Showing posts with label Rock and Roll. Show all posts
Showing posts with label Rock and Roll. Show all posts

Saturday, February 23, 2013

When The Blues Is Dues- The Byrds So You Want To Be A Rock And Roll Star


From The Pen Of Frank Jackman

…who knows when that sound hits the brain, or rather sounds put together to make the sway, to make the movement, and, in the end, that ferocious desire to replicate that long ago felt tribal combination. Maybe it went back to the womb, sitting, better rolling and hence a jump up on the swaying , all attuned to every stimulant, repeated back to some primeval forest dwelling, Adam and Eve time, maybe before, maybe. Or more realistically maybe back to cradle Mother Africa times, high wind-swept desert time in some Nile river flow, all bunched up against old Pharaoh’s lashes, and sing- song was the only way to keep rolling those stones up that pyramid hill. And some ancient forbear hearing that rushing river and those desert winds started swaying, started moving just a little bit different from cave times, and kept that thought embedded in all the slave ages. Or maybe, and here I speak of Billy maybe, Billy Riley from the old neighborhood, hometown Hullsville, maybe, it was just some reaction, from the womb or not, to the sounds hear in about 1943, his birth year, coming from some old wooden-faced RCA radio booming out Doris Day, Harry James, Lena Horne, the Duke, the Count, the Inkspots, and he said, no, declared, no way, no way in hell was that his sway (although he may, or may not, have known to use that neighborhood friendly word).

And the reason that Billy, William Riley, was saying that big “no”however he expressed it was because in the year of our lord 1955 he saw, saw live on television, all in beautiful black and white, Mister Billy Haley and his Comets performing Rock Around The Clock (and later Elvis, and Bo, and Chuck, and Jerry Lee but Brother Haley was the ding-dong-daddy that got him swaying that ancient sway) and that settled things, settled things for one Billy Riley, at least while the dream held. Billy Riley decided right then and there that he had his ticket out of the no dough, no girls, nowhere old town. And he almost made it, almost turned the tide, the red sea tide on old Pharaoh.

See Billy had a pretty good voice, a pretty solid voice for a twelve year old, a little Elvis snarl and turned- up lip voice, a little be-bop be-bop Bo Diddley beat feel, a little manic Jerry Lee squeal in just the right places. Check. Billy had pretty good moves, natural untrained moves, moves that with a little help could be twisted in some sellable commodity. Check. Billy also had good looks, maybe not the haughty Elvis flip, or Jerry Lee jut jaw but good enough. Check. And Billy, in old sixth grade class, at school dances, and church concerts got the girls going, got them going maybe too much (got them wet, sweaty, whatever, if one was to believe the talk in the dance or concert girls’ room at intermission or at Monday morning before school girl gabs). Check. Moreover Billy was ready, more than ready, after a few successes winning contests in local talent shows (really against nothing competition except one doo wop girl three some that beat him bad but he chalked that up to them being “hot”) and after he started drawing scout attention, to sell himself to the devil, the devil’s brother, or whomever one sold out to in order to get that old neighborhood jail break-out chance. Check

But see too something happened to Billy, happened out of the blue, when he hit thirteen, his voice changed and he started sounding like all smooth and silky like Mister Perry Como and so he was finished before he even began (although the girls still hovered around him for a while). But know this too through a troubled youth (his parents divorced, father off with some woman, heading south, and mother picking up guys, “uncle” guys, whenever she had the chance), through a couple of scrapes with the law (a couple of off-hand gas station robberies, kid’s stuff) , through two tours in‘Nam (and a couple of purple hearts and some other medals) , through a couple of drug addictions (reefer, sister), through a couple of bouts of homelessness (one after his first marriage fell through the floor)Billy Riley never lost that idea that he could have been a rock and roll star, could have challenged the king in all his glory. Yah, maybe it did go back to Pharaoh times...

So You Want To Be A Rock 'n' Roll Star Lyrics

by The Byrds

from The Country Bears Soundtrack

So you want to be a rock and roll star?

Then listen now to what I say.
Just get an electric guitar
Then take some time
And learn how to play.
And with your hair swung right,
And your pants too tight
It's gonna be all right.
Then it's time to go downtown
Where the agent man won't let you down.
Sell your soul to the company
Who are waiting there to sell plastic ware.
And in a week or two
If you make the charts
The girls'll tear you apart.

The price you paid for your riches and fame,
Was it all a strange game?
You're a little insane.
The money, the fame, and the public acclaim,
Don't forget who you are,
You're a rock and roll star.

Wednesday, December 19, 2012

From The Pen Of Joshua Lawrence Breslin – Down Sonora Way- The Ghost Of Bill Higgins


 
Frankie Riley was shocked, well maybe not shocked but stunned when he heard the news of Bill Higgins’ murder. Jesus, he had had just seen Bill in Los Angeles a couple of months before when Bill was passing through on his way south and he and Maria, his live-in mex girlfriend (immigration status fuzzy so Maria, okay), her of the sparkling laughing eyes and dark brown skin, had let Bill stay in their apartment for a couple of weeks while he worked on some plan that he had hatched, some vague plan connected with making a pile down in Mexico, down  Sonora way that would put he and Clara on easy street.

Bill Higgins and Frankie Riley had known each other from the hunger days in the old 1960s Olde Saco (Maine, okay) neighborhood, the old just barely working- class neighborhood where the chronically unemployed, under-employed and just plain ne’er-do-wells, mainly Irish and hence locally known as Irishtown (although more generically to outsiders, combined with the French-Canadian streets, as the Acre), mainly third or fourth generation Irish and thus firmly planted by the prior toil of forbears lived, where they had met, beyond Olde Saco Junior High corridor nod (the junior high, and come to think of it, high school nod too, a subject worthy of its own sketch but not here, not now when dope, guns, and girls, ah,  women, are central to what is what) met, while hugging the walls (literally according to both sources at the time) at the old Sacred Heart (Roman Catholic) Church at the weekly (except Lent, of course, and other odd-ball feast days like the Feast of the Immaculate Conception which even as ignorant, sex ignorant,  flat- out sex ignorant, as these boyos were drew a guffaw) “sock hop” held by the senior parish priest, Monsignor Lally.

Held to, well, “keep an eye, maybe more than one, on the younger portion of his flock,” as the good father expressed it each Sunday when making the announcement for the next hop in the line-up. The real reason, of course, whispered among the young, including wall-huggers Higgins and Riley, was to keep said young angel sheep, away from too much heathen devil’s music (read: ersatz Protestant music probably a Baptist or Unitarian conspiracy, the good priest spouted both theories); that rock and roll music that was just then epitomized by that hip-swaying, butt-flaying, making the girls “wet” (wet in the wrong places) praying false god praying Elvis Presley. And by all means to keep them, that unprotected angel flock to a person, but especially those with access to automobiles, from dark seawalls down at Olde Saco Beach listening to fogged-up car radios in the back seat and digging the beat while, well, just while and leave it at that or for those without golden automobile access or who were too young, away from the Strand Theater, the exclusive upstairs balcony section of course, for the young set, the car-less healthy young interested in lightless dark night s-x (you know just in case the old bastard is still around).

Frankie still remembered the first song that they had heard upon meeting at that fateful junior high school time sock hop, Danny and the Juniors’ At The Hop. And the reason he remembered that song so vividly was one sparking blue-eyed, flaming red-haired Clara Murphy, just mentioned Clara, a girl who had given both of them her come hither twelve-year old look that night (and previously at school too) and they had been hooked, hooked as bad as men (okay, boys) could be hooked by a woman (okay, girl). So it was not surprising that they both had rushed over to ask her to dance when that number was being played at that fateful dance. And Clara in her Solomonic wisdom turned them both down. Or maybe not so solomonic. Clara Murphy couldn’t, just that moment, decide whether she liked Bill or Frankie better, or whether she liked either of them, according to Frankie’s intelligence source, his younger sister Amy who was friends with Clara’s sister Bonnie and so gave in to her budding feminine wiles and had turned them both down.

Naturally that denial after those come hither looks inflamed the boyos. So for the next several weeks Bill and Frankie made every mad school boy mad attempt to win her favors. Both had recklessly, although determinedly, courted legal danger by “clipping” (five finger discount, oh, you know, petty larceny) onyx rings (Frankie’s had a diamond in the center) for her at Sam’s Jewelry Store in downtown Olde Saco (again intelligence, reliable intelligence, Clara sister Bonnie via Amy, had informed them separately that she liked those kinds of rings). She accepted both as tokens of friendship she called it. Ditto 45 RPM Elvis and Jerry Lee records from Chuck’s Record Shop over on Main Street (an easy “clip” for these adventurers, just place under your undershirt and walk out, or better slide into your underpants, no salesperson, no girl salesperson on duty at the time was going there, no way). Accepted, dispassionately accepted. Not ditto though, not ditto “clipped” flowers and candy (especially when Clara heard how the previous goods were “purchased” although she did not go so far as to give them back). They had each worked, really dragged their butts carrying doubles, as caddies as the local golf course to gather the dough necessary for those expenses. And on it went like that for several weeks.

To no avail for Frankie though because, also exhibiting another aspect of budding wiles, Clara took up with Bill (and had really, according to other reliable intelligence sources, had her eye on him all along. Girls, ah, women, go figure).   Reason: stated Clara reason. Bill had a head on his shoulders and, quote, was not so hung up on silly rock and roll that was just a passing thing like Frankie, unquote. Frankie laughed at the recollection, a bittersweet recollection, since later Clara married Bill, they thereafter had drifted west to the coast, formed and unformed a couple of rock and roll bands in the strobe light dreams 1960s with Clara as a Jefferson Airplane’s Grace Slick –like lead singer and Bill on lead guitar, and now in 1973 Bill had been killed, face-down killed, down in some dusty back alley, Sonora, back alley, when that plan, that major drug deal went south on him.

According to the reports, the police reports when he went to check, Mexican police reports, so maybe a little off on the details, but on point on the face-down dead part, Bill and Clara had “muled” many times for one of the budding drug cartels. (Frankie had known this, hell, had taken delivery of some goods himself, and had, once, accompanied Bill and Clara, down there, down there the time he had met Maria, met her down in that Mexicali whorehouse and brought her Norte but that was another story).  Bill, while he was working on his plan in L. A. the details of which were unknown to Frankie, had decided to go “independent” trying to take-off with one of his cartel deliveries to be used as seed money for his own operation to Panama (the ideas being trying to get to the Canal Zone and some Estados Unidos protection if things went awry, he obviously never made it) and wound up in a back alley with six slugs in the back of his head for his efforts. End of story, just another number in the broken dreams world, the fast stuff of dreams world.   

End of blasé Mexican police report story, as usual, but not quite end of Bill’s story, some of which Frankie knew a little about other stuff he got when he went full bore to find out what happened (including a low-profile trip to Sonora, alone). After the 1960s died (when, the date, a million people have written about, with about two millions dates and about three million reasons for their particular date, Frankie had May Day, 1971 as his date when they, he included, tried to shut down D. C. over the Vietnam war and got nothing but eight million busts and a ton of bad hubris for their efforts) Bill and Clara having ridden the crest were broke, not just broke but in hock broke to about twenty different guys for various musical stuff, including a bust last concert in 1972. When the times were good Bill and Clara walked with the king but the music scene was changing and so acid rock, the thing that made them a thing, could not sustain a bunch of Airplane-look-a-likes. Familiar story ever since music started. That was when they started “muling” (Frankie knew the details of the connections but was keeping mum about that).        

What Frankie didn’t know, although if he had thought about it for ten seconds he should have known, was that Clara, Clara with her chandelier Irish dreams, was the driving force behind their new careers, and kept prodding Bill on that plan to step up to the “bigs” and build his own operation. Jesus, girls, ah, women, go figure. See here is what is funny though. Clara who had accompanied him on that fateful trip (and had been holding that delivery, ten kilos of coke just then becoming the drug of choice for the hipsters, and never cartel recovered) was never heard from again. Just that moment, that reflected moment ,  Frankie raised his finger to his head and nodded that old schoolboy nod to Bill’ s memory and raised his drink to Clara Murphy, Clara of the sparkling eyes and flaming red hair, and of his youth.

P.S. Frankie, few years later, received  a report that someone, second-hand,  had heard that Clara was running a whorehouse stocked with anglo girls serving the booming drug cartels down in Tampico but he just let it pass, let the schoolboy  nod and the drink stand.     

Sunday, November 25, 2012

From The Pen Of Joshua Lawrence Breslin-Rock And Roll Is …, Take Three


Rock and roll was (is) big, sweaty cities, hot time summertime and the living is easy cities, New York-sized outlandish skyscrapers to the stars (if you could see them out on those lonesome canyon walls) cities, Chicago big windy, sloppy hog butcher to the world (reeking of stinks, animal stinks, vegetable stinks, two in the morning whiskey stinks) cities, seven hills rolling to the golden pacific wash and Japan seas great American west night San Francisco (visions of endless North Beach- City Lights Bookstore-Hungry Eye –black bereted, black stockings, black chinos, black, hell, black everything down to those midnight sunglasses worn 24/7/365 beat, beat down, beat around, beat six- ways-to- Sunday beat, but beatitude beat too, Kerouac on the road beatitude beat although undiscovered,  Howl , beat)cities, sprawling sun-sweated, be-fogged, brown hills and all swish and swirl coreless arroyo Los Angeles ( searching for perfect Malibu waves, for Venice Beach muscle boys, for bikini-ed tanned golden girls, and, and Hollywood angst , Rebel Without A Cause angst, Blackboard Jungle angst,  max daddy Asphalt Jungle angst, hell again, just cruising Saturday night Hollywood Boulevard (and Vine, okay) looking for a walking daddy cities.
 
Be-bop cities okay, kids be-bopping, doo-wopping, do-langing, sha-sha –sha-ing (if such a  sound is possible) acting like king hell king long gone walking daddies and mamas (okay, okay chicks, twists, frails) sitting around Washington Square , Central Park, Union Square, Lincoln Park, Grant Park,  Russian Hill, Telegraph Hill, Golden Gate Park, Venice Beach, Santa Monica Pier, Malibu surf run, name your square, park, hill, beach, run, what the hell is a surf run (perfect wave, huh), or be square,  be-bopping away, waiting, waiting impatiently, waiting out of their shoes, blue suede Carl Perkins stolen like a thief by Elvis shoes or not, maybe fearful Pat Boone, Pat Boone!!! white bucks, whatever,  waiting impatiently for the big freeze red scare (hell, no far away, big freeze red scare right down in big city New York Foley Square and dead commie Rosenburgs, stalinite jews for god’s sakes, why did they do it, Hollywood Ten cinematic villains writing up some Malibu nightmare scenes to scare young children, future golden boy perfect wave surfers, to death, Chi town Wobblies turned red never getting over Haymarket 1886 and doing hard time in Joliet, Longshoremen Harry Bridges and golden gate breach) cold war night to turn warm and  provide some fresh air to breath, to breath a not parentcoppriestteacherauthority, not air raid shelter, head down, ass up breathe.

Clapping hands by twos and threes as some bopping horn, or better sexed-up sax (not some old time, teen old time, tenor or alto Johnny Hodges/ Lester Young/ Charlie Parker/Dizzy be-bopping thing but chained, chained hard and fast to that riffing guitar), parent wary too sexed-up sax that made junior toss in his bed at night and sis, well, made her, cool and collected, toss a few sweaty wet nights too, make of that what you will, always sax wails, whales, wales, away with that big beat, beat down, beat around, beat six- ways-to- Sunday (the day exactly), some guitar riff out of Les Paul or some jazz Charlie Christian saint, maybe some Ike Turner Rocket 88 turbo-blast, trying to make sense of that off-beat Bill Haley and the Comets Rock Around The Clock beat that framed, hell, beat to hell that  silly Asphalt Jungle  j. d. (juvenile delinquent for the clueless squares, jack-rollers, corner boys, whip chain-slashers for those in the know also looking for that freeze to thaw in their own coping way) movie seen down at the Majestic on that cool off Saturday popcorn afternoon.

Stag (stag, meaning no girl, not solo, but with full corner boy regiment, white shirted, maybe white tee-shirted, black chinos, some Thom McAn mother- bought shoes, ugh, slick-backed hair, and wisp of Elvis king sideburns, (wisp, just like wisp beards, later, damn, and corner boy laughs and fag-baits) in tow, the crowd from 42nd Street hangs, Division Street hangs, Post Street hangs, and yah, again Hollywood Boulevard hangs), later, intermission later, seeing she, Public School 63 (or name your school la, la, la, do I have to do all the work?) sweet Madonna and then to Eddie Cochran Sitting in the Balcony, Zooey (maybe jewish and no madonna, no frozen irish Catherine Madonna, Muffy wasp Madonna , Rita italian Madonna , Greta german Madonna thing, thank god but not caring not caring a fig just following that Zooey  ivory bath soap, could it be perfume smell, that has hooked guys, smart guys too, guys who know up from down, since, well Adam), and off to private upstairs balcony screenings.

Later, maybe four o’clock later, strolling (got to learn how to get the hang of that damn thing, the stroll, no not the dance, jesus not the dance, the walking in such a way that it takes half an hour to get Zooey homeward rather than the ten real minutes it takes, if you want to hang on to Zooey, boy) off to Schrafft’s corner lunchroom ( Harry’s Variety, Doc’s Drugstore, Hayes-Bickford, Friendly’s, Brigham’s, Howard Johnson, okay) and quarters for jukebox, endless cadges; play this and that six, twelve, infinite times. And our father, Elvis, Elvis, all shakes, shiver, making girls, making Zooey (he heard, heard from the corner boy grapevine, really the corner boy Be-Bop Kid’s sister who overheard that blessed news at one Monday morning before school girls’ “lav” talkfest when they were discussing, ah, discussing what made them “wet”) sweat (and Zooey, cool fragrance bath soap smell Zooey does not sweat even in sweaty New York/Chi Town/Frisco/LA LA land cities) and do things up in cloistered rooms (so he heard, a separate corner boy sister’s wisdom as source) while they (boys “they” in case you didn’t figure that out) ran the clerks at Mr. Sam’s clothing store ragged looking for just the right look, and old Mr. Mack at Doc’s Drugstore too benefited selling combs, gels, and six other things, except correctives for two left feet.        

Rock was (is) small Podunk towns, every boy knows every girl (and maybe desires each and every one and the reverse too although that would cause a scandal in monogamous protestant-driven podunk), small , sweaty towns and villages, hell, one street main street crossroads down in dusty Texas, pass throughs for Greyhound buses and oil tankers, summertime and the living is easy crossroads, Podunk outlandishly named towns, Boise (big, two-hearted rivers and endless forests between jukebox locales, jesus, and those bad ass city corner boy thought they had it tough), Helena (and old time whiskey dreams filled with unfulfilled gold dust dreams), Ponticello (big-hearted in its own way), Big Sur (sleepy town before the invasion), Olde Saco filled with raven-haired, smooth-cheeked French-Canadian boys calling out the songs in patois French (no Arcadia here), be-bop (okay, half  be-bop towns, dusty old towns soon, how soon, to be de-populated by every boy and girl and off to the big sweaty rock and roll cities). Kids sitting around the village green, the fourth of july bandstand, the monument to the civil war, maybe on ocean edge towns down some salty beach fighting off King Neptune for some sea wall space or some hidden Seal Rock lovers’ lane fighting off some enterprising  corner boy (senior set) in his father’s passed- on car, be-bopping away, waiting, waiting just like big sweaty city waiting ,for the big freeze red scare (hell, no far away, they ran those pink, red  NAACP guys, white guys, students making strange noises about black was right if white was right, right out of town, right onto those Trailways buses, one way, pronto) cold war night to turn warm and  provide some fresh air to breath to breath a not parentcoppriestteacherauthority, not air raid shelter (or under old time mahogany inkwell desks for real Podunk towns), head down, ass up breathe.

Clapping hands by twos and threes as some bopping horn, or better sexed-up sax (not some old time, teen old time, tenor or alto Johnny Hodges/ Lester Young/ Charlie Parker/Dizzy be-bopping thing but chained, chained hard and fast to that riffing guitar), parent wary too sexed-up sax that made junior toss in his bed at night and sis, well, made her, cool and collected, toss a few sweaty wet nights too, make of that what you will, always sax wails, whales, wales, away with that big beat, beat down, beat around, beat six- ways-to- Sunday (the day exactly), some guitar riff out of Les Paul or some jazz Charlie Christian saint, maybe some Ike Turner Rocket 88 turbo-blast, trying to make sense of that off-beat Bill Haley and the Comets Rock Around The Clock beat that framed, hell, beat to hell that  silly Asphalt Jungle  j. d. (juvenile delinquent for the clueless squares, jack-rollers, corner boys, whip chain-slashers for those in the know also looking for that freeze to thaw in their own coping way) movie seen down at the Bijou (imitation big city Majestic, really doubling for Sunday morning pancake all you can eat, bring the family socials too, doors open at eight, eight in the morning, jesus), on that cool off Saturday popcorn (popcorn addicted same as in sweaty cities) afternoon. Stag (ditto, cities, maybe corner boys, maybe from some innocent when you dream Mama’s Pizza Parlor corner, closing when main street closes at 9:00 PM , maybe no), but later, intermission later, seeing she, Olde Saco South Junior High School, for example, she (no blank big city Public School X number here) sweet Madonna (same as big city on that) and then to Eddie Cochran Sitting in the Balcony, Betty (or Jane, Mary, nothing as exotic as big city, maybe jew, big city Zooey) and off to private upstairs balcony screenings.

Later, maybe four o’clock later, strolling (got to learn how to get the hang of that damn thing, the stroll, if you want to hang on to Betty/Jane/ Mary, boy) off to Doc’s corner drugstore and quarters for jukebox, endless cadges, play this and that six, twelve, infinite times. And our father, Elvis, Elvis, all shakes, shiver, making girls, making Betty (he heard) sweat (and Betty, Zooey-like, cool Betty does not sweat even in sweaty summer midday corn-picking fields) and do things, universal do things, private girl things, up in cloistered rooms (so he heard, though that same universal Monday morning before school  “lav” talkfest- and lie-fest) while they (boys “they” in case you didn’t figure that out) ran the Sears catalogue (and Ma) ragged looking for just the right look, and old Doc (Doc Andrews and no doctor but just a guy who crushed pills and  sold liquor as medicine for what ailed people to get by) and his fuddy-duddy drugstore with odd medicines for sick people what-a- drag- to- be-old-and- it- ain’t- never- going- to- come- to- that- for- me  benefited selling combs, gels, and six other things, except correctives for two left feet.        

Rock was (is)…



 
 

Wednesday, November 21, 2012

From The Pen Of Joshua Lawrence Breslin-Rock And Roll Is …, Take Two


 
 
 
From The Pen Of Joshua Lawrence Breslin-Rock And Roll Is …, Take Two  

 

Rock and roll was (is) big, sweaty cities, hot time summertime and the living is easy cities, New York-sized outlandish skyscrapers to the stars (if you could see them out on those lonesome canyon walls) cities, Chicago big windy, sloppy hog butcher to the world (reeking of stinks, animal stinks, vegetable stinks, two in the morning whiskey stinks) cities, seven hills rolling to the golden pacific wash and Japan seas great American west night San Francisco (visions of endless North Beach- City Lights Bookstore-Hungry Eye –black bereted, black stockings, black chinos, black, hell, black everything down to those midnight sunglasses worn 24/7/365 beat, beat down, beat around, beat six- ways-to- Sunday beat, but beatitude beat too, Kerouac on the road beatitude beat although undiscovered,  Howl , beat)cities, sprawling sun-sweated, be-fogged, brown hills and all swish and swirl coreless arroyo Los Angeles ( searching for perfect Malibu waves, for Venice Beach muscle boys, for bikini-ed tanned golden girls, and, and Hollywood angst , Rebel Without A Cause angst, Blackboard Jungle angst,  max daddy Asphalt Jungle angst, hell again, just cruising Saturday night Hollywood Boulevard (and Vine, okay) looking for a walking daddy cities.

Be-bop cities okay, kids be-bopping, doo-wopping, do-langing, sha-sha –sha-ing (if such a  sound is possible) acting like king hell king long gone walking daddies and mamas (okay, okay chicks, twists, frails) sitting around Washington Square , Central Park, Union Square, Lincoln Park, Grant Park,  Russian Hill, Telegraph Hill, Golden Gate Park, Venice Beach, Santa Monica Pier, Malibu surf run, name your square, park, hill, beach, run, what the hell is a surf run (perfect wave, huh), or be square,  be-bopping away, waiting, waiting impatiently, waiting out of their shoes, blue suede Carl Perkins stolen like a thief by Elvis shoes or not, maybe fearful Pat Boone, Pat Boone!!! white bucks, whatever,  impatiently for the big freeze red scare (hell, no far away, big freeze red scare right down in big city New York Foley Square and dead commie Rosenburgs, stalinite jews for god’s sakes, why did they do it, Hollywood Ten cinematic villains writing up some Malibu nightmare scenes to scare young children, future golden boy perfect wave surfers, to death, Chi town Wobblies turned red never getting over Haymarket 1886 and doing hard time in Joliet, Longshoremen Harry Bridges and golden gate breach) cold war night to turn warm and  provide some fresh air to breath, to breath a not parentcoppriestteacherauthority, not air raid shelter, head down, ass up breathe.

Clapping hands by twos and threes as some bopping horn, or better sexed-up sax (not some old time, teen old time, tenor or alto Johnny Hodges/ Lester Young/ Charlie Parker/Dizzy be-bopping thing but chained, chained hard and fast to that riffing guitar), parent wary too sexed-up sax that made junior toss in his bed at night and sis, well, made her, cool and collected, toss a few sweaty wet nights too, make of that what you will, always sax wails, whales, wales, away with that big beat, beat down, beat around, beat six- ways-to- Sunday (the day exactly), some guitar riff out of Les Paul or some jazz Charlie Christian saint, maybe some Ike Turner Rocket 88 turbo-blast, trying to make sense of that off-beat Bill Haley and the Comets Rock Around The Clock beat that framed, hell, beat to hell that  silly Asphalt Jungle  j. d. (juvenile delinquent for the clueless squares, jack-rollers, corner boys, whip chain-slashers for those in the know also looking for that freeze to thaw in their own coping way) movie seen down at the Majestic on that cool off Saturday popcorn afternoon.

Stag (stag, meaning no girl, not solo, but with full corner boy regiment, white shirted, maybe white tee-shirted, black chinos, some Thom McAn mother bought shoes, ugh, slick-backed hair, and wisp of Elvis king sideburns, (wisp, just like wisp beards, later, damn, and corner boy laughs and fag-baits) in tow, the crowd from 42nd Street hangs, Division Street hangs, Post Street hangs, and yah, again Hollywood Boulevard hangs), later, intermission later, seeing she, Public School 63 (or name your school la, la, la, do I have to do all the work?) sweet Madonna and then to Eddie Cochran Sitting in the Balcony, Zooey (maybe jewish and no madonna, no frozen irish Catherine Madonna, Muffy wasp Madonna , Rita italian Madonna , Greta german Madonna thing, thank god but not caring not caring a fig just following that Zooey  ivory bath soap, could it be perfume smell, that has hooked guys, smart guys too, guys who know up from down, since, well Adam), and off to private upstairs balcony screenings.

Later, maybe four o’clock later, strolling (got to learn how to get the hang of that damn thing, the stroll, no not the dance, jesus not the dance, the walking in such a way that it takes half an hour to get Zooey homeward rather than the ten real minutes it takes, if you want to hang on to Zooey, boy) off to Schrafft’s corner lunchroom ( Harry’s Variety, Doc’s Drugstore, Hayes-Bickford, Friendly’s, Brigham’s, Howard Johnson, okay) and quarters for jukebox, endless cadges; play this and that six, twelve, infinite times. And our father, Elvis, Elvis, all shakes, shiver, making girls, making Zooey (he heard, heard from the corner boy grapevine, really the corner boy Be-Bop Kid’s sister who overheard that blessed news at one Monday morning before school girls’ “lav” talkfest when they were discussing, ah, discussing what made them “wet”) sweat (and Zooey, cool fragrance bath soap smell Zooey does not sweat even in sweaty New York/Chi Town/Frisco/LA LA land cities) and do things up in cloistered rooms (so he heard, a separate corner boy sister’s wisdom as source) while they (boys “they” in case you didn’t figure that out) ran the clerks at Mr. Sam’s clothing store ragged looking for just the right look, and old Mr. Mack at Doc’s Drugstore too benefited selling combs, gels, and six other things, except correctives for two left feet.        

Rock was (is) small Podunk towns, every boy knows every girl (and maybe desires each and every one and the reverse too although that would cause a scandal in monogamous protestant-driven podunk), small , sweaty towns and villages, hell, one street main street crossroads down in dusty Texas, pass throughs for Greyhound buses and oil tankers, summertime and the living is easy crossroads, Podunk outlandishly named towns, Boise (big, two-hearted rivers and endless forests between jukebox locales, jesus, and those bad ass city corner boy thought they had it tough), Helena (and old time whiskey dreams filled with unfulfilled gold dust dreams), Ponticello (big-hearted in its own way), Big Sur (sleepy town before the invasion), Olde Saco filled with raven-haired, smooth-cheeked French-Canadian boys calling out the songs in patois French (no Arcadia here), be-bop (okay, half  be-bop towns, dusty old towns soon, how soon, to be de-populated by every boy and girl and off to the big sweaty rock and roll cities). Kids sitting around the village green, the fourth of july bandstand, the monument to the civil war, maybe on ocean edge towns down some salty beach fighting off King Neptune for some sea wall space or some hidden Seal Rock lovers’ lane fighting off some enterprising  corner boy (senior set) in his father’s passed- on car, be-bopping away, waiting, waiting just like big sweaty city waiting ,for the big freeze red scare (hell, no far away, they ran those pink, red  NAACP guys, white guys, students making strange noises about black was right if white was right, right out of town, right onto those Trailways buses, one way, pronto) cold war night to turn warm and  provide some fresh air to breath to breath a not parentcoppriestteacherauthority, not air raid shelter (or under old time mahogany inkwell desks for real Podunk towns), head down, ass up breathe.

Clapping hands by twos and threes as some bopping horn, or better sexed-up sax (not some old time, teen old time, tenor or alto Johnny Hodges/ Lester Young/ Charlie Parker/Dizzy be-bopping thing but chained, chained hard and fast to that riffing guitar), parent wary too sexed-up sax that made junior toss in his bed at night and sis, well, made her, cool and collected, toss a few sweaty wet nights too, make of that what you will, always sax wails, whales, wales, away with that big beat, beat down, beat around, beat six- ways-to- Sunday (the day exactly), some guitar riff out of Les Paul or some jazz Charlie Christian saint, maybe some Ike Turner Rocket 88 turbo-blast, trying to make sense of that off-beat Bill Haley and the Comets Rock Around The Clock beat that framed, hell, beat to hell that  silly Asphalt Jungle  j. d. (juvenile delinquent for the clueless squares, jack-rollers, corner boys, whip chain-slashers for those in the know also looking for that freeze to thaw in their own coping way) movie seen down at the Bijou (imitation big city Majestic, really doubling for Sunday morning pancake all you can eat, bring the family socials too, doors open at eight, eight in the morning, jesus), on that cool off Saturday popcorn (popcorn addicted same as in sweaty cities) afternoon. Stag (ditto, cities, maybe corner boys, maybe from some innocent when you dream Mama’s Pizza Parlor corner, closing when main street closes at 9:00 PM , maybe no), but later, intermission later, seeing she, Olde Saco South Junior High School, for example, she (no blank big city Public School X number here) sweet Madonna (same as big city on that) and then to Eddie Cochran Sitting in the Balcony, Betty (or Jane, Mary, nothing as exotic as big city, maybe jew, big city Zooey) and off to private upstairs balcony screenings.

Later, maybe four o’clock later, strolling (got to learn how to get the hang of that damn thing, the stroll, if you want to hang on to Betty/Jane/ Mary, boy) off to Doc’s corner drugstore and quarters for jukebox, endless cadges, play this and that six, twelve, infinite times. And our father, Elvis, Elvis, all shakes, shiver, making girls, making Betty (he heard) sweat (and Betty, Zooey-like, cool Betty does not sweat even in sweaty summer midday corn-picking fields) and do things, universal do things, private girl things, up in cloistered rooms (so he heard, though that same universal Monday morning before school  “lav” talkfest- and lie-fest) while they (boys “they” in case you didn’t figure that out) ran the Sears catalogue (and Ma) ragged looking for just the right look, and old Doc (Doc Andrews and no doctor but just a guy who crushed pills and  sold liquor as medicine for what ailed people to get by) and his fuddy-duddy drugstore with odd medicines for sick people what-a- drag- to- be-old-and- it- ain’t- never- going- to- come- to- that- for- me  benefited selling combs, gels, and six other things, except correctives for two left feet.        

Rock was (is)…

 

Thursday, November 15, 2012

From The Pen Of Joshua Lawrence Breslin-Rock And Roll Is …, Take Two

                                              

Rock and roll was (is) big, sweaty cities, hot time summertime and the living is easy cities, New York-sized outlandish skyscrapers to the stars (if you could see them out on those lonesome canyon wall) cities, Chicago big windy, sloppy hog butcher to the world (reeking of stinks, animal stinks, vegetable stinks, two in the morning whiskey stinks) cities, seven hills rolling to the golden pacific wash and Japan seas great American west night San Francisco (visions of endless North Beach City Lights Bookstore-Hungry Eye –black bereted, black stockings, black chinos, black, hell, black everything down to those midnight sunglasses worn 24/7/365 beat, beat down, beat around, beat six- ways-to- Sunday beat, but beatitude beat too, Kerouac on the road beatitude beat although undiscovered, Howl , beat)cities, sprawling sun-sweated, be-fogged, brown hills and all swish and swirl coreless arroyo Los Angeles ( searching for perfect Malibu waves, for Venice Beach muscle boys, for bikini-ed tanned golden girls, and, and Hollywood angst , Rebel Without A Cause angst, Blackboard Jungle angst, max daddy Asphalt Jungle angst, hell again, just cruising Saturday night Hollywood Boulevard (and Vine, okay) looking for a walking daddy cities.

Be-bop cities okay, kids be-bopping, doo-wopping, do-langing, sha-sha –sha-ing (if such a sound is possible) acting like king hell king long gone walking daddies and mamas (okay, okay chicks, twists, frails) sitting around Washington Square , Central Park, Union Square, Lincoln Park, Grant Park, Russian Hill, Telegraph Hill, Golden Gate Park, Venice Beach, Santa Monica Pier, Malibu surf run, name your square, park, hill, beach, run, what the hell is a surf run (perfect wave, huh), or be square, be-bopping away, waiting, waiting impatiently, waiting out of their shoes, blue suede Carl Perkins stolen like a thief by Elvis shoes or not, maybe fearful Pat Boone, Pat Boone!!! white bucks, whatever, impatiently for the big freeze red scare (hell, no far away, big freeze red scare right down in big city New York Foley Square and dead commie Rosenburgs, stalinite jews for god’s sakes, why did they do it, Hollywood Ten cinematic villains writing up some Malibu night mare scenes to scare young children, future golden boy perfect wave surfers, to death Chi town Wobblies turned red never getting over Haymarket 1886 and doing hard time in Joliet, Longshoremen Harry Bridges and golden gate breach) cold war night to turn warm and provide some fresh air to breath, to breath a not parentcoppriestteacherauthority, not air raid shelter, head down, ass up breathe.

Clapping hands by twos and threes as some bopping horn, or better sexed-up sax (not some old time, teen old time, tenor or alto Johnny Hodges/ Lester Young/ Charlie Parker/Dizzy be-bopping thing but chained, chained hard and fast to that riffing guitar), parent wary too sexed-up sax that made junior toss in his bed at night and sis, well, made her, cool and collected, toss a few sweaty wet nights too, make of that what you will, always sax wails, whales, wales, away with that big beat, beat down, beat around, beat six- ways-to- Sunday (the day exactly), some guitar riff out of Les Paul or some jazz Charlie Christian saint, maybe some Ike Turner Rocket 88 turbo-blast, trying to make sense of that off-beat Bill Haley and the Comets Rock Around The Clock beat that framed, hell, beat to hell that silly Asphalt Jungle j. d. (juvenile delinquent for the clueless squares, jack-rollers, corner boys, whip chain-slashers for those in the know also looking for that freeze to thaw in their own coping way) movie seen down at the Majestic on that cool off Saturday popcorn afternoon.

Stag (stag, meaning no girl, not solo, but with full corner boy regiment, white shirted, maybe white tee-shirted, black chinos, some Thom McAn mother bought shoes, ugh, slick-backed hair, and wisp of Elvis king sideburns, (wisp, just like wisp beards, later, damn and corner boy laughs and fag-baits) in tow, the crowd from 42nd Street hangs, Division Street hangs, Post Street hand, and yah, again Hollywood Boulevard hangs), later, intermission later, seeing she, Public School 63 (or name your school la, la, la, do I have to do all the work?) sweet Madonna and then to Eddie Cochran Sitting in the Balcony, Zooey (maybe jewish and no madonna, no frozen irish Catherine Madonna, Muffy wasp Madonna , Rita italian Madonna , Greta german Madonna thing, thank god but not caring not caring a fig just following that Zooey ivory bath soap, could it be perfume smell, that has hooked guys, smart guys too, guys who know up from down, since, well Adam), and off to private upstairs balcony screenings.

Later, maybe four o’clock later, strolling (got to learn how to get the hang of that damn thing, the stroll, no not the dance, jesus not the dance, the walking in such a way that it takes half an hour to get Zooey homeward rather than the ten real minutes it takes, if you want to hang on to Zooey, boy) off to Schrafft’s corner lunchroom ( Harry’s Variety, Doc’s Drugstore, Hayes-Bickford, Friendly’s, Brigham’s, Howard Johnson, okay) and quarters for jukebox, endless cadges; play this and that six, twelve, infinite times. And our father, Elvis, Elvis, all shakes, shiver, making girls, making Zooey (he heard, heard from the corner boy grapevine, really the corner boy Be-Bop Kid’s sister who overheard that blessed news at one Monday morning before school girls’ “lav” talkfest when they were discussing, ah, discussing what made them “wet”) sweat (and Zooey, cool fragrance bath soap smell Zooey does not sweat even in sweaty New York/Chi Town/Frisco/LA LA land cities) and do things up in cloistered rooms (so he heard, a separate corner boy sister’s wisdom as source) while they (boys “they” in case you didn’t figure that out) ran the clerks at Mr. Sam’s clothing store ragged looking for just the right look, and old Mr. Mack at Doc’s Drugstore too benefited selling combs, gels, and six other things, except correctives for two left feet.

Rock was (is) small Podunk towns, every boy knows every girl (and maybe desires each and every one and the reverse too although that would cause a scandal in monogamous protestant-driven podunk), small , sweaty towns and villages, hell, one street main street crossroads down in dusty Texas, pass throughs for Greyhound buses and oil tankers, summertime and the living is easy crossroads, Podunk outlandishly named towns, Boise (big, two-hearted rivers and endless forests between jukebox locales, jesus, and those bad ass city corner boy thought they had it tough), Helena (and old time whiskey dreams filled with unfulfilled gold dust dreams, Ponticello (big-hearted in its own way), Big Sur (sleepy town before the invasion), Olde Saco filled with raven-haired, smooth-cheeked French-Canadian boys calling out the songs in patois French (no Arcadia here), be-bop (okay, half be-bop towns, dusty old towns soon, how soon, to be de-populated by every boy and girl and off to the big sweaty rock and roll cities). Kids sitting around the village green, the fourth of july bandstand, the monument to the civil war, maybe on ocean edge towns down some salty beach fighting off King Neptune for some sea wall space or some hidden Seal Rock lovers lane fighting off some enterprising corner boy (senior set) in his father’s passed- on car, be-bopping away, waiting, waiting just like big sweaty city waiting ,for the big freeze red scare (hell, no far away, they ran those pink, red NAACP guys, white guys, students making strange noises about black was right if white was right, right out of town, right onto those Trailways buses, one way, pronto) cold war night to turn warm and provide some fresh air to breath to breath a not parentcoppriestteacherauthority, not air raid shelter (or under old time mahogany inkwell desks for real Podunk towns), head down, ass up breathe.

Clapping hands by twos and threes as some bopping horn, or better sexed-up sax (not some old time, teen old time, tenor or alto Johnny Hodges/ Lester Young/ Charlie Parker/Dizzy be-bopping thing but chained, chained hard and fast to that riffing guitar), parent wary too sexed-up sax that made junior toss in his bed at night and sis, well, made her, cool and collected, toss a few sweaty wet nights too, make of that what you will, always sax wails, whales, wales, away with that big beat, beat down, beat around, beat six- ways-to- Sunday (the day exactly), some guitar riff out of Les Paul or some jazz Charlie Christian saint, maybe some Ike Turner Rocket 88 turbo-blast, trying to make sense of that off-beat Bill Haley and the Comets Rock Around The Clock beat that framed, hell, beat to hell that silly Asphalt Jungle j. d. (juvenile delinquent for the clueless squares, jack-rollers, corner boys, whip chain-slashers for those in the know also looking for that freeze to thaw in their own coping way) movie seen down at the Bijou (imitation big city Majestic, really doubling for Sunday morning pancake all you can eat, bring the family socials too, doors open at eight, eight in the morning, jesus), on that cool off Saturday popcorn (popcorn addicted same as in sweaty cities) afternoon. Stag (ditto, cities, maybe corner boys, some innocent when you dream Mama’s Pizza Parlor corner, closing when main street closes at 9:00 PM , maybe no), but later, intermission later, seeing she, Olde Saco South Junior High School, for example, she (no blank big city Public School X number here) sweet Madonna (same as big city on that) and then to Eddie Cochran Sitting in the Balcony, Betty (or Jane, Mary, nothing as exotic as big city, maybe jew, big city Zooey) and off to private upstairs balcony screenings.

Later, maybe four o’clock later, strolling (got to learn how to get the hang of that damn thing, the stroll, if you want to hang on to Betty/Jane/ Mary, boy) off to Doc’s corner drugstore and quarters for jukebox, endless cadges, play this and that six, twelve, infinite times. And our father, Elvis, Elvis, all shakes, shiver, making girls, making Betty (he heard) sweat (and Betty, Zooey-like, cool Betty does not sweat even in sweaty summer midday corn-picking fields) and do things, universal do things, private girl things, up in cloistered rooms (so he heard, though that same universal Monday morning before school “lav” talkfest- and lie-fest) while they (boys“they” in case you didn’t figure that out) ran the Sears catalogue (and Ma) ragged looking for just the right look, and old Doc (Doc Andrews and no doctor but just a guy who crushed pills and sold liquor as medicine for what ailed people to get by) and his fuddy-duddy drugstore with odd medicines for sick people what-a- drag- to-be-old-and- it- ain’t- never- going- to- come- to- that- for- me benefited selling combs, gels, and six other things, except correctives for two left feet.

Rock was (is)…


Thursday, October 4, 2012

From The Pen Of Joshua Lawrence Breslin- FromThe " Ancient Dreams, Dreamed" Sketches-"When Billie Sought To Be Church Hall Dance Champ"

Click on the headline to link to a <i>YouTube</i> film clip of the Teen Angels performing <i>Eddie, My Love</i> to add some flavor to this sketch. </b>

I, Peter Paul Markin, seemingly, had endlessly gone back to my early musical roots in reviewing various compilations of a classic rock series that went  under the general title <i>The Rock ‘n’ Roll Era</i>. And while time and ear have eroded the sparkle of some of the lesser tunes it still seems obvious that those years, say 1955-58, really did form the musical jail break-out for my generation, the generation of ’68, who had just started to tune into music.

And we, we small-time punk (in the old-fashioned sense of that word), we hardly wet behind the ears elementary school kids, and that is all we were for those of us who are now claiming otherwise, listened our ears off. Those were strange times indeed in that be-bop 1950s night when stuff happened, kid’s stuff, but still stuff like a friend of mine, not Billie whom I will talk about later, who claimed, with a straight face to the girls, that he was Elvis’ long lost son. Did the girls do the math on that one? Or, maybe, they like us more brazen boys were hoping, hoping and praying, that it was true despite the numbers, so they too could be washed by that flamed-out night.

Well, this I know, boy and girl alike tuned in on our transistor radios (small battery-operated radios that we could put in our pockets, and hide from snooping parental ears, at will) to listen to music that from about day one, at least in my household was not considered “refined” enough for young, young pious you’ll never get to heaven listening to that devil music and you had better say about eight zillion <i>Hail Marys</i> to get right Catholic, ears. Yah right, Ma, like Patti Page or Bob (not Bing, not the Bing of <i>Brother, Can You Spare A Dime?</i> anyway) Crosby and The Bobcats were supposed to satisfy our jail break cravings.

And that pious, quietist, chase the devil and his (or her) devil’s music away, say a million Acts of Contrition, church-bent, Roman Catholic church-bent, part formed a great deal of the backdrop for how we related to that break-out rock music. And why we had to practically form a secret cult to enjoy it. Now you all know, since you all went to elementary school just like I did, although maybe you didn’t attend in the Cold War, red scare, we could-all-be-bombed-dead tomorrow 1950s like I did, that those mandatory elementary school dances where we rough-hewn boys learned, maybe we learned, our first social graces were nothing but cream puff affairs. Lots of red-faced guys and giggling girls. Big deal, right?

What you maybe don’t know, especially if you were not from a working class neighborhood (or a public housing project) made up of mainly Irish and Italian Roman Catholic families like I was is that “cream puff” school stuff was seen by the Church (need I add any more identifying words?) as the “devil’s playground.” Later, I found out from some Protestant friends that their church leaders felt the same way. No, not those Universalist-Unitarian types who think everything humankind does that is not hurtful is okay but real hard-nosed Protestants, like Episcopalians, Baptists, and Presbyterians. So to counter that secular godlessness, at least in our area, the Church sponsored Friday night dances. Chaste, very chaste, or that was the intention, Friday night dances.

Now these dances from an outside look would look just like those devil-sponsored secular school dances. They were, for example, held in the basement of the church (St. whoever, Our Lady of the wherever, The Sacred whatever, or fill in the blank), a basement, given the norms of public architecture, was an almost exact rectangular, windowless, linoleum-floored, folding chairs and tables, raised stage replica of the elementary school auditorium. That church locale, moreover, when dressed up like on those Friday nights with the usual crepe, handmade signs of welcome, and refreshment offerings also looked the same.

And just so that you don’t think I am going overboard they played the same damn (oops) music as at school, except the sound system (donated, naturally, by some pious parishioner, looking for good conduct points from the fiery-eyed "fire and brimstone" pastor) was usually barely audible. The real difference then, and maybe now, for all I know, was that rather than a few embarrassed public school teacher-chaperones drafted against their wills, I hope, or like to hope, every stick-in-the-mud person (or so it seemed) over the age of eighteen was drafted into the lord’s army for the evening. Purpose: to make sure there was no untoward, unnatural, unexpected, or unwanted touching of anything, by anyone, for any reason. So, now that I think about it, this was really the Friday night prison dance. But not always.

Of course all of this remembrance is just so much lead up to a Billie story. You know Billie, Billie from “the projects” hills. William James Bradley to be exact. The Billie who wanted fame and fortune (or at least girls) so bad that he could almost taste it. The Billie who, as I related before, entered a teenage talent show dressed up like Bill Haley and whose mother-made suit jacket arms fell off during the performance and he wound up with all the girls in schools as a consolation prize. Yes, that Billie, who also happened to be my best friend, or, maybe, almost best friend as we never did get it straight, in elementary school. Billie was crazy for the music, crazy to impress the tender young girls that he was very aware of, much more aware of than I was and earlier, with his knowledge, his love, and his respect for the music, rock music that is.

During the summer, and here I am speaking of the summer of 1958, these church-held dances started a little earlier and finished a little later. That was fine by us. But part of the reason was that during July (starting after the Fourth of July, if I recall) and August there was a weekly dance-off elimination contest. Now these things were meant to be to show off partner-type dancing skills so I never even dreamed of participating, although I was now hip to the girl thing (or at least twelve year old hip to it), and gladly. Not so Billie. You know, or if you don’t then I will tell you so you know now, that Billie was a pretty good singer, and a pretty good shaker as a dancer. Needless to say these skills were not on the official papal list of ways to prove you had some Fred Astaire-like talent. What you needed to demonstrate, with a partner, a girl partner, was waltz-like, fox-trot stuff. Stuff you were glad to know when last, slow dance time came around but not before, please, not before.

But see, if you didn’t know before, I will remind you, Billie was a fiend to win a talent contest, a contest that, the way he figured it, was his ticket out of "the projects" and into all the cars he wanted, all the girls, and half of everything else in the world. Yah, I know, but poor boys have dreams too. And I don’t suppose it is too early to remind you, like I did with the lost sleeve teenage talent show, that Billie later spent those pent-up energies less productively, much less productively once he knew the score, his score about life. This night, this Friday night, at the start of the contest Billie was going for the brass ring though. See, Billie, secretly, at least secretly from me, was taking dance lessons, slow dance lessons with Rosalie, Christ Rosalie, the prettiest girl in our class, the girl that if I had known the word then I would have called fetching, very fetching. That was, and is, high praise from me. And, see also, teaching the pair the ropes is none other than Rosalie’s mother who before she became a mother was some kind of dance queen (I don’t know, or don’t remember, if I knew the details of that woman’s prior life before then). It was almost like the “fix was in.”

Now you know just as well as I do that I have no story to tell, or at least no story worth telling, if Billie and Rosalie don’t make it out of the box, if they just get eliminated quickly. Sure they made it, and now they were standing there getting ready to do battle against the final pair for the sainted dance championship of the christian world, projects branch. Now my take on the dancing all summer was there wasn’t much difference, at least noticeable difference, between the pairs.

I think the judges thought so too, the junior priest, a priest that the pastor threw into this dance thing because he was closer to our ages than the old-timer "fire and brimstone" pastor was, and four ladies from the Ladies' Sodality usually took quite a bit of time before deciding who was eliminated. Rosalie’s mother (and my mother, as well) thought the same thing when we compared notes. See, now with Billie under contract (oh, yah, naturally I was his manager, or something like that) I had developed into an ace dance critic. Mainly though, I was downplaying the opposition to boost my pair's chances, and, incidentally, falling, falling big, for Rosalie. And not just for her dancing.

So here we were at the finals. It was a wickedly hot night in that dungeon basement so the jackets and ties, if wore (and that needed to be worn by the contestant males), were off. Also, by the rules, each finalist couple got to choose their own music and form of dancing. The first couple did this dreamy Fred Astaire-Ginger Rodgers all hands flailing and quick-movement thing that even impressed me. After than performance, out of the corner of my eye, I saw Billie talking to Rosalie, talking fast and talking furiously. Something was up, definitely, something was up.

Well, something was up. Billie, old sweet boy Billie, old get out of the projects at any cost Billie, old “take no prisoners” Billie decided that he was going to stretch the rules and play to his strength by doing a Bill Haley’s <i>Rock Around The Clock</i> jitterbug thing to show the judges his “moves” and what we would now call going "outside the box." And he had gotten Rosalie, sweet, fetching, deserves better Rosalie, to go along with him on it. See, Rosalie, during all those dance lesson things had fallen for old Billie and his words were like gold. Damn.

I will say that Billie and Rosalie tore the place up; at least I guess Billie did because I was, exclusively, looking at Rosalie who really danced her head off. Who won? Let me put it this way, this time the judges, that priest and his coterie of do-gooders didn’t take much time deciding that the other couple won. Rosalie was crushed. Billie, like always Billie, chalked it up to the "fix" being in for the other couple. Life was against the free spirits, he said, something it took me a lot longer to figure out. Rosalie's family moved away not long after that contest, like a lot of people just keeping time at the projects until their ships to better days came in, and I heard later that she was still furious at Billie for crossing up her chances of winning like that. Yah, but, boy, she could twirl that thing.

 

Sunday, July 8, 2012

From The Pen Of Joshua Lawrence Breslin -Out In The Be-Bop 1950s Night- In The Time Before The Rock ‘n’ Roll Jailbreak –They Shoot CD Players Don’t They?

Click on the headline to link to a YouTube film clip of Sammy Kaye and his Orchestra performing Harbor Lights

Some people ask; although I am not one of them, if there was music before 1950s classic rock ‘n’ roll. Of course there was and I have taken some pains to establish the roots of rock back to Mississippi country blues, electric blues as they traveled north to the heartland industrial cities, jazz as it got be-bopped and took to swing, certainly rhythm and blues, north and south and rockabilly as it came out of the white small town South. What rock owes little to, or at least I hope that it owes little to is that Tin Pan Alley/ Broadway show tune axis part of the American songbook. That seems to me a different trend and one that was reflected in a CD review that I reluctantly agreed to do, The 1950s: 16 Most Requested Songs, which was really about the 16 most requested song before the rock jailbreak of the mid-1950s. Let’s be clear about that.

I have along the way, in championing classic rock as the key musical form that drove the tastes of my generation, the generation of ’68, contrasted that guitar-driven, drum/bass line driven sound to that of my parents’ generation, the ones who survived the Great Depression of the 1930s and fought World War II, and listened to swing, jitter-buggery things and swooned over big bands, swings bands, Frank Sinatra, the Andrews Sisters and The Mills Brothers, among others. In other words the music that, we of the generation of ’68, heard as background music around the house as we were growing up. Buddha Swings, Don’t Sit Under The Apple Tree, Rum and Coca-Cola, Paper Dolls, Tangerine, and the like. Stuff that today sounds pretty good, if still not quite something that “speaks” to me. That, however is not the high-style music that is reflected in this compilation and which, I think rightly, I was ready to shoot my CD player over once I heard it as I announced in the headline.

No, this is music that reflects, okay; let’s join the cultural critics’ chorus here, the attempted vanilla-ization (if such a word can exist) of the Cold War Eisenhower (“I Like Ike”) period when people were just trying to figure out whether the Earth would survive from one day to the next. Not a time to be rocking the boat, for sure. Once things stabilized a bit though then the mad geniuses of rock could hold sway, and while parents and authorities crabbed to high heaven about it, let that rock breakout occur and not have everything wind up going to hell in a hand basket. But this music, these 16 most requested songs were what we were stuck with before then. Sure, I listened like everyone else, everyone connected to a radio, but this stuff, little as I knew then, did not “speak” to me. And unlike some of that 1940s stuff still does not “speak” to me.

Oh, you want proof. Here is one example. On this compilation Harbor Lights is done by Sammy Kaye and his Orchestra. This was cause one for wanting to get a pistol out and start aiming. Not for the song but for the presentation. Why? Well, early in his career Elvis, while he was doing his thing for Sam Phillips’ Memphis Sun Records operation, covered this song. There are a myriad of Elvis recordings during the Sun period, including compilations with outtakes and alternative recordings of this song. The worst, the absolute worst of these covers by Elvis has more life, more jump, dare I say it, more sex than the Kaye recording could ever have. And it only gets worst from there with incipient things like Frankie Lane’s I Believe, Johnny Mathis’ It’s Not For Me To Say, and Marty Robbins’ (who did some better stuff later) on A White Sports Coat (And A Pink Carnation). And you wonder why I ask whether they shoot CD players. Enough said.
*******
Harbor Lights Lyrics
(words & music by H. Williams - J. Kennedy)


I saw the harbor lights
They only told me we were parting
Those same old harbor lights
That once brought you to me.

I watched the harbor lights
How could I help it?
Tears were starting.
Good-bye to golden nights
Beside the silvery seas.

I long to hold you dear,
And kiss you just once more.
But you were on the ship,
And I was on the shore.

Now I know lonely nights
For all the while my heart keeps praying
That someday harbor lights
Will bring you back to me.

Monday, April 23, 2012

***Out In The 1950s Be-Bop King Records R&B Night-“Dancing With The Devil”-A You Had Better Get In Line Because Her Dance Card Is Full- A CD Review

Click on the headline to link to a YouTube film clip of Lonnie Johnson high heaven singing the classic R&B, rock and rock, bop and stroll, Tomorrow Night. Yes, Lonnie is in the house.

DVD Review

Dancing With the Devil: 25 Essential Blues Classics, various artists, King Records. 2004


Okay, okay call me Mr. Janus, call me fickle, call me, well, call me perplexed. Every time I think I have it down pat, pat as can be, about what genre “fathered” (or “mothered”) my “generation of ’68” childhood growing up absurd in the half-benighted 1950s rock and roll birth I change course. Mainly it depends on what was the last CD, last YouTube click , or last whatever other source I have filled my head with. A couple of weeks ago it was definitely those mad men swing masters like Benny Goodman and his hard, sexy sax players (and occasional clarinet per Benny swingman). A couple of days later it was definitely Joe Turner be-bopping his big snapping fingers beat on Shake, Rattle and Roll putting later Elvis and Jerry Lee renditions in the shade. Last week it was most positively either Ike Turner and his Rocket 88 or rockabilly maven Warren Smith and his Rock and Roll Ruby. This week, well, this week it is the R&B influences represented by this King Records compilation, Dancing With The Devil: 25 Essential Blues Classics. So hear me out.

Look I grew up in that red scare, cold war, atomic bomb’s going to get you so you best put your sorry little head under that wooden desk and don’t ask questions dark night made darker by being left out of the great American golden age 1950s by, well, by being working class poor. I mean real poor. The music around the house was strictly country (Hank Williams, Earl Tubbs, etc.) representing my father’s rural Appalachian roots or that 1940s Frank, Bing, Rosemary Clooney, we won the world war so our songs rule stuff blaring out of the local holey radio station. It was not until I got my first transistor radio (look that up on Wikipedia if you are clueless about what that was (or is for old fogies, maybe). Then I could pirate my way to many midnight stations in the “comfort” (three boys to a room comfort so not much) of my room. And what I got at midnight was blues, or rather R&B coming from who knows where but not Boston (usually Chicago or New York) from people who distinctly did not sound like they were from Boston.

And they weren’t. They mainly had come north from the rural South in one of the waves of black migration up river (Mississippi River, okay), got jobs in the factories, or didn’t, and played music on the side at some electrified juke joint. Those who did make good music wound up making records for all kinds of “race” labels so there was no mystery as to why I didn’t know this music from around the house. But I knew it
from then on. And I know it now.

That now leads to this King Records compilation which, no question, has many, many riffs that sound a hell of a lot like the birth of rock and roll just now. Try Lonnie Johnson’s Tomorrow Night done later by Elvis, LaVern Baker, Jerry Lee and a million others. Or what about the beat in Wynonnie Harris’ All She Wants To Do Is Rock. How about Little Esther on Aged And Mellow Blues. Not good enough-try this. Wilbert Harrison on This Women Of Mine. Or the freaking rock beat on Earl King’s Don’t Take It So Hard. Okay now for the big ammo Joe Tex’s Another Woman’s Man and Hank Ballard’s Look At Little Sister. I thought that would get your attention. But let’s cut to the chase. The Stones and Beatles (and many others from the 1960s second wave British rock invasion) were spoon-fed on R&B and blues stuff. And while this particular song by Albert King, Don’t Throw Your Love On Me So Strong (good advice, by the way) is a little too late to have been at the roots of rock it has all the guitar riffs that those later groups thrived on. So I rest my case. Unless of course next week I hear Sonny Burgess’ Red-Headed Woman. Then call be Janus.

Saturday, February 4, 2012

***Not Ready For Prime Time AARP Songs- The Beatles' "When I'm Sixty-Four"

Click on the headline to link to a YouTube film clip of the Beatles performing When I'm Sixty-Four from the animated movie Yellow Submarine.

Peter Paul Markin, North Adamsville Class Of 1964 and thus already past sixty-four, comment:

Many of my fellows from the Generation of '68 (a. k. a. baby-boomers) will be, if you can believe this, turning sixty-four this year. So be it.

When I'm Sixty-Four - The Beatles

When I get olded, loosing my hair,
Many years from now
Will you still be sending me the Valentine,
Birthday greetings, bottle of wine

If I stay out till quarter to three
Would you lock the door
Will you still need me, will you still feed me
When I'm sixty-four.

You'll be older too,
And if you say the word I could stay with you.

I could be handy mending a fuse
When your lights have gone
You can knit a sweater by the fireside
Sunday morning go for a ride

Doing the garden, digging the weeds,
Who could ask for more
Will you still need me, will you still feed me
When I'm sixty-four.

Every summer we can rent a cottage in the Isle of Wight,
if it's not too dear
We shall scrimp and save
Grandchildren on your knee
Vera, Chuck & Dave

Send me a postcard, drop me a line
Stating point of view
Indicate precisely what you mean to say
Yours sincerely, wasting away

Give me your answer, fill in a form,
Mine for evermore,
Will you still need me, will you still feed me
When I'm sixty-four.
*******
Ancient dreams, dreamed.

Ya, sometimes, and maybe more than sometimes, a frail, a frill, a twist, a dame, oh hell, let’s cut out the goofy stuff and just call her a woman and be done with it, will tie a guy’s insides up in knots so bad he doesn’t know what is what. Tie up a guy so bad he will go to the chair kind of smiling, okay maybe just half-smiling. Frank (read: future Peter Paul and a million, more or less, other guys) had it bad as a man could have from the minute Ms. Cora walked through the door in her white summer blouse, shorts, and the then de rigueur bandana holding back her hair, also white. She may have been just another blonde, very blonde, frail serving them off the arm in some seaside hash joint but from second one she was nothing but, well nothing but, a femme fatale. I swear, I swear on seven sealed bibles that I yelled, yelled through the womb or some toddler’s crib maybe, at the screen for him to get the hell out of there at that moment. But do you think he would listen, no not our boy. He had to play with fire, and play with it to the end.

Nose flattened cold against the frozen, snow falling front window “the projects” wait on better times, get a leg up, don’t get left behind in the dawning American streets paved with gold dream but for now just hang your hat dwelling, small, too small for three growing boys with hearty appetites and desires to match even then, warm, free-flow oil spigot warm, no hint of madness, or crazes only of sadness, brother kinship sadness, sadness and not understanding of time marching, relentlessly marching as he, that older brother, went off to foreign places, foreign elementary school reading, ‘riting, ‘rithmetic places and, he, the nose flattened against the window brother, is left to ponder his own place in those kind of places, those foreign-sounding places, when his time comes. If he has a time, has the time for the time of his time, in this red scare (but what knows he of red scare only brother scares), cold war, cold nose, dust particles floating aimlessly in the clogging still air night.

A cloudless day, a cloudless blasted eternal, infernal Korean War day, talk of peace, merciless truce peace and uncles coming home in the air, hot, hot end of June day laying, face up on freshly mown grass near fellowship carved-out fields, fields for slides and swings, diamonded baseball, no, friendlier softball fields the houses are too close, of gimps, glues, cooper-plated portraits of wildly-maned horses, of sweet shaded elms, starting, now that he too, that nose-flattened brother, has been to foreign places, strange boxed rooms filled with the wax and wane of learning, simple learning, in the time of his time, to find his own place in the sun but wondering, constantly wondering, what means this, what means that, and why all the changes, slow changes, fast changes, blip changes, but changes.

Nighttime fears, red-flagged Stalin-named fears, red bomb aimed right at my head unnamed shelter blast fears, named, vaguely named, Julius and Ethel Rosenberg hated stalinite jews killed fears, jews killed our catholic lord fears, and what did they do wrong to get the chair anyway fears against the cubed glass glistening flagless flag-pole rattling dark asphalt school yard night. Alone, and, and, alone with fears, and avoidance, clean, clear stand alone avoidance of old times sailors, tars, sailors’ homes AND deaths in barely readable fine- marked granite-grey lonely seaside graveyards looking out on ocean homelands and lost booty. Dead, and the idea of dead, the mystery of dead, and of sea sailor dead on mains, later stream thoughts of bitch proctoresses, some unnamed faraway crush teacher who crossed my path and such, in lonely what did he do wrong anyway prison cells, smoking, reading, writing of dinosaurs die and other laments. Dead.

Endless walks, endless one way sea street water rat-infested fear seawall walks, rocks, shells, ocean water-logged debris strewn every which way, fetid marsh smells, swaying grasses in light breezes to the right, mephitic swamps oozing mud splat stinks to the left making hard the way, the path, the symbolic life path okay, to uptown drug stores, some forgotten chain-name drug store, passing perfumes, lacquers, counter drugs, ailments cured, hurts fixed and all under a dollar, trinkets ten cents baubles, gee-gads, strictly gee-gads, grabbing, two-handed grabbing, heist-stolen valentines, a metaphor in the making, ribbon and bow ruby-red valentine night bushel, signed, hot blood-signed, weary-feet signed, if only she, about five candidates she, later called two blondes, two brunettes, and a red-head, sticks all, no womanly shape to tear a boy-man up, would give a look his way, his look, his newly acquired state of the minute Elvis-imitation look, on endless sea streets, the white-flecked splash inside his head would be quiet. Man emerging out of the ooze, and hope.


Walks, endless waiting bus stop, old late, forever late, story of a young boy’s life late, diesel-fueled, choking fumed non-stop bus stop walks, no golden age car for jet moves in American Dream wide-fin , high tech automatic drive nights, walks, walks up crooked cheap, low-rent, fifty-year no fix rutted pavement streets, deeply gouged, one-lane snow-drift hassles, you get the picture, pass trees are green, coded, secretly coded even fifty street rutted years later, endless trees are green super-secret-coded except for face blush waiting, waiting against boyish infinite time, infinite first blush of innocent manhood, boyhood times, gone now. For what? For one look, one look, and not a quick no-nonsense, no dice look, no time for ragamuffin boys either that would elude him, elude him forever. Such is life in lowly spots, lowly, lowly spots. And no dance, no coded trees are green dance, either, no high school confidential (hell elementary school either, man), handy man, breathless, Jerry Lee freak-out, at least no potato sack stick dance with coded name trees are green brunette. That will come, that will come. But when?

City square, no trespass, no standing, standing, low-slung granite buildings everywhere, granite steps leading to granite doors leading to granite gee-gad counters, hated, no name hated, low-head hated, waiting slyly, standing back on heels, going in furtively, coming out ditto, presto coming out with a gold nugget jewel, no carat, no russkie Sputnik panel glitter for his efforts such is the way of young lumped-up crime, no value, no look, just grab, grab hard, grab fast, grab get yours before the getting is over, or before the dark, dark night comes, the dark pitched-night when the world no longer is young, and dreamed dream make no more sense that this bodily theft.

A bridge too far, an unarched, unsteeled, unspanned, unnerved bridge too far. One speed bicycle boy, dungarees rolled up against dog bites and geared meshes, churning through endless heated, sweated, no handkerchief streets, names, all the parts of ships, names, all the seven seas, names, all the fishes of the seas, names, all the fauna of the sea, names. Twelve-year old hard churned miles to go before sleep, searching for the wombic home, for the old friends, the old drifter, grifter, midnight shifter petty larceny friends, that’s all it was, petty and maybe larceny, hard against the named ships, hard against the named seas, hard against the named fishes, hard against the named fauna, hard against the unnamed angst, hard against those changes that kind of hit one sideways all at once like some mack the knife smack devilish thing

Lindo, lindos, beautiful, beautifuls, not some spanish exotic though, maybe later, just some junior league dream fuss though, some future cheerleader football dame though, some sweated night pasty crust and I, too slip-shot, too, well, just too lonely, too lonesome, too long-toothed before my time to do more than endless walks along endless atlantic streets to summon up the courage to glance, glance right at windows, non-exotic atlantic cheerleader windows. Such is the new decade a-borning, a-borning but not for me, no jack swagger, or bobby goof as they run the table on old tricky dick or some tired imitation of him. Me, I’ll take exotics, or lindos, if they every cross my path, my lonely only path

Sweated dust bowl nights, not the sweated exotic atlantic cheerleader glance nights but something else, something not endless walked about, something done, or with the promise of done, for something inside, for some sense of worth in the this moldy white tee shirt, mildewy white shorts, who knows what diseased sneakers, Chuck Taylor sneakers pushing the red-faced Irish winds, harder, harder around the oval, watch tick in hand, looking, looking I guess for immortality, immortality even then. Later, in bobby darin times or percy faith times, who knows, sitting, sitting high against the lion-guarded pyramid statute front door dream, common dreams, common tokyo dreams, all gone asunder, all gone asunder, on this curious fact, no wind, Irish or otherwise. Stopped short. Who would have figured that one?

Main street walked, main street public telephone booth cheap talk walked searching for some Diana greek goddess wholesale on the atlantic streets. Diana, blonde Diana, cashmere-sweatered, white tennis –shoed Diana, million later Dianas although not with tennis shoes, really gym shoes fit for old ladies to do their rant, their lonely rant against the wind. Seeking, or rather courage-seeking, nickel and dime courage as it turns out; nickel and dime courage when home provided no sanctuary for snuggle-eared delights. Maybe a date, a small-time after school soda split sit at the counter Doc’s drugstore date, or slice of pizza and a coke date at Balducci’s with a few nickels juke boxed in playing our song, our future song, a Hard Rain’s A-Gonna Fall song, and dreams of I Want To Wanted sifting the hot afternoon air, maybe just a swirl at midnight drift, maybe a view of local lore car parked submarine races and mysteries unfurled, ah, to dream, no more than to dream, walking down friendly aisles, arm and arm along with myriad other arm and arm walkers on senior errands. No way, no way and then red-face, alas, red-faced no known even forty years later. Wow.

Multi-colored jacket worn, red and black, black and red, some combination reflecting old time glories, or promises of glory, cigarette, Winston small-filtered, natch, no romantic Bogie tobacco-lipped unfiltered, hanging from off the lip at some jagged angle, a cup of coffee, if coffee was the drink, in hand, a glad hand either way, look right, look left, a gentle nod, a hard stare, a gentle snarl if such a thing is possible beyond the page. Move out the act onto Boston fresh-mown streets. Finally, that one minute, no not fifteen, not fifteen at all, and not necessary of the fame game, local fame, always local fame but fame, and then the abyss on non-fame, non- recognition and no more snarls, gentle or otherwise. A tough life lesson learned, very tough. And not yet twenty.


Drunk, whisky drunk, whisky rotgut whisky drunk, in some bayside, altantic bayside, not childhood atlantic bayside though, no way, no shawlie way, bar. Name, nameless, no legion. Some staggered midnight vista street, legs weak from lack of work, brain weak, push on, push on, find some fellaheen relieve for that unsatisfied bulge, that gnawing at the brain or really at the root of the thing. A topsy-turvy time, murder, death, the death of death, the death of fame, murder, killing murder, and then resolve, wrong resolve and henceforth the only out, war, war to the finish, although who could have known that then. Who could have know that tet, lyndon, bobby, hubert, tricky dick war-circus all hell broke loose thing then, or wanted to.

Shaved-head, close anyway, too close to distinguish that head and ten-thousand, no on hundred-thousand other heads, all shave-headed. I fall down to the earth, spitting mud-flecked red clay, spitting, dust, spitting, spitting out the stars over Alabama that portent no good, no earthy good. Except this-if this is not murder, if this is not to slay, then what is? And the die is cast, not truthfully cast, not pure warrior in the night cast but cast. Wild dreams, senseless wild dreams follow, follow in succession. The days of rage, rage against the light, and then the glimmer of the light.

The great Mandela cries, cries to the high heavens, for revenge against the son’s hurt, now that the son has found his way, a strange way but a way. And a certain swagger comes to his feet in the high heaven black Madonna of a night. No cigarette hanging off the lip now, not Winston filter-tipped seductions, no need, and no rest except the rest of waiting, waiting on the days to pass until the next coming, and the next coming after that. Ah, sweet Mandela, turn for me, turn for me and mine just a little. Free at last but with a very, very sneaking feeling that this is a road less traveled for reason, and not for ancient robert frost to guide you… Just look at blooded Kent State, or better, blooded Jackson State. Christ.

Bloodless bloodied streets, may day tear down the government days, tears, tear-gas exploding, people running this way and that coming out of a half-induced daze, a crazed half-induced daze that mere good- will, mere righteousness would right the wrongs of this wicked old world. But stop. Out of the bloodless fury, out of the miscalculated night a strange bird, no peace dove and no flame-flecked phoenix but a bird, maybe the owl of Minerva comes a better sense that this new world a-bornin’ will take some doing, some serious doing. More serious that some wispy-bearded, pony-tailed beat, beat down, beat around, beat up young stalwart acting in god’s place can even dream of.

Chill chili nights south of the border, endless Kennebunkports, Bar Harbors, Calais’, Monktons, Peggy’s Coves, Charlottetowns, Montreals, Ann Arbors, Neolas, Denvers by moonlight, Boulders echos, Dinosaurs dies, salted lakes, Winnemuccas’ flats, golden-gated bridges, malibus, Joshua Trees, pueblos, embarcaderos, and flies. Enough to last a life-time, thank you. Enough of Bunsen burners, Coleman stoves, wrapped blankets, second-hand sweated army sleeping bags, and minute pegged pup tents too. And enough too of granolas, oatmeals, desiccated stews, oregano weed, mushroomed delights, peyote seeds, and the shamanic ghosts dancing off against apache (no, not helicopters, real injuns) ancient cavern wall. And enough of short-wave radio beam tricky dick slaughters south of the border in deep fall nights. Enough, okay.

He said struggle. He said push back. He said stay with your people. He said it would not be easy. He said you have lost the strand that bound you to your people. He said you must find that strand. He said that strand will lead you away from you acting in god’s place ways. He said look for a sign. He said the sign would be this-when your enemies part ways and let you through then you will enter the golden age. He said it would not be easy. He said it again and again. He said struggle. He said it in 1848, he said it in 1917, he said it in 1973. Whee, an old guy, huh.

Greyhound bus station men’s wash room stinking to high heaven of seven hundred pees, six hundred laved washings, five hundred wayward unnamed, unnamable smells, mainly rank. Out the door, walk the streets, walk the streets until, until noon, until five, until lights out. Plan, plan, plan, plain paper bag in hand holding, well, holding life, plan for the next minute, no, the next ten seconds until the deadly impulses subside. Then look, look hard, for safe harbors, lonely desolate un-peopled bridges, some gerald ford-bored antic newspaper-strewn bench against the clotted hobo night snores. Desolation row, no way home.

A smoky sunless bar, urban style right in the middle of high Harvard civilization, belting out some misty time Hank Williams tune, maybe Cold, Cold Heart from father home times. Order another deadened drink, slightly benny-addled, then in walks a vision. A million time in walks a vision, but in white this time. Signifying? Signifying adventure, dream one-night stands, lost walks in loaded woods, endless stretch beaches, moonless nights, serious caresses, and maybe, just maybe some cosmic connection to wear away the days, the long days ahead. Ya that seems right, right against the oil-beggared time, right.

Lashed against the high end double seawall, bearded, slightly graying against the forlorn time, a vision in white not enough to keep the wolves of time away, the wolves of feckless petty larceny times reappear, reappear with a vengeance against the super-rational night sky and big globs of ancient hurts fester against some unknown enemy, unnamed, or hiding out in a canyon under an assumed name. Then night, the promise of night, a night run up some seawall laden streets, some Grenada night or maybe Lebanon sky boom night, and thoughts of finite, sweet flinty finite haunt his dreams, haunt his sleep. Wrong number, brother. Ya, wrong number, as usual.

White truce flags neatly placed in right pocket. Folded aging arms showing the first signs of wear-down, unfolded. One more time, one more war-weary dastardly fight against Persian gulf oil-driven time, against a bigger opponent, and then the joys of retreat and taking out those white flags again and normalcy. The first round begins. He holds his own, a little wobbly. Second round he runs into a series of upper-cuts that drive him to the floor. Out. Awake later, seven minutes, hours, eons later he takes out the white flags now red with his own blood. He clutches them in his weary hands. The other he said struggle, struggle. Ya, easy for you to say.

Desperately clutching his new white flags, his 9/11 white flags, exchanged years ago for bloodied red ones, white flags proudly worn for a while now, he wipes his brow of the sweat accumulated from the fear he has been living with for the past few months. Now ancient arms folded, hard-folded against the rainless night, raining, he carefully turns right, left, careful of every move as the crowd comes forward. Not a crowd, no, a horde, a beastly horde, and this is no time to stick out with white flags (or red, for that matter). He jumps out of the way, the horde passes brushing him lightly, not aware, not apparently aware of the white flags. Good. What did that other guy say, oh yes, struggle.

One more battle, one more, please one more, one fight against the greed tea party night. He chains himself, well not really chains, but more like ties himself to the black wrought-iron fence in front of the big white house with his white handkerchief. Another guy does the same, except he uses some plastic hand-cuff-like stuff. A couple of women just stand there, hard against that ebony fence, can you believe it, just stand there. More, milling around, disorderly in a way, someone starts om-ing, om-ing out of Allen Ginsberg Howl nights, or at least Jack Kerouac Big Sur splashes. The scene is complete, or almost complete. Now, for once he knows, knows for sure, that it wasn’t Ms. Cora whom he needed to worry about, and that his child dream was a different thing altogether. But who, just a child, could have known that then.