A Good Old Boy Tries To Keep It
Together- With Prescott Breslin Wherever He Is In Mind
A YouTube film
clip of Hank Williams performing minute You Win Again to set
the mood for this piece.
Josh Breslin had been since he retired
a couple of years ago as a journalist writing for half the alternative and
special interest newspapers and journals in the country, make that half the
unread, mostly, newspapers and journals in those categories sitting on some
glassy coffee table showing that the residents therein had been a part of that
vaunted minute in the 1960s when they had collectively tried to turn the world
upside down, in something of a reflective mood. Not every day, certainly not on
golf days with his golfing associates over at Dunegrass, when reflection over
some missed chip or putt on the previous hole spelled the kiss of death for the
round. Much better to keep an empty mind on those days and just hope enough
muscle memory kicks in to survive the round. But enough of golf, enough of
unread journals, hell, enough of retirement except as the cushion that Josh’s
thoughts fell on one day when passing through his old home town of Olde Saco, a town farther
north in Maine than the one where he now lived, on some family business.
While in Olde Saco he passed by his old
growing up house, as was almost always the case since it was located near a
main town road which he would have to cross to get on to the main highway and
not always in some fit of nostalgia. Or
rather he passed the plot of land where the old home was situated, an old house
that had been little better than a shack, a cabin maybe then, maybe especially
when his three sisters came of age and hogged the single bathroom and stuff
like that. A place which left little room for a single growing boy to attend to
his own toilet, his own sense of space, to any sense at all. The house may have
been a shack, no, he thought better say a cabin but it had been located on
about two acres of land and in the intervening years, years well after his
parents had passed on and his sisters like him had left the dust of Olde Saco
behind the land had become valuable and now had been developed into an
eight-unit condominium complex. Not that his parents, not that his father Prescott
Breslin derived any real financial benefit from that development since the
house had been sold when he needed to go into a nursing home after Josh’s
mother, Delores, passed away. Had been sold well before there was a resurgence
in the Olde Saco economy which had taken a beating when the MacAdams Textile
Mills shut down and moved south to North Carolina in the early 1950s and had
only recovered with some “high tech” start-ups using the old factory space well
after Prescott passed on. The sale of that old house had broken his father’s
heart despite its shanty condition at the end. The damn sale of the cabin in
any case had not brought enough money. Not enough to cover all Prescott’s
increasing medical expenses which Josh and his sisters wound up subsiding.
So the passing of that lot got Josh to
thinking about how Prescott Breslin never drew a blessed break in his
hard-scrabble life. Never drew a break although he was a hard-working man of
the old school-“a fair day’s work for a fair day’s wages”-when he had work. Got
Josh to thinking about the early 1950s when he was coming of age, when he
started even if unconsciously, or maybe semi-consciously, to feel that some new
breeze was coming, some new breeze that was going to break through and unfreeze
that red scare Cold War time. And while Josh’s horizons in those days centered
on the emerging rock and roll, coming from some “new” Memphis hillbilly
sources, some black as night rhythm and blues sources, some down and out urban
blues sources, again black as night, that was leading the jail-break out then
his father’s fate was being sealed in another way. See Prescott Breslin was an
employee, a machine tender and mechanic at the MacAdams Textile factory that
was heading south and he had no other resources to fall back on. That last
thought was pure Josh though, pure Josh remembering back to those hard days.
Prescott Breslin, as he would be the first to say, and had probably said it a
thousand times, with a wife and four children had no time to worry about
whether he had resources to fall back or not. Josh chuckled to himself over
that one, yeah, that was pure Dad.
As Josh travelled further along Main
Street (really Route One but everybody called it Main Street since they had no
real such street in the town) he passed by what in the old days was Millie’s
Diner, now re-opened as Mildred’s, the one right across the street from the old
textile plant where guys would go before their shift and grab a coffee and
crullers, maybe grab a quick dinner if they were single, or maybe meet some
sweetheart and talk before going off to work. He did not know this from
personal experience but his father had once told him that right after World War
II the plant was working three shifts and guys, and gals, were catching as much
overtime as they wanted.
Millie’s did not long survived the
shutdown of the mill and had been abandoned for a number of years (like a lot
of other businesses in that section of the town that were dependent on the
mill-workers) but had re-opened about a decade ago with the same “feel” as
Millie’s including a jukebox which played current stuff but also stuff from
back then, stuff that hard-working guys and gals would put their nickels, dimes
and quarters in to listen to whatever was “hot” in those days. Josh knew all of
this because a couple of years before he had been contacted by an old high
school classmate, Melinda, Melinda Dubois (the place, Olde Saco, was crawling
with French-Canadians including his mother, nee LeBlanc), who had read some old
article of his and got in touch to invite his up for a class reunion. During
that previous time in town Melinda had taken him around town and showed him
what had changed and told him the story of Millie’s resurrection as
Mildred’s.
Something that day, probably the sight
of the old homestead, maybe just the thought of Millie’s where sometimes when
his father had been making good money he would take the family for an out of
house dinner and where Josh on occasion had stopped in to play the jukebox and
have a Coke while looking furtively around for any stray girls, prompted him to
stop and go into Mildred’s for a coffee and maybe a piece of pie (that pie an
iffy thing what with him and his new weight problem but he thought why go into
a diner if you are not going to have something that is “bad “ for you). As a
single he sat at the Formica-top counter complete with red vinyl-cushioned
swivel stool to sit on and a paper placemat and utensils in front of him
waiting for the smiling waitress to take his order (a career waitress as is
usual in diners, middle-aged, her white uniform a little tight trying to look
younger, pencil in her hair for ease of taking orders, chewing gum but friendly
until you placed your order and then either still smiling or a frown if you
only ordered coffee and, not the young college girls and guys you find in
better restaurants marking time with a job to help defray college expenses or
for “walking around” money). He placed his frowning order, coffee, black, and a
piece of apple crumb pie with, yes, with ice cream (bad, indeed).
While Josh waited for his order he
thumbed through the panels on the jukebox machine that was placed between him
and the next placemat. And as if by some strange osmosis Josh came upon Hank
Williams’ You Win Again, his father’s
favorite song when he was young back in Kentucky, back in rugged cross
heartbreak legendary Hazard. (His father had been in a pick-up band for a while
working a circuit and along the Ohio River.) Josh put his quarter in to play that one selection
(yeah, times have changed even in jukebox land, no more three for a quarter )
and as Hank moan’s his lovesick blues that triggered Josh to start thinking
about his father and where he had come from, where he would have picked up
those country tunes in his DNA. And then Josh thought of that hard time when
his father was so discouraged about his prospects when the mill had closed down
temporarily and then when the final word had come that it would be closing for
good and would play that song repeatedly as if to try and ward off some evil
spirits. He could remember his father’s voice like it was yesterday as he sat
beside him in Millie’s:
“Jesus, it’s been three months since the mill
closed on the first day of our lord, January 1954, as the huge black and red
sign in front of the dead-ass silent mill keeps screaming at us. And also
telling us not to trespass under penalty of arrest, Christ, after all the sweat
we have given the damn MacAdams family. I still haven’t been able to get steady
work, steady work anywhere, what with every other guy looking for work too, and
I don’t even have a high school diploma, not even close since I only went to
eight grade and then to the mines, to do anything but some logging work up
North when they need extra crews,”
That is what Prescott Breslin, Josh
sitting silently beside him, had half-muttered to Jack Amber, a fellow
out-of-worker sitting on the counter-stool next to his from the same MacAdams
Mill that had been in Olde Saco since, well, since forever. This conversation
and ones like it in previous weeks between the two, and by many previous
parties on those self-same stools, took place, of course, right at Millie’s
Diner right across the street from the closed, dead-ass mill the place where
every guy (and an occasion wife, or girlfriend waiting to pick up her guy) who
worked there went for his coffee and, and whatever else got him through another
mill week.
Just then Prescott, hey, no Pres, or
PB, or any such thing, not if you didn’t
want an argument on one of his few vanities, fell silent, a silence that
had been recurring more frequently lately as he thought of the reality of
dead-end Maine prospects and rekindled a thought that came creeping through his
brain when Jack MacAdams, the owner’s son, first told him the plant was
shutting down for good and moving south to North Carolina not far, not far at
all, from his eastern Kentucky roots. Then it was just a second of self-doubt
but now the thoughts started ringing incessantly in his brain.
Why the hell had he fallen for, and
married, a Northern mill-town girl (the sweet, reliable Delores, met at the
Starlight Ballroom over in Old Orchard Beach when he had been Marine Corps
short-time stationed at the Portsmouth Naval Base down in New Hampshire just
before heading back to the Pacific Japan death battles), stayed up North after
the war when he knew the mills were only a shade bit better that the mines that
he had worked in his youth, faced every kind of insult for being southern from
the insular Mainiacs (they actually call themselves that with pride, the hicks,
and it wasn’t really because he was from the south although that made him an
easy target but because he was not born in Maine and could never be a Mainiac
even if he lived there one hundred years), and had had three growing,
incredibly fast growing, girls and one boy with Delores. Then he was able to
shrug it off but not now.
The only thing that could break the
cursed thoughts was some old home music that Millie, good mother Millie, the
diner’s owner (and a third generation Millie and Mainiac) made sure the jukebox
man inserted for “her” country boys while they had their coffee and. He
reached, suddenly, into his pocket, found a stray nickel, put it in the
counter-side jukebox, and played Will The Circle Be Unbroken, a song
that his late, long-gone mother sang to him on her knee when he was just a
tow-headed young boy. That got him to thinking about home, the Hazard hell home
of worked-out mines, of labor struggles that were just this side of fighting
the Japanese in their intensity and possibilities of getting killed, or worst
grievously injured and a burden on some woe-begotten family, of barren land
eroded by the deforested hills and hollows that looked, in places, like the
face of the moon on a bad night. And of not enough to eat when eight kids, a
mostly absence father and a fading, fading mother needed vast quantities of
food that were not on the table and turnips and watery broth had to do, of not
enough heat when cruel winter ran down the ravines and struck at your very
bones, and of not enough dough, never enough dough to have anything but
hand-me-downs, and then again hand-me-downs clothes, sometimes sister girl’s
stuff just to keep from being bare-assed.
Then Prescott thought about the
Saturday night barn dances where he cut quite a figure with the girls when he
was in his teens and had gleefully graduated to only having to wear
hand-me-downs. He was particularly lively (and amorous) after swilling (there
is no other way to put it) some of Uncle Eddie’s just-brewed “white lightning.”
And he heard, just like now on the jukebox, the long, lonesome fiddle playing
behind some fresh-faced country girl in her best dress swaying through Will
The Circle Be Unbroken that closed most Saturday barn dances.
As Millie asked him for the third time,
“More coffee” he came out of his trance. After saying no to Millie, he said no
to himself with that same kind of December resolve. A peep-break Saturday night
dance didn’t mean squat against that other stuff. And once again he let out his
breathe and said to himself one more time- “Yes, times are tough, times will
still be tough, Jesus, but Delores, the four kids, and he would eke it out
somehow. There was no going back, no way.”
And as if to put paid to that resolve,
as Josh made a funny face in recognition, Prescott had put a coin into the
jukebox and played You Will Again,
which he always said brought him good tidings, or at least made him feel
better. A few minute after the song was completed and he and his father were
ready to leave after saying good-bye to Jack Johnny Dubois came through the
door and yelled, “Hey, Prescott, Jack, the Great Northern Lumber Company just
called and they want to know if you want two months work clearing some land up
North for them. I’m going, that’s for sure.” And, hell, he was going too.”
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