if you can believe this, a singing contest with a one thousand dollar scholarship prize attached for the winner. More importantly, as least to hear Diana tell it, was the chance to be the female vocalist (with those Ramrods backing her up) at the Falling Leaves Dance.

Sometime I will tell you about that competition because some things that happened there would have amused, or befuddled you. One thing that would not is the fact that Diana Nelson was, by far, the best female vocalist there with her stirring rendition of Brenda Lee'sI'm Sorry. Not a lip-sych-like imitation but in her own style. Even though I was no mushy-headed guy but a regular Salducci's Pizza Parlor corner boy, and took no notice of girlish sentiment, well, little notice anyway, I stood on my chair and applauded. Truth to tell, I had a big thing for Diana, and had been staring at her ass in classes and in the halls ever since about ninth grade so that might have added to my delight at her victory. Of course my Salducci's corner boys will try to tell you that I was one hundred percent skirt-addled and dismissed this Diana thing out of hand. Don't believe it, even though she never gave me a tumble (she was "going steady" with some college guy).

The reason I won't go into that competition thing now is because this story is really about Johnny Callahan, you know the still hallowed "tear 'em up" fullback on the 1962 championship North Adamsville Red Raiders football team. And, well, it really isn't even a story but just another one of those things that have been happening to guys since about Adam, if not before. Now that I think of it, before.

See Johnny and Chrissie McNamara had been going out for the previous couple of years since sophomore year when Chrissie, a young woman not to be messed with when she had a bee in her bonnet, set out to "capture" one Johnny Callahan. No quarter given. Well, she got her man, got him bad. Got him six ways to Sunday. I was there the night, another Friday night if I recall correctly, that Chrissie, by general agreement, general boy agreement anyway, a fox came strolling, no, zeroing in on Johnny and sat right down on his lap and practically dared him to push her off. What she didn't know (nor did we) was that Johnny was crazy for Chrissie, and had been for quite a while. Everybody laughed when Chrissie, red-faced but determined, said "Johnny, I'm going to sit here and it will take the whole football team to pull me off." Of course Johnny was holding her so tight to him that it would have taken the whole football team, maybe the junior varsity thrown in too, to get her off his lap.

But that was then. Of late the freeze had been on between them. Reason: one Lance Duncan, if you can believe that. With a fox like Chrissie, no way. Lance, despite his preppie name out of some F. Scott Fitzgerald Basil and Josephine story, was after all nothing but the local whiz kid Math guy. And just then Chrissie was on a "smart" kick. Now Johnny Callahan could carry twelve guys on his back over the goal line on a granite gray fall Saturday afternoon but, let's say, would be hard-pressed to accurately count the number of guys on his back. So Thursday night, Thursday night the day before the Falling Leaves Dance, for chrissake, Chrissie gave old Johnny the "kiss-off." Gently, nicely, with a soft landing as was Chrissie's way but still a kiss-off.

So Johnny would not be sitting at one of the those freshly laundered tableclothed tables drinking his soda from a glass instead of from the bottle waiting to be crowned king of the dance along with queen, Chrissie. I hoped, hoped to high heaven, when I heard the ugly details, that it would not affect his game that Saturday against tough arch-rival Clintondale High (it didn't). He was so pissed off he went crazy, crazy enough to count those thirteen guys he was carrying on his back when he went over the goal line for his fifth touchdown of the afternoon.

P.S. Even now, maybe especially even now these many years later, do not believe that nonsense from some unnamed corner boys about my "hitting" on Chrissie at that Saturday football game just mentioned (Math whiz Lance did not go to football games, period) now that she was "free." Utter nonsense.

Thursday, September 22, 2011

***Out In The Be-Bop Be-Bop 1960s Night- The Heart Of Rock ‘n’ Rock: 1964-Just Before The Sea Change - With The Rolling Stones In Mind

Click on the headline to link to a YouTube film clip of the Dixie Cups performing their 1960s classic (who brought the house down with this number about 15 years ago at the Newport Folk festival of all places to show an example of a song with staying power Chapel Of Love

CD Review

The Heart Of Rock ‘n’ Roll: 1964, various artists, Time-Life Music, 1996


Scene: Brought to mind by one of the snapshot photos that grace each CD in this series.

“Isn’t that hair of yours a little long Mr. Edward Rowley, Junior,” clucked Mrs. Edward Rowley, Senior, “You had better get it cut before your father gets back from his conference trip, if you know what is good for you.” That mothers’-song was being endlessly repeated in North Adamsville households (and not just North Adamsville household either) ever since the British invasion brought longer hair (and a little less so, beards) into style. Of course when one thinks of the British invasion in the year 1964 one is not thinking about the American Revolution or the War of 1812 but the Beatles. And while their music has taken 1964 teen world by a storm, a welcome storm after the long mainly musical counter-revolution since Elvis, Bo, Jerry Lee and Chuck ruled the rock night, the 1964 parent world was getting up in arms.

And not just about hair styles either. But about trips to Harvard Square coffeehouses to hear, to hear if you can believe this, folk music, mountain music, harp music or whatever performed by long-haired (male or female), long-bearded (male), blue jean–wearing (both), sandal-wearing (both), well, for lack of a better name “beatniks” (parents, as usual, being well behind the curve on teen cultural movements). Why can’t Eddie (he hated that name by the way) be like he was when he listened to Bobby Vinton and his Mr. Lonely or that lovely-voiced Roy Orbison and his It’s Over and other nice songs on the local teen radio station, WMEX, mused Mrs. Rowley to herself. Now it’s the Beatles, the Rolling Stones and a cranky-voiced guy named Bob Dylan that has his attention. And that damn Judy Jackson with her short skirt and her, well her…

Since Mrs. Rowley, Alice to the neighbors, was getting worked up it anyway, "What about all the talk about doing right by the down-trodden Negros down in Alabama and Mississippi. And Eddie and that damn Peter Paul Markin, who used to be so nice when they all hung around together at Salducci’s Pizza Parlor and you at least knew they were no causing trouble, talking about organizing a book drive to get books for the little Negro children down there. If Eddie’s father ever heard that there would be hell to pay, hell to pay and maybe a strap coming out of the closet big as Eddie is. Worst though, worst that worrying about Negros down South is that treasonous talk about leaving this country, leaving North Adamsville, defenseless against the communists with his talk of nuclear disarmament. Why couldn’t he have just left well enough alone and stick with his idea of forming a band that would play nice songs that make kids feel good like Gale Garnet’s We’ll Sing In The Sunshine or that pretty Negro girl Dionne Warwick and Her Walk On By instead of getting everybody upset."

Scene: “Young lady, that dress is too short for you to wear in public, take it off, burn it for all I care, and put on another one or you are not going out of this house,” barked Mrs. James Jackson, echoing a sentiment that many worried North Adamsville mothers were feeling (and not just North Adamsville mothers either) about their daughters dressing too provocatively and practically telling the boys, well practically telling them you know what as she suppressed the “s” word that was forming in her head. "And that Eddie (“Edward, Ma,” Judy keep repeating every time Mrs. Jackson, Dorothy to the neighbors, said Eddie), and his new found friends like Peter Paul Markin taking her to those strange coffeehouses instead of the high school dances on Saturday night. And endless talk about the n-----s down South and other trash talk. Commie trash about peace and getting rid of weapons. They should draft the whole bunch and put them over in front of that Berlin Wall. Then they wouldn’t be so negative about America."

Scene: Edward, Judy and Peter Paul Markin sitting in the Club Nana in Harvard Square sipping coffee, maybe pecking at the one brownie between, and listening to a local wanna-be folk singing strumming his stuff (who turned out to be none other than Eric Von Schmidt). Beside them cartons of books that they are sorting to be taken along with them when head South this summer after graduation exercises at North Adamsville High School are completed in June. They have already purchased their tickets as far as New York’s Port Authority where they will meet other heading south. Pete Paul turns to Edward and says, “Have you heard that song, Popsicles and Icicles by the Mermaids, it has got great melodic sense.” Yes, we are still just before the sea change. Good luck, young travelers.

Wednesday, September 21, 2011

***Out In The Be-Bop Be-Bop 1960s Night- The Rock ‘n’ Rock Era: 1961-When Gary Ladd Danced The North Adamsville High School Dance Night Away- Not-With Chubby Checker In Mind




CD Review

The Rock ‘n’ Rock Era: 1961, various artists, Time-Life Music, 1989


Scene: Brought to mind by one of the pieces of teen life-driven artwork that graces each CD in this series.

Saturday night, any third Saturday of the month from September to May, when every red-blooded teen boy and girl in the 1961 North Adamsville High School be-bop,be-bop night could only be in one locale, or want to be. That was the night of the monthly seasonally-themed high school hop where anyone, even freshmen and sophomores, could ante up the dollar admission and dance the night away. Well, almost dance the night away. And that is the dilemma confronting one freshman, Gary Ladd (he is the “wallflower” way off to the side of the gym almost into the wall if you didn’t think you saw him on one of the nights in question).

Gary, well, we might as well have our moment of truth right up front, can’t dance. Can’t dance a damn, to hell, heaven or any place in between. Two- left feet. Two left-feet despite the best efforts of one Agnes Ladd, North Adamsville Class of 1961 Vice President, whose own feet have taken a terrible beating trying to teach little brother Gary the elements of the waltz, the fox trot, and hell, even the twist to no avail. But Gary, no twerp under his two left-footed exterior, has always, as he put it, exercised his democratic right to be at these universal dances, come hell or high water.

But this night, this warm April Springfest Dance night, things might just be a little different as Gary takes his place against the far wall (the wall farthest away from the girl “wallflowers” just in case you wanted an exact location. Mostly wallflowers, boy or girl, are keeping their respective distances on the odd chance that someone may actually come up and ask them to dance). First off this month the local craze rock band sensations, The Rockin’ Ramrods, are here live on the makeshift bandstand. And just this minute they are tuning up with the appropriately named Please Stay by the Drifters. Secondly, a new girl in town, Elsie Mae Horton, is here. Naturally the mere fact that she is here is added reason why Gary is here (and why he tortured his sister Agnes to try, try in vain, to teach him some dance steps). See Gary has the “bug” for Elsie Mae, yah, he is smitten.

Now this Elsie Mae is maybe, on a scale of one to ten, about a six so it is not looks that have Gary (and about six other guys), well, smitten. But what Elsie Mae has is nothing but smarts, book smarts, idea smarts, talk smarts you name it smarts and one of the sweetest smiles this side of heaven. And, as Gary found out early on in one of their shared classes, very easy to talk to about anything. Yes, he is smitten; the only unknown is whether she can dance good enough to stay out of his way. That is if he gets up the nerve to ask her. And as the Ramrods start their first set with Gary Bonds’ School Is Out (praise be) he notices her coming in the door. Heart pounding he starts sinking into the wall again.

As they finish with Brother Bonds the Ramrods start in on The Impressions’ Gypsy Woman before Gary realizes that Elsie Mae has drawn a bee-line straight for him and is standing right in front of him, turning a little red. “Oh, my god,” Gary whispers under his breathe, “she is going to ask me to dance. No way.” The usually easy to talk to Elsie Mae though says nothing, nothing but turns a little redder as the Ramrods cover the Pips' Every Beat Of My Heart (nicely done too). She is waiting for Gary to ask her, if you can believe that. Well, two-left feet or not, he does ask her. And she smiles a little smile as she “accepts.” Relief.

Needless to say when they did their dance, The Edsels’ Rama Lama Ding Dong, it was nothing but a disaster. A Gary disaster? Yes. But here is the funny part. Elsie Mae Horton, formerly of Gloversville and new to North Adamsville so of unknown dance quality, had two-left feet too. Get this though. When the dance was mercifully finished, and the two had actually survived, Elsie Mae thanked Gary and told him that he was a wonderful dancer and she wished that she could dance like him. Whee! Here is the real kicker though. Elsie Mae had also been taking dancing lessons, unsuccessfully. Dancing lessons so that two-left feet Elsie Mae Horton could dance with Gary Ladd. See, she was “smitten” too. And so if you did not see Gary or Elsie Mae at the Mayfair Dance you have now solved that mystery. They were sitting, sitting very close to each other, on the seawall down at Adamsville Beach laughing about starting a “Two-Left Feet” Club. With just two members.

Saturday, September 17, 2011

***In The Time Of The Time Of An Outlaw Country Music Moment- The Belfast Cowboy Rides Again Van Morrison’s “The Best Of Van Morrison, Volume Two”

    

CD Review

The Best Of Van Morrison, Volume Two, Van Morrison, Polydor, 1993


The basic comments here have been used, used many times, to review other Van Morrison albums from various points in his long and honorable career.

Apparently just now, although this time rather accidentally, I am on something of an outlaw country moment tear, again. I have mentioned on previously occasions when I have discussed county music, or rather more correctly outlaw country music, that I had a very short, but worthwhile period when I was immersed in this genre in the late 1970s. After tiring somewhat of Willie Nelson, Waylon Jennings and other more well know country outlaws I gravitated toward the music, eerily beautiful and haunting music, of Townes Van Zandt whose Steve Earle tribute album Townes I have recently reviewed in this space. As I noted there, as well, while this outlaw country thing was short-lived and I scrambled back to my first loves, blues, rock and folk music I always had time to listen to Townes and his funny mix of blues, folk rock, rock folk, and just downright outlaw country.

And that brings us to the album under review, The Best Of Van Morrison, Volume Two l, and another “outlaw” country music man, the Belfast cowboy Van Morrison. Wait a minute, Van Morrison? Belfast cowboy? Okay, let me take a few steps back. I first heard Van Morrison in his 1960s rock period when I flipped out over his Into The Mystic on his Moondance album. And when I later saw him doing some blues stuff highlighted by his appearance in Martin Scorsese PBS History of Blues series several years ago I also flipped out, and said yes, brother blues. But somewhere along the way he turned again on us and has “reinvented” himself as the “son”, the legitimate son, of Hank Williams. But Van Morrison is no one-trick pony as his long and hard-bitten career proves.

If you do not believe me then just listen to him ante up on his cover of Bob Dylan’s It’s All Over now Baby Blue, a classic folk bluesy number; the thoughtful Sense Of Wonder; the pathos of Real Real Goner; the song I’ll Tell Ma; and, something out of time,Hymns To The Silence . The Belfast cowboy, indeed, although I always thought cowboys wore their emotions down deep, not on their blues high white note sleeves.

Friday, September 16, 2011

***Out In The Be-Bop Be-Bop 1960s Night- The Heart Of Rock ‘n’ Rock: 1960-61, Take Two- In The Time Of Donna Blanchard’s Time- With Elvis Presley In Mind




CD Review

The Heart Of Rock ‘n’ Roll: 1960-61-Take Two, various artists, Time-Life Music, 1997


Scene: Brought to mind by one of the snapshot photos that grace each CD in this series. Doc’s Drugstore and Soda Foundation (not shown), located in the heart of the North Adamsville shopping streets, and most importantly, just a few minutes walk from North Adamsville High School. The soda fountain counter area is complete with a dozen single stools, a speckled faux-marble formica countertop with assorted pastry trays, candy boxes, pie cabinets and various condiment combinations for Doc’s ‘greasy spoon” hamburgers and hot dogs. Said single stools are strictly for losers, girl friend-less guys (or once in a great while a girl just trying catch a quick soda on the way home) or old people waiting for Doc to fill their ancient medicines prescriptions. They are no factor, no factor at all in this teen-worthy world. No, less than no factor. Every once in a while, however, one of Fritz Cullen’s corner boys takes his foot off the wall in front of Doc’s and enters to get a take out Cherry Coke, the de riguer drink of Fritz’s boyos.

But the fountain is strictly for food and drink, food and drink that is also strictly secondary to why Doc’s is a teen-worthy heaven. The real draw is the quiet booths that line both corner walls and are only for after school boy-girl couples, four-some girls looking for guys to dance with, and at night, mainly school year weekend and summer every nights, Fritz’s Cullen’s corner boys when they tire of holding up Doc’s wall out front (or more realistically when the hour is late and the girl prospects have dimmed). But the booths mean nothing by themselves except as “resting” areas after some fast dance coming from Doc’s super-charged juke box, complete with the very latest records straight from Pete’ Platters Record Shop so you know the are hot.

Right now, just this very teen ear minute, one can hear the sassy sound of The Drifters This Magic Moment in the background as we fix on a boy and girl taking a break from deep conversation (deep conversation related in teen world to either sex, setting up dates, analyzing the state of their eternal relationship, or some combination of all three) and taking a straw sip from their shared Cherry Coke. The Cherry Coke automatically means that rank and file Doc’s corner boy Harry “Red” Radley is present on one of the straws. On the other Donna Blanchard, one of the hottest sixteen year old sophomore girls at North Adamsville High, with a nice shape, a sweet smile, and a “come hither” look that has had more than one boy moony-eyed for her affections. But no dice, no dice at all. In this autumn of the year of our lord nineteen hundred and sixty Miss Donna Blanchard only has eyes, and whatever else she has to give, for one Red Radley. Let’s listen in as the eminently forgettable Booby Vee is droning on in the background about some lost love (and rightfully so, if the truth be known) on Take Good Care Of My Baby.
*********

“What the matter, honey, don’t you want me like that, “ murmered Donna Blanchard after being told for the fifth or sixth time by our corner boy Red Radley that, if you can believe this, no he was not ready for heavy sex (meaning of course, in the language of the young, some variety of “going all the way”). It seems that last Saturday night down at Adamsville Beach, the local “parking” heaven where one and all went to see the ”submarine races” in the local teen code parlance Donna, making no bones that she was ready, more than ready, to go all the way with Red got turned down. Turned down flat. Fortunately for Red Donna, embarrassed by such a fool for a boy friend, had “neglected” to mention this hard fact of life when the obligatory Monday morning Girls’ “Lav” talk got around to the subject of the weekend scorecard. In short, who did, and didn’t do it. Right now Red and Donna are trying to sort things out as a strangely ironic song by Cathy Jean and the Roommates, Please Love Me Forever, spins on the juke box.

What? A member in good standing of Fritz Cullen’s corner boys, corner boys who have, publicly anyway, notched up (went all they way with) more North Adamsville girls than maybe there were girls in North Adamsville turned down a chance at paradise. And turned down a certified fox like Donna Blanchard. No way. Moreover, Red, displaying he not uncommon teen male bravado had lied to his fellow corner boys and said that he had had already “gone all the way” with Donna. Jesus. Did our Red have a medical problem? No. Did he have some religious scruples about pre-martial sex? Hell, no. Our Red, as it turns out was a virgin and was terrified when Donna, a virgin herself but ready for the time of her time, came on so strong. Especially when she went wild on Saturday night when the local 24/7 rock and roll station, WMEX, played a medley of Elvis tunes including his latest, Surrender.

Some times things end right in the teen universe, sometimes they don’t. This time they didn’t. Well, at least for Red. After their little conversation at Doc’s Red and Donna agreed, but mostly Donna agreed, that they should see other people. That’s teen code, and maybe universal code, for “breaking up.” So now one sees the fetching Donna Blanchard riding around in Jimmy Jakes '59 cherry Chevy, and sitting very close indeed. Moreover she has that look, that certain look like she now knows a thing or two about ways of the world. Well, after all it was the time of her time, wasn’t it? As for Red, well, Red is seen more and more occupying one of those single stools at Doc’s counter sipping a Cherry Coke and endlessly throwing nickels, dimes and quarters in the juke box playing Elvis’ It’s Now or Never. Enough said.

Wednesday, September 14, 2011

***“Ain’t Got No Time For Corner Boys, Down In The Streets Making All That Noise”-The Mean Streets Of Working- Class Times- “The Fighter”- A Film Review



Click on the headline to link to a Wikipedia entry for the sports biographical film, The Fighter.

DVD Review

The Fighter, starring Mark Wahlberg, Christian Bale and Melissa Leo, Paramount Pictures, 2010


I know the mean streets of Lowell, Massachusetts, although of late that geographical reference point would center on a more literary sense of the place around the figure of 1950s beat novelist/poet Jack Kerouac. I do not, by the way, mean that I know Lowell from actually growing up in that old-time textile mill town that has seen better days, mainly. I mean I know Lowell because I know the double-deckers, the triple-deckers, the seedy bowling alleys, the back lot gyms, the mom and pop variety stores, the ethnically-tinged bars, biker hang-outs, and flop houses that dot that working class town and form the backdrop to the cultural life of that place. I grew up on the southern side of Boston in North Adamsville. That past its prime working class town (formerly a shipbuilding center rather than Lowell's textile but they shared the same ethos) had its full compliment of tight housing, rundown stores, sparse entertainment possibilities and cramped view of life’s prospects just like Lowell.

I know Mickey Ward (Wahlberg) and, more importantly, I know Dickie Eklund (Bale) and their mother Alice (Leo). I do not mean that I know any of them personally but I know their ilk. See North Adamsville also had its fair share of club fighters (or other sports king wanna-bes), working out of some third floor back door gym that smelled of tiger’s balm and other liniments, looking to make it out of the dead-end town and on to the big tent, whether they actually left North Adamsville or not. And most didn’t and most did not even get a shot at hitting someone like Sugar Ray Leonard down on some matted ring floor like Dickie did. Frankly, I spent most of my time as a youth being attracted too but ultimately trying to run, run very hard, away from the Dickie guys, the street-wise corner boys who fall sort of catching the brass ring. While they may be street-wise corner boys, unlike in this film, they are strictly bad-ass cut your throat for a dime characters best left behind. That was hard lesson to learn back in the day, and as the film makes clear, now too.

That said about the social realities of working class life what is there not to like about a film that highlights, Mickey Ward, one of our own getting out from under by sheer perseverance, wit, and his own sense of street smarts, mainly on his own terms. And to be a bloody stubborn Irishman to boot. Some of the stuff concerning his family connections, his eight million family connections, the “us against the world (you do not air your dirty linen in public, period)” while hard to take at points rang true. As did many of the confrontation scenes with Mickey’s high-flying girlfriend Charlene, when she tried to break her man out of the family’s grip. Finally, the acting from Wahlberg’s conflicted (between family and career, between being a “stepping stone” and a champ) boxer, to Bale’s mad monk ex-boxer who had gone a long way down from those Sugar Ray days (a not uncommon fate for those who are just not good enough to wear the crown, whatever the crown might be) to Leo’s (Alice)one-dimensional family worldview (with nine kids, seven of them girls, that might have been the beginning of wisdom in her case) was uniformly fine. Still, I am glad, glad as hell that I made a left turn away from those corner boys down in the streets making all that noise. But it was a close thing, no question.

Monday, September 12, 2011

***On “Sexless” Internet Sex Sites- Or How “Foul-Mouth” Phil Larkin Got His Comeuppance-Finally- With The North Adamsville Salducci's Pizza Parlor Corner Boys In Mind

Normally I provide a link to some relevant topic in the headline on my skteches. Do not click on the headline to link to an Internet sex site here. Are you kidding? All you have to do is type in the word sex on any search engine and you will be inundated with every type of fetish you every wanted, or didn't want, to know about. We are all adults here-happy hunting-on your own.
*******
Peter Paul Markin comment:

Hey, everybody knows, or should be presumed to know to use some legal parlance which may become necessary before this latest “fire storm” is over, that this site is an exemplar of politics, mainly communist propaganda politics. No way is it some way station for AARP-worthy sex-starved refugees and fidgety lonely-hearts from back in my corner boy youth days. Although apparently that fate, short of some drastic legal action on my part, is what looms before me after I, unwittingly I think, let an old corner boy friend from the North Adamsville Salducci’s Pizza Parlor high school hang-out night, Johnny Silver, have some space here to tell what turned out to be a pretty salacious story about how he “hooked-up” with some young, very young, barely legal woman that he met through a sex-oriented Internet site.

My permissive attitude on this not strictly politically-driven subject was to let Johnny hold forth on the basis that intergenerational sex is still, more or less, socially taboo in this society and that under a future communist society we will take a much more liberal attitude on the subject as well as on many other now sexually-repressed notions. Johnny’s story, which I admit had even my temperature going up a bit after reading it, however set off this current fire storm.

Not about the struggle against imperialism in Iraq, Afghanistan, and Libya. Not the struggle to make some headway against the bosses and their relentless drive for profits at the workers expense here in America, and internationally. Not even commentary on the death penalty, gay marriage, the perfidy of Barack Obama, or the lunacy of the tea-partiers. No, I have been deluged with e-mails by every AARP-type that I know who want to harass me in order to tell their misbegotten tales of missed sexual opportunities, the sexual discrimination against oldsters by younger, well, younger women okay, or whatever else is on their minds except those much more important subjects. Please, please stop. Tell it to Oprah, or whoever is working that street these days.

The worst of the lot was my old corner boy (part-time corner boy at Salducci’s but full-time at the Surf and Sea Club in summer and whatever and wherever in winter) “Foul-Mouth” Phil Larkin. Now Phil, who I actually met in junior high school (a.k.a. middle school) through my chieftain in those days, Frankie Riley, really did deserve that nickname. Even Frankie and I walked away from Phil when he got going with every swear known to the English language (and some in Gaelic too-at least that is what he said his grandfather taught him). So you can imagine what the girls felt when he went full-bore. Strangely Phil, unlike now as his story below will explain, never lacked for girlfriends, and not just wrong side of the tracks, low-life, slutty girls either but many girls who you could see, see and stare at, every Sunday at 8:00 AM Mass over at Sacred Heart Catholic Church. So, maybe, he touched off something basic in them with his language. Personally, while I could swear like a trooper when necessary, I didn’t around girls or in public that much.

In any case, as I have already telegraphed above Phil, still using that ill-bred language has threatened murder, mayhem, and, more importantly, legal action (something about gross denial of freedom of expression) if I don’t post his sad-ass story. Needless to say that approach by itself does not get one anywhere with me. However in line with my idea in posting Johnny Silver’s salacious little sex tale noted above I have agreed to post Phil’s saga if only to use it as an example of sexual repression under capitalism and why we need, desperately need, that socialist revolution that is the hallmark of the real purpose of this space. Needless to say I take no personal, political, social, linguistic, or, most importantly, legal responsibility for this story. I have edited it lightly for language and content but this is strictly “Foul-Mouth” Phil Larkin’s story. If you want to take legal action against him feel free to do so. Needless to say as well that Phil is in no way (thankfully) political, much less a communist, although he desperately could use a shot, a big shot, of what our communist future promises.

Phillip Larkin comment:

First of all before I get into my f--king hard luck story about my sexless life on the sex sites let me clear the air about something that that twerp Peter Paul Markin said about my “foul-mouth.” You know in junior high school (now known as middle school) young,f--king hormone-juggling guys (and girls I found out later) don’t always know how to deal with that hard fact of growing up and my way was to swear a little. Big deal, right? Big deal then, or now. But you also know, and even f- -king Markin knows this, at that age you get a certain “rep” and it carries around with you like a lead balloon all through school, especially with guys that you hang around with. Like Markin was always from day one that I met him “The Scribe” (always capitalized, by the way) anointed by Frankie Riley and it stuck even though he hated to be called that. [Markin: Okay Phil we get the point. Let’s move on.] And so my little swearing episodes, not much really, got me tagged as, well, foul-mouthed [Markin: Phil must have a slight case of amnesia on this “little” thing. He was the world, well, at least the North Adamsville Junior High, champion swearer. He is the only kid, and Frankie Riley will back me up on this, who was able to make a sentence using only swear words. Some feat. Phil is, apparently, far too “humble” now to take a bow for that now.]

The thing about swearing though is that it never got me in much trouble with the girls. The Scribe [Markin: Watch it, Phil] was always (and Frankie too) very prim and proper in his language around girls although it never got him anywhere. And The Scribe (oops, Markin) could swear worst than me when he got his Irish up. But that is neither here nor there. Unless he wants to make something of it now. What it all ties in with though is that I have always used a certain amount of rough language around girls and they have either found it “cute” or, and here you have to take my word for it, kind of got “turned on” by it. [Markin: Sure thing, Phil]. I’ll give an example and Markin will be surprised. Millie Callahan the best, or one of the best, looking sixteen-year old girls in old North Adamsville was very prim and proper as well as hot-looking. She went to 8:00 AM Sunday Mass at Sacred Heart every week. And every week I would meet her after Mass and walk her to old Adamsville Beach. Sweating like a trooper. Maybe once in a while she would blush but mostly she got “turned on.” Turned on especially by one word that I used in many contexts on our walks. One Sunday, I swear, she got so aroused that, well let’s say we “did it” and you can figure out what the “did it” part was, right down on the beach near the old North Adamsville Yacht Club (there was a little secluded area that everybody knew about). And we were together through the rest of high school, “doing it” just fine. [Markin: Yes, Phil, Millie was a fox, for sure. I used sit a couple of rows in back of her at Mass to look at her ass. By the way everybody knew you two were “doing it.” And I was jealous, no question. It was only because she went to St. Anne’s High and not North Adamsville High that it was not more widely known and commented on. Nice work, Phil.]

The whole point of bringing this swearing thing up this many years later though is that, more often that not, the way I got entangled [Markin: Nice word, Phil] with women later on was that same basic approach. Sure I went through three marriages, and a several girlfriends, so maybe my “sticking” power wasn’t so great but it got short haul, short ashes hauled results. Anyway after the last one left a couple of years ago I started to notice that because of that lost and my changed work situation (working out of the house more with the luxury of the Internet age computer niceness) I wasn’t running into women to swear to, any maybe turn on.

Now I have read Johnny Silver’s wicked little story about his “trials and tribulations” with the young quail and how he was wasting away without it. [Markin: Young women, not quail Phil. Did you hear about the women’s liberation movement in your travels?] And how he finally “got lucky” with some teeny-bopper. Well we all knew Johnny was that way. In fact I had to f--king warn him off of my younger sister, Kate, one time. [Markin: Oh ya, I remember that time. I think you had a baseball bat in hand at the time, right?] Me, I like women a little older, more my own fifty-ish age and so I figured since nothing was happening elsewhere I would, like Johnny did, give one of the Internet sex sites a try. [Markin: Is every lonely-heart guy over the age of about thirty “running” to the sex sites for love and whatever? Am I missing some important sociological trend here? Also what is it with you old corner boy guys. Nobody expects you to tell the whole true to strangers, especially on the Internet, although it helps, but this age thing is weird. We are all sixty-something. That fifty-something was a while back but I never was a snitch, and I won’t be one now.]

I don’t know if you know how these sex sites work. Let’s just call the one I went on Get Laid Fast and you will get the flavor of the thing. [Markin: Phil, you don’t have to tell anybody over the age of about ten about Internet sex sites. All you have to do is Google the word sex on any search engine in the world and you will get more sex sites than you can possibly imagine, including, I assume, your Get Laid Fast site.] Naturally the lure (for an old-time heterosexual man) is sexy, semi-and unclothed women, young and middle- aged (nobody, nobody in their right minds that is, confesses to being, well, mature, hell, I will just say it straight here, old), just waiting to get their hands on you (where I will leave to the reader’s imagination but you get the point) and show you paradise, yes paradise. Just my cup of f-- king tea. Where do I sign up, and how quickly.

That signing up was the easy part. Well, almost easy. See, the hook is that everybody can sign up and put whatever they want on their very own personal profile page. The problem is that unless you pay up, pay up a fee, nobody in the known cyberspace world is going to know about your sex hunger, especially those alluring semi and unclothed young and middle-aged women. Hey, I am a man of the f -- king world so I know that I have to pony up, and gladly to get in on the action. And so I am off to the races for a few ducats.

Well, almost. Almost on two counts. First I have to figure out what my profile message will be and then my “message” to those women’s profiles that strike my fancy. So, naturally I go light on my personal profile. You know how I am looking for the love of my life (already had it). [Markin: I bet six, two, and even it was old time Millie Callahan, hands down. Hell, she might have been the love of my life too if I could have ever gotten beyond staring at her ass during Sunday Mass.] And companionship and all that other crap when everybody knows it a roll in the hay that is driving me, and about three billion (or whatever number of guys are in the world), to sites like this. And, maybe, women too. Or at least that is what I my worldly assumption would have been. The really, the Phil Larkin reality, is that I might have been better off on some mix and match dot com square dating service. Hell, I am willing to bet Markin his six, two and even I would have had more rolls in the hay by now that way than on this “hyper”- sex site.

Here is why. And don’t laugh at a f - - king fifty-something guy for being so silly. [Markin: Phil, I know you, we went to school together, get real-sixty-something, okay.] I went back to my old tried and true strategy with my personal messages to various women who struck my fancy. Nothing like in kid time but still basically- “babe, do you want to f- - k tonight, don’t be a bitch, call me now, here is my cell phone number," and the like. Now the site is loaded with women within about fifty miles of my residence so I naturally click on all those thirty and forty something women who have been around a little, are looking for a little sugar in their bowl, and are bound to go for rough and ready fifty-something guy. No sweat.

Actually my line, as I found out later, was kind of tame and “civilized” compared to some of the younger guys who were swinging their dicks in full view and stuff like that. Hell, it was tame and civilized compared to some of the women’s profile information and photos. I blushed, actually blushed, at some of the stuff they, theoretically, wanted to do, and do right this minute. Notice that word "theoretical" though. For example, first off I got a proposal from a thirty-something woman who wanted me to help her in her new career as a cosmetologist. She had, foolishly, gone to art school when she was younger and when the art-related job that she had didn’t survive the recent economic downturns she saw the light of working the women who are still working hair and nails racket. Still kind of artistic, right?

And I was willing to give the idea some consideration; although unlike Johnny Silver I did not play the older, wiser “sugar-daddy” angle. Or give any thought to such a notion with older women. If I was looking for Johnny’s teeny-boppers sure. But with older women, no way. Here is the hitch though. Said future hairdresser in return for my largesse was only willing to be a companion, a platonic, no sex companion for an “old geezer” (my term, hers was a man “old enough to be her father”).

And it went down from there. Although nobody, absolutely nobody that answered my messages was put off by my so-called lewd language. Case closed on that. What was also case closed though was my faulty understanding of the cyberspace “meat market.” I will not run down every click but just give some observation examples.

Many of the semi- and unclothed women whose profiles spoke of sexual adventure on personal contact wanted, desperately wanted in fact, not be a “one-night stand” and therefore put off any notion of sex with them to the Greek calends. That happened several times. Needless to say, other than the question of false advertising on their part here that I may speak to my lawyer about, I stopped communication very quickly. No sale, no way. Moreover, many women were carrying “baggage” of various sorts. Kids, broken marriages, bad-ass ex-boyfriends, you name it. That would not have put off old Phil but one or two messages was enough to indicate that their “get laid tonight” come-on was nothing more than getting some psychic comfort for their old wounds, and nothing more until the Greek calends. Again, no sale, no way.

So you can begin to see why I suggested the title “sexless” sex sites to Markin. And why he grabbed onto the idea right away (aside from my admittedly incessant badgering him after pure-as-gold Johnny Silver got his say). A couple of “conversations” warrant special attention though. One woman, an otherwise very interesting arty-type woman whom I actually met in person if you can believe that, did not believe that her “aging” thirty-something life would be complete unless she had a lip-enhancement operation so she could have those pouty Angela Jolie lips. Jesus, what the hell has the world come to. I admit I was tempted, sorely tempted, to help her out although her lips looked perfectly kissable to me. But again the notion of sex before I was placed in an assisted- living facility was out of the question. Ya, you have got it by now. No sale, no way.

Another woman, and here she can serve as an example of other similar instances that happened, was fired-up to chat (as I was with her as well) and we e-mailed a blizzard of messages back and forth. She, more than many others, was someone I wanted to meet in person and I brought the subject up in one e-mail after we had been “cyber-chatting” for a few weeks. Kaput. She went off-site the day after that and left no forwarding address, no e-mail address, as they said in the old days. Maybe I have to change my line. Or better, and here I could get back at Markin as well for his silly “comeuppance” remark in the headline. Maybe, Mille Callahan is out there is cyberspace somewhere. Honey, I still remember that swear word that “turned” you on. Help.



Saturday, September 10, 2011

***The Gas Wars, Circa 1964-When The Souped-Up Car Ruled The North Adamsville Night-With The “Boss Man’s” ’57 Chevy In Mind

Click on the headline, but only after you have read this entry and after you have made your guess, to link to a 1960s Flashback Website for the answer. For those who graduated in other decades and wish to know the price of gas at the pump in your misbegotten youth you can link from there. Thanks, Internet.

Peter Paul Markin, North Adamsville Class of 1964, comment and question:

How much did it cost for a gallon of gasoline in 1964? In the interest of "speaking" to the wider North Adamsville Graduate audience that might pick this comment up on Facebook just pick your year of graduation and guess from there. Then click on headline to seek the answer

Oil at $100 a barrel. Gasoline over three dollars per gallon at the pump (remember this is being written in September, 2011 in case you pick this up later). No, do not worry, this is not intended to be the start of a political screed about the need to bring the “Seven Sisters” oil monopolists to heel or to break up the international oil cartels, although those are very good ideas. At the beginning of this series of commentaries about the old days in North Adamsville I promised that I would not be political, at least not overtly so. So that is political aspect is no help here. All I want to ask today is whether, through the mist of time, you remember how much gasoline cost when you went to "fill 'er up" in high school.

Now this question requires some honesty on your part. Please, no Googling the Quincy Patriot Ledger or The Boston Globe to search their archives of the time. Nor should you use a graphic calculator to factor back the effect of the rate of inflation on oil since 1964 to come up with an answer. Dear readers, this is not some torturous calculus problem. What you basically need to do is to remember some numbers from when you were daydreaming out the window in study hall at old North Adamsville High. Maybe in between thinking away the hours about that certain she (or he) a couple of rows over and how, well, how you would like to get acquainted with her (or him) or what was up for Saturday when your true corner boy “boss man,” Sid Hemmings, came by to pick you up in his “boss” (hence the Boss Man nickname) ’57 Chevy and you went “cruising” into the great teenage Adamsville Beach night. Or maybe you spotted those numbers when you went out the door, assuming you survived opening that fortress-like door while still thinking about that certain she (or he) whom you almost had enough courage to talk to after class today but only got to a meaningful look, onto Hancock Street after school.

What is this guy talking about with all these study hall and looking out the window references? Just this. Unless you were a total grind and always had your nose in a book then the answer merely requires that you had looked out the window. Directly across the street, Hancock Street, from the school were two gas stations (I believe somewhere near the mass transportation depot parking lot and the MacDonald's are now if you have been in the old town recently) that were always in competition with each other. They, and I am not making this up for I do not have such a vivid imagination, actually were having very public price wars to bring in customers by REDUCING the price of their gas. But enough hints. Your answers, please?

No comment on the 1964 North Adamsville gas wars night would be complete without reference to the manner in which we got the dough to pay for said gas. A lot of kids then got it from mom or pop reflecting the more affluence post-World War II times when the old parents has enough dough to spare for a kid to own his or her own car, and have a gas money allowance to boot. Even in working class North Adamsville. Others, like me and most of my corner boys, my Salducci’s Pizza Parlor night corner boys, walked, hitchhiked or borrowed the “old man’s” car (or that of an older brother) for a be-bop Saturday night romp. That is until I met up with the “Boss Man” mentioned above. Sid Hemming’s, who lived just down the end of my dead-end street, had a ’57 Chevy that he was always working on (and when he wasn’t working on it was riding around, usually with a bevy of girls before the night was over, down that now famous Adamsville Beach night).

For a couple of years he took me in tow. The price, well the price was that I was “in charge” of filling up his tank when it was empty. In short, paying for gas to be “cool.” Since I was poorer than a church mouse and never heard of such a thing as an allowance until somebody told me about them that meant taking my hard-earned money from caddying up at the local private golf course to fill the damn thing. And those golfer guys whether they had dough or not, and they usually did, were cheap when it came caddie pay-off time. A primer in capitalist economics, I guess. So you know, roughly, that gas could not have cost too much. Still, you are duty-bound to guess.

Of course, buying the gas got me nothing when it came to the girls the filled the other seats of Sid’s souped-up car. Well usually got me nothing, that is. See they, most of them prime A-one foxes, only had eyes for Sid, or more correctly Sid’s ’57 Chevy. Hell they were one in the same. Now Sid, whatever his mechanical wizard abilities with an automobile motor were, and I will be kind here, had nothing for looks. Even “cute” was a stretch. And even more of a stretch was that “cute” when Sid was seriously into his auto repair work and smelled of oils, cigarettes and whiskey. Still the girls (read: young women) actually came up to him looking for a ride and, well, just leave it as and. The way it worked is that once the car filled up with girls I was out the door. No problem, well no problem on those few occasions when he left me down at the beach (Adamsville Beach, if you didn’t know), with one of his “cast-offs”. A cast-off being something like some older girl’s sister whom she was kind stuck baby-sitting for and wanted to ditch to have a minute’s passion with Sid, or so that is what I heard they were doing. All I know is that I could hear that old Chevy roaring down the end of the street with Sid at the wheel and one last “pick of the evening” sitting tight next to him. Ya, that was Sid’s way, always Sid’s way.

P.S. For later, post-North Adamsville MBTA station graduates, you are left to your own resources about finding the gas prices.




Tuesday, August 30, 2011

***Out In The Be-Bop 1960s Night-"What Folksinger Dave Van Ronk Stole"


***Out In The Be-Bop 1960s Night-"What Folksinger Dave Van Ronk Stole"


YouTube film clip of Dave Van Ronk performing Fair and Tender Ladies.


What Folksinger Dave Van Ronk Stole

“Hey Joyell, good news, Dave Van Ronk is playing at the Club Morocco over in Harvard Square next Friday night, do you want to go?” Phil Kiley asked over the telephone, the late night telephone as was his habit in dealing with Joyell, Joyell Davidson. While he waited for an answer he thought about how he had started making these late night calls. Reason: well two reasons really, Joyell worked at the Eden Café in Kenmore Square as a waitress most week nights for a few hours for pocket change to be among what she sardonically called the “proles,” and what she called part of a proper education, a sociology degree-driven education, about how the other half lived. Of course, the so-called proles were other girls from the university, some whom Joyell knew from her classes, who were also seeing how the other half lived, more or less, although some may have actually needed the pocket change.

This Eden Café, by the way, catered to nothing but university students, mainly university students who had fathers who had dough like Joyell’s (her father was some rich stockbroker in New York City and, from what Phil gathered, she hardly needed to work), so the whole bourgeois-prole combination running its commentary through every 1960s college was rather comical every time Phil, a real prole, a real son of the working poor at university on a partial scholarship, went into the place. Went in to see or pick up Joyell, not to eat. Too expensive for him, he tended to eat at Timmy’s Irish Pub down near Fenway Park where the “eats” was cheap, and plentiful.

But that Eden Café “experience,” or more the idea behind it, is what drove Phil toward Joyell in the first place. That "bourgeois slumming" make him desire her even more ever since they met last month at the beginning of school in Professor Sharpe’s Modern Social Theory seminar. And one thing led to another and now they were at the talking stage, talking over the phone or after work as he walked her to her apartment that she shared with another girl, a decidedly bourgeois non-slumming girl, down Commonwealth Avenue toward the Boston Common. And that was the second reason that Phil made his late night calls. He was just flat-out scared that anything he said to Joyell, a New York City girl, a Hunter College High girl, and a Jewish girl (or mostly Jewish according to the way that she described her family’s genealogy, but enough Jewish to satisfy the Israelis is the way she put it) might be taken the wrong way.

Sure Phil had plenty of girls, plenty of kind of interesting girls back at North Adamsville High a couple of years back, but they were all cookie-cutter Irish Catholic girls of varying degrees of virtue who mainly thought about marriage, white picket fences, and more than he would like to admit, girls who wanted to have many kids to honor Jesus, jesus. But Joyell talked of things that he had not heard of like the ballet, the opera, the opera for christ sakes, and Broadway (and, more often, off-Broadway off-beat plays). Phil had read a ton of modern plays, O’Neill, Brecht, Tennessee Williams, and so on but he had never actually seen a Broadway play, just some hokey high school production of Chekov’s Cherry Orchard and stuff like that. But the saving grace was Joyell’s fantastic interest in the burgeoning folk scene-the one that had developed right down the street from her (so to speak) in the Village (Greenwich Village in New York City for the greenhorns).

This interest mirrored Phil’s own fascination with roots music, first with rockabilly before rock ‘n’ roll got stale, country blues, then city blues, and now going through folk traditional and protest songs, especially the protest songs. Joyell actually knew people who knew the likes of Bob Dylan, Phil Ochs, Joan Baez and other folk names the reader might not recognize but that Phil spent many a Sunday radio night listening to for hours on the local folk station. And, back in North Adamsville High days, he developed an intense interest in the music of folksinger Dave Van Ronk. Not just of his vast knowledge of the American songbook but for his very gritty-voiced (and professional) renditions of those songs. He heard Van Ronk's version of Come All You Fair And Tender Ladies first and flipped out. That is the one that he, timidly, sang to Joyell when they were comparing notes about folksingers. Strangely, as important as Van Ronk was to the behind- the-scenes New York (and general) folk scene that was working its way west to San Francisco and north to Boston (although Boston, with the Club 47 in Harvard Square and the like, of starting out Joan Baez and whiz Eric Von Schmidt, could stake its own secondary claims to importance) he was not that well-known. So when he heard that Van Ronk was coming to town he was beside himself fretting away the hours to ask Joyell for their first "date."

“Sure,” answered Joyell, “I hope he is all that you have cracked him up to be. If I don’t see you before then come by around seven o’clock and we can walk over if it is a nice night and save the cab fare. And if you get a chance come by Thursday to the ‘Eden’ and you can walk me home, okay?”

(Another funny Joyell "prole" thing, she thought taxis were too, too bourgeois although she didn’t say it exactly that way, Phil thought afterwards. She never mentioned taking the bus, the bus from Dudley that almost passed her apartment. He also found out later that everybody, everybody with the price of the fare, and tip of course, took cabs in New York City).

“Okay,” was all Phil could say, "and I will try to come by Thursday but I have to work that night myself." (Phil, no prole status -craving student looking for pocket change had a job driving a truck around the city delivering boxes, boxes of this and that, to stores and factories a few nights a week depending on demand.)

As it turned out Phil had to work that Thursday night and so did not see Joyell until he showed up at her door around seven o’clock that Dave Van Ronk Friday night. Melissa (the non-slumming bourgeois roommate) opened the door and pretty much ignored his existence after that, although freshman year they had had a couple of classes together and she sat a few seats away from him then. But Phil hardly noticed the snub, if it was a snub, and not just Melissa’s problem with men, or something like that because he was hopped-up, not drug hopped-up if that’s what you think, but maybe more sexual promise hopped-up if anything but mainly just excited to have a date with such an exotic flower as Joyell.

Then she came out of her room looking, well, looking fetching with a peasant blouse (expensive peasant blouse if that is not an oxymoron), the de rigueur jeans of the folk scene, sweater on her arm against a possible cool weather night, black hair gleaning, eyes flashing, laughing eyes he thought. God’s own gypsy princess. On seeing her then he got even more hopped-up, if that was possible.

And his luck had held, that night was a clear, fall-ish October night, big moon, big promise, and perfect for walking over the Massachusetts Avenue bridge (pavement smoots and all) through Central Square to the edge of Harvard Square where the Club Morocco’s lights beckoned all to come and eat, drink and be merry. Of course Phil was also hopped-up on talking about Dave Van Ronk, like somehow keeping the talk on him was a magic mantra to ward off their social differences (although pro-prole Joyell seemed to like him well enough his insecurities as well as his lack of social lacks some times got the best of him, especially with her). As he analyzed the situation later this over-hype was probably decisive in what happened later.

But, except for that nervousness, things went along okay, maybe better than okay as Joyell suddenly displayed a great deal of knowledge about mountain music, a staple of Van Ronks’s play list. She rattled off some stuff about the British musicologist, Cecil Sharpe, who had “discovered” that Fair and Tender Ladies song that Phil was always harping on down in the hills and hollows of Kentucky in 1916 He was impressed (and was still impressed later, but for another reason) when he found out that trying to impress him she had gone, as he had and many others as well, to Sandy’s Records on Mass Ave. where she got the “skinny” on lots of folk information).

You knew, if you have been to Harvard Square anytime between the landing of the Mayflower and 1963, that the Club Morocco was not so much a coffeehouse, the vital core of the folk revival existence, as a be-bop jazz club. Moreover they sold liquor, liquor by the glass, as Phil’s Irish-born grandmother used to say when his father and his cronies hightailed it over to North Adamsville’s Dublin Grille to toss down a few (well, more than a few) rather than a sober (lesser, really) amount at home, so naturally Phil and Joyell were carded at the door to make sure they were twenty-one. No problem, no problem either in finding some seats near the front to hear Mr. Van Ronk better. While getting seated, they half, or maybe quarter-listened to the front performer twanging away on some sing-along thing that was supposed to get everybody in the spirit of the thing. (Why, Phil wondered, did they always have some lame, half on, half off-key local “coming folk star” to warm up the audience when you came to see, see exclusively that night, the main performer. And the front guy, and it was usually guys, was never heard from again, usually.)

More importantly, Phil noticed Dave at the bar drinking a couple of shots (whiskey shots, he assumed) straight-up. Well anything to fortify you Phil thought. Probably will help to get that gravelly voice razor-edged. Then Dave tossed another as Phil turned to give his undivided attention to his gypsy princess. Damn she looked, well, fetching was the word that came to his mind, at least for public consumption, although if Phil was was honest with himself he was just hopped-up, sexually hopped up.

The front man finished up to lackluster applause, as he should have expected except for his sing-along rendition of Woody Guthrie’s This Land Is Your Land always a crowd-pleaser, especially late in the night. The MC announced Dave to hearty applause; aficionados were clearly in the house for this performance. Phil noticed that as he came away from the bar Dave tossed another straight-up whisky down. He got slightly nervous never having heard any rumors about a drinking problem but also knowing, first hand-knowing, or rather observing, that several straight-up drinks were not a good sign. Moreover Dave had what Phil thought at first was a water bottle (or soda, although he had always been taught at home to call it tonic) but on closer inspection looked much more like a flask on his hip. Dave took to the impromptu stage, taking the steps steadily enough, introduced himself, and after the applause died down, started in right away on his Fair and Tender Ladies version, sounding a little tinny in the process. And sipping from the flask.

Another song, Cocaine Blues, followed. And then the axe. Well the axe for Phil, anyway. Dave literally mumbled the old time traditional song Railroad Boy. Joyell had had enough by then. As she explained while they were walking out the door she was no “purist” but she wasn’t going to spend the night listening to a drunk, a drunk that she could have listened to on the street outside to better effect. Out the door she spied an MTA bus, the one to Dudley that went right by her apartment, and told Phi that she was going to take it home. Home alone. And that was what Dave Van Ronk stole from one heart-broken Phillip Francis Kiley.