This blog has been established to provide space for stories, comments, and reflections on old North Quincy, your thoughts or mine. And for all those who have bled Raider red.
Click on the headline to link to a "Wikipedia" entry for "Sputnik, the first satellite sent into space from Earth.
Al Johnson, Class of 1964, comment:
I did not know Irving Jack in school nor do I know him now but I love the combination of his names and he was, in fact, as far as memory serves the science whiz of our class, the Class of 1964. I am sure that had I known him we could have solved that little technical launch problem that I describe below. Ah, but such is life.
Space Wars, Circa 1960
In high school did you ever get caught up in the euphoria over the space program?
We, all of us, are now old enough and presumably have seen enough of this sorry old world, to have become somewhat inured to the wonders of modern technology. Just witness the miracle of cyberspace that we are communicating through. My question goes back to the mist of time when humankind had just developed the technology to reach for the stars, and we had the capacity to wonder.
For myself, I distinctly remember, as I am sure that you do as well, sitting in some North Quincy High classroom as the Principal came over the P.A. system and hooked us up with the latest exploit in space. John Glenn's trip around the earth comes readily to mind. My friends, I will go back even further, back to elementary school, when we were just becoming conscious of the first explorations of space. The reaction to the news of Sputnik, the artificial satellite that the Russians had put up in 1957, drove many of us to extend our range of scientific knowledge.
I vividly remember trying to make rockets, in the basement of our family apartment, by soldering tin cans together fused with a funnel on top. I also remember taking some balsa wood, fashioning a rocket-type projectile, putting up wiring between two poles, inserting a CO2 cartridge and hammering away. Bang!!!
After that experience my scientific quest diminished. Moreover, I became much more concerned about the fate of my fellow earthlings and trying to correct a few injustices in this world, but that is another story. Now that I think about it the question posed above really is aimed at those, unlike myself, who moved beyond boyish (or girlish)fantasies and used that youthful energy to get serious about science.
Click on the headline to link to a Wikipedia entry for the Edward R. Murrow –featured “Good Night, And Good Luck.”
DVD Review
Good Night, And Good Luck, starring David Strathairn, George Clooney, Robert Downey, Jr. and Senator Joseph McCarthy, the junior Senator from Wisconsin, Warner, 2005
For those who lived in that death red scare cold war 1950s night, or who came of television age then the events depicted in this very well-done black and white documentary-like film, “Good Night, And Good Luck” (the signature sign-off line of Edward R. Murrow on his radio and television shows), should be very familiar. And a cause for reflection for those who howled with the wolves (the McCarthy, Nixon, Robert Welch wolves) calling for the blood of every, well, every speaker against that death night. For those who came after this should be a cautionary tale very appropriate for addressing the madnesses of the political and media howling wolves today.
The story line here is pretty straight-forward, the 1953-54 struggle of Edward R. Murrow, a well-respected and honest radio and television journalist, and the rabid anti-communist monger, the junior Senator from Wisconsin, Joseph McCarthy, including actual footage of his speeches and remarks. In that red scare cold war night few reporters, fewer liberals, and even fewer average American citizens were ready to take on the howling beasts who, mainly for their own political purposes, were ready to destroy infinite numbers of lives in order to “stop the red menace” from creeping through the door. As it turned out there were a handful of actual reds (or past reds, mainly) who may have been in the government. For that few these wolves were ready to bring the whole frail democratic experience on the American continent (what Lincoln called “the last, best hope”) toppling down.
Some guys, too few guys (or gals), like Murrow (and Fred Friendly played by George Clooney) stood up in their funny way (their cloud puff dreams of an informed, educated citizenry plugged into the world via technological promise of the global village of television seem rather ironic now) to their day’s monsters. And while we, Brother Murrow and I, may have been a million miles away from each other in age, in political and cultural sensibilities, and lifestyle I am always happy to salute a kindred spirit, an honest man seeking the truth. And I encourage all to see this film.
Click on the headline to link to a Wikipedia entry for Casino Royale.
DVD Review
Casino Royale, starring Daniel Craig, Eva Green, Judi Dench, form the spy novel written by Ian Fleming, M-G-M, 2006
I admit I was smitten by Ian Fleming’s James Bond epic Cold War spy notion back when we used to see such adventure film fare on the big screen at the local drive-in theater (for those who do know of that 1950s and early 1960s institution check Wikipedia) when we were more interested in some “hot” date more than in the movie. I think the first one in the Bond series was Doctor No with Sean Connery in the Bond role. There have been some twenty-odd Bond films since (and many copy-cat films) and a succession of Bond replacements. Frankly, despite the good performance here by Daniel Craig as Bond (and as almost always by Judi Dench in anything she does) this Bond notion I think has gotten stale. The virtue of Connery’s Bond was that while he was a wily and steadfast advocate of the “free world” he brought something of a slapstick air about the whole thing. This one, premised on fighting the “war on terrorism” by foiling a poker-loving “banker,” made me long for a cheeky Cold War spy night performance by Connery done with far less physical and technical whiz-bang action and more guile.
The Rock ‘n’Roll Era: Weird, Wild & Wacky, various artists, Time-Life Music, 1991
He was glad, glad as hell that angel thing, that guardian angel thing, was over and done with. You know that Sunday school thing they beat you over head with about how your guardian angel was there to keep you on the straight and narrow, or else. Yes, Rick Roberts certainly was glad that was over although now that he thought about it it just kind of passed out of sight as he got older and other things filled his mind. Things like his June ("June Bug" was his pet name for her but he had better not hear you call her that, especially one Freddie Jackson, or else). Yes, Rick was now large, strong enough, and smart enough strong, not to have to worry about some needlepoint guardian angel looking out for him. Although truth to tell he was worried, a little anyway, about this Cold War Russian bear thing coming over here to take his brain away, or maybe put the big heat on him, the A-bomb heat and creating alien things from outer space to haunt his dreams. But only a little.
What was exercising Rick these days was his June (you know her pet name but don’t say it, please) and causing him no end of sleepless nights was that thing about Freddie Jackson, June’s old flame. At least according to his sister, Celia, a reliable source of North Adamsville High gossip, and not afraid to spread it when it pleased her, was that Freddie was taking his peeks at June, and she was peeking back. So, lately, in order to pass those sleepless nights Rick had begun to sit up in his bedroom at night with his transistor radio on, the one that he had forced his parents to buy him, batteries included, for last Christmas, rather than the practical ties they had intended to foist on him. And what Rick listened as the hour turned to midnight was The Crazy Lazy Midnight Madness Show on WMEX, the local be-bop, no stop, all rock radio station the that got the sleepless, the half-awake, the lame and the lazy through the 1950s Cold War night, and into the dawn.
Now this Crazy Lazy Show fare was strictly for night owls, stuff that would not appeal to daytime rockers, you know, those listening to guys like Elvis, Carl, Bo, Little Richard, and Jerry Lee, or just stuff that appealed to Lazy’s off-center, off-beat funny bone. One night, one really restless night, as Rick was revving up the transistor around midnight
he heard Buchanan and Goodman’s silly The Flying Saucer, parts one and two back to back no less, so you see Crazy was serious about presenting goofy stuff. That was followed by Sheb Wooley’s devouring the Purple People Eater, and then, for a change of pace The Royal Teens be-bop Short, Shorts and that got his to thinking about how good June looked in them, and then back to zaniness when Bobby Picketts flattened Monster Mash and, as he got a little drowsy, The Detergents waved over Leader of the Laundromat.
That last one got to him, got to him good, because, believe it or not the song had sentimental value to him. See he met June at the North Adamsville All-Wash Laundromat one day. His mother’s washing machine had broken down and she needed to bring the Roberts laundry to the All-Wash and Rick drove her over. During that time June had passed by, he had said hi, they had talked and then more seriously talked, and that was that. Freddie Jackson was after that dust, a memory, nothing to June.
All this thinking really got Rick tired this night and as the last chords of Laundromat echoed in his head he fell into a deep sleep. Around four o’clock in the morning though he was awoken with a start, with the high pitched whining sound coming from some where outside his window. Next thing he knew a huge disc-like object was hovering over most of Adamsville, and stayed there for maybe a minute before departing just as quickly as it appeared. Rick took this for a sign, a sign that he and June would hang together. And a sign that Freddie Jackson probably should have taken a trip on that flying saucer while he could, or else.
Coming Of Age, Political Age, In The 1960s Night- A Baptism Of Fire-Making War On The War-Makers
He was scared. All of fourteen year old Peter Paul Markin’s body was scared. Of course he knew, knew just as well as anybody else, if anybody thought to ask, that he was really afraid not scared, but Peter Paul was scared anyway. No, not scared (or afraid for the literary correct types), not Frannie DeAngelo demon neighborhood tough boy, schoolboy nemesis scared, scared that he would be kicked in the groin, bent over to the ground in pain for no reason, no reason except Frannie depth psycho hard boy reasons known only to himself. Markin was used to that kind of scared, not liking it used to it but used to it. And this certainly was not his usual girl scared-ness (yes, girls scared him, except in the comfortable confines of a classroom where he could show off to no avail) on the off chance that one, one girl that is, might say something to him and he would have no “cool” rejoinder. This was different. This, and his handkerchief-dabbed wet palms and forehead did not lie, was an unknown scared.
See, Peter Paul had taken a bet, a “put your money where your mouth is" bet, from best high school friend Frankie, Francis Xavier Riley, if you want to know the full name. Now these guys had previously bet on everything under the sun since middle school, practically, from sports game spreads to how high the master pizza man and owner at Salducci’s Pizza Parlor, Tonio, would throw his pizza dough one strange night when Frankie needed dough (money dough that is) for his hot date with girlfriend Joanne. So no bet was too strange for this pair, although this proposition was probably way too solemn to be bet on.
What got it started, the need for a bet started, this time, really had to do with school, or maybe better, the world situation in 1960. Peter Paul, a bundle of two thousand facts that he guarded like a king’s ransom, went off the deep end in 9th grade Civics class when he, during a current events discussion, exploded upon his fellow classmates with the observation that there were too many missiles, too many nuclear bomb-loaded guided missiles, in the world and that both sides in the Cold War (The United States and the Soviet Union and their respective hangers-on) should “ban the bomb.” But you have not heard the most provocative part yet, Peter Paul then argued that, as good-will gesture and having more of them, the United States should destroy a few of its own. Unilaterally.
Pandemonium ensued as smarts guys and gals, simps and stups also, even those who never uttered a word in class, took aim at Peter Paul’s head. The least of it was that he was called a “commie” and a "dupe" and the discussion degenerated from there. Mr. Merck was barely able to contain the class, and nobody usually stepped out line in his class, or else. Somehow order was restored by the end of class and within a few days the class was back to normal, smart guys and girls chirping away with all kinds of flutter answers and the simps and stups, well the simp and stups did their simp and stup thing, as always.
Frankie always maintained that that particular day was one of the few that he wasn’t, and he really wasn’t, glad that Peter Paul was his friend. And during that class discussion he made a point, a big point, of not entering the fray in defense of his misbegotten friend. He thought Peter Paul was off the wall, way off the wall, on this one and let him know it after class. Of course, Peter Paul could not leave well enough alone and started badgering friend Frankie about it some more. But this was stone wall time because Frankie, irreverent, most of the time irreligious, and usually just happy to be girl-smitten in the world, and doing stuff about that, and not worried about its larger problems really believed, like the hard Roman Catholic-bred boy that he was underneath, that the evil Soviet Union should be nuclear fizzled-today.
But Peter Paul kept egging the situation on. And here is the problem with a purist, a fourteen year old purist, a wet behind the ears fourteen year old purist when you think about it. Peter Paul was as Roman Catholic-bred underneath as Frankie but with this not so slight difference. Peter Paul’s grandmother, Anna, was, and everybody who came in contact with her agreed, a saint. A saint in the true-believer catholic social gospel sense and who was a fervent admirer of Dorothy Day’s Catholic Worker for social justice movement started in the 1930s. So frequently The Catholic Worker, the movement newspaper, would be lying around her house. And just as frequently Peter Paul, taking grandmother refuge from the hell-bend storms at his own house, would read the articles. And in almost every issue there would be an article bemoaning the incredible increase in nuclear weapons by both sides, the cold war freeze-out that escalated that spiral and the hard fact that the tipping point beyond no return was right around the corner. And something had to be done about it, and fast, by rational people who did not want the world blown up by someone’s ill-tempered whim. Ya, heady stuff, no question, but just the kind of thing that a certain fourteen year old boy could add to his collection of now two thousand plus facts.
Heady stuff, ya, but also stuff that carried some contradictions. Not in grandmother Anna, not in Dorothy Day so much as in Peter Paul and through him Frankie. See, the Catholic Worker movement had no truck, not known truck, anyway with “commies" and "dupes”, although that movement too, more than once, and by fellow Catholics too, was tarred with that brush. They were as fervent in their denunciation of the atheistic Soviet Union as any 1950s red-baiter. But they also saw that that stance alone was not going to make the world safer for believers, or anybody else. And that tension between the two strands is where Frankie and Peter Paul kind of got mixed up in the world’s affairs. Especially when Peter Paul said that the Catholic Worker had an announcement in their last issue that in October (1960) they were going to help sponsor an anti-nuclear proliferation rally on the Boston Common as part of a group called SANE two weeks before the presidential elections.
Frankie took that information as manna from heaven. See, Frankie was just as interested in knowing two thousand facts in this world as Peter Paul. Except Frankie didn’t guard them like a king’s ransom but rather used them, and then discarded them like a tissue. And old Frankie, even then, even in 1960 starting to spread his wings as the corner boy king of the North Adamsville high school class of 1964, knew who how to use his stockpile of facts better than Peter Paul ever could. So one night, one fiercely debated night, when Frankie could take no more, he said “bet.” And he bet that Peter Paul would not have the courage to travel from North Adamsville to Park Street Station in Boston to attend that SANE rally by himself (who else would go from old working class, patriotic, red-scare scared, North Adamsville anyway). And as is the nature of fourteen year old boy relationships, or was, failure to take the bet, whatever bet was social suicide. “Bet,” said Peter Paul quickly before too much thinking time would elapse and destroy the fact of the bet marred by the hint of hesitation.
But nothing is ever just one thing in this wicked old world. Peter Paul believed, believed fervently, in the social message of the Catholic Worker movement especially on this nuclear war issue. But this was also 1960 and Irish Jack Kennedy was running, and running hard, to be President of the United States against badman Richard Milhous Nixon and Peter Paul was crazy for Jack (really for younger brother, Bobby, the ruthless organizer behind the throne which is the way he saw his own future as a political operative). And, of course, October in election year presidential politics is crunch time, a time to be out hustling votes, out on Saturday hustling votes, especially every Irish vote, every Catholic vote, hell, every youth vote for your man.
On top of that Jack, old Irish Jack Kennedy, war hero, good-looking guy with a good-looking wife (not Irish though not as far as anyone could tell), rich as hell, was trying to out-Cold War Nixon, a Cold War warrior of the first degree. And the way he was trying to outgun Nixon was by haranguing everyone who would listen that there was a “missile gap”, and the United was falling behind. And when one talked about a missile gap in 1960 that only meant one thing, only brooked only one solution- order up more, many more, nuclear-bomb loaded guided missiles. So there it was, one of the little quirks of life, of political life. So, Peter Paul, all fourteen year old scared Peter Paul has to make good on his bet with Frankie but in the process put a crimp into his hoped-for political career. And just for that one moment, although with some hesitation, he decided to be on the side of the “angels” and go.
That Saturday, that October Saturday, was a brisk, clear autumn day and so Peter Paul decided to walk the few miles from his house in North Adamsville over the Neponset Bridge to the first MTA subway station at Fields Corner rather than take the forever Eastern Mass. bus that came by his street erratically. After crossing the bridge he passed through one of the many sections of Boston that could pass for the streets of Dublin. Except on those streets he saw many young Peter Pauls holding signs at street corners for Jack Kennedy, other passing out literature, and others talking up Jack’s name. Even as he approached the subway station he saw signs everywhere proclaiming Jack’s virtues. Hell, the nearby political hang-out Eire Pub looked like a campaign headquarters. What this whole scene did not look like to Peter Paul was a stronghold place to talk to people about an anti-nuclear weapons rally. Peter Paul got more scared as he thought about the reception likely at the Boston Commons. He pushed on, not without a certain tentative regret, but he pushed on through the turnstile, waited for the on-coming subway to stop, got on, and had an uneventful ride to the Park Street Station, the nearest stop to the Common.
Now Park Street on any given Saturday, especially in October after the college student hordes have descended on Boston, is a madhouse of activity. College student strolling around downtown looking for goods at the shops, other are just rubber-necking, other are sunning themselves on the grass or park benches in the last late sun days before winter arrives with a fury. Beyond the mainly civilized college students (civilized on the streets in the daytime any way) there are the perennial street people who populate any big city and who when not looking for handouts, a stray cigarette, or a stray drink are talking a mile a minute among themselves about some supposed injustice that has marred their lives and caused they unhappy decline. Lastly, and old town Boston, historic old town Boston, scene of many political battles for every cause from temperance to liberty, is defined by this, there are a motley crew of speakers, soap-box speakers whether on a real soap-box or not, who are holding forth on many subjects, although none that draw Peter Paul’s attention this day. So , after running that gauntlet, as he heads for the Francis Parkman Bandstand where the SANE rally is to take place he is amused by all that surrounds him putting him in a better mood, although still apprehensive of what the day will bring forth.
Arriving at the bandstand he sees about twenty people milling around with signs, hand-made signs that showed some spunk, the most prominent being a large poster-painted sign that stated boldly, “Ban The Bomb.” He is in the right place, no question. Although he is surprised that there are not more people present he is happy, secretly happy, that those twenty are there, because, frankly, he thought there might be just about two. And among that crowd he spots a clot of people who are wearing Catholic Worker buttons so he is now more fully at ease, and is starting to be glad that he came here on this day. He goes over to the clot and introduces himself and tells them how he came to be here. He also noted that one CWer wore the collar of a priest; a surprise because at Sacred Heart, his parish church, it was nothing but “fire and brimstone” from the pulpit against the heathen communist menace.
Get this-he also met a little old lady in tennis sneakers. For real. Now Frankie, devil’s advocate Frankie, baited Peter Paul in their arguments about nuclear disarmament by stating that the “peaceniks” were mainly little old ladies in tennis shoes-meaning, of course, batty and of no account, no main chance political account, no manly Jack Kennedy stand up to the Russians account. Peter Paul thought to himself wait until I see Frankie and tell him that this little old lady knew more about politics, and history, than even his two thousand facts. And was funny too boot. Moreover, and this was something that he had privately noticed, as the youngest person by far at the rally she, and later others, would make a fuss over him for that very reason talking about young bravery and courage and stuff like that.
Over the course of the two hours or so of the rally the crowd may have swelled to about fifty, especially when a dynamic black speaker from the W.E.B. Dubois club at Harvard University linked up the struggle against nuclear weapons with the black struggle down South for voting rights that those in the North had been hearing more about lately. It was not until later, much later, that Peter Paul found out that this Dubois club business was really the name of the youth group of the American Communist Party (CP) at the time but by that time he was knowledgeable enough to say “so what.” And it was not until later that he found out that the little old lady with the tennis sneakers was a CPer, although she had said at the time he talked to her she was with some committee, some women’s peace committee, within the Democratic Party. Oh, well. But then he would also be able to say “so what” to that accusation in proper “family of the left” fashion.
But forget all that later stuff, and what he knew or did not know later. See, that day, that October 1960 autumn day, Peter Paul learned something about serious politics. If you are on the right side of the angels on an issue, a central issue of the day, you are kindred. And although there were more than a few catcalls from the passers-by about “commies”, “dupes”, and “go back to Russia” he was glad, glad as hell that he came over. Although nothing turned inside him, noticeably turned inside him that day, about his politics and his determination to see Jack Kennedy and the Democrats take the White House he thought about those brave people at the bandstand and what they were standing for a lot for a long time after the event faded from memory. Oh ya, it was good to be on the side of the angels. And it didn’t hurt that he won that Frankie bet, either.
Click on the headline to link to a Wikipedia entry for Kiss Me Deadly.
DVD Review
Kiss Me Deadly, Ralph Meeker, Cloris Leachman, directed by Robert Aldrich, 1955
Sure I‘m a film noir buff. And sure I like my film detectives that way as well, Sam Spade, Nick and Nora Charles, Phillip Marlowe and so on. Normally Mickey Spillane and his 1950s-style detective, Mike Hammer, would no hit my radar though. Believe me I did, however, spent many a misbegotten hour reading Spillane’s detective stories, maybe as much for cover art work that ran to provocative bosomy, half-clothed femme fatale dames in distress as for the insipid story line that ran heavily to Mike’s anti-communist warrior pose ready to smash heads at the drop of a hat, and grab an off-hand kiss from every dame he ran into along the way. Aside for the question of that scurrilous (now scurrilous, maybe) cover art that is better left for another day my tastes in detectives were more to the “highbrow” Raymond Chandler and Dashiell Hammet and their more knight-errant-worthy story lines, and a little more reserve in the fist department, although for a damsel in distress they were ready to duke it out with anyone, and gladly.
That said, now along comes this classic 1950s film noir Mike Hammer story line and I was hooked, well, maybe not hooked so much as intrigued by it. Moreover, director Richard Aldrich seems to have had a flair for the noir film, from those black and white filmed shots of streets scenes in the seamy Los Angeles be-bop night (and day too, come to think of it), to an incredible be-bop jazz bar scene, complete with “torch” singer where after the lost of a friend Mike gets plastered (drunk), to the endless line-up of high end “golden age of the automobile” cars on display. Of course there is the normal bevy (maybe two bevies, I didn’t count) of alluring, mysterious women just waiting to fall into Mike’s arms when he comes within fifty paces of them, and he is, as usual, ready to put on his white knight uniform when he senses that something in evil in the world, and he most definitely is willing to thumb his nose as the governmental authorities who are always just a step, or seven, behind the flow of the action. But most of that is all in a day’s work for a noir detective. What makes this one stick out is the doom’s day plot.
Of course, the 1950s was not only about the rise of the “beats” and of teen alienation and angst-driven rock and roll but the heart of the international Cold War, a scary time no question, where if things had taken a half-twist a different way. Well, who knows, but it was not going to be pretty. And part of that Cold War, a central part, was the presence of the “bomb”, and for those who are too young to remember that was nothing but the atomic and hydrogen bombs that could, at any non-be-bop minute, blow the planet away.
And it is that threat that underlines old Mickey Spillane’s tale. See, with that kind of threat, but also the power potential , private parties, evil private parties could think of all kinds of nasty ways to wreak havoc on the world. If only they could get just a little of that bomb power. And that lust, that seemingly eternal lust, for power by certain of our fellows is where we are heading. See, someone privy to the atomic secrets had a little pot of the stuff ready for the highest bidder. And the highest bidder, so to speak, also happens to be a guy with plenty of dough to buy a ton of modern art (and a fondness for classic quotes). I knew there was something funny about those modern art collecting guys. Didn’t you?
And all it takes to spoil that nefarious plan is one Mike Hammer. Now, and here is the beauty of the Spillane method, this is not for governmental agents to handle, as one would think in trusting 1950s America, although they are hot on the trail but one threadworn detective. Threadworn? Yes, threadworm. See Mike is nothing but a low-rent, dirt-peddling divorce work detective (in the days when such dirt was necessary to get that desperate divorce), working this racket with his girl Friday (and lure), Velda. But see maybe Mike just fell on hard times and needed some dough (although his car, office set-up, digs… and fetching Velda belie that). But once Mike gets on the case, and only when he knows in his gut that something is wrong and he has that feeling here, then they are no limits. He faces off the mob (naturally, if there is something evil to broker they are in on it), half-mad women (one that he picked up on the hitchhike road, kind of, and her roommate) and that relentless modern art collector before he is through. I could go on but, really, this is one you have to see. And add to your list of film noir be-bop nights.
Click on the headline to link to a YouTube film clip of Sammy Kaye and his Orchestra performing Harbor Lights
CD Review
The 1950s: 16 Most Requested Songs, Volume II, various artists, CBS Records, 1986
Some people ask; although I am not one of them, if there was music before 1950s classic rock ‘n’ roll. Of course there was and I have taken some pains to establish the roots of rock back to Mississippi country blues, electric blues as they traveled north to the heartland industrial cities, jazz as it got be-bopped and took to swing, certainly rhythm and blues, north and south and rockabilly as it came out of the white small town South. What it owes little to, or at least I hope that it owes little to is that Tin Pan Alley/ Broadway show tune axis part of the American songbook. That seems to me a different trend and one that is reflected in this CD under review, The 1950s: 16 Most Requested Songs, which is really about the 16 most requested song before the rock jailbreak of the mid-1950s. Let’s be clear about that.
I have along the way, in championing classic rock as the key musical form that drove the tastes of my generation, the generation of ’68, contrasted that guitar-driven, drum/bass line driven sound to that of my parents’ generation, the ones who survived the Great Depression of the 1930s and fought World War II, and listened to swing, jitterbuggery things and swooned over big bands, swings bands, Frank Sinatra, the Andrews Sisters and The Mills Brothers, among others. In other words the music that, we of the generation of ’68, heard as background music around the house as we were growing up. Buddha Swings, Don’t Sit Under The Apple Tree, Rum and Coca-Cola, Paper Dolls, Tangerine, and the like. Stuff that today sounds pretty good, if still not quite something that “speaks” to me. That is not the music that is reflected in this compilation and which, I think rightly, I was ready to shoot my CD player over once I heard it as I announced in the headline.
No, this is music that reflects, okay, let’s join the cultural critics’ chorus here, the attempted vanilla-zation (if such a word can exist) of the Cold War Eisenhower (“I Like Ike”) period when people were just trying to figure out whether the Earth would survive from one day to the next. Not a time to be rocking the boat, for sure. Once things stabilized a bit though then the mad geniuses of rock could hold sway, and while parents and authorities crabbed to high heaven about it, let that rock breakout occur and not have everything wind up going to hell in a hand basket. But this music, these 16 most requested songs were what we were stuck with before then. Sure, I listened like everyone else, everyone connected to a radio, but this stuff, little as I knew then, did not “speak” to me. And unlike some of that 1940s stuff still does not “speak” to me.
Oh, you want proof. Here is one example. On this compilation Harbor Lights is done by Sammy Kaye and his Orchestra. This was cause one for wanting to get a pistol out and start aiming. Not for the song but for the presentation. Why? Well, early in his career Elvis, while he was doing his thing for Sam Phillips’ Memphis Sun Records operation, covered this song. There are a myriad of Elvis recordings during the Sun period, including compilations with outtakes and alternative recordings of this song. The worst, the absolute worst of these covers by Elvis has more life, more jump, dare I say it, more sex than the Kaye recording could ever have. And it only gets worst from there with incipient things like Frankie Lane’s I Believe, Johnny Mathis’ It’s Not For Me To Say, and Marty Robbins’ (who did some better stuff later) on A White Sports Coat (And A Pink Carnation). And you wonder why I ask whether they shoot CD players. Enough said.
******* Harbor Lights Lyrics
(words & music by H. Williams - J. Kennedy)
I saw the harbor lights
They only told me we were parting
Those same old harbor lights
That once brought you to me.
I watched the harbor lights
How could I help it?
Tears were starting.
Good-bye to golden nights
Beside the silvery seas.
I long to hold you dear,
And kiss you just once more.
But you were on the ship,
And I was on the shore.
Now I know lonely nights
For all the while my heart keeps praying
That someday harbor lights
Will bring you back to me.
