From The Pen Of Joshua Lawrence Breslin-Motorcycle Days, Circa 1958

 

Click on the headline to link to a YouTube film clip of Jody Reynolds performing his teen angst classic Endless Sleep.

Yes, 1958 was a good time to be a motorcycle boy, a de facto, de jure wild boy according to the chattering, clueless, disapproving parents of the time, especially the parents of impressionable teenage girls (and not just teenage girls either if they, the parents, had had a clue what was going on over at State U with the twenty somethings, including their Janie, when the music and liquor got going and the wild boys showed up to get it on). Of course parents didn’t count, count for much anyway, when trends, moods, and what was cool got discussed in front of night time mom and pop variety stores where corner boys of all descriptions and attitudes held forth. Or after school, high school of course lesser grades need not bother to show up except maybe in early morning to get some candy bar or other sweet to get them through until growing time lunch, Doc’s Drugstore where all manner of high school boy and girl went for a soda and snack but mainly to hear some latest tune, maybe some hot Jerry Lee wild boy mad man thing, seventeen times in Doc’s amped up super juke box. In those quarters motorcycle wild boys were cool, if maybe just a little dangerous.

 And maybe just slightly illegal too as their parents’ cops (as part of that parent-police-teacher-priest-politician-hell-maybe even mom and pop variety store owner authority continuum) frowned, no more than frowned, when some local detachment of the Devils’ Disciples’ roared through the Adamsville Beach boulevard night. The sight of flashing blue lights on the boulevard usually meant one thing. Some wild boy had his exhaust system too loud, or he wasn’t wearing a helmet, or he switched lanes without signaling, or maybe for just being ugly, cop’s eyes ugly, or some lame thing like that. Those small civic sins only added to the mystique though. Especially on sultry summer nights when the colors passed turning every guy’s eyes, even mine, to listen to that power and to set every girl, impressionable or not, to thinking, thinking Wild Boy Marlon Brando thinking about what was behind that power.  

See before Tom Wolfe and Hunter Thompson put everybody straight about the seamy side of motorcycle life, life-style motorcycle life with its felonies and mayhem, Marlon and his wild boys (and maybe throw in James Dean and his “chicken run” cars although they were a little too tame to be as revered as the motorcycle boys were) had cleaned up the wild boy scene, made it okay to an easy rider, made it sexy. Not the weekend warrior flip turns and wheelies and then Monday morning back to the bank stuff but real alienated Johnnies just like you and me. Old Marlon had made alienated wild boys cool. Old sexy white tee-shirt, maybe a pack of Luckies rolled up one sleeve, a cap rakishly turn at an angle on his head, but mainly an attitude, an attitude of distain, hell, maybe hatred, toward that ever present authority that told every kid, every boy and girl that you had better take what you can when you can because it won’t be there long. And that slight snarl that accompanied every word. Yah, cool, cool daddy cool.       

And the girls, wells, they were doing that wondering, wondering about what was behind that power thrust, as those leather jackets and engineer boots roared by. To the detriment of their date while sitting in the front seat of his father’s borrowed plain vanilla boxed tail fin car that he had had to almost declare a civil war to get for the evening and promise to mow some future lawn as compensation.  Jesus. Or worst, infinitely worst, seeing that metal, chrome and fire pass by after her date, her car-less date, had just walked her over to the beach to sit on that cold seawall. Her eyes flamed red, as she almost flagged down some local easy rider as he passed by just to get some kicks, and maybe freedom.     

It wasn’t always low-down grunges who occupied the flamed night either. Every town probably had it story, many more that one, of some wild boy motorcycle boy who rules the roost, who took what he needed, or better, wanted and said the hell with civilization. Yah, a real outlaw, an outlaw way outside the system like North Adamsville wild boy James Preston, a guy they still talk about, although not when tender ears are around. Back in 1957, maybe 1958 that was all the talk, all the talk that counted like I said when Pretty James Preston got his chopper. Damn, I can still hear that explosion when he gunned that pedal even now.

See, Pretty James Preston (and nobody called him, as far as I know, anything else except that exact designation) had Elvis-like looks to go with his outlaw snarl. Dark hair combed back like Elvis (but don’t ever use that comparison, not if you don’t want to fight, fight whip chains fight just so you know), black kind of Spanish eyes, long and tall, wiry some would say, but tough as a kid from the wrong side of the tracks could be. Nobody messed with Pretty James Preston (see, hell, even fifty years or more later I still call him that just in case, just in case his chain-wielding ghost is still around). So tough that he, around ordinary citizens, was almost civilized. He could afford to be and because it cost him nothing in his world calculus that was that.     

So naturally every high school girl, even women since at that time Pretty James Preston was about twenty-one, had some tough nights up in her lonely room thinking about that wild boy. Now maybe not everyone, okay, North Adamsville was not that small a town but let’s say any girl (or young woman) who thought she had a shot, or maybe half a shot, at his favors was having sweaty summer nights. Even Mimi Murphy, my girlfriend, my faithless girlfriend. Now Mimi was maybe not the dish of the town, with her flaming red hair and her slender, maybe skinny is better, body but she had a certain something, a certain, smile, a certain style about her that made some guys who you would never ever think would give her a second look (like I did to my delight) were intrigued by her. Including one Pretty James Preston.    

One summer night after I walked Mimi, yes, car-less walked, Mimi over to the seawall down at the Seal Rock end of old Adamsville Beach I (we) heard that roar, that roar that meant only one thing- Pretty James Preston was coming down the boulevard full throttle. I turned around and before I knew it there he was stopped in front of us as we sat on the seawall. I swear I don’t remember him saying word one to Mimi (or me). Maybe a nod, maybe they had some secret karmic thing, I don’t know. All I know is that the queen of Sacred Heart Church (Roman Catholic) for number of novenas said in the old days, some white veil presence, one of the smartest girl in our class and, probably the closest thing we had to a quirky girl in our class walked over to Pretty James Preston and his strange and powerful Vincent Black Lighting and straddled herself on back of the bike. And into the night they roared.     

But see that strange bike, that British-made exotic Vincent Black Lightning (which later proved to have been stolen, not by Pretty James but someone else, and then ferreted over from England to take its place in North Adamsville lore) was the undoing of Pretty James Preston (although not to hold you in suspense not of Mimi Murphy). Pretty James Preston was leading kind of a double life. Let me explain, or try to, the way I heard it from some sources that I trusted (not Mimi, for I never really saw her to speak to after that fateful night).

In order to keep up his bike, his chopper Pretty James Preston robbed, robbed persons, places and things if you like. Not around North Adamsville since he was too well known (although after it was all over a few people around town admitted that he had robbed them, robbed them at gun-point and they were too scared to say anything. Maybe true, maybe not.). But around, a gas station here, a mom and pop variety store there, a couple of department stores, a few wealthy homes over in Millsville. Not much but steady.

Then one day we heard that Pretty James Preston had stepped up his act. Banks, or rather a bank, the Granite City National Bank branch over in Braintree. And that was his downfall. Somehow he bungled the job, or some alarm went off, or some rum brave cop got religion and before he could get out the door Pretty James was shot, shot six ways to Sunday. Dead, DOA, done. The only thing left to say is that somebody thought they saw a skinny, long haired, redheaded  girl in a leather coat and dungarees standing across the street from the bank and when they turned around after looking away upon  hearing the shots the girl were gone. They later found the Vincent Black Lightning over in the Adamsville projects kind of mashed up. The red-headed girl, my Mimi, was not seen around town again. (Rumors, small rumors swirled for a few months about her fate, some reported that she was in a convent up North, others that she was holed up doing tricks in some high –end whorehouse in Boston but I never got very far with the few leads I had and soon gave it up.)   Yes, Pretty James Preston was an outlaw from his first to last breath. And you wonder why they still talk about him with hushed breath.

The music too befit the motorcycle wild boy time of end of time times, the times when it seemed every little mishap in some godforsaken corner of this wicked old world turned into a major crisis causing everybody at some invisible authority’s urging to head for the air raid shelters and keep their heads down. And their butts up. Jerry Lee wild man piano stuff, always ready to break out, jail break out ever since he popped the question in high school confidential, Chuck leering at sweet little sixteens and you know what I mean, Eddie Cochran giving us a summer time blues anthem to hang our hopes on, and all kinds of one hit wonders trying to put a dent in our angst, our special teen angst that was ready to boil over, to break out and be free. Free from that invisible hand authority.     

No wonder the wild boys had a field day. Those impressionable girls, maybe Mimi too although we never talked about such things, jesus no, worried they would never get to “do it” but were fearful to “do it” nevertheless in that Pill-less world. And guys hoping that the girls were worrying about not “doing it” before the world exploded egged them on although not with as much concern as necessary about consequences. The wild boys, those easy riders, though said “take no prisoners” and that was attractive, that and that promise of power that had many a girl restless late at night.  

So no wonder as well some young thing in the Jody Reynolds’ song Endless Sleep , maybe worried about getting pregnant after she let lover boy go further than she (and he) expected decided to go down to that sunless beach and let old Neptune have his way with her. And he, lover boy, maybe with a wild boy sensibility on the surface but more the weekend warrior when the deal went down, went looking for the dizzy dame, his dizzy dame and left old Neptune in the lurch. And many years later, maybe in some dream remembrance, they would throw the old records on the turntable, amp up the teen angst, the teen alienation, then sit back and listen to maybe the last minute in the 1950s when free-wheeling rock and roll blasted the night away. And the motorcycle boys held forth in the thundering night.